News

Bishop203 at Low Brow Artique

September 20, 2013

Earlier this week, we had the opportunity to interview one of our favorite people, Bishop203. A first-rate artist who’s been hitting a range of surfaces from abandoned factories, freight trains and walls to black books and canvases for years, Bishop203 is now the owner of Low Brow Artique, a superb space at 143 Central Avenue in Bushwick.

Bishop203

When did you first conceive of opening a business?

It was something that had been in the back of my mind for quite awhile. But growing up, I’d always wanted to be an art teacher.

So – what happened?

I hated school, and I failed all of my art classes. Actually, I failed just about all of my classes. And when my friends went on to college, I stayed behind for two more years and then graduated to painting freight trains.

Low Brow Artique

And how did Low-Brow Artique – one of our favorite spaces – come to be?

About a year and a half ago – soon after my father died – I thought to myself,  “I’m not doing anything much with my life, so why not open a business related to what I love?”  But I didn’t have a business plan or anything.  At first, I thought I would open an art supply store, but I wasn’t sure I had enough knowledge to do so at that point. And so I decided to focus on graffiti supplies, as I knew enough about hooligans to run a business catering to fellow hooligans.

What made you decide to set up shop in Bushwick?

I felt there was a need for it here.  There was no other outlet for graff supplies in my neighborhood, and with Joe Ficalora, the curator of the Bushwick Collective, making so many walls available to artists coming here from all over the world, the local aerosol art scene was booming.

Low Brow Artique

We notice you have just about every brand of spray paint here at really good prices.  There are also markers, pens, black books, a variety of hand-printed and home-made goods, and t-shirts. What else is available? 

Canvases, wood panels, screen print supplies, Liquitex paints, Krink and much more. I’m also about to start stocking Montana 94.

And your gallery has become one of the most popular graffiti/street art venues in NYC.  Tell us something about that.

I love it. It gives me the opportunity to showcase my favorite art. And it was especially wonderful for me to recently feature my dear buddy Bisc’s work. Bisc and I go back years, and his show was my most successful one. It was epic.

Bishop

What are some of your goals for Low Brow? Where would you like to see it go?

I love teaching the young bucks of the next generation. I can see myself giving formal classes here.  And I want to help up-and-coming artists achieve their dream by exhibiting their work.. That, perhaps, may be my greatest legacy.

How do folks find out about your space? 

It’s word-of-mouth. The graffiti world is small, and everyone wants to be up on the latest news.

Low Brow Artique

And what about your artwork? We see it regularly at 5Pointz and in this part of town. What’s happening with it? 

Well, for the most part, it’s taken a back seat to what’s happening here at Low Brow. But I’m ready to step up my game, especially when it gets too cold for much to be happening on the streets. And just this week, I was delighted to have a print released by my fellow hooligan, Bisc, who in collaboration with his partner at Daylight Curfew, has begun a monthly print series.

Bishop print

What do you see as the future of graffiti and street art?

I see it as just getting bigger and bigger. Just check out what’s been happening down the block.

 Interview by Lois Stavsky with Tara Murray; photos by Lois Stavsky; print image courtesy of Daylight Curfew

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Phlegm

In his signature illustrative style, Sheffield-based Phlegm was busy these past two days gracing a huge wall in Sheepshead Bay, Brooklyn with his mesmerizing characters, books-in-hand.  These images were captured yesterday.

Phlegm

And here’s a close-up:

Phlegm

Photos by Tara Murray

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From August 19 – August 25, Los Muros Hablan, an international urban arts festival, gave a voice to silent, empty walls in East Harlem and the South Bronx. Presented by La Repuesta, a leading Puerto Rican cultural space, Los Muros Hablan NYC, featured a wonderfully eclectic group of global artists.

Axel Void, 201 East 103rd Street in East Harlem

Axel Void

Pastel, 138 Street & Grand Concourse in the South Bronx — close-up from huge mural captured via instagram

Pastel

Celso Gonzalez and Roberto Biaggi, 54 East 116th Street in East Harlem

Celso Gonzales and Roberto Biaggi

Viajero, 2022 Third Avenue in East Harlem

Viajero

Viajerto

Rimx,154 East 100th Street, as seen in progress last week

Rimx

Betsy Casañas, 1664 Park Avenue in East Harlem

Betsy Casanas

LNY, 195 East 100th Street in East Harlem

LNY

Jufe, 2018 Third Avenue in East Harlem

Jufe

Elian138 Street & Grand Concourse in the South Bronx

Elian

Photos by Dani Mozeson & Lois Stavsky; keep posted to our Facebook page for more images of the completed murals from this week-long Los Muros Hablan NYC event presented in collaboration with Councilwoman Melissa Mark-Viverito and El Museo del Barrio.

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Dozens of new pieces surfaced this past weekend in “The Final Edition” at East Harlem’s Graffiti Hall of Fame on 106th Street & Park Avenue. Here’s a sampling from the event presented by James Top Productions and Joey TDS:

Brazilian writer AK47

AK47

Pose 2 and Czech writer Chemis

Pose 2 and Chemis

HopsOne

Hops One

Scratch and Shock

Scratch and Shock

Part One

Part One

Kingbee and Tony 164

KingBee and Tony164

Slave

Slave

Jesus Saves

Jesus Saves

Tomb. Wizart, Mad1, & Had2

Tomb. Wizart, Mad1, Had2

Jerms

Jerms

Rain

Rain

 Photos by Lois Stavsky

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Speaking with Bisco Smith

August 25, 2013

Currently based in both LA and NYC, Bisco Smith is celebrated for his graffiti on walls, as well as for his audio and visual work within hip-hop culture.  WORLD UPSIDE DOWN, a recent collection of this talented artist’s works, is on view at Low Brow Artique, 143 Central Avenue in Bushwick, through September 7th.  We spoke with Bisco soon after his hugely successful opening:

Bisco-graffiti-at-Low-Brow-Artique-Bushwick-NYC

When and why did you start getting up? 

I was about 12 or 13 years old when I started writing.

Any particular inspirations at the time?

I grew up skateboarding, and we were all into writing. Just about everyone in my school had a black book. We also avidly followed Chino’s Graf Flix section in the Source. This was sometime in the mid-90’s.

What was your preferred surface – back then? 

Abandoned buildings. I grew up spending day after day inside of a huge dead factory. We could paint anything and everything in there.

Any early graffiti memories that stand out?

The first time I got taken down to the train tracks, a party got broken up by the police and on our escape, we ended up under a bridge filled with burners.

Bisco Smith

What is the riskiest thing you ever did? 

Train tunnels and some less-than-solid rooftops. I remember getting caught between two trains, coming on opposite sides, while I was standing between two third rails. That experience will make you appreciate life all over again.

Why were you willing to take that risk?

I ask myself the same question now.

What percentage of your time is devoted to art these days?

Just about all of it. Both visual arts and music.

Do you have a day job? What is the main source of your income these days?

I work as a graphic designer and I mentor kids.  I have a strong moral compass, and just about 98% of the work that I do is for the right cause. I’m involved with various community-based organizations including ARTS By the People, based in New York and New Jersey.

Bisco Smith

Have you any thoughts about the graffiti/street art divide?

Graffiti has a code, street rules, that “street art” doesn’t have – and that’s one of the reasons for the tensions between the two. But I don’t think there’s enough respect on either side.

How do you feel about the movement of graffiti and street art into galleries? 

I think it’s great when people can make a living doing what they love – and also impact others.

Would you rather work alone or collaborate with others? 

When I’m working on walls, I prefer to collaborate.  More often than not, I paint with my friends and crew mates: Leias, Bishop203 or Meres

Is there anyone in particular with whom you would like to collaborate? 

Jackson Pollock – if he were alive.

Any favorite graff artists?

Ces. Since Videograf 8 dropped, that whole 90’s era in the Bronx really was my favorite.

Bisco, Meres and Bishop203

Do you have a formal art education?  

Yes. I studied communication design at Pratt.

Was it worthwhile?

Very much so. It taught me a trade. There’s work in graphic design.

How do you feel about the role of the Internet in all this? 

Both positive and negative. I love the connections and opportunities, but miss when style was localized

What inspires you these days?

Lately, I have been heavy on instagram and tumblr checking out other artists, working artists.

Are there any particular cultures that have influenced your aesthetic?

Hip-hop culture for sure.

Bisco and Leias

Do you work with a sketch-in-hand or just let it flow?

I let it flow.

Are you generally satisfied with your finished piece?  

For the most part, but in the end — for me  — it’s more about the day and the moment. The end result is a bonus.

How has your work evolved through the years?

Although I continue to work on the streets, I no longer need its framework to create. I think my artwork is more focused these days – especially if I know it’s headed to a gallery.

What do you see as the role of the artist in society?

Balance out the mundane, as well as make people think.

What about the role of the photographer? The blogger?

It is important to document what’s out there and happening. I think its essential to any movement.

Bisco Smith

Any thoughts about sanctioned vs. unsanctioned art?

I like them both. I think both are needed and both allow for their own outcomes and impacts.

The Europeans seem to appreciate and respect graffiti far more than we do here in the States? Any thoughts about that?

If it doesn’t make money here, society seems to not appreciate it.

What’s ahead?

More visual explorations, socially engaged work, and gallery exhibits.

Interview by Lois Stavsky. Photos: 1. Bisco on exterior of Low Brow Artique, photo by Lois Stavsky; 2. & 3. Bisco in WORLD UPSIDE DOWN, photos courtesy of the artist; 4. Bisco, Meres, Bishop203 & Leias at 5Pointz, photo by Lois Stavsky; 5. Bisco & Leias on exterior of Low Brow Artique, photo by Tara Murray and 6. Bisco in Watts, photo courtesy of the artist

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Orly Genger

She stands only five feet tall, but her artwork is monumental.  Thirty-four-year old Orly Genger has fashioned 1.4 million feet of lobster-fishing rope into three surging and ebbing sculptures on three separate lawns in Madison Square Park.  I passed them by chance earlier this week in an area of town I only occasionally visit, and I was mesmerized. The installation continues through September 8 in NYC and will then travel to the deCordova Sculpture Park in Massachusetts.

Orly-Genger-public-art-work-at Madison-Square-Park-Red

Orly-Genger-public-rope-scultpure-at Madison-Square-Park

Orly-Genger-public-art-work-at Madison-Square-Park-yellow

Orly-Genger-public-art-work-at Madison-Square-Park-blue

Photos by Lois Stavsky

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Shepard Fairey

It’s been busy in DUMBO, Brooklyn. For the past week, some of our favorite artists have been gracing its walls with stylishly striking artwork, transforming its landscape into a stunning open-air gallery.

Shepard Fairey at work

Shepard Fairey

Faith47, close-up from completed mural

Faith 47

Another Faith47 close-up

Faith 47

DALeast, close-up from completed mural

DALeast

Another close-up from DalEast’s mural

DALeast

Eltono at work

ElTono

Another close-up from Eltono mural in progress

ElTono

MOMO, close-up 

MOMO

Another close-up from MOMO mural in progress

MOMO

These murals are among eight to grace a four-block stretch along the BQE. We will continue documenting DUMBO Walls on our Facebook page.

Photos by Dani Mozeson

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Damien Miksza, Cern and QRST

The once-abandoned trailer on East 1st Street off 1st Avenue in Manhattan’s East Village has once again been transformed into an intriguing canvas of urban art. Here are a few images we captured these past few days from Cycle 9 of the Centre-Fuge Public Art Project.

Cern at work

Cern

Cern, close-up

Cern

Damien Miksza at work

Damien Miksza

QRST at work

QRST

Cassie Lynn O’Neal at work

Cassie Lynn O’Neal

 Cake — close-up

Cake

Caroline Caldwell at work

Caroline Caldwell

Royce Bannon at work on collaborative piece with Korn

Royce Bannon and Korn

The curatorial vision of Pebbles Russell and Jonathan Nevillethe Centre-Fuge Public Art Project was conceived in 2011 in memory of Mike Hamm.  Submissions to Cycle 10 — due by August 26th — can be sent to centrefuge@gmail.com. Keep posted to our Facebook page for more images from Cycle 9

All photos by Tara Murray, except for final photo by Lois Stavsky.

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For over 30 years East Harlem’s Graffiti Hall of Fame has been home to hundreds of stylish masterpieces.  This past weekend, generations of fans and writers came together — once again — at 106th and Park to celebrate the extraordinary art movement that began here and continues to impact the world. Here is a selection of images captured at the event:

1983 Wild Style mural by Zephyr, Revolt and Sharp recreated by KingBee and Vase1

Wild Style

Hef and Per1

Hef and Per1

Rain and Demer

rain and demur

Muse, Wallnuts

Muse

Kais

Kais

The Cone

The Cones

Craze, Reo, Page3 and Eazy

caze-rio-page3-Eazy-graffiti-NYC

Nic 707 and Tony 164

Nic 707 and Tony 164

One of many talented break dancers

dancer

In front of the main mural celebrating the 30th anniversary of the film Wild Style

graffti-hall-of-fame-nyc

Final photo courtesy of Scott Richardson; other photos by Dani Mozeson, Tara Murray and Lois Stavsky

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Armed with spray paint, paintbrushes, markers, pencils and assorted implements, a diverse group of artists have transformed the ground level of the Marina at Pier 57 into a mesmerizing medley of styles, shapes, colors and concepts. Here’s a sampling of what we recently captured on the “magic carpet” under 36 suspended shipping containers:

Iranian stencil artist IcySinned painting, top left

Icy and Sinned

Icy’s brother and partner Sot 

Sot

Daniel Patrick at work with words

Daniel Patrick

Queens-based artist Sinned, close-up

Sinned

Painter Bruce Wall at work on piece in collaboration with Josh Miller

Bruce Wall

Bruce Wall

 Garrison Buxton of Ad Hoc Art

Garrison- Buxton-art-Pier-57

NYC-based RJ Raizk

RJ Raizk

RJ Raizk

Brooklyn-based Subtexture

Subtexture

Not pictured are works by Depoe, Rrobots and In Pursuit of Magic.

Commissioned by YoungWoo & Associates, the completed artworks can be seen at the Marina at Pier 57 at West 15th Street within Hudson River Park through July.

Photos by Dani Mozeson, Tara Murray and Lois Stavsky

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