NYC

Art-Is-Trash

Featuring a diverse range of artists – many active in the streets – the Future Is Now continues through the 20th at 60 Orchard Street on Manhattan’s Lower East Side. While visiting the exhibit soon after it had opened, I had the chance to speak to Kimyon Huggins, who along with Kennedy Yanko, curated it.

Joseph-conrad-ferm-art-60-Orchard Street

ross-broder-art-60-Orchard

This show is wildly eclectic – featuring a broad range of visions and styles. Can you tell us something about this exhibit’s title? Its mission? What does it all mean?

The Future Is Now references a new form of Dadaism, where artworks of varied styles from artists of different backgrounds come together in a cohesive fashion.

Jamie-Martinez- aka-Triangulism

Is there any common theme to these dozens of artworks?

It’s all an ode to the 80’s – to punk rock and its DIY sensibility.

Iena-Cruz-art-60-Orchard

How did you choose these particular artists? There is quite a range here, with many active on the streets.

They are all people that Kennedy Yanko and I know – urban artists whose artworks represent the theme of the exhibit.

kimyon-huggins-art-60-orchard

And what about this space, 60 Orchard?

It couldn’t be more perfect. A space like this on the Lower East Side is where “the future is now.”

NDA-art-at-60-Orchard

The Future Is Now remains on view through January 20 at 60 Orchard Street between Hester and Grand on the Lower East Side.

Photos

1. Francisco de Paja aka Art is Trash

2. Joseph Conrad-Ferm

3. Ross Brodar

4. Jamie Martinez

5. Iena Cruz

6. Kimyon Huggins

7. NDA

Photos 1, 4 and 5 by Tara Murray; 2, 3, 6 & 7 by Lois Stavsky

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We’ve been noticing more and more subway trains on walls down in Brooklyn and up in the Bronx.  Here’s a sampling:

Damien Mitchell for the Bushwick Collective

"Damien Mitchell"

Downer Jones in Bushwick

"Downer Jones"

Bella Amaral in Bushwick for JMZ Walls

"Bella Amaral"

Danielle Mastrion in Bushwick for the Dodworth Street Mural art project

"Danielle Mastrion"

Dek 2DX in the Mott Haven section of the Bronx

Dek2DX

Shiro in Bushwick for JMZ Walls

Shiro

Cern in Williamsburg

Cern

Photos: 1, 2, 4 and 6 by Lois Stavsky; 3 by Tara Murray; 5 by City-as-School intern Zachariah Messaoud and 7 by Dani Reyes Mozeson

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noxer-kaput-giz-martinez-gallery

While visiting the Free Radicals graffiti exhibit at ALL CITY this past Friday, I had the opportunity to speak to noted Martinez Gallery director Hugo Martinez who — together with Dr. Juan Tapia — envisioned and helped realize this wonderful space that serves as a graffiti art gallery, arts center and pediatric clinic.

What an amazing venture this is! A pediatric clinic, a dynamic art gallery and lounge all sharing the same space. Whose concept was this?

It was Einstein’s. “After a certain high level of technical skill is achieved, science and art tend to coalesce in esthetics, plasticity and form,” he once stated. There is a natural synthesis between art and medicine, and a health clinic is an ideal setting to realize it.

Noxer

What made this extraordinary space possible?

2.5 million dollars and seven years.

Who were the main forces behind it?

I work with Dr. Juan Tapia, a pediatrician and former graffiti artist known as C.A.T. 87.  We were inspired to observe and measure evidence-based results of fusing two seemingly antithetical concepts.

"Navy8 and False"

How did you two come to collaborate?

I met Juan over 40 years ago when I was a student at City College and he was a Warlord for the neighborhood division of the Young Savage Nomads gang.  In 1972, we co-founded the United Graffiti Artists (UGA) as an alternative community to the established art world. Juan then went on to earn his GED and attend college and medical school. We have since collaborated on many community-based art and health projects. And in 2008, we established the ALL CITY Foundation.

Can you tell us something about the ALL CITY Foundation?

It is a community-based health and arts collaborative that has brought together a network of medical practitioners, artists and designers to create and run coordinated health and art programs for youth in New York City.

Navy8

Your current exhibit, Free Radicals, is a remarkable representation of various works in different media by a range of prolific artists.

Yes. All of the artists in this exhibit have established all-city reputations, most in NYC and a few in other large cities.

Why did you choose this particular space on the corner of 135th Street and Broadway? It is quite impressive.

It is close to City College, where UGA was first established. And the lay-out of the building, the former Claremont Theater – a 22,500-square-foot landmark that was the first theater to show photoplays — is perfectly designed for our purposes.

Soviet

from-the-outside-martinez

What’s ahead?

A range of programs, activities and revolving art exhibits.

Note: Free Radicals continues through March 31 at 3332 Broadway at 135th Street in Harlem. All artworks are for sale. You can follow the Martinez Gallery online at martinezgallery.com and on Instagram at instagram.com/martinezgallery. You can also visit the space with NY1 and check out this recent story in the New York Times.

Photos

1. Kaput, Noxer and Giz

2Noxer

3. False and Navy8

4. Navy8

5. Soviet, close-up

6. Various artists, as seen from the outside looking inside

Interview and photos by Lois Stavsky

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This is the eighth post in an occasional series featuring artwork on NYC shutters:

Sweet Toof on the Bowery for the LISA Project

"sweet toof"

With Darkclouds

sweet-toof-dark-clouds-shutters-street-art-nyc

Ben Eine in the Mott Haven section of the Bronx

"Ben Eine"

Ramiro Davaro in the Bronx for the Tag Public Arts Project

ramiro-davaro-street-art-shutter-nyc

Kashink in Bushwick

Kashink

The Drif on the Lower East Side for the LISA Project

"the drif"

Buff Monster on the Bowery

buff-monster-street-art-shutter-bowery-NYC

 Photos 1, 2, and 7 by Tara Murray; 3 and 4 by Lois Stavsky; 5 and 6 by Dani Reyes Mozeson

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Nic 707‘s InstaFame Phantom Art continues to share a range of art — from tags by legendary writers to works by global artists — with NYC subway riders. Here are some images captured on a recent ride from East Tremont in the Bronx to Brighton Beach in Brooklyn.

Veteran UK graffiti writer, Pulse

Pulse

Bogota native Praxis

Praxis

The legendary TAKI 183

Taki 183

Praxis

Praxis

Nic 707

Nic707

Graffiti pioneer Skeme of Style Wars fame

skeme

Mulit-media artist Michael Cuomo 

michael-cuomo-art-in-transit

Nic 707

Nic707

Michael Cuomo

Michael-Cuomo

Photos by Lois Stavsky

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"Tats Cru"

Founded by John Matos aka Crash and Robert Kantor and directed by Anna Matos, WallWorks NY is a wonderful new gallery space at 39 Bruckner Boulevard in the South Bronx. While visiting its current  — and final — unofficial exhibit, Open Gallery, we had the opportunity to speak to Anna.

"anna matos"

When did WallWorks NY open?

We had our first “unofficial” opening exhibition, First Taste, on September 12.  Its focus was on promoting street art and graffiti as a viable art form within galleries and museums. Among the many local and international artists whose works were featured were: Daze, Futura, Nick Walker, Stash and TATS CRU members: Bio, Nicer and BG 183. This was followed by Point. Focus. Click. featuring photos – that had never been exhibited before — by such photographers as Henry Chalfant, Martha Cooper, Joe Conzo, David Gonzalez, Lisa Kahane, Francisco Reyes II and Ricky Flores.

Such

This current exhibit, Open Gallery, introduces us to many new artists.

Yes. It’s our final show before our official opening next month.  Along with works by emerging local artists in Open Gallery, are artworks in various media by artists from around the country – many of whom had never exhibited their works in a gallery setting before.

Buz163

How have these “unofficial” openings gone?

The response has been great. And the success that we’ve achieved so far is more than we could have imagined!

Why did you choose to open a gallery in the South Bronx?

Why not the South Bronx? Its history is so rich, and hopefully we will encourage people to visit it.

Funest

What is WallWork’s NY’s mission?

In the experimental and explorative vein of Fashion MODA, we want to exhibit new and exciting work from both emerging and established artists.

How did this space come to be?

My father, Crash, had dreamed for a long time of opening a gallery, and I loved the idea of directing one. On our trips into the city, we repeatedly passed this empty space on Bruckner Boulevard – that we saw as a potential site for a gallery.  After discussing it with an art dealer in Paris last summer, my father said, “Let’s do it!” And then a partnership with entrepreneur Robert Kantor made it possible for my father to realize his dream.

"John Paul O'Grodnick"

What experiences and skills do you bring to your position as gallery director?

I grew up around art. As a child, I regularly accompanied by father to his studio – where I would sit and draw. For a long time, in fact, I thought I would be an artist. But as a senior in high school, I discovered that I was more interested in the concepts behind the art than in creating art. I then majored in Art History with a double minor of Philosophy and Black Studies at Fairfield University, and after graduating from college, I studied Art Business at FIT.  And in addition to several internships, including one as Special Project Manager the Jonathan LeVine Gallery, I served as a liaison for my father, assisting him in everything from creating a strong social media presence to installing and selling art. I see myself as someone who is committed to each artist’s personal development and financial success — as well as to the success of the gallery.

"Stephanie Burr"

What’s ahead?

Our official launch takes place on next Saturday, January 10, with Ikonoklasts, featuring never-before-seen works by three legendary NYC artists: A-One, Dondi White and Rammallzee. Following Ikonoklasts will be our first solo show featuring works on canvas by Nicer of TATS CRU.

That sounds wonderful! We are looking forward!

Interview conducted by City-as-School intern Zachariah Messaoud and edited by Lois Stavsky; photos by Lois Stavsky

Photos

1. TATS CRU

2. Anna Matos, gallery director

3. Such Styles

4. Buz163

5. Funqest

6. John Paul O’Grodnick

7. Stephanie Burr

Note: Open Gallery continues until January 7 at 39 Bruckner Boulevard in the Bronx.

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With Sheryo and the Yok completing the missing letter — S — , the B-U-S-H-W-I-C-K mural at the Bushwick Collective is now complete. Here are some images:

Sexer at work after completing the letter ‘B.’ Letter ‘U’ by David Louf aka June1 to its right

"seder and David Louf"

 Sheryo and the Yok, the letter ‘S’

"Sheryo and the Yok"

Dasic Fernandez at work on the letter ‘H’

Dasic

Billy Mode at work on the letter ‘W’

"Billy Mode"

Eelco ’Virus’ Van den Berg, the letter ‘I’, with Bushwick Collective founder and curator Joe Ficalora to its right

Eelco

John Matos aka Crash, the letter ‘C’ 

Crash

Zimad at work on the final letter, ‘K’

Zimad

With some additions

Bushwick-graffiti-Bushwick-Collective

 Photo credits: 1, 4 & 7 by Dani Reyes Mozeson; 2, 3, 5, 6 & 8 by Lois Stavsky

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Nemo

Back in September, a huge orange carrot surfaced on the streets of Williamsburg. We soon discovered it was the work of the Italian artist Nemo Tibi Amat, whose distinctly curious aesthetic was on view at Exit Room NYC at the time. Eager to find out more about it all, we posed some questions to her.

Why a carrot? What does the carrot represent?

Because it makes me smile, and it makes other people smile. I think of it as a kind of Carrot Therapy. Also, the carrot fits wonderfully into our urban architecture. It can be vertical or horizontal; it can be whole or chopped. There will always be a place for it.

When was your carrot first born?

Everything was born some years ago. At the beginning, I used to paint a fat radish instead of the letter O when I wrote my name. Then when I began doing rollers, I replaced the letters with the carrot.  Even a child who can’t read can recognize a carrot.

"Nimo Tibi Amat"

What about the carrot on a cross that I saw over at Exit Room? What does that represent?

It’s the sacrifice.  Anyone who aims to change the world by fighting against the system — with his or her own powers — is a Jesus on Earth. He wasn’t the only one crossed, as so many were, are and continue to be in many other ways. He’s just the most famous, because apparently his father was a god! The real crucified carrots that I use represent the inevitable decay of the body. After death, there is no resurrection.

And your burqa? It’s such an intriguing, powerful image. What does it represent?

Since I began painting — back in 1995 — I’ve had to deal with hiding and covering myself. I’m fascinated by the relationship between one’s interior self and the exterior world. And I love playing with the concept of protecting your body by hiding it. Covering your face can be a choice, but sometimes it is a necessity — a rule that others impose on you. Through my burqas, masks and balaclavas, I also tell stories that range from personal experiences I’ve had with real people to secret urban legends. If you scratch away the plasticine on my scratch card artworks, you can win my face.

Nemo-artwork

"Nemo Tibi Amat"

What about your characters? Can you tell us something about them?

The characters themselves tell me how to draw them. You would have to ask them.

What is like being a female in a male-dominated world?

I don’t think about it. If you know who you are and where you are, you can manage just about everything going on around you. Most of the time, I paint on my own, and most of my friends are guys. I think I’m lucky, as I feel free from those mental prisons that a lot of girls feel enclosed in.  I don’t, though, support the feminist way of thinking as it only increases the separation between us.

"Nemo Tibi Amat"

What is your impression of NYC?

Everything is really messed up, and I do love it.

Interview by Lois Stavsky with assistance by Daniela Croci aka Zoe;  Photos 1, 2, and 5 courtesy of the artist; 3 and 4 by Lois Stavsky

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Also occupying NYC streets is an intriguing array of skulls, skeletons and assorted eerie creatures, Here’s a sampling:

Vexta in the East Village

"Vexta street art"

N Carlos J in Bushwick

"N Carlos J"

Damien Mitchell in the Bronx for Tag Public Arts Project

"Damien Mitchell"

Nicole Salgar & Chuck Berrett in Bushwick for JMZ Walls

nicole-salagar-chuck-berrett-street-art-

Steiner in Bushwick

Steiner

Bishop203 in Bushwick

bishop203-street-art-nyc

Epic Uno in Bushwick for the Tag Public Arts Project

Epic-Uno-and-achan-street-art-Bronx-NYC 2

 Photos: 1 & 6 by Dani Reyes Mozeson; 2, 4, 5 & 7 by Lois Stavsky; 3 by Tara Murray

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A visit to the South Bronx neighborhood of Hunts Point this past Monday led to the discovery of some of its recently-surfaced graffiti murals. Here is a sampling:

Deem

"Nelson Deem"

Dero

Dero

Pase

pase-graffiti-hunts-point-nyc

Gusto and Owns

"Gusto and owns"

Logek

Logek

Siek Fly ID

"Siek Fly ID"

Seter

Seter

Mast

Mast

All photos by Tara Murray

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