Exhibits

Located on 10th Avenue between 207th and 215th Streets in Upper Manhattan, The Ghost Yard — the largest train yard in NYC — was once home to many legendary writers. Among the first writers to hit parked trains there in the early 1970’s were MIKE 171 & SJK 171, also known as The Boys from the Heights, along with graffiti pioneer SNAKE 1, co-founder of the legendary Writers Corner 188. And earning the title King of the Yard in the 80’s, T-KID 170 began writing at the Ghost Yard in 1977.

TALES FROM THE GHOST YARD, curated by artist and arts educator Christine DeFazio, features works by these writers along with photographs illustrating writing at the Ghost Yard from the early 1970s to the late 1980s. While visiting the exhibition at the always-welcoming Bronx Art Space, I had the opportunity to pose a few questions to Christine:

This exhibition is so interesting and informative! What sparked your interest in graffiti?

In the early 2000’s, I began teaching in Mott Haven here in the Bronx. That’s when I started noticing graffiti. But it wasn’t until 2019, after I transferred to a school in Soundview, that my interest intensified. I started paying closer attention to the graffiti walls on the streets, and I  began attending gallery exhibitions in spaces — like Wall Works — that featured graffiti.

And what inspired you to curate this particular exhibition?

As I began researching graffiti, I read about the Ghost Yard, and it captured my interest. I was particularly interested in its history and its relationship to the history of graffiti.

What would you like your viewers to walk away with?

A sense of the history and evolution of writing — how writers went from writing on trains to painting with aerosol on canvases.

What were some of the challenges you faced in curating “Tales From The Ghost Yard?”

No challenges come to mind. MIKE 171 and SJK 171 were eager to answer any questions that I had, and I loved hearing Mike’s stories about playing in the Ghost Yard with his friends when they were children.

How has the response to the exhibition been?

The response has been great! There was a really good turnout for the opening. and a wide range of visitors have been coming by.

What’s ahead?

There will be a closing celebration this coming Saturday, February 14, from 5-7pm, along with a launch for my new book, Bronx Visual Identity. Tracing the deveopment of writing “from its inception in 1970’s Washington Heights to the golden age in 1980’s Bronx,” the book can be purchased here.

Good luck with your book! I’m looking forward to reading it. This exhibit has certainly sparked my interest.

Note: Located at 700 Manida Street in the South Bronx, Bronx Art Space, is open Thurs.-Fri., 2-6pm and this Saturday, Februry 14, from noon – 7 for its closing celebration and book launch of Christine’s book, Bronx Visual Identity, published by Lived Places Publishing.

Images:

  1. Christine DeFazio to the left of T-KID 170‘s tribute piece to the late Tracy 168

  2. T-KID 170 and French artist BLEK Le RAT, Aerosol on repurposed street sign

  3. MIKE 171, “Golden Dreams,” 2016, Acrylic and gold paint marker on canvas

  4.  SJK 171, “New Piece with Old Flair,” 2017. Acrylic markers on canvas

  5.  SNAKE 1, Orange and red signature piece, Aerosol on canvas

Photo credits: 1, 3, 4 & 5 Lois Stavsky; 2 Tara Murray

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Beautifully crafted and elegantly presented, Appleton‘s new artworks are a powerful and provocative visual meditation on living with diabetes. On view through Sunday at Chelsea’s handsome Sims Contemporary Gallery are works from two new series: “A New Hero Emerges” and “Little Girl Blue.”

The image pictured above, “Son Rise,” — rendered with acrylic paint and mixed media — features the Tin Man, a symbol of perseverance, courage and hope for the artist who has been living with Type 1 diabetes since childhood. Just as the Tin Man can’t live without oil, a diabetic cannot live without insulin. Both carry on!

What follows are several more images captured from both series — “A New Hero Emerges” and “Little Girl Blue” — at this past Thursday’s spirited exhibition opening:

“Toto Has a Day Job,” Acrylic paint, mixed media in museum glass — from the series “A New Hero Emerges”

“The Third Man,” Acrylic paint, mixed media, repurposed oak — from the series “A New Hero Emerges”

“Someone to Watch Over Me,” Acrylic paint and mixed media — from the series “A New Hero Emerges”

“Untitled,” Mixed media — from the series “Little Girl Blue” — with a message to children living with diabetes to be fearless and confident

“Untitled,” Mixed media — from the series “Little Girl Blue”

The artist and activist, Appleton, beneath “Toto Has a Day Job” from his “A New Hero Emerges” series and the stirring mixed media work — pictured above — from his “Little Girl Blue” series

The exhibition featuring these two new series — in addition to several compelling photographs — remains on view through Sunday, November 16 — at Sims Contemporary Gallery. Located at 509 W 23 Street in Chelsea, it is open daily 11-5pm.

Photos: Lois Stavsky and Tara Murray

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Curated by self-taught contemporary artist Leia Sands and veteran graffiti master Cose TDS, “Urban Perspectives” showcases a wonderfully diverse selection of urban artworks ranging from classic graffiti to present-day fine art. The image pictured above, “4 Elements of Hip Hop,” was fashioned by noted South Bronx-born Tats Cru member, BG183.

What follows are several more images captured this past Friday while visiting the exhibition at the stately Boricua College at 3755 Broadway in Washington Heights:

The legendary Bronx native artist T-Kid

“Urban Perspectives” co-curator and multimedia artist Leia Sands, “Land of the Free”

The acclaimed fine artist and on-site painter Valeri Larko, Driving Range. Bronx Golf Center

The ebullient Brooklyn-based multimedia artist X-Overt

 South Bronx native artist Olga Correa, Green $

The masterful veteran writer Nome 

Exhibition co-curator and Style Writer Cose TDS

The exuberant exhibit remains on view until August 15 at the easily accessible and hugely impressive Boricua College.

Photos: Lois Stavsky

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What began as an unsanctioned art form that surfaced on NYC streets and subways has since found its way into galleries, auction houses and museums. On view through August 10 at the MCNY is “Above Ground: Art from the Martin Wong Graffiti Collection,” a celebration of graffiti’s transitional moment.

The image featured above, “Broken Wings,” was fashioned with spray paint, acrylic and wood on canvas in 1990 by the now-legendary Bronx-native John “Crash” Matos. What follows are several more highlights of previously unseen art from the late Martin Wong‘s vast collection on view in “Above Ground…”

The late Queens-born visionary and multidisciplinary artist Rammellzee, “Atomic Futurism,” 1987, Acrylic on canvas

Lower East Side native and former Keith Haring collaborator Angel Ortiz aka LA2, “Untitled,” 1988, Acrylic on canvas

Veteran East Harlem stylemaster Delta 2, “Delta 2,” 1984, Spray paint on canvas

The late legendary Brooklyn native Dondi, “Bishop of Battle,” 1985, Spray paint on canvas

The ever-evolving pioneering graffiti artist Futura, “Untitled,” 1983, Acrylic and spray paint on canvas

 Hollis, Queens native Lin “Quik” Felton, “My Recovery,” 1990-91, Acrylic and spray paint on canvas

In addition to works on canvas, “Above Ground: Art from the Martin Wong Graffiti Collection” — curated by Sean Corcoran — also includes: photographs by Martha Cooper and Henry Chalfant, a survey of graffiti tags and an insightful documentary featuring Martin Wong, Daze, Lee Quinones and Sharp.

Located at 220 Fifth Avenue between 103rd and 104th Streets, the MCNY is open Mon-Fri 10-5  |  Sat-Sun 10-6.

Photos of images by Lois Stavsky and Tara Murray

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Currently on view at Martos Gallery in Manhattan’s Chinatown is Surface to Air, an exhibition featuring more than 30 works in diverse media on varied surfaces by the legendary Keith Haring. Spanning 1980 to 1989, several of these artworks have never  been shown publicly before. The untitled image pictured above was fashioned by the artist in 1984 with Sumi ink on paper: Additional images from Surface to Air — captured on our recent visit to Martos Gallery — follow:

Painted leather jacket

“Untitled,” 1983, Brush in orange-red and black ink on firm wove paper

“Untitled,” 1985, Steel and enamel

“Untitled,” 1982, Vinyl ink on vinyl sheet

“Untitled,” 1981, Marker on plastic

In collaboration with Eric Orr, “Untitled Subway Drawing,” 1980’s Chalk on paper — fezturing Orr’s iconic Rappin’ Max Robot

“Andy Mouse,” 1985, Acrylic on canvas

Located at 41 Elizabeth Street in Manhattan’s Chinatown, Martos Gallery is open Tuesday – Saturday, 10am – 6pm

Photo credits: Lois Stavsky

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The legendary artist Chris “DAZE” Ellis is currently at work on newly commissioned artworks at 550 Madison Avenue on the corner of 55th Street. The following interview with him was conducted by Street Art NYC contributor Ana Candelaria.

How did this wonderful opportunity come your way? And why this location?

This project came about through my ongoing relationship with the Museum of the City of New York. I was informed that there might be an opportunity to activate this huge space in Midtown Manhattan. And so, I didn’t choose the location; the location chose me.

What was your vision for this project? And how did it evolve?

We began with an offsite meeting, where we saw firsthand what the space would look like. We tossed
around ideas, and I thought that whatever composition I come up with should be bright
and colorful — not dark and somber. It should, somehow, really lighten up the space. I started
thinking about color first and then composition.

Then I started thinking about this building which is really iconic. The chief architect is Philip Johnson, and I thought,”Okay, my work is very New York-based. I work in New York everyday, and I draw inspiration from my daily commute.”

I wanted to come up with something that is easily recognizable as very New York, but — at the same time — something related to the natural world, as the site’s atrium is so beautiful.

Were there any particular challenges that you faced in seeing your vision through?

Not really. Once I came up with an idea for this particular space, there weren’t any challenges.

Your artwork at this site is still in progress. How has the response been so far?

The response so far has been 100 percent positive. And, most importantly, we’ve gotten great respect
from people who are just walking by in the street. Those people come from all walks of life. There are lots of tourists in this area, as well as people who pass by on their way to work. This area has a great mix of people.

Interview conducted by Ana Candelaria

Photo credits: 1 Brad Farwell, 2-4 Ana Candelaria

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Currently on view at Kreate Hub is an exuberant exhibition featuring a diverse range of distinctly stylish work by the hugely talented Puerto Rico-born, Bronx-based artist Sen2 Figueroa. With its swooping visual rhythms, striking lines and infectious energy, Sen2’s ever-evolving aesthetic seduces the viewer’s eyes — as it blurs the boundaries between, graffiti, pop art and fine art.

The image featured above was fashioned with mixed media on canvas. Several more images on view in “El Bronx” follow:

From the “X-ray Series,” Mixed media on canvas

From the “Mecanico Series,” Mixed media on canvas

From the “Mecanico Series,” Mixed media on canvas

“Fragile,” Mixed media on canvas

From the “Graffiti Pop Art Series,” mixed media on wood panel

From the “X-ray Series,” Mixed Media on canvas

Located at 15 Canal Place in the Mott Haven neighborhood of the South Bronx, Kreate Hub is open by appointment, Monday – Friday: 8:30 AM – 4:30 PM. Phone: 718.500.4151. “El Bronx,” Sen2 Figueroa‘s first solo exhibition in the Bronx, remains on view through April 12.

Photos: Tara Murray

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I first noticed Carmen Paulino‘s tantalizing talents several years ago when I came upon her distinct yarn-bombing street art in my Upper West Side neighborhood and in East Harlem. I was mesmerized! Carmen is now sharing her scintillating skills, soulful spirit and boundless passion with visitors to Art on the Ave’s Creative Space at 812 Lexington Avenue on Manhattan’s Upper East Side. On my recent visit, I had the opportunity to pose a few questions to her at her solo exhibition “Stitch Theory.”

This is so wonderful! How did it happen? What a perfect space for a solo exhibition!

I’d worked with Barbara Anderson, the cofounder of Art on the Ave, back in 2020. Art on the Ave transforms vacant storefronts into galleries, providing us local artists with the opportunity to exhibit and share our artwork, while actively engaging with the community at large. And in the early days of the Covid pandemic, Barbara invited me to participate in a project launched by Art on the Ave in Washington Heights. We continued to stay in contact, and in early November, she invited me share my crocheted artworks at this Lexington Avenue space.

How did you decide what to exhibit?

At the time I was invited, my mind was focused on our natural environment, and I wanted to raise awareness of environmental issues — such as the increase in flooding — that have impacted places dear to me. And so I decided to feature my piece “Let’s Save the Planet,” that had been exhibited at a fiber festival in Brooklyn back in 2019. I also drew on current events — such as the infamous Art Basel banana — and a range of themes that are particularly relevant to me and my community. And, of course, I want to get the message out that “Anything Is Possible,” and that just about anyone — of any age — can learn how to crochet and love doing it.

What has the experience of exhibiting in this space been like for you?

It is a dream come true! It’s mind-blowing and humbling. And it brings me one step closer to my goal of blurring the line between yarn bombing and fine art. I participated last year in the Metropolitan Museum’s MetFest, but that was only for one day. It would be wonderful to see my yarn-bombing, along with the fiber art of other yarn bombers, exhibited inside the museum.

Are there any moments in this particular setting that have stood out to you? 

I’ve loved it all. I love interacting with all the folks who pass through. But I especially love when children visit. Earlier this week, a local preschool class of three and four-year olds came by. What a joy watching them interact with my yarn art! They were particularly delighted by my pink cake and thrilled that they were allowed to touch it.

What’s ahead?

As of now, I have several murals coming up, a window I will be decorating, another gallery exhibit I will be hosting and a fashion show I will be working on.

That sounds great! How can folks see this exhibition before it closes on Tuesday?

I will be here at 812 Lexington Avenue — between 62nd-63rd Streets all day tomorrow, Sunday, and Monday from 9 a.m. until 5 p.m.

Interview conducted and edited by Lois Stavsky; photos, Lois Stavsky

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STUDENTEACHER, the most recent exhibition curated by Chip Love and Seb Gorey and presented by Nemo’s Beer Shop in Forest Hills, Queens is a stylish and striking celebration of the lifelong, constantly evolving relationships that transpire between students and teachers. The delightfully playful image featured above was fashioned with ink on paper by the prolific Queens-based artist Belowkey. Several more images of artworks that will remain on view through STUDENTEACHER‘s closing party at the end of this month follow:

Queens-born multidisciplinary artist Cern, “Cernimals #2,” 2024, Acrylic on canvas

MAYHEM crew menber Kemos, “Untitled,” 2023, Spray paint and marker

The legendary TDS member Part One, “Mean Green,” 2024, Acrylic and paint marker

Queens-based veteran graffiti writer Mike 79, “79/131,” 2024, Marker tags on spray painted canvas

Graffiti writer and painter Python, “P Is for Pupil,” 2024, Designer markers, watercolor, ink and brush on canvas

New Jersey-based Hest aka Halfguy 2024,”Untitled,” Mixed media on wood panel

Located at 110-64 Queens Blvd in Forest Hills, Nemo’s Beer Shop is open Tuesday through Friday, 2PM – 11PM, Saturday, 2PM – 12AM and Sunday, 12PM – 6PM.

Photos of artworks: Tara Murray and Lois Stavsky

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Marked by a distinctly endearing visual language, LeCrue Eyebrows‘ artworks exude both soulfulness and strength. His solo exhibition “Thoughts Moving Forward” — continuing through August 25th at Van Der Plas Gallery — showcases a wide array of his works, each with its own narrative. Featured above is She Nodded In Affirmation — fashioned this year with acrylic on canvas. Several more images — all captured by photographer and Street Art NYC contributor Ana Candelaria — follow:

With Seeds, 2024, Acrylic on canvas

The House We Make, 2024, Acrylic on canvas

It’s in the Tea, 2024, Acrylic on canvas

All That You Rule (R) and Day by Day (L), 2024, Acrylic on canvas

Wide view of select gallery space

Located at 156 Orchard Street on Manhattan’s Lower East Side, Van Der Plas Gallery is open Mon-Sun: 11am-6pm.

Photos: Ana Candelaria

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