Public Art Projects

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With the mission of fostering a dialog with the surrounding neighborhood and urban landscape, High Line Art — curated by Cecelia Alemani — presents a wide array of provocative artworks in a range of media. Pictured above is I want a president, Zoe Leonard‘s 1992 text-based work installed on the occasion of today’s election. Here are several more works that can be seen on the High Line.

 Tony Matelli, Sleepwalker — for Wanderlust, a group exhibition exploring the themes of walking, journeys and pilgrimages

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And alone at dusk

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Matt Johnson, Untitled — repurposed original High Line rail track  — for Wanderlust

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 Kathryn Andrews, Sunbathers II, as seen at dusk

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Barbara Kruger, “BLIND IDEALISM IS REACTIONARY SCARY DEADLY, an adaptation of a quote from Frantz Fanon

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Photo credits: 1 & 6 Lois Stavsky; 2 & 4 Dani Reyes Mozeson and 3 & 5 Romare Taylor

Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Recently in the news for setting the Guiness Book of World Records for the “latest spray paint mural by a team” with his Rio Olympic-inspired Ethnicities, self-taught Brzailian artist Eduardo Kobra has brought his extraordinary talents to Jersey City. Kobra’s rendition of pop icon David Bowie is the most recent addition to Jersey City’s more than 86 other public art works as part of the city’s Mural Arts Program launched in 2013 by Mayor Steven Fulop. This past Friday, a dedication ceremony was held at Jersey City’s Cast Iron Lofts where I had the opportunity to pose a few questions to the artist.

When did you first paint in an outdoor venue?

Ten years ago.

What inspired you to do so?

Everything I had seen and read about what was happening in New York City.

Can you tell us something about the first huge mural that you painted?

It was in Lyon, France. It was a tribute piece to immigrants in a building that was about to be dismantled.

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Approximately how many huge murals have you painted since?

Over 30 in more than 20 countries.

The figures you’ve painted range from pop icons like John Lennon and Bob Dylan to historical figures inlcuding Ghandi and Nelson Mandela. What inspired you to paint David Bowie here in Jersey City?

Bowie’s creativity and vision had always inspired me. I’d actually painted this portrait six years ago on a canvas, and I was delighted to have the opportunity to paint it here in Jersey City on such a tall building. It is my way of keeping his memory alive among people who embrace him.

What was the greatest challenge that you’ve faced these past two weeks since you began painting here?

The height of the building is intimidating! And the mural, itself, is 180 feet tall.

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How have folks responded to the mural?

They love it. The response has been overwhelming.

Congratulations! It is wonderful!

Interview conducted and edited by Lois Stavsky; photos by Sara Ching Mozeson

Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Launched earlier this year by Franco Noriega and Milan Kelez, the New Allen has been bringing a stylish mix of street art and graffiti to the Lower East Side. Here are a few more images we’ve captured:

 Mr June — closer-up

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Eelco

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Patch Whisky and Ghostbeard

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Edward Granger

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The Minuske

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Ology CollectiveCol, Ski and 2esae — over on Delancey Street

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And earlier —  at work with the London Police peeking through

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Photo credits: 1, 2, 4, 6 & 7 Lois Stavsky; 3 & 8 Tara Murray

Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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While exploring the streets in the vicinity of the PATH train’s Newport Station, I came upon a series of intriguing murals curated by Green Villain. Featured above is by Greetings Tour with Victor Ving. Here are several more.

Mr. Mustart

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Veer One and Tiper

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Nychos, close-up

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Key Detail

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Clarence Rich

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Jaek El Diablo

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Photo credits: 1, 2, 4-7 Lois Stavsky; 3 Tara Murray

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Ranging from the comical to the fantastical, dozens of characters grace the walls of Chicago’s Bloomingdale Trail aka the 606. Pictured above is a close-up from a huge mural by Mr. Thor and others. Here are several more we captured last week:

Nerd X

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Cujo, Dred Ske, Rahmaan Statik and Max Sansing

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Del Real Ink

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Traz

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Tsel One

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Photo credits: 1, 2, 4 & 5 Lois Stavsky; 3 & 6 Tara Murray

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Launched by the Wabash Arts Corridor and Columbia College Chicago, WAC Big Walls Festval continues to transform Chicago’s South Loop neighborhood into a vibrant outdoor museum. Pictured above is Brazilian artist Kobra‘s tribute to legendary blues musician, Muddy Waters. Here are several more murals — gracing the walls of the Loop — that we captured while visiting Chicago this past week:

Argentine arist Marina Zumi, close-up

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German artist Hera of Herakut

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Dutch artist Collin van der Sluijs

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Chicago’s Don’t Fret on college debt!

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Chicago’s Likes1

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Chicago’s Amuse 126

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Photo credits: 1-3 Lois Stavsky, 4-7 Tara Murray

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Several stunning new murals recently surfaced on Morgan Avenue and Stagg Street in Bushwick. While visiting Livestream last week, I spoke to visual artist and curator Bianca Romero about Skillosophy, the movement behind these artworks.

Just what is Skillosophy? And when was it launched?

It’s an exhibition/showcase series that takes place four times a year with a focus on multi-disciplinary artists. It was launched last year by the co-founders of Lyricist Lounge & Defiant Ent and Livestream. For this past quarter, Danny Castro — Lyricist Lounge co-founder — and I decided to feature outdoor murals for the fall exhibition during Bushwick Open Studios, in addition to the art that is on exhibit inside the Livestream headquarters.

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What spurred you to add this outdoor element to Skillosophy?

Typically, Skillosophy is indoors, inside the Livestream studio space. But we wanted to take it outside for Bushwick Open Studios. It seemed like a great way to give exposure to the talented muralists and street artists, and it was a great addition to our Block Party to have it done live. We loved the communal and public aspect of it.

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You’ve done a wonderful job of curating it all. The art both inside and outside is wonderfully eclectic and is beautifully presented. Have you a background in art? 

Both my parents are artists. My father, in fact, was a pioneer in graphic design and has taught design at the School of Visual Arts and at the Parsons School of Design. My mother was a fashion designer, and I, myself, am an artist.

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And can you tell us a bit about Livestream? When was it first founded and what is its mission?

It was founded in 2007 with the mission to make any every event available live online through video.

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And how has Livestream responded to Skillosophy?

The love it. They’ve thoroughly embraced it. They love the idea of bringing the extraordinary talents of Bushwick into our offices. A walk through our offices — that are covered with work by local artists — is like a walk through the neighborhood!

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Who is Skillosophy‘s audience?

All art lovers! Anyone who loves any aspect of art — music, dance, film or visual art.  The venue has hosted hip-hop shows, film industry mixers and skillshares in addition to art exhibits. We’ve had a very diverse audience…from working class folks to art collectors to party people!

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How can folks best keep up with your events? And how can they arrange a visit to Livestream‘s headquarters for private viewings of the indoor art?

They can follow Skillosophy on Instagram, and they can contact us at skillosophyshow@gmail.com to schedule a private viewing and inquire about pricing and events. And any artist or performer interested in participating in a future Skillosophy exhibition and showcase can contact as at this email, as well.

 Images

1 & 2 Fin DAC at work

3 Rubin at work

4 Danielle Mastrion and Lexi Bella

5 Jerms

6 Misha T 

7 N Carlos J

Photo credits 1-5 & 7 Karin du Maire and 6 Tara Murray; interview with Bianca Romero conducted by Lois Stavsky

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For the past several years, Queens-based photographer Raphael Gonzalez aka Zurbaran1 has been creating intriguing, visually dynamic images of street art, often focusing on the artists at work.  Within the past year, his photos have made their way into several shows including his first solo exhibit, The Hand of An Artist. He has also been featured in Yoav Litvin‘s blog, 2createart. I recently had the opportunity to meet up with him.

I love what you are doing! When did you first begin to photograph NYC’s street art and graffiti?

About four years ago.

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What inspired you to do so? 

Several years ago, my daughter visited Berlin and returned home incredibly excited about the street art she had seen there. Her enthusiasm, along with the photos that she showed me, inspired me to check out what was happening on the streets of NYC. And I first became serious about it all in October, 2013 when Banksy hit NYC with his month-long day residency Better Out Than In.

Within the few years that you’ve been shooting street art, you seem to have established friendships with many of the street artists you photograph.  Can you tell us something about that?

The very first street artist I met was Alice Mizrachi. I was standing in front of her mural at Welling Court when she noticed me. She was living right there at the time, and — almost at once — came out in her pajamas to speak to me! I was so impressed by her intelligence and craft. I photographed her in front of her mural, and we struck up a friendship right then.  She was the first street artist I photographed and spoke to. Since that day, I’ve become friends with many more.

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You’ve been photographing many artists as they work. How have they responded to this? Are they open to it?

The response has been great! And when I share the photos I’ve taken with them, they are so appreciative.

That’s great! As street art is so ephemeral by nature, it’s so important to document it. And I’m a huge fan of artful photographers who document the process. I notice that you’ve focused quite a bit on the artists’ hands.

Yes, I like observing their hands in action. And photographing hands gives me a chance to use my long lens which I love doing!

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And you’ve also begun collaborating with some of the street artists whose works you photograph. How do you go about engaging them?

Yes! I love collaborating. The process makes me think a little differently, and the artists have been wonderful.  Among them are FumeroGizTrans1NoirCity Kitty. Some I’ve approached, and others have approached me.

What are some of the challenges that you face in seeing your projects through?

There’s never enough time. And there are so many artists! Going through all the photos that I take and then editing them is a lengthy, time-consuming process.

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How has the scene changed since you first started photographing street art?

There are fewer walls, and street art has become more commercial. And it seems that in the past few years, street artists have achieved celebrity status. It’s almost like they are the new rock stars!

What’s ahead for you?

I would like to engage in more collaborations…different in nature than the usual ones!

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I look forward to seeing them all, and I will be keeping up with you — in the meantime — via your Instagram!

All photos © Raphael Gonzalez aka Zurbaran1; interivew conducted and edited by Lois Stavsky

Images

1. El Niño de las Pinturas, Brooklyn Is the Future, Brownsville

2. Hendrik Beikirch aka ECB, Bushwick

3. Dasic Fernandez, Welling Court Mural Project

4. Fanakapan, Bushwick Collective

5. Noir, as featured in Raphael Gonzalez‘s solo show at Fatty’s in Astoria, Queens

6. Futura, Bushwick Collective

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Queens-based artist Steve Lew aka Kid Lew recently brought his talents and vision to Toronto’s Enterprise Boulevard. The new urban complex — known as Downtown Markham – is now graced with a huge, brilliantly hued 40’x50’ mural, featuring Kid Lew’s iconic characters. Situated on the northeast corner of the Remington Contemporary Art Gallery, it can be seen for miles and by thousands of folks daily as they pass by on Highway 407. I recently spoke to the artist about his experience.

Can you tell us something about this project? What brought you to Toronto?

I had been invited by Broadway Bound — a fine arts and entertainment company — to paint an outdoor mural in Downtown Markham. I had submitted a few ideas, and one was accepted.

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And how did you initially connect with Broadway Bound?

I had met Shelley Shier, the founder of Broadway Bound, at the Dorien Grey Gallery back in 2012. I was one of the street artists who had collaborated with Hank O’Neil aka XCIA for the exhibit Street Artists Unite. We’ve stayed in touch since.

Your mural is huge! How long did it take you to paint it?

It took 12 days, working 8-10 hours each day.

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What were some of the challenges presented by this project?

I almost always paint standing on the ground. But this time I started on the third floor of a building. I immediately got over my fear of heights!  It was also rainy and very windy. I could feel the lift swinging from side to side! Sometimes the wind actually sprayed the paint! Then when I walked around the hotel, I felt as though everything beneath me was moving! I had a serious case of lift lag!

I’ve been a huge fan of your characters since I first discovered them years ago — on the streets and in galleries! Can you tell us something about them? What initially inspired them? 

I was intially inspired by cartoons. I began as a young child copying Disney characters. And later on my main influences grew to include: graffiti, skateboarding, NYC pop culture and — in general — life in this city. But my greatest inspiration in Keith Haring. And because I am color blind, I tend to use colors that appear brightest to me — those that can be seen at night.

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And who are these characters? What do they represent? And how have they evolved through the years?

They’re often not as bright as they appear to be. They represent different phases in my life. And as my life evolves, my characters continue to evolve, as well. Both my technique and design have become more refined through the years. I am also more responsive to my audience.

What’s next?

I hope to return to Jersey City to complete the mural I’d begun with Will Power and Ree. It is a huge mural that was put on hold. I’m, also, looking forward to painting more large-scale murals in a range of cities. And I am participating this weekend in the New York Comic Con, where you will be able to purchase custom used Montana Gold Spray Paint cans and ink drawings on spray painted subway maps. I will be signing some at 2pm at Booth 603 with Clutter Magazine.

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Good luck with it all!  And I look forward to checking out your mural when I visit Toronto.

Interview conducted and edited by Lois Stavsky; all photos courtesy of the artist.

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Celebrated for his captivating characters that have surfaced throughout the globe, Buff Monster forever delights us with his playful imagination and creative energy. In addition to painting murals across the world, the wildly talented and prolific artist has fashioned a wide array of artworks from prints and stickers to vinyl toys. He has also collaborated with numerous brands. Curious about this collaborative process, I recently caught up with him where he had just finished painting a mural in partnership with Miller Lite at Dobbins Street and Norman Avenue  — where Williamsburg meets Greenpoint.

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You were born in Hawaii and lived on the West Coast for several years. What brought you to NYC?

I’ve been to all 50 states, but I’ve only lived in states with good weather. I lived in LA for 15 years, and I grew tired of the same climate all the time. I needed a change. I wanted to be somewhere where there are seasons. I was looking for something different — personally and professionally.

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And has NY met your expectations?

Absolutely! I love it! NYC has brought me new opportunities and projects. And snow is amazing! But you wouldn’t catch me painting outdoors in the winter!

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You’ve created dozens of murals on the streets and an incredible range of your own products. You’ve worked, as well, with many brands. Among them are: Disney, Converse, Hello Kitty, Samsung, Nike, Coca-Cola and here with Miller Lite. What are some of the challenges that working with brands imposes?

The challenge is to make it work for everyone — for me, for the company I’ve teamed up with and for its intended viewers. Any collaboration I take on has to be consistent with my brand, and it has to make sense!  A successful collaboration forces me to think. And I like to think! I like challenges!

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What about this particular project — this collaboration with Miller Lite?  What’s happening here?

This blank canvas was donated to me by Miller Lite as the first installation of  its Our Can, Your Canvas project, a program aimed at celebrating the character and soul of iconic neighborhoods. My challenge was to capture the distinct spirit of Brooklyn — its energy and integrity. And so I came up with symbols that represent Brooklyn as I see it.

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You studied Business Administration and Fine Art at The University of Southern California.  How has your education in business administration impacted your art career?

It made my art career. If you don’t make money from what you do, it is just a hobby.

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We love your characters. Your Melty Misfits are so much fun. What are some of your influences?                  

Among them are: Heavy Metal, Pop Art, ice cream, Japanese culture and graffiti.

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How has your artwork evolved through the years?

It has become more expressive.

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What’s ahead?

I’m headed now to the Life Is Beautiful Music Festival in Las Vegas, Nevada where my Self Portrait will be on display at the Crime on Canvas group exhibit. ( Buff Monster has since returned and is now at work in Jersey City with Mana Urban Arts Projects.)

Note: Buff Monster’s mural for Our Can, Your Canvas remains up through October 30.

Photo credits: 1, 2, 4 & 8 Tara Murray; 5 Courtesy of Our Can, Your Canvas 3, 6 & 7 and interview Lois Stavsky; 

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