NYC

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A founding member of the legendary Bronx-based Tats Cru, the masterful BG 183 recently met up with us at his solo exhibit, Autumn Spray, in Hunts Point.

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When did it all begin?

Actually, my big sister got me started. I used to watch her draw all the time, and I was amazed! I wanted to try it too! So when I was about four — and she was nine — she noticed me drawing and encouraged me. I never stopped!

What inspired you to hit the streets?

Graffiti was all around me. I loved its bright, bold colors. But I had to begin by practicing my tag, the real element of it all. And then after hitting up stacks of paper, I began bombing on public surfaces. I was about 16 at the time. I wanted the fame!

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Any early memories that stand out?

Bombing the inside of James Monroe High School and hitting the trains riding back and forth from school.

Any particularly risky moments?

Getting chased while painting trains and dealing with other crews.

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How did your family feel about what you are doing back then?

My mother was cool – until Michael Stewart’s death. Then she became very uneasy about what I was doing.

I can understand that. What percentage of your day is devoted to your art these days?

100%. I’m either doing commissions or working on my own body of work.

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What keeps you painting after all these years?

I love it, and I want to be the best.

How do you feel about the movement of graffiti and street art into galleries?

It’s a natural progression.

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Do you prefer working alone or collaborating with others?

Both. Working with my crew – Tats Cru – helps me keep my skills on a high level.

You’ve painted throughout the globe. Why do you suppose graffiti is more respected as an art form in Europe than here in the U.S.?

There is a huge respect there for anything from New York.

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And yet the European writers have largely taken graffiti to another level – beyond what we see here in NYC. Why do you suppose that is so?

Many of the writers here don’t really try to. They simply don’t feel the need to evolve.

Interesting! How you feel about the role of the Internet in this scene?

It’s great! It gets my name out there.

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Do you have a formal arts education?

None! Just the Major Art class I took in high school. That’s where I got to know Bio.

Are you generally satisfied with your work?

Yup!

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What about your name? How did you get the name BG 183?

When I was in high school, I was the one to BrinG the bats to the baseball team. And 183 refers to the number of my styles – as I have so many!

Yes! You certainly are versatile. The work in this exhibit is so different from most of your work that I’ve seen on the streets. What inspired it?

The life I live! The images represent my life.

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And what about the colors. They are wonderful!

Fall was on my mind, and my wife suggested these particular colors.

What’s ahead?

I’d like to focus more on creating a body of work that can be shown in galleries and museums.

Note: Curated by Sien and Eric Orr, Autumn Spray remains on view through November 15th at More Points Bx, 727 Faile Street in Hunts Point.

Photo credits: 1, 2, 6, 7, 9 & 10 Lois Stavsky; 3 (with Crash on the left) Dani Reyes Mozeson; 4, 5 & 8 Tara Murray; interview by Lois Stavsky

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This is the 17th in an occasional series of posts featuring images of girls — and women — who grace NYC public spaces:

New Zealand-based Owen Dippie at the Bushwick Collective

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Spanish artist Belin in Williamsburg

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Colorado-based Bunny M in Soho

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Tokyo-native Lady Aiko at the Bushwick Collective

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Irish artist Fin Dac in Bushwick

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Brazilian artist Nove in Bushwick

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Brazilian artists Panmela Castro & OPNI at First Street Green Art Park

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Photo credits: 1 Lois Stavsky; 2 & 4 City-As-School intern Stefan Vargas; 3, 5-7 Tara Murray

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The Centre-fuge Public Art Project has once again refashioned the Department of Transportation trailer on First Street and First Avenue.  Here are a few more images of its latest transformation:

Andy Golub captured at work

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Key Detail and Yu Baba collaboration

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The other side of the trailer with Below Key, Leon Rainbow and  Zero Productivity

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Below Key

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 Zero Productivity

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And Never‘s homage to Peter Carroll aka Laser Burners 

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Note: First image features Andy GolubKey Detail with Yu Baba Rez and Rez Shaolin

Photo credits: 1, 2, 4-6 Tara Murray; 3 & 7 Dani Reyes Mozeson

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"Icy and Sot"

Led by Maziar Bahari — a former Newsweek journalist who was imprisoned in Iran for 118 days and became the subject of Jon Stewart’s film Rosewater — the #NotACrime campaign focuses on human rights abuses in Iran.  Members of the Baha’is, Iran’s largest religious minority, have been jailed solely for teaching and studying, as have journalists who expose the Iranian government’s policies. #NotACrime‘s current street art campaign, curated by Street Art Anarchy, has brought a series of new politically-engaged murals to New York and New Jersey. I recently had the opportunity to speak to the noted Brooklyn-based Iranian-American artist Nicky Nodjoumi, one of the campaign’s participants, who had been exiled from Iran in the aftermath of the Islamic revolution.

"Marina Zumi"

What moved you to participate in the #NotACrime Street Art Campaign?

I have been using art as a means to expose political crimes for a long time. It is part of my overall activities as an artist.

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You are principally known for your exquisite politically-infused figurative paintings, but you also designed posters against the Shah back in the late 70’s.

Yes, while teaching at the Tehran University of Fine Arts, I became involved in the movement to oust the Shah. We never could have imagined that what would follow would be even worse than the Shah’s regime.

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For the #NotACrime street art Campaign, you painted a pair of shackled hands. That image has also been surfacing on posters Downtown. Why that image?

It is a symbolic gesture in support of journalists in Iran. It is a general representation of the suppression of free expression.

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Do you feel that all artists have a responsibility to raise issues that will facilitate change?

An artist who lives in the Middle East does. There one has to have a position and take a stand.

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What is the foremost challenge facing artists and journalists in Iran today?

There is no freedom of expression. Human rights are abused. Everything must be done clandestinely. One faces the risks of imprisonment, torture and worse for any expression that challenges the government.

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What do you see for the future? Are you at all optimistic? Will things get better in your native country?

Unfortunately, I don’t have any hope for the immediate future. Despite the election of a more moderate President, dissent is not tolerated, as the hardliners are the ones who are setting the present policies.

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I suppose we all need to work together to create awareness.

Note: All murals in the #NotACrime street art campaign were curated by Street Art Anarchy. What follows are the ones featured above:

1. New York-based Iranian artists Icy and Sot819 Broadway and Ellery St in Bushwick

2. Argentinian artist Marina Zumi, Frederick Douglass Blvd and 126th St in Harlem

3. American artist David Torres aka Rabi, part of the art duo Cyrcle, 126th St in Harlem’s Nelson Mandela Memorial Garden 

4. New York-based Iranian artist Nicky Nodjoumi, 11-22 Welling Court in Astoria

5. Italian artist Jacopo Ceccarelli aka 2501, 24th St and Lex Avenue in Manhattan

6. Brazilian artist Alexandre KetoFrederick Douglass Blvd and 126th St in Harlem

7. South African artist Faith47, Colombia and Woodhull Streets in Red Hook

8. New York-based Jennifer Caviola aka Cake, 612 Communipaw, Jersey City

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Interview with Nicky Nodjoumi by Lois Stavsky

Photo credits: 1, 4, 6 & 7 Tara Murray; 2, 3 & 5 Dani Reyes Mozeson and 8 courtesy of #NotACrime

Check here to find out how you can participate in the campaign.

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This is the seventh in a series of occasional posts featuring the range of curious characters that have made their way onto NYC open spaces:

London-based Fanakapan at the Bushwick Collective

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French artist Bebar in Brownsville, Brooklyn

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Mexican artist Telleache at the Bushwick Collective

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Pyramid Oracle at Welling Court in Astoria, Queens

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Mr Nerds at the Bushwick Collective

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Photo credits: 1, 3 & 5 Lois Stavsky; 2 & 4 Tara Murray

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Writing onthe Walls is an ongoing project launched last year by N Carlos J – noted artist, community revitalizer and founder of Brooklyn Is the Future — for his father, a Brownsville native who had been diagnosed with cancer. This is Part II of our continuing documentation of it:

Danish artist Welin

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Brooklyn-based Ben Angotti

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French artist Zeso, close-up

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Chilean artist Teo Doro

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Long Island-based Phetus

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And you can find out here how you can help support this wonderfully transformative project.

Note: The first image is by Joel Bergner aka Joel Artista.

Photo credits: 1, 2, 4-6 Tara Murray; 3 Lois Stavsky

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For the past several months, visitors of all ages to the High Line have been busily constructing and reconstructing an imaginary cityscape. Presented by Danish-Icelandic artist Olafur Eliasson, the collectivity project, an installation of two tons of white LEGO® bricks, is part of the High Line’s open-air group exhibition, Panorama. Here are a few images that we captured:

Selecting the bricks

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Encountering some frustration

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Building with LEGO blocks

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Fashioning the cityscape

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A city-in-progress

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The collectivity project continues daily 10:00 AM to 7:00 PM on the High Line at West 30th Street through Wednesday.

Photo credits: 1, 3 & 5 Dani Reyes Mozeson; 2 & 6 Tara Murray; 4 City-as-School intern Stefan Vargas

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The noted French artist SP38 made his NYC debut this past week at the Quin Hotel on West 57th Street. Curated by DK Johnston, SP38‘s exhibit, Escape (Legalize Freedom), features the artist’s iconic text-based works that continue to surface across the globe. While visiting the Quin Thursday evening, I had the opportunity to speak to the artist.

You are currently based in Berlin. What brought you there? And what prompted you to stay?

I first came to Berlin 20 years ago.  There was so much empty space at the time, and the city — after the German reunification —  was especially welcoming to artists. Before moving to Berlin, I had been living in artist squats in Paris.

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The streets are the principal canvas for your urban poetry. Why the streets?

It is the best way for me to get my message across to the world.  The streets allow me to reach so many people.

Among your statements that have surfaced in public spaces are: “ESCAPE,” “OCCUPY,”  “SLAVES,”  “VIVE LA BOURGEOISIE,” “NO PROPAGANDA,”  “NO MONEY NO ART” and “I DON’T WANT TO BE U’RE FRIEND ON FACEBOOK.”  The name of this exhibit here at the Quin, in fact, is ESCAPE (Legalize Freedom). What is your intent in putting these messages out there?

I am interested in provoking a reaction. I want folks to think about what is happening. And I use humor and sarcasm because I also want to make them laugh.

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Have you any favorite surfaces?

I love old doors and new walls. I focus on how my message will work within its immediate environment, as well as its general surroundings.

Besides Berlin, where else have you gotten up? And how have folks responded to your work?

I’ve brought my urban poetry to Seoul, Ragoon, Montreal, Bristol, Santiago and the Philippines. The response has always been positive!

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How has your work evolved since you first started sharing it on public spaces?

As I get older, it has become cleaner and more simple. I especially like writing on white paper.

What about NYC? What is your impression of our city?

I love it! It is a mix of everything cool!

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Escape (Legalize Freedom) remains on view at The Quin Hotel, 101 West 57th Street at Sixth Avenue.

Photo credits: 1, 3 and 5 via artist’s Instagram; 2 and 4 (close-up from video wall) at the Quin by Lois Stavsky; interview by Lois Stavsky

Note: Images 3 & 5 on the streets of Berlin

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This is the tenth in an occasional series of posts featuring the range of faces in different media that have surfaced in NYC public spaces:

New Zealand-based Owen Dippie in Bushwick, Brooklyn

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UK-based multimedia artist Ryan Gander on the High Line

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Alice Mizrachi, captured at work this past June in the East Village

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How & Nosm and Tristan Eaton in Williamsburg, Brooklyn

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German artist Hendrik Beikirch aka ECB in Bushwick, Brooklyn

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Bogota-based Australian artist Crisp in Brooklyn

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Chris Soria and Joel Bergner aka Joel Artista in Bushwick, Brooklyn

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Hong Kong-based Caratoes in Bushwick, Brooklyn

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Photo credits: 1, 4 & 5 Lois Stavsky; 2 & 8 Dani Reyes Mozeson; 3, 6 & 7 Tara Murray

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On view at the Judith Charles Gallery though tomorrow — Sunday — is a selection of new works, along with salvaged ones, by many of the artists who had participated in last year’s landmark 21st Precinct Exhibit. Here is a sampling:

Alice Mizrachi

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Ghost and Giz, fragment salvaged from last year’s installation

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Chris Soria and Misha Tyutyunik

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Pesu 

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Lorenzo Masnah. fragment

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Ben Angotti. close-up

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Bad Pedestrian

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N Carlos J

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Presented by Outlaw Arts, the exhibit remains on view 1-9pm today, Saturday, and tomorrow.

Photos of artworks by Lois Stavsky 

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