jerkface-street-art-galinksy

Curated by East Village resident Robert Galinsky, the 12C Outdoor Gallery — on Avenue C and East 12th Street — showcases an ever-changing array of murals representing a range of styles and themes. Recent additions include: JerkfaceDaphne ArthurMike Ceeza aka MCA and Zeso.

Jerkface at 12C Outdoor Gallery’s back-to-school block party

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Daphne Arthur

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Mike Ceeza aka MCA at 12C Outdoor Gallery’s back-to-school block party

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Zeso, close-up

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Zeso‘s complete mural with the message, Education is a Weapon of Mass Construction

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 Photo credits: 1, 3 & 5 Lois Stavsky; 2 & 4 Tara Murray and 6 Dani Reyes Mozeson

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"Icy and Sot"

Led by Maziar Bahari — a former Newsweek journalist who was imprisoned in Iran for 118 days and became the subject of Jon Stewart’s film Rosewater — the #NotACrime campaign focuses on human rights abuses in Iran.  Members of the Baha’is, Iran’s largest religious minority, have been jailed solely for teaching and studying, as have journalists who expose the Iranian government’s policies. #NotACrime‘s current street art campaign, curated by Street Art Anarchy, has brought a series of new politically-engaged murals to New York and New Jersey. I recently had the opportunity to speak to the noted Brooklyn-based Iranian-American artist Nicky Nodjoumi, one of the campaign’s participants, who had been exiled from Iran in the aftermath of the Islamic revolution.

"Marina Zumi"

What moved you to participate in the #NotACrime Street Art Campaign?

I have been using art as a means to expose political crimes for a long time. It is part of my overall activities as an artist.

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You are principally known for your exquisite politically-infused figurative paintings, but you also designed posters against the Shah back in the late 70’s.

Yes, while teaching at the Tehran University of Fine Arts, I became involved in the movement to oust the Shah. We never could have imagined that what would follow would be even worse than the Shah’s regime.

Nicky-Nodjoumi-political-street-art-NYC

For the #NotACrime street art Campaign, you painted a pair of shackled hands. That image has also been surfacing on posters Downtown. Why that image?

It is a symbolic gesture in support of journalists in Iran. It is a general representation of the suppression of free expression.

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Do you feel that all artists have a responsibility to raise issues that will facilitate change?

An artist who lives in the Middle East does. There one has to have a position and take a stand.

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What is the foremost challenge facing artists and journalists in Iran today?

There is no freedom of expression. Human rights are abused. Everything must be done clandestinely. One faces the risks of imprisonment, torture and worse for any expression that challenges the government.

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What do you see for the future? Are you at all optimistic? Will things get better in your native country?

Unfortunately, I don’t have any hope for the immediate future. Despite the election of a more moderate President, dissent is not tolerated, as the hardliners are the ones who are setting the present policies.

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I suppose we all need to work together to create awareness.

Note: All murals in the #NotACrime street art campaign were curated by Street Art Anarchy. What follows are the ones featured above:

1. New York-based Iranian artists Icy and Sot819 Broadway and Ellery St in Bushwick

2. Argentinian artist Marina Zumi, Frederick Douglass Blvd and 126th St in Harlem

3. American artist David Torres aka Rabi, part of the art duo Cyrcle, 126th St in Harlem’s Nelson Mandela Memorial Garden 

4. New York-based Iranian artist Nicky Nodjoumi, 11-22 Welling Court in Astoria

5. Italian artist Jacopo Ceccarelli aka 2501, 24th St and Lex Avenue in Manhattan

6. Brazilian artist Alexandre KetoFrederick Douglass Blvd and 126th St in Harlem

7. South African artist Faith47, Colombia and Woodhull Streets in Red Hook

8. New York-based Jennifer Caviola aka Cake, 612 Communipaw, Jersey City

not a crime

Interview with Nicky Nodjoumi by Lois Stavsky

Photo credits: 1, 4, 6 & 7 Tara Murray; 2, 3 & 5 Dani Reyes Mozeson and 8 courtesy of #NotACrime

Check here to find out how you can participate in the campaign.

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The following post is by Houda Lazrak, a contributor to StreetArtNYC and an M.A. candidate in Museum Studies at NYU:

alice-pasquini-street-art-rome

San Lorenzo, an up-and-coming art district in Rome, is home to a wide range of street art, including a block-long mural by Italian artist Alice Pasquini and a number of poignant stencils. Here are some of the pieces — many timeworn — that I captured.

French artist C215

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Unidentified artist — with a message

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Italian artist Solo

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Unga of the Israeli Broken Fingaz Crew

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West Coast-native Above

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Note: The first image features a segment from Alice Pasquini‘s huge mural painted adjacent to a school.

All photos by Houda Lazrak

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This is the seventh in a series of occasional posts featuring the range of curious characters that have made their way onto NYC open spaces:

London-based Fanakapan at the Bushwick Collective

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French artist Bebar in Brownsville, Brooklyn

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Mexican artist Telleache at the Bushwick Collective

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Pyramid Oracle at Welling Court in Astoria, Queens

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Mr Nerds at the Bushwick Collective

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Photo credits: 1, 3 & 5 Lois Stavsky; 2 & 4 Tara Murray

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The following post is by Houda Lazrak, a contributor to StreetArtNYC and an M.A. candidate in Museum Studies at NYU:

Beau-Stanton street-art-rome

The MURo Project, the Museum of Urban Art of Rome, is a mural initiative whose goal is to rejuvenate the streets of the largely working-class Quadrado neighborhood on the Eastern outskirts of Rome. Artists who have beautified the district include local, as well as international, ones. By referencing a map available online on MURo’s website, I navigated through the streets and found several of these works in hidden and unexpected locations. What follows are a few:

Kazakhstan native Dilka Bear

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Italian artist Maupal

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New York-based Ron English

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French artist Veks Van Hillik 

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Rome-based Mr. Thoms

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Close-up

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Note: First image features New York-based Beau Stanton.

All photos by Houda Lazrak

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Ayad-Alkadhi-I-Am-Baghdad

Continuing through October 3 at Chelsea’s Azart Gallery is More than Words, co-curated by Melissa McCaig-Welles and Latifa Metheny. Presenting a range of artworks fusing text and images, the exhibit features a wonderfully eclectic mix of styles, sensibilities and cultures.  Here is a sampling of the works:

Brooklyn-based Canadian painter Tim Okamura

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Brooklyn-based Moroccan artist Rocko, close-up

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Queens native Greg Lamarche aka SP.ONE

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Vitry sur-Seine-based French artist C215  

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Azart Gallery is located at 617 West 27 Street in Chelsea and is open Tuesday through Saturday from 11 am to 6 pm.

Note: The first image, I Am Baghdad, is by New York-based Iraqi artist Ayad Alkadhi.

Photo credits: 1-3 & 5 Dani Reyes Mozeson; 4 Lois Stavsky

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joel-artista-street-art-Brownsville-NYC

Writing onthe Walls is an ongoing project launched last year by N Carlos J – noted artist, community revitalizer and founder of Brooklyn Is the Future — for his father, a Brownsville native who had been diagnosed with cancer. This is Part II of our continuing documentation of it:

Danish artist Welin

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Brooklyn-based Ben Angotti

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French artist Zeso, close-up

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Chilean artist Teo Doro

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Long Island-based Phetus

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And you can find out here how you can help support this wonderfully transformative project.

Note: The first image is by Joel Bergner aka Joel Artista.

Photo credits: 1, 2, 4-6 Tara Murray; 3 Lois Stavsky

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Olafur-Eliasson-lego-Construction-High-Line -NYC

For the past several months, visitors of all ages to the High Line have been busily constructing and reconstructing an imaginary cityscape. Presented by Danish-Icelandic artist Olafur Eliasson, the collectivity project, an installation of two tons of white LEGO® bricks, is part of the High Line’s open-air group exhibition, Panorama. Here are a few images that we captured:

Selecting the bricks

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Encountering some frustration

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Building with LEGO blocks

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Fashioning the cityscape

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A city-in-progress

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The collectivity project continues daily 10:00 AM to 7:00 PM on the High Line at West 30th Street through Wednesday.

Photo credits: 1, 3 & 5 Dani Reyes Mozeson; 2 & 6 Tara Murray; 4 City-as-School intern Stefan Vargas

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The following post is by Houda Lazrak, a contributor to StreetArtNYC and an M.A. candidate in Museum Studies at NYU: 

Vhils, the Weird and Alaniz-street-art-berlin

Since 1994, YAAM, the Young African Art Market in Berlin, has served a myriad of purposes — from a home away from home for refugees to an open air gallery for graffiti and street artists. The following photos are of works I recently saw in this space that has evolved into a model of social and cultural integration:

The Berlin-based Weird Crew

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Close-up

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Berlin-based Sokar Uno

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With German artist Juliah

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Istanbul-based Gamze Yalcin and Brazilian artist Manoel Quitério

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Mexican artist Paola Delfin

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Note: Featured in the first image are Vhils, the Weird Crew and Alaniz

All photos by Houda Lazrak

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eric-orr-robot-head

Best known for his iconic Robothead and his subway collaborations with Keith Haring, South Bronx native Eric Orr can now be found most days in his new Hunts Point studio. I recently had the opportunity to meet up with him there.

What a great space! When did you begin working here?

It’s been four months now. It couldn’t be more perfect, as it’s just a short ride from my house and convenient to just about everything.

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How does working in a studio differ from working in your apartment?

It’s an entirely different experience. There’s a lot less traffic here. I can leave my paint on the floor and know that it will still be there when I return. I have the freedom to create without having to put things away. And my family is happy too! No more fumes and no more paint in their way!

How does having your own space impact your work as an artist?

Bigger thoughts and bigger pieces. I’m planning to design huge sculptures and paint on larger surfaces. Can you imagine what I’d be doing now if I had a space like this 40 years ago!

Dennesa-Andrea Usher-and-Eric-Orr-collab

You are currently participating in Leave a Message, a group exhibit — curated by Tes One at St. Petersburg’s Morean Arts Center. What’s next?

I’m showing in Unveiling Visions: The Alchemy of the Black Imagination, an art and design exhibit — curated by John Jennings and Reynaldo Anderson — at the Schomburg Center’s Latimer Edison Gallery. On exhibit are photos of the 1984 Eric Orr and Keith Haring subway drawings, along with an original 1986 cover of my Rappin Max Robot comic book. I will also be exhibiting five new Robothead masks recently created in the new studio space. Then later this year I will have a solo exhibit at WallWorks Gallery.

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What about the upcoming New York Comic Con? Can we expect to see you there?

Yes! I will have hand-embellished mini posters of the cover of my Rappin Max Robot #1 comic book available for purchase. I will also be speaking on the Hip-Hop & Comics: Cultures Combining panel discussion with Depth of Field‘s, Patrick Reed on October 8, 2015 at 11 AM.

I am looking forward to it all! 

Note: Unveiling Visions: The Alchemy of the Black Imagination opens tomorrow evening, Friday, September 25, at the Schomburg Center’s Latimer Edison Gallery, 515 Malcolm X Boulevard in Harlem.

unveiling-at-schomburg center

 Photo credits: 1 & 3, courtesy of the artist; 2 & 4 Lois Stavsky; interview by Lois Stavsky

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