mural project

On my recent visit to Newark, arts educator and photographer Rachel Fawn Alban introduced me to The Golden Life, a joyous, brilliantly crafted mural project adjacent to the city’s Broad Street Station. Eager to find out more about this transformative venture, I  posed a few questions to Rachel, who created this richly radiant mural project in collaboration with Newark-based artist Armisey Smith.

This mural project is such a rich addition to Newark’s visual landscape. Whose concept was it?

The Golden Life is a collaboration between Armisey Smith and me. Armisey is a talented artist and close friend who believed in me long before I believed in myself. She encouraged me to partner with her, and together we set out to create something special and meaningful for Newark.

We chose to honor real community members—not famous or historical figures—which made the project deeply personal. The mural features large-scale portraits of 14 women and girls who live or work near the intersection, celebrating the diversity and creativity of Newark women and girls. The portraits are connected by vibrant lines and color, symbolizing community, connection, and sisterhood.

Can you tell us something about its process?

Creating this mural was both challenging and rewarding. In April 2023, Armisey and I hosted a free art workshop at the Newark Public Library for women and girls of all ages. We presented the project, took portraits, and led participants through creative exercises including a selfie station, collage-making, and haiku writing—all centered around the theme of The Golden Life.

One of my favorite aspects of the project is the audio component. While we couldn’t feature everyone’s portrait on the wall, we were able to present all of their poems—so even more voices were included. The recordings are accessible via the Bloomberg Connects app, along with a beautiful introduction by Newark artist Kween Moore. It’s a way for people to experience The Golden Life beyond the visual—listening while walking around the site adds another layer of engagement and accessibility.

What were some of the particular challenges involved in seeing this project through?

There were quite a few! It took about six months of planning before the workshop, then about a year from the time of the workshop to the ribbon cutting. Scheduling was a challenge since we are all educators and artists juggling multiple projects. And, since the project spanned multiple seasons, weather impacted our fabrication and installation timeline.

This was a complicated project with many stakeholders and technical processes. In fact, just before we were set to begin, two of our original walls became unavailable. This required a complete redesign and budget revision, which pushed us back several months. Thankfully, our amazing project manager, Rebecca Jampol, and our partners helped us stay on track. In the end, it all came together beautifully.

How has the community responded to it?

The response has been overwhelmingly positive. People have shared how they love seeing it every day and how meaningful it is to see their stories reflected in public art. In a diverse, majority-Black city like Newark, it’s especially powerful to create space for women and girls of color—who are often underrepresented in public art and media — to be honored and celebrated. The project also beautified a neglected and dilapidated intersection at Broad Street Station—used by hundreds of residents and commuters every day—transforming it into a welcoming and inspiring space. It’s a powerful reminder of how art can profoundly alter one’s environment and strengthen community.

What’s ahead for you?

I’m excited to continue creating art that celebrates diversity and brings people together. As a Jewish woman in Newark, I’ve been reflecting on the Black-Jewish alliance in America—a historic and ongoing partnership rooted in shared struggles and a commitment to justice. I’m eager to work on future projects that explore and honor these intersections, amplifying stories that haven’t always been told.

I’m also thrilled to keep collaborating with Armisey. Working together on this mural was incredibly rewarding, and we’re already brainstorming future projects. I’m confident that whatever we do next will be just as meaningful.

And before we wrap up, I want to thank the key supporters who made this project possible: Project for Empty Space for organizing and managing the initiative; the City of Newark’s Department of Arts and Culture; and Bloomberg Philanthropies for their incredible support. I’m also deeply grateful to our team of local artists who helped facilitate the workshop, fabricate, and install the mural—and of course, to all the participants who brought their creativity, stories, and spirit to the work. Golden Life for Life!

Interview and photos 1-5 by Lois Stavsky

Featuring Newark community members:

  1. Reine Campbell and Quincy Campbell
  2. Antoinette Ellis Williams, Rachel Fawn Alban & Tamia Thomas
  3. Denise Toney
  4. Klymora Smith
  5. Adele Rae Hayes Harris

Photo 6  © Charles David, featuring Armisey Smith, Rachel Fawn Alban and members of the Newark community

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Launched in 2009, Welling Court Mural Project has transformed Welling Court and its surrounding blocks in Astoria, Queens into a welcoming, wondrous open-air gallery. Under the curatorial direction of Alison Wallis, a diverse range of artists are now busily bringing their talents and visions to Welling Court in preparation for this weekend’s festivities. When visiting on Monday evening, I came upon several artists at work and a few newly fashioned murals. Pictured above is artist, curator and arts educator Alice Mizrachi with spray can in hand. Several more images follow:

Style master Noah TFP at work

The renowned Greg Lamarche aka Sp.One

Thailand-based artist Headache Stencil

The legendary Lady Pink, close-up from her almost-completed mural

Another detail from Lady Pink’s hugely impressive and uplifting mural

Japanese artist Shiro brings new vibes to her old spot

These next few days will bring many more artists to Welling Court culminating this weekend in a two-day festival. Featuring live painting a  marketplace and more, it will take place June 25 and 26 from 11 a.m. to 7 p.m. at 11-25 30th Avenue.

Photos: Lois Stavsky

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The Grandscale Mural Project, one of my favorite public art projects in town, brings vitality, color and intrigue to East Harlem. Since this past summer, I’ve revisited its current reiteration several times, always delighted by its diversity and charm.

The mural captured above — a portrait of public art administrator and producer Ayana Ayo — was painted by muralist and teaching artist Kristy McCarthy aka D. Gale. A few more images — almost certain to refuel your spirits in these uncertain times — follow:

Multidisciplinary Ecuadorian artist and educator Toofly

NYC-based visual artist and arts educator Lola Lovenotes

Multidisciplinary Brazilian-American artist Phes

    Mexico-born artist Sandy Perez

Bronx-based artist and arts educator Lady K Fever

Bronx-bred style master Image

Photos: Lois Stavsky

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Since we had last visited Welling Court back in late spring, a number of new murals have surfaced in this hugely popular Astoria, Queens-based mural project. The image pictured above was painted by the legendary NYC-based artist Chris “Daze” Ellis, who had first made his mark on NYC subway trains in the mid-70’s. Other recent artworks follow:

Designer and co-creator of the You Are Not Alone mural project Annica Lydenberg aka Dirty Bandits,

Bronx-based graffiti pioneer John “Crash” Matos and NJ-based stencil master Joe Iurato

Ecuadorian multidisciplinary artist Toofly

Brooklyn-born and Dallas-based abstract artist James Rizzi aka JMR

NYC-based designer, typographer and muralist Queen Andrea

NYC-based painter and designer Dennis Bauser aka SINNED  with his partner Maria Bauser aka Ria

Photo credits: 1-4 & 6 Lois Stavsky; 5 & 7 Sara C. Mozeson

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For over a decade Welling Court and its surrounding blocks in Astoria, Queens have been a mecca of street art and graffiti, engaging a widely diverse group of artists, the local community, as well as the the general public.  On our recent visit to Astoria, we were delighted to discover several new murals — curated by Alison C. Wallis —  that have surfaced in these trying times on the walls of one of our favorite street art destinations. The image featured above was fashioned by the legendary Chris “Daze” Ellis. Several more murals — painted over the past few weeks — follow:

Bronx-bred El Souls

Lady Pink‘s tribute to George Floyd, Breonna Taylor and many more whose lives should have never been cut short 

Greg Lamarche aka SP ONE, “Lift Every Voice”

Fumero, “The Glariator” with his name in flames

Bronx-based BG 183, Tats Cru

Queen Andrea, Love Always Wins

John “Crash” Matos and Joe Iurato with a message of LOVE

Also among the new works is a mural fashioned by the legendary John Fekner, to be captured when the sun cooperates!

Photo credits: 1, 6 & 7 Sara Ching Mozeson; 2 – 5 & 8 Lois Stavsky

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Today, Saturday, June 9th, marks the ninth anniversary of the extraordinary community-driven Welling Court Mural Project, conceived and curated  by Ad Hoc Art. While visiting yesterday, travel and street photographer Karin du Maire aka Street Art Nomad captured several artists at work, as well as a few completed murals. Pictured above is the wonderfully talented Queen Andrea at work. Several more images follow:

John “Crash”  Matos — posing in front of his mural, based on a painting of his from 1980

Lmnopi

Joel Artista and Marc Evan at work on collaborative wall with Chris Soria

Netherlands-based Michel Velt at work

Cey Adams

KingBee at work

Peat Wollaeger aka Eyez

Herb Smith aka Veng, RWK, alongside his mural

Celebrate the launch of this model community-based mural project from 12pm – 8pm today at 11-98 Welling Court in Astoria, Queens. Check here for directions.

Photos by Karin du Maire

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