graffiti art

Speaking with Yes One

July 9, 2014

Bronx native Yes One has been gracing walls, canvases and more with his energetic aesthetic — in NYC and beyond — for almost 30 years. StreetArtNYC is delighted to feature an interview with him.

"Yes One"

How did you first get into graffiti? What inspired you?

I was introduced to graffiti by Smiley 149 of the Ebony Dukes when I was 10 years old. He used to chill outside my favorite candy shop where I played Asteroids on the arcades. He sat on a crate right outside, and we would vibe watching the trains go by on the Tremont El. This was about 1979.

When you began writing, what kind of surfaces did you hit?

Illegal ones — because of the rush. I can’t explain it, but it’s like robbing a bank.

How did your family feel about what you were doing back then?

My mom and dad hated it. They saw it as a crime. My mother was scared. She used to say, “Te voy a botar esas latas!” (I’m going to throw your cans out!)  She actually kept some of those cans, and I have some collectables today.

"Yes One"

Have you painted with any crews?

Yes! I’ve painted with BT, 4Burners, GAK, and FX — among others.

Do you prefer working alone or would you rather collaborate with other artists?

I often work alone, but I’m open to collaborating with anyone.

Who are some of the artists with whom you’ve painted?

Dero, Pase, PerOne, Logek, Beasto, Tone MST, Ribs GAK and Shiro  —  to name a few.

"Yes One"

Any thoughts on the graffiti/ street art divide?

I see them as two different things. Graffiti is letters, forms and styles. Street art doesn’t pay homage to graffiti, but I can admire it.

How do you feel about the movement of graffiti and street art into galleries?

I think it’s great! I had works featured in a number of exhibits including Cause and Effect and Board of Art and at the Bronx Museum of the Arts.

What about the role of the Internet in this scene? Do you follow any sites?

I follow 12ozProphet and FreshPaint. The Internet is a great networking and marketing tool. It is how I’m able to sell canvases overseas.

And the photographers in this scene? How do you feel about them?

They don’t bother me. They have learned the etiquette.

"Yes One"

Do you have a formal arts education?

I never went to art school.

What’s the riskiest thing you’ve done?  And why were you willing to take that risk?

Painting in the 2 and 5 train yards in the Bronx with Clark in the late 80s. I was young, and you do foolish things when you’re young.

How would you describe your ideal working environment?

My ideal working environment is the Ya Tu Sabe studio space.

What inspires you these days?

Seeing people checking out my walls, taking pictures and smiling. When I see people appreciating my work, I feel I did my job.

"Yes One"

Are there any particular cultures you feel influenced your aesthetic?

I influence myself.

Do you work with a sketch in your hand or do you let it flow?

I work with a sketch in my hand, but what goes on the wall is not always a hundred percent what was on the paper.

Are you generally satisfied with your work?

I’m never satisfied. I may “finish” a wall this week and go back the next saying to myself, “I could have added this or that.”

How do you feel when you look back at the work you did two years ago?

I take it as a good reference point for picking up new techniques and elevating my style. I feel that my work has gotten stronger. And I feel a hunger to produce more and further my talents.

Shiro-Yes-One-Part-One-graffiti=5Pointz-Long-island-City-NYC

What percentage of your day is devoted to your art? I know you have a “day job.”

I’d say about 75 percent. It’s work – then, art. I wake up at 5 in the morning and don’t go to sleep until 2 a.m.

What are some of your other interests?

I love baseball and collecting rare items. I also love BMX bikes.

What do you see as the role of the artist in society?

The role of the artist is a big one. The artist is there to affect a person’s mind by introducing new ideas and concepts.

Interview conducted by Lenny Collado and edited by Lois Stavsky; photos 1, 2, 4 & 5  Lois Stavsky; 3 & 6 Dani Reyes Mozeson; photo 5 is from Yes One’s black book; photos 2 & 4 (close-up) are from works currently on exhibit at the Pop Bar in Astoria, Queens; photo 6 is a collab with Shiro, Part and Meres at 5Pointz 

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On exhibit through June 13 at Acquavella Galleries on Manhattan’s Upper East Side is an exhibit of 22 works on paper and two paintings by Jean-Michel Basquiat. From the collection of Herbert and Lenore Schorr, who recognized and valued Basquiat’s talents early on, many of these have never been exhibited before. Here’s a sampling:

Untitled, acrylic marker, paper collage, oil paintstick, and crayon on paper, 1981

Basquiat

Untitled, oil painstick on paper, 1981

Basquiat

Portrait of Herb and Lenore, acrylic on paper, 1983

Basquiat

Untitled, acrylic and oil paintstick on paper, 1982

Basquiat

Untitled, graphite and colored pencil on paper, 1985

Basquiat

Jean-Michel Basquiat Drawing: Work from the Schorr Family Collection was curated by Fred Hoffman who co-curated Basquiat’s 2005 retrospective at the Brooklyn Museum. None of the artworks in the exhibit are for sale. “It is strictly educational,” Lenore Schorr is quoted as saying earlier this year in the New York Times.  Acquavella Galleries is located at 18 East 79th Street.

Photos of images by Dani Reyes Mozeson;  all images The Schorr Family Colletion © The Estate of Jean-Michel Basquiat / ADAGP, Paris / ARS, New York 2014. 

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This is the third in a three-part series featuring first-rate graffiti walls that have recently surfaced in the vicinity of the Morgan stop on the L train:

Vizie

Vizie

Rath

Rath

Per One FX

Per

Mast

Mast

Staer

Staer

Veo

Veo

Owns

OWNS

Cuba 

Cuba

Seter

Seter

Sye

SYE

Photos of Vizie, Owns and Cuba by Lois Stavsky; of Rath, Per One, Mast, Staer, Seter, Veo and Sye by Dani Reyes Mozeson; keep posted to our Facebook page for more!

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"cortes graffiti"

NYC-based painter and illustrator Christian Cortes has been increasingly exploring combinations of graffiti typography with surrealism, abstraction, South American iconography and New York City culture. 

Your extraordinary artwork has graced the walls of 5Pointz for years. Where else have you gotten up?

I’ve painted in France, Germany, Spain, Japan, Ecuador, the Dominican Republic and in Puerto Rico. I’ve also gotten up in Seattle, Miami and Fort Lauderdale. And here in NYC, I’ve recently painted in the Bronx.
  
Any favorite place?
 
Probably Puerto Rico. I had many Puerto Rican friends as a teenager, and I feel a strong connection between NYC and Puerto Rico.
  
When did you first start getting up in public spaces?
 
I was in 7th grade when I began paying close attention to what was happening on the 7 train, on rooftops and along the 59th Street Bridge. Soon afterwards I was bombing those surfaces. I was most active on the streets – as Waqs A3crew– between 1990 -1995 piecing. But then I took a ten-year break.
 
Do you have a formal art education?
 
I attended the High School of Art and Design and I began fine art studies at three different colleges. But I dropped out of all of them, as I became increasingly involved in my own work.
 
 
What kind of work were you doing?
 
I was doing lots of commercial work such as record covers, backdrops for videos and steady commissions for rap groups. Among my projects was a video for Jeru the Damaja. This was ideal work for me, as I’ve always felt strongly connected to musicians. When I hit a wall with other artists, it’s like we’re all making music!
 
What got you back into painting on the streets?
 
5Pointz – for sure! Also traveling and the Internet. I share much of what I do on YouTube these days. I feel a responsibility towards the younger writers, and I love the interaction with them.
 
Have you any advice for young artists?
 
Aspiring artists need to learn the value of discipline. Art doesn’t happen quickly or easily.
 
Who inspires you?
 
Mode 2 from France and I’ve developed a new appreciation for Seen. I’m also inspired by musicians – such as Sadat X of Brand Nubian and Eddie Vedder of Pearl Jam.
 
"Cortes graffiti"
 
Tell us something about your skulls. They surface in so many of your pieces.
 
Skulls have forever been a theme in all genres of art. When I first started painting skulls – while still in high school — I was suggesting that graffiti is dead. But now I think of skulls as a celebration of life through acknowledging death. And in relation to graffiti, the skulls have come to imply rebirth, as graff has been reborn.
 
What do you see as the future of graffiti?
 
I see it developing into more of a grass-roots movement. I see us developing our own events, along with smaller brands, as the huge brands have been dictating what kids see.
 
How do you feel about the street art vs. graffiti divide?
I don’t see them in conflict with one another. I see them simply as two separate genres. But I have difficulty understanding, for example, the Banksy phenomenon.
 
"Cortes graffiti"
 
What’s next?
 
More traveling, more black book videos, more tutorial videos and more walls. I’m planning to paint next in Brooklyn and I’m starting something new at 5Pointz. Next month I will be heading down to Miami for Art Basel.
 
Good luck! ‘sounds great!
 
Photos of Cortes at 5Pointz by Dani Mozeson;  in the Bronx by Lois Stavsky and painting in the Bronx by Lenny Collado

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