Speaking with Brooklyn-Based Multidisciplinary Artist Myztico Campo

While visiting PS9’s STEAM Mural Project in Prospect Heights last month, I came upon a delightfully playful mural gracing the outside of the school building. STEAM Mural Project curator Jeff Beler told me a bit about the intriguing visionary artist behind it — Cuban native Myztico Campo. I was delighted to, soon afterwards, have the opportunity to interview the Brooklyn-based, self-taught shamanic artist.

When did you first begin to make art?

My earliest memory is of melting crayons on the radiator, so that I could watch the colors drip. When I was about five or six, I started to draw.

What inspired you at the time?

I used to watch my father draw caricatures. I was fascinated.

Are there any other early art-related memories that stand out?

Growing up in Hells Kitchen, I attended Catholic school for twelve years. When I was 7 years old, I drew an image of Tyrannosaurus rex dinosaurs eating nuns. My classmates loved it. But the nuns didn’t; they were horrified. They responded to it by slapping me across my knuckles.

How did your family respond to your early art-making?

Both my parents were encouraging. They loved what I did.

What about your particular visionary aesthetic? When and how did that evolve?

When I was sixteen, I started to explore psychedelics — such as mescaline and peyote — and I began to have visions. I started then to create art that reflected an alternate consciousness. I felt as though I was connecting to the Godhead of infinite love.

Are there any specific cultures that have inspired or influenced your visionary aesthetic?

Among those that have influenced me are indigenous cultures… aboriginal, prehistoric and African.

Are there artists out there who particularly inspire you? Who impact your visionary aesthetic — or whose aesthetic you relate to?

Yes! Among them are: Alex Grey, Amanda Sage, Olga Klimova, Android Jones and Juan Carlos Taminichi

What about other artists? Who are some of your favorite artists?

They include: the visionary artist and poet William Blake; the Dutch painter Hieronymus Bosch; the Spanish surrealist Salvador Dali and the Mexican painter Frida Kahlo.

Do you have a formal art education?

No. I never went to art school.

Your artwork can be amazingly detailed. Approximately how long does it take you to complete a piece?

Anywhere between 40-60 hours.

Are you generally satisfied with your final piece?

There is always room for improvement; I sometimes go back to a “finished” piece and tweak it.

What percentage of your time is devoted to art?

I’d say somewhere between 5-7 hours a day are devoted to visual art.

How has your art evolved through the years? 

Originally creating art was a hobby; I didn’t take it seriously. But as I grew, I began to see myself as a vessel for the art to express itself. And it became very important to me. I’ve, also,  expanded my range of media to include sculpture, 3-D art and digital art.

Have you shown your work in galleries?

Mostly in alternative venues. My work has been exhibited abroad in England, Spain, Peru, and here in the US in New Orleans and in New York.

You do quite a bit of live painting. What is that like?

I see it as sacred form of communication with the people who are around me.

I discovered your particular aesthetic while visiting the STEAM Mural Project  at PS 9 in Prospect Heights. When did you first paint in a public space?

The first public mural that I painted was in 2005 in East Yorkshire, England.

And since then?

Among the places I’ve painted outdoor murals are North Bergen, New Jersey and Tarapoto, Peru. And last year, I painted New York’s first black light street art at Underhill Walls here in Brooklyn.

What are some of your other interests?

I also produce films, direct music videos, compose and play music and write poetry.

That’s quite impressive! What do you see as the role of the artist in society?

To heal and to raise consciousness. I see myself as a conduit to a higher consciousness.

Interview conducted and edited by Lois Stavsky; photos of Myztico Campo‘s artwork — as seen in his Brooklyn studio/living space — and of his PS 9 mural by Lois Stavsky 

Directed by Myztico Campo, the featured video stars Dakota Day, co-founder and lead vocalist for the psychedelic soul band Brooklyn Bonez, performing Buddy Guy’s “Skin Deep.”

Tagged as: Brooklyn, contemporary art, indigenous art, interview, mural art, Myztico Campo, NYC, self-taught artist, visionary art