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Learn and Skate — an organization dedicated to promoting skateboard culture and education in disadvantaged areas, while encouraging youngsters to pursue their dreams was conceived in France in 2012 by Toulouse-based Jean Claude Geraud, with the assistance of Richard Schenten. After building a skate park in the Ugandan countryside in 2016 with funds raised from auctioning skateboard decks, Learn and Skate is now raising funds to help support the production of the first skate park in Ulaanbaatar, Mongolia.

Ride for Mongolia, a charity exhibition dedicated to raising the money to make this happen, will take place from May 28 to June 2 at Manhattan’s MADE Hotel, 44 West 29th Street, with an official opening on May 31 from 6pm to 1am. Dozens of acclaimed artists from a range of countries throughout the globe have fashioned skate decks that will be available in auction. The three decks featured above are the work of the Canadian artist Sandra Chevrier. Several more skateboard decks featured in Ride for Mongolia follow:

The legendary NYC-based Futura, close-up, Gears, Black and white markers on skateboard, 2018

Toulouse, France-based Woizo, Figure – 037 Shakti, Acrylic and oil on skateboard, 2018

Bronx-based legendary graffiti artist, T-Kid, T-Kid, Spray paint and marker on skateboard, 2018

French artist Little Madi, Cactus Love, Acrylic on skateboard, 2018

You can check out all of the details for the NYC exhibit — beginning with its soft opening — here. And you can bid online here from May 29 to June 12.

All images courtesy Jean Claude Geraud

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Scratch Ecstasy, an exhibition of  work in a range of media by visual artist and legendary filmmaker Charlie Ahearn, continues through June 24 at P.P.O.W in Chelsea. A chronicler of the rise of hip-hop and street art culture, Ahearn has documented the movement since the 80’s through photography, film and slide shows.  The following is adapted from an interview conducted by travel and street photographer Karin du Maire with Charlie at the gallery:

Can you tell us something about the title of your current show, Scratch Ecstasy? To what does it refer? 

Yes! The word “scratch” actually has a double meaning. It refers to scratching on a surface, but it also refers to a technique pioneered by Grand Wizzard Theodore of a needle going back and forth on a record — which creates a very jazzy, electronic effect.

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And what about the word “Ecstasy” in the title? What is its reference?

It’s a reference to a real place in a real time — the Ecstasy Garage, where I was listening to not only Grand Wizzard Theodore scratch his music, but also to Chief Rocker Busy Bee on the microphone or Grand Master Cass, along with many other artists who were performing there. I spent a lot of time at  the Ecstasy Garage doing a slide show and watching different hip-hop performances, largely to an audience of high school kids. It was a very out-of-the-way place.

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What was your mission back then? 

It is similar to the mission of this show — to create a record of what was going on so that people today can pinpoint certain people and places that should get recognition and be remembered.

What about your own paintings that are on exhibit here? Can you tell us something about the process?

It started with me doing the painting on canvas with the forms that would be in it. The colors I chose reflect the bright fluorescent colors that were prominent in inexpensive flyers that the kids would hand out to get others to show up.

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And what about the slide show that is going on? 

It is the slide show that I gave at the Ecstasy Garage with Grand Wizzard Theodore as the DJ. As presented here with the music, it is a reflection of what was going on back there at the time. I gave it at the Ecstasy Garage as a kind of way of working on Wild Style — the slides in a particular order to tell a story, and it all ended up in the movie, one way or another.

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Thank you for preserving and sharing so much history with us.

Note:  P.P.O.W will be screening Charlie’s 1979 kung fu film, The Deadly Art of Survival, tomorrow, Friday evening, at 7pm. The gallery is located at 535 West 22nd St, 3rd Floor, in Chelsea.

Images

1  Charlie Ahearn at P.P.O.W — as interviewed by Karin Du Maire — with Data Rock, silkscreen on canvas

2  Scratch Ecstasy, silkscreen on canvas

3  The World of Hip Hop, silkscreen on canvas

4  Nathan, silkscreen on canvas

5  Howard the Duck, Lee Quinones, LES mural

Photo credits: 1 & 2 Karin Du Maire; 3, 4 & 5 (still from slide show) Lois Stavsky; interview conducted by Karin Du Maire and edited by Lois Stavsky

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Opening this evening at 212 ARTS is DRIP, a solo exhibit by the iconic NYC-based artist Paul Richard. An outstanding representational painter, Paul Richard is best known to us street art aficionados for his drip paintings that surface on NYC sidewalks. While visiting the exhibit yesterday, I had the opportunity to speak to 212 ARTS gallerist, Marc Leader.

This is such an elegantly handsome show! What spurred you to feature an exhibit of Paul Richard‘s works?

Paul has been an iconic figure in NYC culture for over 20 years. Although low-key, he is also subtly prolific. And this is his first NYC exhibit in five years.

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How did you decide which artworks to include in the exhibit?

About one year ago, Paul and I began discussing the concept of an exhibit featuring his work at 212 ARTS. Then Paul ran with it. He created a few dozen new works, and together we decided which ones to feature.

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How many are included in DRIP?

There are two dozen works of varying sizes.

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It is always a thrill to glance down to the pavement and come upon one of Paul Richard‘s iconic faces!

Yes! Even before he first moved to New York in 1997, Paul Richard recognized that people constantly scan the ground in front of them — making it the perfect place to find an audience.

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It’s great to see your gallery continue to bring a diverse range of first-rate artists — who remain active on our streets — to its East Village home. To what do you attribute its success?

It’s the passion we bring to our projects.

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Photos of artworks and interview by Lois Stavsky

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As part of this year’s edition of the Montreal Mural Festival, Station 16 Gallery will host PLANAR DIRECTION, a solo exhibition by the wonderfully talented Argentine-Spanish artist Felipe Pantone. Opening this Thursday evening, June 8, PLANAR DIRECTION will showcase a series of Pantone‘s striking works, characterized by distinct geometric shapes that fuse black and white designs with bold florescent colors. Pictured above is the mural that Pantone painted for last year’s Mural Festival. What follows is a brief preview of his new works for PLANAR DIRECTION:

Planar Direction 3

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Planar Direction 6

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Planar Direction 4

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Station 16 Gallery

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Station 16 Gallery is located at 3523 Boul St-Laurent in Montreal.

All images courtesy Station 16 Gallery

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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On view in Jersey City through June 16 is DISRUPTION, an exhibit of politically and socially charged artworks by a diverse group of NJ-based artists. While visiting the exhibit at Jersey City Theater Center‘s Merseles Studios last week, I spoke to its curator, Allison Remy Hall .

Can you tell us something about the title of the exhibit — DISRUPTION?

Yes! It is part of a larger series of events and performances presented by Jersey City Theater Center that focus on the theme of rapid change — from the environment and climate to industries and social systems — that has resulted in a sense of “disruption.”  Lucy Rovetto, Jersey City Theater Center‘s Visual Arts Coordinator, invited me to curate this exhibit.

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What has the theme of DISRUPTION come to mean to you — in the course of curating the exhibit?

I originally thought of it as a disruption of norms and expectations — as most prominently evidenced by the results of the November election. But I’ve since been thinking more about the moral and spiritual disruptions that characterize our present times as a result of these changes. We have come to value things solely by their material worth.

How did you get the word out to the artists whose works are on exhibit here? While I’m familiar with Distort, Mr Mustart and Sam Pullin from their work on the streets, others here are new to me.

I reached out directly to some artists whose work I know and like, and Jersey City Theater Center launched an open call.


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Did curating this exhibit exact any changes within you — how you, personally, think about these issues?

I feel now that what we are facing is bigger than just a political challenge. It’s not simply about left and right; it’s about right and wrong.

How have people responded to the exhibit?

They’ve responded really well.  It has brought people together and has started a conversation.

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How do you — as an artist and curator with a strong social consciousness — feel about the role of art in these challenging times?

Art allows us to reclaim the narrative.  It is a means for us to transmit a message: We are humans and this is how we are being affected. Art has an essential role in these times.

How can folks see the exhibit before it closes on June 16th?

They can email me at info@nosucharts.com. And ongoing events are posted here.

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Note:  Merseles Studios, a venue of Jersey City Theater Center, is located at 339-345 Newark Avenue, 2nd floor.

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Among the diverse works on display in Fast Forward: Painting from the 1980s at the Whitney Museum are several by artists whose contributions to the graffiti and street art movement have been monumental. Pictured above is LNAPRK by Jean-Michel Basquiat. Here are several more:

Keith Haring, Untitled, Fiber-tipped pen on synthetic leather

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 Martin Wong, Closed, Acrylic on canvas; the artist’s extensive graffiti collection was the subject of City as Canvas at the Museum of the City of  New York in 2014

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Kenny Scharf, When the Worlds Collide, Oil and spray paint on canvas against wallpaper adapted from Keith Haring mural at the Pop Shop

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Kenny Scharf, close-up 

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Fast Forward: Painting from the 1980s continues through May 14 at the Whitney Museum, 99 Gansevoort Street in the Meat Packing District. Check here for hours. Admission is Pay-What-You-Wish on Friday’s, 7-10 pm.

Photos by Lois Stavsky

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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