Graffiti

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The Centre-fuge Public Art Project continues its mission to transform the Department of Transportation trailer on First Street and First Avenue into a vibrant open-air gallery. These past few wintry weeks, its 16th cycle has brought an infectious energy to an otherwise cold and stark site. Here are a few close-ups:

Moody at work in mid-December — at the beginning of the current cycle

"Moody Mutz"

Joshua David McKenney at work

"Joshua David McKenney"

And to the right of Pidgin Doll — Marthalicia MatarritaMichael DeNicola, Basil and Lexi Bella

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Foxx FacesRaquel Echanique and Marthalicia Matarrita

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Vernon O’Meally, Lelex and Fade, AA Mobb

"centrifuge public art project"

ArbiterMiss Zukie, Foxx Faces, BK and Sest2

"Centre-fuge Public Art Project"

Pebbles Russell, who co-founded the Centre-fuge Public Art Project in 2012, reports that Cycle 16 will remain in effect for a few more weeks. If you would like to participate in future cycles of this project, send a sketch, along with reference images to other works, to centrefuge@gmail.com.

Final photo by Lois Stavsky; all others by Dani Reyes Mozeson

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This is the fifth in an occasional series featuring images of New York City’s doors that sport everything from tags and stickers to sophisticated images.

Beau Stanton on the Bowery, close-up

"Beau Stanton"

EKG in Crown Heights, Brooklyn

EKG

Kenny Scharf in Manhattan

"Kenny Scharf"

Pyramid Oracle on the Lower East Side, close-up

"Pyramid Oracle"

Cost and Enx in Tribeca

"cost and enx"

Michael De Feo on Manhattan’s Lower East Side

"Michael De Feo"

Good and Shiddy in Bushwick, Brooklyn

"good and shoddy"

Photos: 1, 4 & 5, Lois Stavsky; 2, 3, 6 & 7, Dani Reyes Mozeson

Note: This blog will be on vacation through Friday. Follow me in Miami on Facebook and Instagram.

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Woodward Gallery‘s first exhibit of 2015 presents a wonderfully diverse selection of works in a range of media by 20 contemporary artists. Among those artists featured are several with special appeal to us street art aficionados, as their artworks have also surfaced in public spaces. Here’s a sampling:

Moody, Mixed media on album cover, 2015

Moody

Darkcloud, The End Times, Spray paint, enamel and resin on foam core, 2014

Darkcloud - The End Times

 Darkcloud, close-up

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Kenji Nakayama, Naked Lunch, Acrylic on wood, close-up, 2012

"Kenji Nakayama"

Cycle, Rex vs Rex, Acrylic on canvas, 2013

"Chris Cycle"

stikman, Threaded, Acrylic on plexiglass, 2014

stikman

Richard Hambleton, (L) Malibu Seascape, 1986 and (R) Dancing Shadowman, Acrylic on paper, 1983

Richard-Hambleton

Woodward Gallery is located at 133 Eldridge Street on Manhattan’s Lower East Side. It is open Tuesday – Saturday 11-6pm and Sunday from 12-5pm.

Photos credits: 1 & 3 City-as-School intern Zachariah Messaoud; 2, 5 & 7 courtesy Woodward Gallery; 4 Lois Stavsky & 6 Dani Reyes Mozeson

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Bronx-based Canadian artist Lady K Fever has been gracing the walls of her borough and beyond with her distinctly expressive aesthetic for over a decade. When I met up with her last week, she was feverishly at work on her inventive installation for her upcoming exhibit, Dubbed, at the Bronx Council of the ArtsLongwood Art Gallery.

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lady-k-fever-installation-in-progress

This is all quite amazing! There is so much going on here, and I love it all. What is the concept behind this? What is going on?

I am playing with the language of graffiti. It’s a mix of sketches, drawings, pieces, tags, stickers, wheatpastes, paintings on Plexiglas and cardboard, found objects, transparencies, selfies, subway tiles, razor wire and all that I associate with graffiti. It is quite conceptual. The razor wire represents — among other things — a prison yard and the risks we graffiti writers take. The new drawings made for this exhibit have all been done in conversation with myself or a friend or a family member, exploring direct transmission through the self and hand.

Lady-K-Fever-Longwood-gallery-close-up-art

When did the concept for this exhibit first come to you? How did it originate?

It began five years ago when I had a solo exhibit at Masterworks Museum in Bermuda. I became interested in playing with lines and mixing elements. It took me back to my reggae roots. The title of this exhibit Dubbed is a reference to the technical term for copying sound or other media from one tape to another. My installation explores how rhythm and emotion can translate into painted vibration and word.

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When did you begin the actual work for this exhibit?

I began working on it about two months ago. But I’ve been thinking about it for the past two years.

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What would you like your viewers to walk away with?

I want them to understand that there is more to graffiti than what one generally assumes. It is a rich, highly sophisticated aesthetic that involves a deliberate process.

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Why did you choose the the Longwood Art Gallery as your venue?

Since I participated in a group exhibit at Longwood Art Gallery in 2011, I’ve always wanted to have a solo show here. It is the ideal space, as it nurtures and celebrates experimentation.

Note: An opening reception will be held tomorrow, Wednesday, from 5-9 at the Longwood Art Gallery at Hostos, 450 Grand Concourse at 149th Street in the Mott Haven section of the Bronx. Curator Laura Napier will also be in attendance.

Interview and photos by Lois Stavsky

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shida-vexta-street-art- melbourne-dean-sunshine

With his keen eye and infinite passion, Melbourne-based photographer Dean Sunshine avidly documents the graffiti and street art he encounters in his hometown and beyond. His second, newly-released book, Street Art Now, is a first-rate chronicle of the art that has been surfacing  — not only on the streets of Melbourne — but in other cities across the globe that Dean has recently visited. I met up with him when he was in NYC this past fall. Soon after, his stunning second book Street Art Now made its way into print. 

STREET ART NOW-Cover-FINAL

Have you any early memories of Melbourne graffiti and street art? When did you begin to photograph it?

Graffiti and hip-hop sprouted in Melbourne in the 80’s with VHS copies of Style Wars being handed around, educating the kids here about these subcultures thriving in NYC. My first piece of graffiti art was a present for my 21st birthday in the mid eighties — a basketball backboard spray painted by Merda and Ransom – two of the stars of the Melbourne scene. Decades later this piece still hangs at my home and many of the writers who are now mates are surprised and envious of this original piece. I started taking photos in the early 2000’s.

Wane-COD-graffiti- melbourne-Dean-Sunshine

What motivated you to do so?

I loved snapping all this amazing art seen on the streets, but it was actually my partner at the time who told me I was a fool to have thousands of images on a hard drive that nobody else could enjoy. She said, “You should start a blog,” and the Land Of Sunshine was born.

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Adnate-street-art Melbourne-Dean-Sunshine

How do you find the time while working at a day job to photograph so many great pieces of street art, blog regularly and publish two books?

I find time during my daily grind in the rag trade driving around to appointments across the suburbs of Melbourne visiting textile factories. On these travels I often stumble over graffiti and street art, and I pull over and take a quick shot. On the weekends I often hunt out abandoned factories, get down into the drains, and search new lane-ways — always on the lookout for new work.

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Do any particular moments stand out in your street-art hunting expeditions?

There are so many highlights throughout my time documenting. I have met, hung out and I’ve been privileged to watch so many incredible artists in action including: ROA, Kid Zoom, Herakut, Hush, D*Face, Stormie Mills, Rone, Makatron, Adnate, SlicerLi-HillShida, Smug, WANE, Sofles, Kaff-eine, DEB, Heesco, Meggs, Reka, Phibs, Bailer, DVATE, Does, Twoone, Mysterious Al, Dscreet, Vexta, 2501, Faith47, DALeast, Pixel Pancho, Phlegm, Insa, Sirum, The Yok, Sheryo, Gaia, Alexis Diaz, Maya Hayuk, Crash, Daze and ELK. But the times I have spent with Futura, Henry Chalfant and Martha Cooper stand out the most, as these three are the pioneers of this scene in which we find ourselves submerged. I got to take each of them around the streets and lanes of Melbourne, proudly showing them my favorite spots in my own hometown. Such absolute legends, all with a passion that has lasted decades. I wish I will be as passionate 25 years on!

Pixel-Pancho-street-art-perth-australia-Dean-Sunshine

What brought you to NYC?

I came to New York this past September to keep my wife company who was shooting fashion week. (Yes, she is also a photographer!) As she went uptown each morning to the shows, I got on my pushbike and rode all over, snapping as I went.

kaffeine-li-hill -street-art-NYC-dean-sunshine

What other cities have you visited?

Over the last years, I’ve been lucky to have travelled to Los Angeles, Hawaii, Berlin, Paris, Italy, Mexico, Buenos Aires, Rio De Janeiro, and even Perth. It’s funny how these days it’s a priority when I’m on holidays to track down and snap all the local art I find. My recent book, Street Art Now, documents some of these findings.

yok-sheryo-street-art-zicatela-mexico-Dean-Sunshine

What’s ahead?

Well, I am soon to become a father so my priorities will change — although I will probably be doing the same, just with the little guy on my back.

KEITH HARING- mural-1984 -Dean Sunshine- Melbourne

Congratulations! I am quite certain you will.

Note: You can check out some local coverage that Dean’s recent book, Street Art Now, received here, along with a guided tour of the Melbourne scene by Dean here.

Photos of above artworks in Street Art Now:

1. Vexta and Shida in Melbourne

3. WANE in Melbourne

4. ROA in Melbourne

5. Adnate in Melbourne

6. Seth GlobePainterShida and TwoOne in Melbourne

7. Pixel Pancho in Perth

8. Li-Hill and Kaff-eine in New York City

9. The Yok and Sheryo in Zicatela, Mexico

10. Keith Haring in Melbourne, 1984

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This is the eleventh in a series of occasional posts featuring the diverse range of trucks and vans that strike our streets.

Wane in Manhattan

"Wane graffiti"

Cone in the Bronx

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Magda Love in Bushwick for JMZ Walls

"Magda Love"

Crane in Washington Heights/Inwood

Crane

 Rimx and Seel in Bushwick

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Sienide in the Bronx

Sienide

Photo credits: 1. Dani Reyes Mozeson; 2-4 and 6. Lois Stavsky; 5. Tara Murray

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AEON

I caught up with Bogota native Lorenzo Masnah — aka AEON and Third World Pirate — last week in his Bushwick studio as he was readying to head to Chicago’s Galerie F to join Stinkfish, Zas and Buytronick in preparation for APC’s first exhibit in the U.S.

You are leaving in a few hours for Chicago. What’s happening there?

I will be working with Stinkfish, Zas and Buytronick to produce a series of collaborative works. Each of us has a distinct graphic language and they all will come together on an array of surfaces – from found objects to huge outdoor murals — for this exhibit at Galerie F.  Drawings, paintings, zines, shirts and all kinds of APC paraphernalia will be on sale at the gallery. The exhibit opens to the public on Friday, January 30.

animal-tricks-gallery-8-APC

Can you tell us something about APC? What does it mean? When did you guys all meet?

The crew originated almost ten years ago back in Bogota with a few artists who participated together in festivals.  These days we have over 50 members representing APC throughout the entire world. The acronym has many different meanings. Its principal one is Animal Power Cult, as animals play an essential role in our individual and common aesthetic.

Aeon- Zas-Rimx-  Arepa-street-art-graffiti-nyc

What about you? You seem to have three distinct identities. I primarily associate you with Third World Pirate as I remember watching you paint your iconic pirate almost ten years ago in Bogota. But there everyone seems to refer to you as AEON. And, here in NYC, I’ve come to think of you as Lorenzo Masnah.

I’ve been obsessed with pirates and drawing them in endless variations since I was a child growing up in Bogota. That explains Third World Pirate!  He is the one character who always travels with me. AEON is my acronym for Al Estilo Orto Nombre (Another Name for Style) – as I began getting up back in 2002 in Bogota with distinct one-line drawings. And I adopted the name Lorenzo Masnah when I had my solo show at Fuse Gallery in 2013.

Aeon-dancers

Among the highlights of your solo show at Fuse Gallery were your refashioned images of beautiful Mexican women. That is another theme that resurfaces in your work. Can you tell us something about that? You seem to be quite obsessed with Mexican ladies!

Yes, for years I’ve been collecting Mexican erotic magazines dated from the early 1950s. This past year, in fact, while visiting Mexico, I discovered in a used book store in Puebla a huge stack of 45 records with covers fashioned from these vintage magazine pictures. I bought them all! And I am now working with them, recreating them with images that transcend that specific era.

Why do you suppose these images so engage you?

I love their pure innocence, their nostalgic beauty! And they represent so much of what we are missing in our era of Internet dating, where romance has lost its essence.  And I’ve also always loved working with recycled materials. It is my way of preserving the past, as I create a visual encyclopedia of aesthetics and issues that speak to me – and, hopefully, to others.

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Zas-Painting-in-chicago

What’s ahead?

After Chicago, we plan to travel out West and then return to NYC for APC’s first East Coast exhibit.

It all sounds great! We look forward to seeing you guys in NYC.

Note: Animal Tricks opens this Friday, January 30, at 6 pm at Galerie F. Located at 2381 N Milwaukee Ave  in Chicago IL. The gallery is open Tuesday through Sunday, 11 AM to 6 PM.

APC-in-chiacago

Interview by Lois Stavsky. Photos: 1. AEON paints in Chicago, courtesy Galerie F; 2. flyer for exhibit, collaborative by featured APC artists; 3. APC in NYC with AEON, Zas, Rimx  and Arepa photographed by Tara Murray; 4. AEON on canvas photographed by Lois Stavsky; 5 – 7.  APC in Chicago courtesy Galerie F.  

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A range of comic characters — from Calvin and Hobbes to Snow White to Batman — have made their way onto NYC walls. Here are a few:

John Matos aka Crash in the South Bronx for the Tag Public Arts Project

Crash

Ozmo in Little Italy for the LISA Project

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Jerkface in Bushwick

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Mr OneTeas at the Bushwick Collective

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 See One at the Bushwick Collective

See One

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 Photos 1, 4 – 6 by Lois Stavsky; 2 by Tara Murray & 3 by Dani Reyes Mozeson

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Few NYC graffiti walls change as frequently as those in Upper Manhattan’s open-air gallery.  Curated by South Bronx native, Crane, the walls off the 1 train on 207th Street and 210th Street serve as revolving canvases to several veteran NYC writers and their occasional guests.  Here’s a sampling of what has surfaced in the past several months:

Uptown stylemaster Cone

cone

Veteran graffiti writer Kool Kito

Kool Kito

Local artist Panic Rodriguez

"Panic Rodrigues"

LA-based graffiti writer Jero ICR  

Jero

Legendary UK graffiti writer Pulse

pulse

Veteran graffiti writer Ree

Ree

Photos 1, 2, 5 and 6 by Lois Stavsky; 3 and 4 by City-as-School intern Travis Hicks

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The walls in the vicinity of McGuinness Boulevard and Clay Street in Greenpoint continue to showcase a diverse range of vibrant graffiti. Here are a few captured this past week:

Justin Phame and Bella Amaral

Justin-Phame-and-Bella Amaral-graffiti-NYC

Shiro2ESAE and Yes One

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Noah TFP

Noah-tfp-graffiti-nyc

Wolf 1 AOK

wolf-graffiti-nyc

Tone MST

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Photos by Lois Stavsky 

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