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Monument Art, an international mural festival — similar in scale and scope to Los Muros Hablan NYC  that took place in 2013 in East Harlem and the South Bronx — was launched earlier this month. Curated by Celso Gonzalez and presented by the La Marqueta Retoña initiative, in collaboration with the City Council Speaker Melissa Mark-Viverito, it features a stunning array of soulful, site-specific murals.

South African artist Faith 47, 103 St & Madison Ave

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Brooklyn-based Puerto Rican photographer Luis R Vidal, 111 St & 1 Ave

"Luis Vidal"

Belgian artist Roa at work, 1o8 St & Lexington Ave

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 Roa‘s completed piece

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Mexican artist Sego at work, 103 St & Madison Ave

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Sego‘s completed mural

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NYC-based Viajero at work, 113 St & 2 Ave

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Viajero‘s completed mural

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Argentine artist Ever at work on 99 St & 3 Ave

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Ever‘s completed piece

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Andrew Antonaccio and Filio Galvez of the Miami-based collective 2Alas, 138 St & Park Ave, South Bronx

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The first image — a portrait of Puerto Rican novelist Nicholasa Mohr on 111 St and Lexington Ave — was painted by LA based El Mac in collaboration with Puerto Rican artists Celso Gonzalez and Roberto Biaggi, Cero.

Photo credits: 1 & 9 Lois Stavsky; 2, 3, 5-8 & 10-13 Tara Murray; 4. Dani Reyes Mozeson 

Note: This blog will be on vacation through Nov. 1. You can follow us on our Facebook page and on Instagram.

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Stik

Known for his iconic life-size stick figures that have surfaced throughout the globe, East London-based Stik has attained celebrity status with Random House‘s recent release of his first book. While in London last month, I had the opportunity to speak to the artist.

When did Stik first surface? And where?

It was back in 2003 in Hackney Wick along the canal.  It was the safest place to paint at the time.

Can you tell us something about Stik’s origin? What was the concept behind it?

I came up with the idea of six lines and two dots simply because it was the quickest way to paint without getting caught.  My first Stik drawing represented my struggle to find shelter and survive. While homeless, I had lost all my drawings. Anything I could get up on the streets could be seen, at least, for a time.

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How did folks respond to your work at the time?

They liked it. They could identify with it. It especially spoke to lonely people.

How has Stik evolved since it first surfaced?

At first I only painted lonely people.  It was my way of reflecting on my personal struggles. Then as my circumstances improved, I became involved with causes and the figure changed as its context changed.

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What are some of these causes?

Homelessness, gentrification, the National Health Service, underground cooperatives and more.

Your new book, simply titled Stik, is currently a best-seller in London.  What was the concept behind it?

It is a journal of the progression of the Stik project.

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Your book is so stunningly presented and has gotten such wonderful press in London. When did the idea of first publishing a book come to you?

In 2010, while living in a homeless hostel, I was writing a monthly column for the Hackney Citizen that included a mural related to a news story. I did this for a year, and it made me think about articulating meanings.

Any plans to visit NYC?

Yes! I plan to visit NYC in the spring.

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That sounds great!  We are certainly looking forward to seeing you again in NYC!

Photo credits: 2. Tara Murray 3. Dani Reyes Mozeson 4-5. Lois Stavsky; interview by Lois Stavsky

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Centre-fuge-public-art-project

The Centre-fuge Public Art Project has once again refashioned the Department of Transportation trailer on First Street and First Avenue.  Here are a few more images of its latest transformation:

Andy Golub captured at work

"Andy Golub"

Key Detail and Yu Baba collaboration

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The other side of the trailer with Below Key, Leon Rainbow and  Zero Productivity

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Below Key

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 Zero Productivity

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And Never‘s homage to Peter Carroll aka Laser Burners 

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Note: First image features Andy GolubKey Detail with Yu Baba Rez and Rez Shaolin

Photo credits: 1, 2, 4-6 Tara Murray; 3 & 7 Dani Reyes Mozeson

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edec1-sticker-art

Opening next month on Wednesday, November 18th is round two of the Con Artist Collective‘s hugely successful ‘slap’ sticker show. While visiting its space at 119 Ludlow Street on Manhattan’s Lower East Side earlier this week, I had the chance to speak to Con Artist Collective’s Brian Shevlin.

What prompted you to launch a second round of Slap?

We had gotten such an enthusiastic response to our first sticker art show two years ago. And folks kept on asking us, “When are you doing another Slap show?”

You, yourself, are quite a sticker aficionado. What is the appeal of sticker art to you?

With just a sharpie and a shipping label, anyone can become a street artist. And a handmade sticker is such an intimate object of art! I also love the way the sticker art culture brings together such a wide range of creative people from graffiti writers to fine artists, all of different backgrounds.

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What would you say is the mission of Slap 2?

We are looking to involve a lot of the artists who didn’t participate in our first Slap show. And this exhibit is our way of celebrating and showing respect to the sticker culture.

How might this next sticker exhibit differ from your first one?

It will differ in scope and scale. We’ve put together an incredible team, with help from Robert Aloia of Outlaw Arts, Hugh Burckhardt and Paul Arbs from Urban Hooker. We are hoping to bring over 500 artists on board. And we will have sticker packs available for purchase.

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How can folks submit stickers to Slap 2?

They are to fill out this form, and then drop off or mail their handmade stickers to: Con Artist Collective, 119 Ludlow Street, New York, New York. They can find additional information on our website.

What is the deadline for submissions?

They have until November 13th.

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 What’s ahead?

We will travel the world! Our first Slap exhibit has already traveled to Sri Lanka and is heading to Singapore and Bangkok. It will continue to travel with new submissions added. And we will, once again, publish a zine.

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What a great opportunity for artists! This sounds wonderful!

Note: The exhibit will open on November 17th with an opening party and end on November 28th with a closing party.

Images of works submitted for Slap 2: 1. Edec1 2. Klops 3. Kenji Hirata 4. Whut

Interview by Lois Stavsky

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"Dee Dee"

Opening this evening at 2 Rivington Street on Manhattan’s Lower East Side and continuing through Sunday is The Day Is My Enemy, street artist Dee Dee‘s first solo exhibit. Presented by Montreal-based Station 16, it features an intriguing array of distinctly curious collaged works. When I stopped by last night, I had the opportunity to speak to Adam Vieira and Emily Robertson of Station 16.

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Just who is Dee Dee?

She is quite mysterious! But word is that the secretive artist is based in New York City and that she is Japanese.

Interesting! How did you discover her?

We first heard about her from Dain, whose work we’d exhibited at Station 16.

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Yes! They share a similar aesthetic! What is it about Dee Dee‘s work that appeals to you?

We love that she creates her art from scraps of posters and assorted papers that she finds on the streets. And we like that she consistently gets up in a variety of spots. We are thrilled to be back in NYC to present her work in this space.

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Can you tell us something about the concept behind The Day Is My Enemy?

Yes! It is Halloween-based, as it highlights themes of deception and destruction. The works on exhibit explore the contradictions and discrepancies between our private and public selves.

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What can visitors to the opening reception expect — in addition to viewing first-hand all of this intriguing art?

There will be themed hostesses, lighting to complement the mood, a soundscape designed by Dee Dee and more!

It sounds great! Good luck!

Note: The Day Is My Enemy opens this evening from 6-9pm at 2 Rivington Street off the Bowery.

Interview and photos 1-4 by Lois Stavsky

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ree-and-snow-graffiti-shuaspace

Currently on view at Jersey City’s Shuaspace is Street Level, an exhibit featuring works by a range of artists from Old School graffiti writers to contemporary muralists. While visiting the space this past Sunday, I had the opportunity to speak with its curator, Allison Remy Hall.

What a fun exhibit! It’s such a wonderful mix of styles and genres. How did it all come about? 

When the owners of Shuaspace, Joshua Bisset and Laura Quattrocch, met me at the previous show that I had curated, they invited me to curate in this space. I’d always wanted to curate a graffiti exhibit, and this seemed like the perfect venue and opportunity. I then contacted artists whom I knew, who put me in contact with other artists.

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Why graffiti? What draws you to graffiti?

I’ve always loved its aesthetic. I love its rawness and spontaneity.

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When and where were you first introduced to it?

My older siblings first introduced me to graffiti. I was about eight years old and living in New Haven at the time. Even as a child, I felt there was something bold and bad about it that appealed to me.

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What — would you say — is the mission of  Street Level?

It’s a celebration of the organic nature of neighborhoods. With gentrification so much of the aesthetics and social dynamics of neighborhoods have been lost.

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What was the experience of curating your first graffiti exhibit like?

It was wonderful! Everyone was so supportive and helpful and generous with their time. It was the most fun of any show I’ve curated!

Note: You can visit  Street Level, at Shuaspace this coming weekend from 1-6pm at 340 Summit Ave, a few blocks from Journal Square in Jersey City. You can also arrange a visit by contacting Alison at aremyh@gmail.com.

Photos by Lois Stavsky

1.  Ree and Snow, painted on gallery wall interspersed with black and white photographs

2. Curator Allison Remy Hall at gallery space

3. Distort and Acropainted on gallery wall interspersed with black and white photographs

4. Mr. Mustart

5. Sam Pullin aka Bedbugspainted on gallery wall interspersed with black and white photographs

Photographers on exhibit: Andrew Blumenthal, Miguel Peralta and Giovani Santoro

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Jeppe-Hein-public-art-scultpure-Brooklyn-Bridge-Park

Continuing through April 17, 2016 at Brooklyn Bridge Park is Jeppe Heins delightful open-air exhibit, Please Touch the Art. We’ve visited it several times and will be back for more! Here are a few more images we captured of the exhibit curated by Nicholas Baume and brought to us by the Public Art Fund.

Another Modified Social Bench

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Playtime at Appearing Rooms

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Close-up

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Mirror Labyrinth NY

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Modified Social Benches, another one of 16, at dusk

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Photo credits: 1 Lois Stavsky; 2-6 Dani Reyes Mozeson

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jerkface-street-art-galinksy

Curated by East Village resident Robert Galinsky, the 12C Outdoor Gallery — on Avenue C and East 12th Street — showcases an ever-changing array of murals representing a range of styles and themes. Recent additions include: JerkfaceDaphne ArthurMike Ceeza aka MCA and Zeso.

Jerkface at 12C Outdoor Gallery’s back-to-school block party

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Daphne Arthur

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Mike Ceeza aka MCA at 12C Outdoor Gallery’s back-to-school block party

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Zeso, close-up

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Zeso‘s complete mural with the message, Education is a Weapon of Mass Construction

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 Photo credits: 1, 3 & 5 Lois Stavsky; 2 & 4 Tara Murray and 6 Dani Reyes Mozeson

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"Icy and Sot"

Led by Maziar Bahari — a former Newsweek journalist who was imprisoned in Iran for 118 days and became the subject of Jon Stewart’s film Rosewater — the #NotACrime campaign focuses on human rights abuses in Iran.  Members of the Baha’is, Iran’s largest religious minority, have been jailed solely for teaching and studying, as have journalists who expose the Iranian government’s policies. #NotACrime‘s current street art campaign, curated by Street Art Anarchy, has brought a series of new politically-engaged murals to New York and New Jersey. I recently had the opportunity to speak to the noted Brooklyn-based Iranian-American artist Nicky Nodjoumi, one of the campaign’s participants, who had been exiled from Iran in the aftermath of the Islamic revolution.

"Marina Zumi"

What moved you to participate in the #NotACrime Street Art Campaign?

I have been using art as a means to expose political crimes for a long time. It is part of my overall activities as an artist.

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You are principally known for your exquisite politically-infused figurative paintings, but you also designed posters against the Shah back in the late 70’s.

Yes, while teaching at the Tehran University of Fine Arts, I became involved in the movement to oust the Shah. We never could have imagined that what would follow would be even worse than the Shah’s regime.

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For the #NotACrime street art Campaign, you painted a pair of shackled hands. That image has also been surfacing on posters Downtown. Why that image?

It is a symbolic gesture in support of journalists in Iran. It is a general representation of the suppression of free expression.

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Do you feel that all artists have a responsibility to raise issues that will facilitate change?

An artist who lives in the Middle East does. There one has to have a position and take a stand.

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What is the foremost challenge facing artists and journalists in Iran today?

There is no freedom of expression. Human rights are abused. Everything must be done clandestinely. One faces the risks of imprisonment, torture and worse for any expression that challenges the government.

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What do you see for the future? Are you at all optimistic? Will things get better in your native country?

Unfortunately, I don’t have any hope for the immediate future. Despite the election of a more moderate President, dissent is not tolerated, as the hardliners are the ones who are setting the present policies.

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I suppose we all need to work together to create awareness.

Note: All murals in the #NotACrime street art campaign were curated by Street Art Anarchy. What follows are the ones featured above:

1. New York-based Iranian artists Icy and Sot819 Broadway and Ellery St in Bushwick

2. Argentinian artist Marina Zumi, Frederick Douglass Blvd and 126th St in Harlem

3. American artist David Torres aka Rabi, part of the art duo Cyrcle, 126th St in Harlem’s Nelson Mandela Memorial Garden 

4. New York-based Iranian artist Nicky Nodjoumi, 11-22 Welling Court in Astoria

5. Italian artist Jacopo Ceccarelli aka 2501, 24th St and Lex Avenue in Manhattan

6. Brazilian artist Alexandre KetoFrederick Douglass Blvd and 126th St in Harlem

7. South African artist Faith47, Colombia and Woodhull Streets in Red Hook

8. New York-based Jennifer Caviola aka Cake, 612 Communipaw, Jersey City

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Interview with Nicky Nodjoumi by Lois Stavsky

Photo credits: 1, 4, 6 & 7 Tara Murray; 2, 3 & 5 Dani Reyes Mozeson and 8 courtesy of #NotACrime

Check here to find out how you can participate in the campaign.

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Ayad-Alkadhi-I-Am-Baghdad

Continuing through October 3 at Chelsea’s Azart Gallery is More than Words, co-curated by Melissa McCaig-Welles and Latifa Metheny. Presenting a range of artworks fusing text and images, the exhibit features a wonderfully eclectic mix of styles, sensibilities and cultures.  Here is a sampling of the works:

Brooklyn-based Canadian painter Tim Okamura

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Brooklyn-based Moroccan artist Rocko, close-up

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Queens native Greg Lamarche aka SP.ONE

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Vitry sur-Seine-based French artist C215  

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Azart Gallery is located at 617 West 27 Street in Chelsea and is open Tuesday through Saturday from 11 am to 6 pm.

Note: The first image, I Am Baghdad, is by New York-based Iraqi artist Ayad Alkadhi.

Photo credits: 1-3 & 5 Dani Reyes Mozeson; 4 Lois Stavsky

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