Graffiti

Pictured above is Ecuadorian artist Toofly, captured at work this past Saturday, the official launch of the 9th Welling Court Mural Project. What follows are several more images captured by travel and street photographer Karin du Maire aka Street Art Nomad this past Friday and Saturday at this model community-driven mural project conceived and curated by Ad Hoc Art.

Brooklyn-based See One at work

The legendary Daze, standing in front of his mural, produced with Crash

Swedish artist Carolina Falkholt at work      

The nomadic Never Satisfied at work

Multi-disciplinary artist Ryan Seslow, huge segment of completed mural

Cambridge, MA-based Caleb Neelon with Boston-based Lena McCarthy, close-up

The murals are on view 24/7 on and around Welling Court in Astoria, Queens.

Photos:Karin du Maire aka Street Art Nomad

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Today, Saturday, June 9th, marks the ninth anniversary of the extraordinary community-driven Welling Court Mural Project, conceived and curated  by Ad Hoc Art. While visiting yesterday, travel and street photographer Karin du Maire aka Street Art Nomad captured several artists at work, as well as a few completed murals. Pictured above is the wonderfully talented Queen Andrea at work. Several more images follow:

John “Crash”  Matos — posing in front of his mural, based on a painting of his from 1980

Lmnopi

Joel Artista and Marc Evan at work on collaborative wall with Chris Soria

Netherlands-based Michel Velt at work

Cey Adams

KingBee at work

Peat Wollaeger aka Eyez

Herb Smith aka Veng, RWK, alongside his mural

Celebrate the launch of this model community-based mural project from 12pm – 8pm today at 11-98 Welling Court in Astoria, Queens. Check here for directions.

Photos by Karin du Maire

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It’s been a busy week at the Bushwick Collective, as arists from near and far ready for its 7th Annual Block Party. Pictured above is Miami-based Dominican artist Ruben Ubiera captured at work. Several more images of new works — mostly in progress — follow:

Long Island-based Reme821 

The masterful Argentine stencil artist Cabaio at work, close-up

Holland-based Mr. June at work, close-up

Brazilian artist Sipros at work

For specific information about the Bushwick Collective’s 7th Annual Block Party, check out its Facebook page.

Photos by Tara Murray

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Launched by Tel Aviv-based Mas 972 this past December, EZXS Gallery showcases artworks in a range of media by a variety of urban artists. On view through tomorrow evening is Rats Rats Rats, an homage to our all-too-frequent guests. The image featured above was fashioned by Mas 972, who conceived and curated Rats Rats Rats, his gallery’s second group exhibit. What follows are several more images of works on exhibit:

Tel Aviv-based visual artist Shay Katz

Tel Aviv-based multi-media artist Damian Tab

Multi-disciplinary visual artist Kot-Art

Russian visual artist Stepa Aifo

And outside the gallery Stepa Aifo in collaboration with Mas 972

In addition to the original artworks on display, prints, stickers, T-shirts, totes and more are available for purchase. The space — located at Hatzerim 9, off Abarbanel Street — remains open today and tomorrow from 4pm until 11pm.

Photo credits: 1 & 6 Mas 972; 2-5 Lois Stavsky

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Learn and Skate — an organization dedicated to promoting skateboard culture and education in disadvantaged areas, while encouraging youngsters to pursue their dreams was conceived in France in 2012 by Toulouse-based Jean Claude Geraud, with the assistance of Richard Schenten. After building a skate park in the Ugandan countryside in 2016 with funds raised from auctioning skateboard decks, Learn and Skate is now raising funds to help support the production of the first skate park in Ulaanbaatar, Mongolia.

Ride for Mongolia, a charity exhibition dedicated to raising the money to make this happen, will take place from May 28 to June 2 at Manhattan’s MADE Hotel, 44 West 29th Street, with an official opening on May 31 from 6pm to 1am. Dozens of acclaimed artists from a range of countries throughout the globe have fashioned skate decks that will be available in auction. The three decks featured above are the work of the Canadian artist Sandra Chevrier. Several more skateboard decks featured in Ride for Mongolia follow:

The legendary NYC-based Futura, close-up, Gears, Black and white markers on skateboard, 2018

Toulouse, France-based Woizo, Figure – 037 Shakti, Acrylic and oil on skateboard, 2018

Bronx-based legendary graffiti artist, T-Kid, T-Kid, Spray paint and marker on skateboard, 2018

French artist Little Madi, Cactus Love, Acrylic on skateboard, 2018

You can check out all of the details for the NYC exhibit — beginning with its soft opening — here. And you can bid online here from May 29 to June 12.

All images courtesy Jean Claude Geraud

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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The faces that surface on Miami’s walls — like so much of the art that makes its way onto the city’s public places — represent a wide range of artistic styles, sensibilities and backgrounds. The image featured above was painted by Brooklyn-based artist Isabelle Ewing. Several more images of faces that I captured on my recent visit follow:

Jacksonville, Florida-based Nico

London-based David Walker

Australian artist Seb Humphreys aka Order 55

Miami-based Abstrk

West Coast-based Sauteezy aka A Killer’skiller

Photos by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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While in Sacramento, California for Wide Open Walls several months ago, travel and street photogapher Karin du Maire aka Street Art Nomad had the opportunity to explore the city’s streets. Pictured above is her capture of a mural painted by Sacramento-based artist Anthony Padilla aka Kinetik Ideas. Several more images — largely fashioned by Sacramento-based artists — follow:

John Horton

Shaun Burner

 Waylon Horner and Shaun Burner

Rime MSK and 18ism aka Host18

Another by Anthony Padilla aka Kinetik Ideas

Photos by Karin du Maire aka Street Art Nomad

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Pictured above is the bold and brightly-hued work of Barcelona native Pez. What follows are several more images of distinctly curious characters that I’ve recently encountered while wandering around Miami’s beguiling streets:

Barcelona-based El Xupet Negre aka the Black Pacifier

Parisian artist Combo aka Combo Culture Kidnapper, close-up

St. Pete, Florida-based Sebastian Coolidge

Mexican artist Curiot

Photos by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Growing up in the Bronx in the 70’s  Osvaldo Cruz — under different aliases — began early on tagging and piecing wherever and whenever he could. His subway train art is featured, in fact, in Martha Cooper‘s and Henry Chalfant‘s landmark book, Subway Art. These days, with occasional stints painting legal walls over at Tuff City in the Bronx, Cruz focuses primarily on fashioning abstract — graffiti-inspired — images on canvases and is represented by Fountain House Gallery. An interview with the artist follows:

When and where did you first get up?

It was around 1978. I was eight years old. I lived near Yankee Stadium at the time, and I remember getting my initials, TC –Tito Cruz — up in the yard of P.S. 156, my local elementary school.

Did you have any preferred surfaces?

Anything was fine! I, especially, liked mail trucks.

Who were some of the writers that inspired you back in the day?

I was inspired by the local writers: FDT 56, Hoy 56, Kid 56, Hazzy Haz from the D yard, Blade from the 5 layup, T-Kid from the 1 layup and Flame.

Have you any early memories that stand out?

Meeting Blade in the CC layup on Fordham Road in 1979 and soon after meeting Iz the Wiz up there. They both were already established writers by the time I had hit the subways.

But many memories that are not positive also stand out. One of my favorite graffiti names was GINSU, and that caused a log of turmoil in Chinatown, as all of the the school kids assumed that the tagger was Chinese. There were endless wars and fights back then over everything from copying one’s letters to being in the wrong place at the wrong time. There was too much disrespect. Enough to make some of us stop painting burners – knowing that someone was going to write inside or around our pieces.

Did you get up alone or did you paint together with any crews?

I didn’t paint with any crews, but I did have a sidekick, OHenry. He was my link to many different subway layups and yards. OHenry, though, has lost all interest in spray-painting and in graffiti. He doesn’t even want to talk about it. So when I see him these days, I don’t even bring it up.

Had you ever been arrested back in the day for graffiti?

I was once falsely accused up at the 183rd Street Subway Station. I connected with a Legal Aid lawyer, and the case was dismissed.

What was the riskiest thing you’ve done?

Climbing into a yard up in the North Bronx off the 2 train. The fence was really high, and it was too easy to get tangled up in barbed wire. And I didn’t know who would be there once I made it in.

Do you have a formal art education?

I graduated from Art & Design High School in 1987.

What percentage of your time is devoted to art?

About 75% — whenever I’m not attending to my personal needs, I paint.

Do you make money from your art?

Yes! Through commissions and selling canvases.

At what point did you begin working on canvases?

I actually started to experiment with graffiti art on canvas in the early 80’s, but it wasn’t until 2000 that I began to focus almost exclusively on painting on canvases.

Which mode do you prefer?

I like them both, and I’ve been commissioned to do both.

How do you feel about the engagement of the corporate world with graffiti writers and street artists? 

I have no problem with it. I’m happy for the artists.

Have you shown your work in galleries?

Yes. I’ve shown my work at Fountain House Gallery and at Pace University via Community Access.

Do you work with a sketch in hand or do you let it flow?

No. I don’t work from sketches.

What inspires you these days?

My imagination!

Are you generally satisfied with your finished work?

 Yes!

Are there any particular cultures that influence you at present?

I don’t feel influenced by cultures other than my own, but I like what the European writers are doing. I especially like the Swedish graffiti crew WUFC.

How has your work evolved through the years?

It’s more complex — more sophisticated, and I use more colors.

What’s ahead?

I just want to keep on painting.

Good luck!

All photos courtesy of the artist; interview by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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The image featured above  — one segment of a larger politically charged mural sighted at Wynwood Walls — was painted by the the legendary NYC-based Lady Pink. Several more images of guys on walls that I captured on my recent visit to Miami follow:

Florida-based, Paris-born Smog One

New Jersey-based Joe Iurato, also for Wynwood Walls

Denver-based Pharaoh One aka Pher01 & Atlanta-based David Fratu aka ILL.DES     

Toronto-based, Brazil-born Bruno Smoky

Photos by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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