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While many of us were pondering the world’s fragile state in the early months of the pandemic, the brilliantly inventive and socially conscious Spanish artist Pejac was busy creating art in response to it. And this past fall, he shared his vision in APENA, a ten-day exposition held in a former train manufacturing site in Berlin. Over 40 new artworks — addressing such themes as environmental pollution, climate change, the refugee crisis and inequality —  were displayed in eight different rooms and spaces. Several play on classical paintings; all are at once poetic and unsettling,

The image featured above, “Counterweight,” was fashioned in 2020 with oil, acrylic and spray paint and mounted on a wooden stretcher. Several more images of Pejac‘s artworks — all painted since the early days of the pandemic — follow:

“Urban Albatross,”  Oil, acrylic, spray paint and charcoal on paper mounted on wooden stretcher

“H20,”  Charcoal, Pencil, conté, and gold leaf on paper mounted on wooden stretcher

“Bad Time for Lyrics,”  Brass, bronze and wood

“Swirling,” Oil, acrylic and spray paint on paper mounted on wooden stretcher

“Oppressed IV,” close-up; Chalk and pencil on paper

And you can view the remarkable APNEA Exhibition here:

All images courtesy Majka Tkacik – Project Manager, Suben Art

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This past fall, under the curatorial direction of veteran graff writer Wen Cod, over two dozen artists once again brought their blazing talents to Boone Avenue in the Bronx. The vibrant image featured above was painted by the hugely talented Blame1, a member of both FX and the Slaughter House Krew. Several more exhilarating images follow:

Stylemaster Doc TC5

Queens native graffiti writer and fashion designer Claw Money

The inventive graff pioneer Cycle

Veteran writer and illustrator Wore One

The delightfully imaginative Long Island-based Phetus

The hugely skilled artist and typographer Queen Andrea

The ever-deft Bronx-native Yes One

Photo credits: 1, 2, 4 & 7 Ana Candelaria; 3, 5, 6 & 8 Lois Stavsky

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On December 2, the long-awaited inauguration of Canal Gallery — Barcelona’s new contemporary urban art gallery — was celebrated with the opening of the group exhibition Ceremony. Under the curatorial direction of its founder, Barcelona-based artist Balu, and art critic Teresa Arroyo de la Cruz, Ceremony showcases over 50 established and emerging artists working in a wide range of media. Among these are several New York City-based pioneers. The image above features — from left to right — the talents of NYC legends Coco144 and Al Diaz aka SAMO, alongside the pioneering Spanish urban artist Germán Bel aka Fasim. Several more images from the groundbreaking exhibition follow:

Its handsome entryway located  in the city’s Gothic Quarter at Carrer del Palau, 4; Barcelona-based Kram on left

Spanish artists Birdie, Kamil, Javier Mariscal and Art Is Trash (from left to right)

Spanish artists Canal Gallery founder BaluCarlos Magone and Ira Torres

Paris-based Popay (L) and Berlin-based Rallitox

Front view: Coco144, Al Diaz aka SAMO, Germán Bel aka Fasim, Laia, Ramón Maiden, Flint, Tayone, Gerard Fernández, Vanesa Muñóz and Grito

Germán Bel aka Fasim interviewed by BTV

Flyer for exhibition that continues through Thursday, December 30

Special thanks to Germán Bel aka Fasim for providing the contents and photographs for this post. First featured photo is by Teo Vázquez

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When LISA Project NYC co-founder Reynaldo Rosa aka The Drif was 10 years old and living in the foster care system with a critical illness, he wished he could visit the Walt Disney World Resort in Florida. Thanks to the Make-A-Wish Foundation, a 501 nonprofit organization that that helps fulfill the wishes of children with serious illnesses, Rey had his wish come true – an adventure that sparked his imagination, allowing him “to see color again.”

Inspired by this experience, Rey has been bringing color to our streets for over a decade, and his brain-child, the Make-A-Wish Mural Project, has launched a variety of spirited murals in a range of NYC spaces from the Brookdale Hospital in East Brooklyn to the streets of Nolita in Manhattan.

Last month, under The Drif’s curatorial direction, the exterior of the huge Macy’s Department Store, housed in Queens Center, was magically transformed as part of Macy’s annual Believe campaign. The image featured above was a collaboration among: the Drif, Zero Productivity, Chris RWK and Veng RWK. Several select close-ups from the huge mural project follow:

Zero Productivity and Chris RWK

Indie 184 and Zero Productivity

Veng RWK

Indie 184, Chris RWK & Veng RWK

And a reminder from Chris RWK to send your letter to Santa — as for every letter received, Macy’s will donate $1 to Make-A-Wish, up to $1 million. You have until Friday to write your letter here or drop it off at Macy’s.

Note: Earlier this month six murals were also unveiled outside the Macy’s in downtown Brooklyn.

Photo credits: 1 Shalom Stavsky, 2-6 Lois Stavsky

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Since 2002, Meeting of Styles has been sponsoring and organizing first-rate graffiti festivals throughout the world. Earlier this fall, the first Newark NJ Edition of MOS — under the curatorial direction of  Get Lost Alot — brought local, national and international artists together to celebrate and share their talents in Brick City. Last week, photojournalist and arts educator Rachel Alban and I visited one of its key locations along Raymond Boulevard.

The stylish, colorful writing featured above was spray painted by the seemingly nomadic John Connor aka All About Letters.  And the bold image to its right was fashioned by the masterly Mexican tattoo artist Yeer THC.

Several more artworks we came upon on and off Raymond Boulevard follow:

West Coast-based artist and curator Espy

 German/Croatian artist Kosmik One

Bronx-bred artist El Souls 

Graffiti writer Tense One in collaboration with multimedia artist YN ART/Art by Prop

Graffiti stylemaster Revenge

The prolific NYC-based artists Wane One and Adam Fu

We look forward to coming upon more walls painted during Brick City’s “Meeting of Styles” in future graffiti- hunts within Newark!

Photo credits: 1-4, 6 & 7 Lois Stavsky; 5 Rachel Alban 

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Launched by Street Theory — a creative agency founded by Victor “MARKA27” Quinonez and Liza Quinonez in 2020 as a response to police brutality —  Murals for the Movement is intent on rebuilding communities with “uplifting large-scale murals and public art by Black artists and artists of color.”

Under the curatorial direction of Street Theory, several large, inspiring public artworks by Marka27, Cey Adams and Sophia Dawson recently surfaced in DUMBO, Brooklyn. The image featured above is one segment of a huge, boldly colored neoindigenous mural celebrating “the African Diaspora and contemporary Afro Futurism” painted by the multidisciplinary international artist MARKA27.

A close-up from another segment of Marka27‘s huge mural, “Back to the Essence,” 195 Gold St

NYC’s legendary Cey Adams brings a message of LOVE to Prospect + Adams St. with two murals

And directly facing it–

Brooklyn-based, socially conscious visual artist Sophia Dawson“Standing in the Gap,” Front St. between Pearl St. & Adams St.

Close-up

This project was funded by Downtown Brooklyn Partnership and DUMBO Improvement District utilizing NYCDOT property. The murals will remain on display through spring, 2022.

Photos: Lois Stavsky

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After viewing ONe Rad Latina‘s solo exhibition at Village Works, I was eager to find out more about the self-taught multidisciplinary artist. And on Sunday, I had the opportunity to visit her Bushwick studio and speak to her about her exhibition that remains on view at Village Works through December 2.

I first came upon your infectious aesthetic last fall on the streets of Soho. I then encountered it on the exterior of the New York Public Library, on the walls of Bushwick and in East Harlem’s Grandscale Mural Project. And this past Friday, I visited your solo exhibition One Rad Latina at Village Works in the East Village. What an amazing range of studio art on view!  How did you decide which works to include in this current exhibition?

Most important are my faceless portraits. It is how I express my identity. As a first generation American, I almost always felt invisible. The faceless portraits also reflect my Dominican heritage, as handcrafted faceless dolls made out of terra cotta are unique to it. Another important representation of my culture that I wanted to include in this exhibition are my Skeletrex, the skulls that I draw. When my dear friend Kev RWK saw them several months ago, he urged me to continue to develop them.

And what about your designs? I love their flow.

They’re a reflection of my brain — the distinct way it works. When I was five years old, I learned that particular technique of drawing loosely and freely from my kindergarten teacher. And I love the patterns that emerge when I just let it flow!

Your works range in style from whimsical abstract graffiti to serious meditative portraiture. Is there a particular mode, medium or style that you prefer? That you feel most comfortable working with?

I love each of the styles. I can’t say that I have a preference. As far as the tools I employ, I like working with a palette knife and heavy acrylic medium.

Have you any personal favorites among the artworks on exhibit?

Among my favorites are: Primo Hermanos (First Cousins) — inspired by a 1987 family photo — and People Are Strange that I designed last year with acrylic, oil marker and ink. In both images, the figures are faceless.

Village Works is such a handsome space, and your artwork looks so wonderful there. How did you hook up with this East Village venue?

It was through Kurt Boone, a huge fan and documentarian of NYC culture. I’d known of him for years because he’s part of the bike messenger culture that I follow, but it wasn’t until last year that I met him. I was painting a mural at the New York Public Library in Midtown, and he was in the neighborhood photographing a protest at the time. Kurt noticed what I was doing, stopped by, and became interested in my work. He knew Joe Sheridan, the creative director of Village Works, and approached him about curating an exhibition of my studio work.

How did opening the opening reception go? How did folks respond to your works on exhibit?

It was awesome! And I was thrilled that so many old school writers attended. Among these pioneers were Mike 171, Butch 2 and SJK171 — guys who have contributed so much to the culture, but have yet to receive the recognition they deserve.

How can folks still see your exhibition?

It remains on view through December 2 at the Village Works Art Gallery, located at 90 East 3rd Street. Check here for opening hours. A q&a with curator Kurt Boone and me will be held on Tuesday (tonight) evening from 8 to 9:30. And there will be a closing event on Thursday, December 2, 7 to 10PM. A limited edition signed catalog is also available in the gallery.

Images of artwoks

1 “Untitled,”  Mixed media

2 “Primo Hermanos,” Acrylic on canvas

3 “El Sueño de la Carbonera,” Acrylic and ink on cotton stretched canvas

4  “Untitled,” Mixed

5 “People Are Strange,” Acrylic, oil marker and ink

Photos and interview by Lois Stavsky

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Organized and curated by the hugely inspiring East Harlem-based artist and educator Carmen Paulino aka Carmen Community Artist, “Cities Healing Through Fiber & Art” showcases a range of artworks — largely fashioned with yarn — spanning two floors of  El Barrio’s Art Space PS109. Featured above are two of Carmen’s works — The Notorious RGB  and My Body My Choice — on exhibit. Several more artworks on view in this group exhibition — follow:

Miami-based Kern Myrtle, Wet Paint

Philadelphia-based Linette Messina, Say Her Name, Breonna Taylor, Acrylic yarn

California-based Felicia Provenzano, Heart of the City

East Harlem-based Michael Paulino, Alas Yorick’s Skull, Acrylic paint and yarn

Milagros Rios, Yellow NYC Taxi

Alisha Soto, Lecciones de Amor

The artists and more — with exhibition curator Carmen Paulino aka Carmen Community Artist, fourth to the left in front row

A visual ode to the power of art to help us heal in these challenging times, the exhibition remains on view through November 29 at El Barrio’s Art Space PS109  at 215 East 99th Street.

Photos by Lois Stavsky

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Now in its sixth year, Underhill Walls — under the curatorial direction of Jeff Beler — increasingly engages a diverse range of local artists, reflecting the soul and spirit of its neighboring Prospect Heights blocks. Currently on view is a series of tantalizing murals on the theme “Movie Night.”

Pictured above is Zero Productivity‘s rendition of The Birds to the left of Subway Doodle‘s take on The Rocky Horror Show — with curator Jeff Beler posed between them.  What follows are a few more murals on the theme:

Venezuelan cartoonist Jorge Torrealba introduces “Movie Night”

Muralist and designer Majo Barajas aka Majo San, Pet Sematary

Muralist and illustrator Miki Mu, The Italian Stallion

Local artist ohh.henny.ohhhh paints his first mural, Space Jam

     NYC-born, Oakland-based Nite Owl, The Birdman of Alcatraz

Local artist Slim Villain at work, Terminator 2

Multidisciplinary artist Sage Gallon, Mahogany 

Colombian artist Calicho Arevalo, Godzilla

Underhill Walls is located at the corner of St. Johns Pl and Underhill Ave.

Photos: Lois Stavsky

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Both Konstance Patton and LeCrue Eyebrows have been increasingly sharing their distinctly intriguing visions on NYC streets.  For the past several days, they have been complementing each other’s singular aesthetics in “11-11 Synchronicity,” a wonderfully handsome exhibition featuring a range of media on view through today at Tribeca’s One Art Space.

Several images from the exhibition, presented by Third Rail Art, follow:

LeCrue Eyebrows, A Mother’s Memory

Konstance Patton, The Spirit of the Collective Grandmother

Installation view reflecting LeCrue Eyebrows‘ distinct spontaneous visual language, “aimed to create the underlying emotion through subject, character, and form.”

Installation view reflecting Konstance Patton‘s indigenous heritage, as she honors the significant women in her life. “These are the most important women in my life. And their energy, rather our energy, is something I want to share with you. BE A LOVER,” asserts the artist.

And another tantalizing installation view featuring a range of goods fashioned by both artists

The exhibition remains on view today, October 31, from noon until 6pm at One Art Space, 23 Warren Street in Tribeca.

Photos courtesy of Nathalie Levey, Color Brigade Media

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