A PangeaSeed Foundation public art program, Sea Walls: Artists for Oceans is committed to bringing the message of ocean conservation into streets around the world. With over 350 murals created in 15 countries, Sea Walls is a model of ARTivism on a global scale. During her recent visit to Cozumel, Mexico, travel and street photographer Karin du Maire aka Street Art Nomad captured several of the Sea Walls murals that have surfaced in this Caribbean island off the eastern coast of Mexico’s Yucatán Peninsula.

Pictured above is Mapache’s Stare, a mural painted earlier this year by South African artist Sonny Sundancerfeaturing a pygmy raccoon endangered with habitat loss. Several more images of Cozumel-based Sea Walls murals follow:

Australian artist Meggs, Coral Conch Shell, 2015

Canadian artist Jason Botkin, Protect What You Love, 2015

UK-based Phlegm, Untitled, 2015

Mexican artist Secreto Rebollo, Letanía, 2019

Argentine artist Nicolas Romero Escalada aka Ever, Untitled, 2015

International duo Alegria Del Prado, Su Vida Es Nuestra Vida, 2019

Photos: Karin du Maire aka Street Art Nomad

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Monument Art, an international mural festival — similar in scale and scope to Los Muros Hablan NYC  that took place in 2013 in East Harlem and the South Bronx — was launched earlier this month. Curated by Celso Gonzalez and presented by the La Marqueta Retoña initiative, in collaboration with the City Council Speaker Melissa Mark-Viverito, it features a stunning array of soulful, site-specific murals.

South African artist Faith 47, 103 St & Madison Ave


Brooklyn-based Puerto Rican photographer Luis R Vidal, 111 St & 1 Ave

"Luis Vidal"

Belgian artist Roa at work, 1o8 St & Lexington Ave


 Roa‘s completed piece


Mexican artist Sego at work, 103 St & Madison Ave


Sego‘s completed mural


NYC-based Viajero at work, 113 St & 2 Ave


Viajero‘s completed mural


Argentine artist Ever at work on 99 St & 3 Ave


Ever‘s completed piece


Andrew Antonaccio and Filio Galvez of the Miami-based collective 2Alas, 138 St & Park Ave, South Bronx



The first image — a portrait of Puerto Rican novelist Nicholasa Mohr on 111 St and Lexington Ave — was painted by LA based El Mac in collaboration with Puerto Rican artists Celso Gonzalez and Roberto Biaggi, Cero.

Photo credits: 1 & 9 Lois Stavsky; 2, 3, 5-8 & 10-13 Tara Murray; 4. Dani Reyes Mozeson 

Note: This blog will be on vacation through Nov. 1. You can follow us on our Facebook page and on Instagram.

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Speaking with Ever

August 18, 2013

A masterful muralist and inspiring thinker, Argentinian artist Nicolás Romero aka Ever has graced countless cities throughout the globe with his wondrous vision. Earlier this summer, he stopped off in NYC, where he painted on a rooftop in Williamsburg, Brooklyn. That’s where I caught up with him.


When did you first start getting up?

I was 16 and into hip-hop. The first time I got up was with two friends in our school’s bathroom. We thought we were so cool. Then whenever I took my dog for a walk, I did throw-ups around my neighborhood.

So your neighborhood was your main canvas back then?

Mostly for bombing, but it made me nervous.


When did you become serious about it?

When I met Jaz and other members of DSR. They were professionals. They took street art and public art seriously. I started to share a studio with Jaz and began to think of myself as an artist. In 2003, I started making portraits.

How did your parents feel about what you were doing?

My parents encouraged me. When I was seven, they introduced me to Van Gogh and Goya. I became obsessed with Van Gogh because he cut off his ear. I had a problem with my ear, so I identified with him. When I was thirteen, I began taking art classes outside of school.

Did you continue to study art formally?

I studied architecture at the university for a few months, but it wasn’t for me.


Who are your inspirations? Any particularly artists?

I have many. I’m inspired by Mexican muralists — the way their art reflects the people and their social consciousness. I’m also inspired by such artists as Van Gogh, Lucian Freud and Francis Bacon.

What is your main source of income these days?

Half my income is from commissions and the other half is from sales.

How do you feel about the movement of street art and graffiti into galleries?

It’s okay. I’d rather sell my work in galleries than do commission pieces for corporations.


Have you had any negative experiences while getting up on the streets?

The mural that I did in Lima, Peru was censured. I was accused of glorifying Communism. The image on the mural was changed, and it is no longer mine.

You’ve painted in so many cities. Have you a favorite one?

Paris. There is an openness there.

Any thoughts about the graffiti/street art divide?

I don’t see it.


How has your art evolved since you began painting murals?

I’ve become more abstract and I’ve begun to think of the body as “just a dress to use on Earth.”  My portraits no longer have eyes.  And I’ve begun to use religious symbols obsessively in my work, even though I don’t believe in a traditional God. My work has also become more socially conscious.

What inspired that?

Before 2009, I was apolitical. But in 2009, I lived in Paris, and I began to think of art as the means to inspire societal change. The revolution must start here — on the walls.

Interview by Lois Stavsky. Photos of Brooklyn rooftop and Baltimore mural by Lois Stavsky. Final image of wall in Santurce, Puerto Rico — which I caught only at the beginning — courtesy of the artist.