Still out there each day with camera in hand documenting what has surfaced overnight, photographer Allan Ludwig aka Elisha Cook, Jr recently shared with us some of his thoughts on the changes that he’s witnessed in his downtown Manhattan neighborhood and more:
You’ve lived here in Soho for decades. At what point did the changes in your neighborhood become most apparent?
Around 2003, I noticed that the new stores in my neighborhood were — for the most part — only selling expensive items. I no longer recognized my neighbors’ faces on the streets. Tourists and shoppers were everywhere. I knew then that I must turn my lens onto the graffiti and street art here before it all disappeared.
And what are some of the changes that you have observed in the street art that surfaces here these days?
It has largely lost its edginess. Much of the street art here has gotten exceedingly commercial. It’s often difficult to tell the difference between what is sanctioned and what is done without permission. Street art and ads have become increasingly interchangeable. And too many “street artists” these days seem to use public space primarily to promote their gallery shows.
What do you suppose has caused these changes?
The monetization of it all. And I feel that the street art festivals have not only legitimized an underground movement, but have created an elite — not all that different from the mainstream art world.
We’ve noticed that you tend to focus your camera on illegal works, particularly tags and bombs. Why is that?
Because they are real and raw. I love their poetic spontaneity. I can feel the artist’s pure passion and love for it.
Not everyone would agree with you! Any thoughts about Mayor de Blasio’s proposed efforts to keep the city graffiti-free?
I don’t see any point to it. It’s a misdirected use of funds. The money should be used, instead, to help the homeless.
We noticed that you were daily documenting the impromptu David Bowie memorial in front of his home. Did you know Bowie personally?
I live just down the block from him, so I’d see him from time to time around the neighborhood. But, no, I didn’t know him personally. I would simply nod in acknowledgement and respect when I saw him. I sensed that he was my kind of person. But I did not want to invade his privacy.
And what about the memorial? What spurred you to photograph it daily and in such detail?
I loved it! I loved that it was spontaneous and inclusive. There was no hidden agenda!
Interview conducted by Lois Stavsky with Tara Murray
All photos by Allan Ludwig aka Elisha Cook, Jr, except for the first one — featuring Allan alongside Buff Monster — which was photographed by Julie Dermansky; photo 3 features Dylan Egon; photo 4 features Dee Dee and photo 5, Dasic Fernandez
Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.
{ 5 comments… read them below or add one }
hey Alan. You are lookin good. Love your work. Member me….Bob your high school buddy who lived right across the street. Your Uncle Harry came out and we all played baseball. Our buddy Jack, used to entertaijn us going up and down Pell Place finally doing a stumble on your front lawn. Your Mom Honey wasn’t too happy about that. My Dad was a famous Illustrator. You were my best friend, I’m a graphic artist now and you are a great photog. Hope you are doin wel.l.Great to see you and your fab work. “Heres to the gang at Henry Barnard….
Rome…1967 love to get in touch?, married then to Phil…
Let us get i touch. I in in NYC.
Best wishes
Allan Ludwig
Definitely! Can you drop me an email at loisstavsky@gmail.com
Mr. Ludwig/Cook,
My name is Bela Shayevich and I am writer. I would love to get in touch with you for an interview. If you see this, please write me at bshayevich@gmail.com
Thank you,
Bela