A multidisciplinary artist and stage designer based in Quito, Ecuador, Irving Ramó recently shared his talents with us on his recent visit — sponsored by Somos Fuana — to New York City To the delight of us street art aficionados, he painted alongside Colombian artists Guache and Praxis on a wall curated by Spread Art NYC. While he was here, I had the opportunity to speak to him.
What brought you to NYC?
I traveled from Ecuador for an exhibit featuring my recent work — an investigation into my ancestor’s writings.
What spurred your interest into conducting that kind of research?
Curiosity! I’m obsessed with ancient civilizations that have disappeared.
And while you were here in NYC, I was introduced to you through your mural art! When did you first start painting on public spaces?
I started in Quito about five years ago.
And where else have you done public art?
I’ve also painted in Spain and here in the US in Miami and now in NYC.
Do you work with a sketch-in-hand when you paint on a public surface? Or do you just let it flow?
I often use a photo as a reference, and I have a rough sketch with me.
Are you generally satisfied with your finished piece?
I usually feel happy!
Do you prefer working alone or collaborating with other artists?
I can adapt to any kind of situation. I’m happy to have a chance to collaborate with others.
You are amazingly versatile. Do you have a formal art education?
I studied graphic and industrial design. But I am mostly self-taught.
How has your aesthetic evolved through the years?
It changes every day – depending on what I need to express at the time.
What do you see as the role of the artist in society?
It’s to give visual expression to ideas. To show people that ideas can be real.
Images:
1 In Bushwick, Brooklyn with Spread Art NYC, 2017
2 Exhibit at Martillo in Barcelona, Spain, 2016
3 Gargar Festival in the of village of Penelles, Spain, 2016
4 With La Suerte and Apitatan in Quito, 2017
5 Close-up from collaborative wall with La Suerte and Apitatan in Quito, 2017
Photos: 1 Karin du Maire, 2-5 courtesy of the artist; interview Lois Stavsky
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