performance art

A Presidential Parody continued to make its way around town on Sunday — despite the steady rain — with stops at Trump Tower and neighboring sites. A brief interview with New Yorker actor/creator Maia Lorian, who conceived and enacted — along with Enormvs Muñoz and kelci greenway — Sunday’s gorilla art performance, follows:

What inspired this particular chapter of A Presidential Parody?

My latest ad takeover for A Presidential Parody was made under the truest digital dystopian duress that is 2020. A solo work, from creation through install, made during the last days of my mom’s life. The piece is admittedly darker than my previous works, as virtual vigils and FaceTime goodbyes — followed by my dear mother’s Zoom funeral — took place in the background. This piece is in honor of my mom and every other life tragically lost during the Trump presidency. I like to bring my posters to life, like in a true ad campaign, which allowed this poster to progress into a funeral march

In what way does this current piece — both the ad takeover and the performance — differ from some of your former ones? Your other pieces seemed lighter. And despite your playful costume, it is quite intense.

This takeover is a true product of the 2020 dystopian nightmare reality that came to be under Trump — the poster created and installed during the last day of my mother’s life, with the funeral procession taking place after her Zoom funeral.

This performance piece also entails a procession. Can you tell us something about that?

In a typical funeral you see who’s there, and they’re able to offer condolences. I was filmed at my mom’s and wasn’t able to speak to anyone that attended. Grieving is isolating to begin with; grieving during a pandemic makes it even more so. I imagine there’s a group of us from 2020 that deeply understands what it means to have a FaceTime goodbye with the person you love most.

After my father died, for coping I went out dancing a lot. I was also in a play at the time. Neither of those are realities in 2020. 2020 has consumed so many of us with grief, whether it was loss of a loved one, or loss of employment, loss of ability to socialize the way we used to, even loss of the way we used to be able to hug, and most importantly, the loss of basic human rights. Watching the Trump debacle unfold during these last four years, and now during a pandemic, has been too next level. It’s more important than ever to get out the vote. So I created a funeral march of sorts, to honor my mom and the many other lives tragically lost under the reign of Trump, because it’s time for the Demon Cheeto to go.

We last spoke over a year ago. Have you any further thoughts on the state of our nation?

The country’s become a dumpster fire, but we have to keep trying, or it’ll just get worse. We must vote Trump out of office, ultimately- this work is to help to get out the vote.

What do you see as your personal mission in these dire times?

To help get out the vote and get Trump out of office. I come from a background in comedy — CollegeHumor, The Onion, SNL. Trump’s reign has been so negatively absurd, it’s been made up of laugh and cry at the same time moments — moments of horrified disbelief, so I like to unite people with laughter, since we all may be crying on the inside.

And what’s ahead for you?

I will keep on creating, fighting, and trying to help make a difference by using my privilege to subvert, owning my risk with embrace, and hope my mom and dad are up above, watching and protecting.

Thank you for what you are doing. And I am sorry for your loss.

Note: Maia’s wonderful wings were created in collaboration with Matt Siren

Photo credits: 1 Courtesy of Maia Lorian 2-7 Lois Stavsky 

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In what is certain to be the Living Installation show of the year, Jadda Cat becomes our country’s first female President replacing our current toxic one. With scored music created by the inimitable Michael Alan Alien, the talented Jadda will morph into various living sculptures — using every material she can find — as she shares her wisdom with us. All will be on view both in Michael’s Bushwick studio and online tomorrow — Saturday evening — from 8pm to midnight. Ticket information is available here.

Scenes from recent Living Installations

And a sample of Michael’s ingeniously conceived and executed visionary artwork

All images courtesy Michael Alan

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In the first of a series of “happenings,” native New Yorker actor/creator Maia Lorian and Brooklyn-based guerilla street artist Abe Lincoln, Jr. recently hosted an Open House outside Trump Tower. To help “the president” pay his huge legal fees, the duo offered passersby an opportunity to savor, purchase and bask in “Luxury Living For The Morally Bankrupt.”  Perks include: secret service at one’s fingertips; one’s very own personalized FBI file and frequent dumpster fires. What follows are a few more scenes I captured during  “A Presidential Parody’s” thoroughly convincing live ad campaign:

First stop, outside Chanel

Engaging one of many opinionated passersby

With Trump Tower security guard quietly observing it all

For more information about “A Presidential Parody” as performance art, you can contact the wonderfully talented duo at apresidentialparody@gmail.com

Photos by Lois Stavsky

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If you haven’t yet had your portrait drawn with one line in under one minute by the wonderfully passionate, nomadic Brooklyn-based 0H10 M1ke, tomorrow is your chance. From 6 – 10pm, Mike promises to do that and lots more at 198 Allen Street. Last week, we met up and caught up a bit.

When we last spoke in 2014, you said that your goal was to create 100,000 one-line matchbox portraits? Mine was 11,206! How close are you to your goal?

My most recent was #13,021! I’ve done quite a few at 17 Frost, at 198 Allen, on the trains, on the streets — anywhere I can!

How do you approach folks? And how do they respond?

I simply say, “Give me a New York moment; I’ll draw your portrait in one line on a matchbox in one minute.” They generally respond with skepticism. But once they see the portrait I’ve created, they like it.

In addition to your ongoing matchbox project, what other projects have engaged you as of late?

I’ve been preparing for my upcoming solo show and performance If Basquiat and Keith Haring had a baby…reimagining the works of Basquiat and Haring in one-line drawings. I’ve, also, been working on creating sculptures inspired by Warhol; instead of using Brillo boxes, I use Nike boxes. And I’ve been staging wrestling as dance, which will be projected –along with large portraits — onto a huge screen outside 198 Allen.

What inspires you to keep creating?

I’m compulsive. I have to. And people, the street art community in particular, have been welcoming and supportive.

Are there any particular artists out there who continue to influenc your aesthetic?

Obviously Haring and Basquiat. But other main influences include UFO and Neckface.

Anything else new — in terms of your art-making?

I’ve been getting my original drawings into hand-made books. I recently constructed a 3o-pocket rotating magazine rack, and I’ve filled it with all hand-made original artbooks and magazines. I also create on a larger variety of surfaces.

What’s ahead?

Murals, prints and reproducibles.

Good luck with it all!

Note: You can keep up with 0H10 M1ke here — now that he’s posting on Instagram!

Interview conducted and edited by Lois Stavsky; all images courtesy of the artist

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Featuring a selection of large scale drawings and ninety six playing cards, Michael Alan‘s newest exhibition Mind Body Sound opens this evening, December 6, at KHORASHEH + GRUNERT,  524 West 19th Street in Chelsea.  What follows are several more of Michael’s seductively poetic images to be exhibited:

Kindred Spirit the Floating Princess, Watercolor, marker, pencil, acrylic, airbrush, gouache, paint marker on paper, 36″x48″

Sit and Sing, White ink on red paper, 30″x40″

Royal Petite, Mixed media on baseball card

Purple Nurple Grace, Mixed media on baseball card

In conjunction with the exhibit, the artist’s iconic Living Installation will take place in the center of the gallery as Michael Alan and Jadda Cat will create a four-hour HUG human sculpture using their bodies, props, fabrics, sounds and emotions. The Living Installation is by admission only this coming Saturday from 8pm-12pm.

People are welcome to come gather, watch, photograph, make art, become one! For tickets, visit here.

Images courtesy of the artist

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Featuring music, art, video and performance, Women To The Front is an immersive experience celebrating and showcasing women in the art world. Curated by Zoe Croci and Sara Catalan, it presents a range of works in a variety of media by over 30 female artists, many who are familiar to us street art aficionados. Pictured above is by Brooklyn-based multidisciplinary artist Gigi Bio. Other featured artists include:

Philadelphia-based digital artist Makeba Laurent does Lauryn Hill

Japanese painter Mina Hamada

Paris-based Daniela Yohannes, Oculus Sea

NYC-based performance artist Terry Lovette

FAITH XLVII and Dane Dodds, directors, AQUA REGALIA HONG KONG 2017, still from video 

The event — whose mission is “to inspire and empower new female-identified generations and anyone who enjoys good art” — takes place this Thursday evening, November 16, at Superchief Gallery, 1628 Jefferson Ave. in Ridgewood, Queens. There will also be a special premiere of “Dumb Dumb” music video featuring talented female rapper Cipherella directed by Zoe map, along with live art and complimentary drinks. Free to Arts Club members, admission is $10.

All images courtesy Zoe Croci

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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With a wide range of playful and provocative performances and installations, the 8th annual Art in Odd Places Festival is turning Manhattan’s 14th Street into NYC’s most uncoventional open-air gallery.  Here is a small sampling of what we saw:

Katrina De Wees, Forsenga

Michael Paul Britto, the Suspect War

Tomashi Jackson, High Tide (Red Handed)

"Tomashi Jackson"

 Anabella Lenzu, Ilusiones de Percantas (Women’s Dreams)

 Lizzie Scott, Styrene Lounge 

See Me Tell Me, Graffiti Fashion Show

Rory Golden, No Reenactments without Prior Permission

"Rory Golden"

Featuring over 100 artists’ projects from Avenue C to the East River, this year’s AiOP continues to reclaim public space along 14th Street through October 15th.

Photos by Lenny Collado, Dani Mozeson, Tara Murray and Lois Stavsky

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