Walls

Best-known for his interactive performance art and visual art that have been featured in a range of galleries, art fairs and museums, Miami-based artist David Rohn has recently taken his vision to the streets. In his new series, Street Peeps, he focuses on raising awareness of the issue of homelessness. While in Miami, I had the opportunity to speak to him:

When did you begin this project– with its focus on wheatpasting images of  yourself in various disguises representing street peeps?

I started three months ago.

Had you ever gotten up on the streets before you began working on this project?

Back in the 90’s, I did a series of boys’ heads based on an image that I had seen. I got them up in Miami – mostly on lampposts – Downtown and on the beach. One even made it into the bathroom of the Perez Art Musem, back when it was the Miami Art Museum. I painted the heads in different colors mixing guache paint with wallpaper paste.

What inspired you to do so back then?

I’d seen graffiti and wheatpastes up in NY, and I wanted to be out there.

What spurred you to hit the streets this time around? 

Between 2008 and 2014, I was represented by a gallery in Miami. After that ended, I wanted a way to share my vision — and concerns — with others. Things had tapered off. Getting up in the public sphere seemed like the most sensible way to accomplish this.

And why this particular project?

I feel very strongly about homelessness. I’ve seen it explode in recent years. It is appalling! And the income disparity is continually increasing. I’ve been interested in these two issues for awhile.

Each of your portraits is another rendition of you as someone who is homeless!

Yes! I’ve been doing portraits of myself since 2008 as part of my performance art.

Who exactly are these characters you are portraying?

They are inspired by homeless folks and street people I see when I’m out on the streets. The ones who are the casualties of gentrification. This city is changing so rapidly.

And what about the characters with the masks? Who are they?

They represents the power structure. The eilite – those who control our economic assets. The developers who can easily evolve into a monsters.

What about your relationship with the homeless?

For awhile, I was bringing them sleeping bags and cots. But these days, I bring loaves of day-old bread and bottles of water. And socks – white socks and gray socks. They choose which ones they want. These items are what they seem to need and want the most.

And how has this project – getting your portraits out there in public space — impacted you?

It’s been very liberating! It’s fun! And I like the idea of short circuiting the gallery system.

What’s ahead?

Creating and getting up more images suggestive of the homelessness crisis.

Interview conducted and edited by Lois Stavsky with photos by Lois Stavsky.

Special thanks to Andrew Ringler for introducing me to David.

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With a BFA in Photography and Sculpture from the Massachusetts College of Art, multidisciplinary artist Alessandra Mondolfi describes herself as a “Jill of all Trades.”  A recipient of multiple grants and awards, including a Fulbright Grant to Barcelona, Spain, she has exhibited throughout the globe with works ranging from altered photographs to elaborate large scale multimedia installations. These days, Alessandra Mondolfi  perceives herself  primarily as an artist/activist, whose political artworks surface on the streets of Miami and beyond. I recently had the opportunity to speak to her.

When did you begin to direct your creative talents to the political sphere?

It happened right after the 2017 Women’s March. That was a huge turning point. I took to the streets then using art props as tools of protest. I haven’t stopped, and I’m not stopping. I’m a proud member of the middle-age resistance.

What prompted you to do so? To become so active?

The 2016 Presidential election. It’s a gut reaction to our current state of affairs. These times call for drastic action. Having come of age in Venezuela, I saw first-hand attacks on democracy and on people’s basic values as Chavez ran on a populist front — socialist, but populist. No one took him seriously. They thought of him as a joke. They didn’t think he could win. And when he did, he  destroyed his country. The similarities between him and Trump are staggering. My strongest weapon against this kind of  fascism is my creativity.

How has your in involvement in this movement impacted you?

It’s been therapeutic. Creating art is a way for us to release our anxieties and give us a sense of purpose, especially in times like these.

And what about others? How has your work impacted others? What kinds of responses has it elicited?

The props that I’ve used at various protests have been shown around the world in a range of media — in print, online and on television. I feel as though I am creating the visual message of the resistance for the media to transmit. Much of what I’ve created has gone viral.  Getty and AP images have surfaced in newspapers throughout the world, including Turkey, Bulgaria and India.

What’s ahead?

I’m now working on new props for the March 24th, March for Our Lives in Parkland. These will be followed by wheatpastes that I will post wherever I can.

I’m so glad you’re doing this! Thank you!

Photos: 1 & 3 Lois Stavsky; 2, 4 & 5 courtesy the artist; Interview conducted by Lois Stavsky

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Fusing the wild style graffiti style he had mastered while growing up in Denmark with a contemporary fine art sensibility, Mikael B creates sumptuous murals, characterized by bold shapes and mesmerizing colors. He was recently invited to paint the exterior of Art Share L.A., a nonprofit organization that supports Los Angeles-based artists by providing a creative environment for them to live, work, develop, perform and exhibit. Pictured above is one side of the huge 9,300 sq. ft space. Several more images follow:

The artist at work on one segment of the mural

And here on another segment

While taking a moment’s break

The completed project

Photos courtesy of the artist

You can follow the artist on Facebook here and on Instagram here.

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Hundreds of intriguing characters swarm the streets of Athens. Those pictured above were fashioned by Barba Dee, RKuan and Dreyk the Pirate. Several more follow:

Dimitris Dokos

Anna Dimitriou

N Grams

Enas Kanenas

Photos by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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From Sonke‘s droopy-eyed ladies to Lotek‘s socially conscious troublemakers, dozens of girls have found a home on Athens’ walls. The image pictured above was fashioned by Athens-based Sonke Wia. Several more follow:

Athens-based stencil artist Lotek

Athens-based, Polish native Dimitris Taxis

Athens-based Refur

Athens-based Antonis Hambas

The prolific Athens street art pioneer Achilles

Photos by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Featured above — in this second post documenting the range of faces that have surfaced in Athens public spaces — is the work of the noted Greek artist Ino. Several more seen last week follow:

Athens-based Achilles

Unidentified artist(s)

Athens-based Exit

Montreal-based Waxhead

Athens-based Neid

Photos by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Teeming with intrigue, the streets of Athen, Greece showcase a range of gritty, authentic artworks. Few surfaces remain untouched! The image pictured above was painted by the prolific Athens-based Achilles. Several more images of faces encountered last week follow:

Also by Achilles

Athens-based Atek

Spanish artist Borondo

Maz

Note: This is the first of several post on Athens street and graffiti.  Special thanks to Vassia of Alternative Athens and to my StreetArtNYC Instagram followers for introducing me to this city’s vibrant street art scene and identifying the many artists whose works grace these streets.

Photos by Lois Stavsky

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Whereas street art makes its way onto a range of public surfaces in Tel Aviv, it is far less prevalent in Jerusalem.  But hidden alleyways and spaces off the main roads, along with Mahane Yehuda — Jerusalem’s marketplace — host a range of intriguing pieces. The image pictured above was fashioned by Haifa native Maayan Fogel. Several more images I recently encountered while wandering the streets of West Jerusalem follow:

The itinerant Jerusalem-based Elna of Brothers of Light   

Brazilian artist Manoel Quiterio

The prolific British-Israeli muralist Solomon Souza

Solomon Souza‘s rendition of  Amar’e Stoudemire — as seen at the Mahane Yehuda Marketplace, as it was closing

Random installation in the art-friendly Nachlaot neighborhood

Photos by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Rarely bare, Tel Aviv store shutters largely host a motley range of characters. The shutter featured above was fashioned by Kristopher Kotcher aka Frenemy, a freelance illustrator and street artist from Austin, Texas currently based in Tel Aviv. Several more TA shutters, showcasing a variety of images, follow:

Haifa-based visual artist and graphic designer Erezoo

Tel Aviv-based visual artist Roee Shachar Jakubinsky aka B.T.W Binksy

Be’er Sheva-native, Tel Aviv-based visual artist Wonky Monky

Tel Aviv-born and based illustrator and street artist Dora Suger Minks

Tel Aviv-based illustrator and street artist MitzGZR

Photos by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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For the past month Brooklyn-based Sara Erenthal has set up base in Tel Aviv. What follows is a brief interview with the intensely committed multi-disciplinary artist:

What brought you to this region? 

It is where I was born, where I had left my religious upbringing and where, six years ago, I had my first art exhibition. And for the past several years, I’d wanted to return to share my art with the ex-Orthodox community and participate in the vibrant, expressive street art culture here.

Can you tell us a bit about the difference between “getting up” here and back home in Brooklyn?

There is more  freedom of expression on the streets here, and because I’m here for a limited amount of time, the experience has been far more intense.

What have been some of the highlights of this trip?

Visiting and painting in Bethlehem, my first time on the “other side,” and having the opportunity to exhibit my artwork here at the Red House Shapira in South Tel Aviv. And the amazing feature article in Haaretz by Tamar Rotem was, also, a highlight.

Can you tell us a bit your exhibit “Re-Cover” here at the Red House Shapira.  How did it happen? 

Shortly after I arrived in Tel Aviv, I visited the Red House Shapira, a unique space — housed in a historic building — known for its commitment to promoting diversity in the arts. There I met Oren Fischer who invited me to showcase an installation of new works created from found materials in the neighborhood.  My intent was to mirror the diversity of the neighborhood in a unified fashion, while giving new life to discarded matter.

What were some of the challenges you faced in making this happen?

The major challenge was the short period of time I had in pulling it all together. Both Tamar Rotem and Max Streetwalker offered me assistance in the logistics of collecting the varied materials and bringing them over to the studio. I am so grateful to them for their help. And, of course, I could not have accomplished this without the studio space that the Red House Shapira provided.

Congratulations! I look forward to seeing your work in similar installations in other cities, including, perhaps, NYC!

Note: “Re-Cover” can still be seen tomorrow, Sunday, from 11:00 to 17:00; Monday 12:00 to 19:00 and Tuesday 10:00 to 19:00 at the Red House Shapira, Israel MiSalant 39 in Shapira, Tel Aviv.

Interview conducted by Lois Stavsky

Photo credits: 1 & 2 Lois Stavsky; 3 Yonatan Ruttenberg and 4-6 Sara Erenthal

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