Dylan Egon

Tucked into a narrow passageway off Rivington Street east of the Bowery is the ever-evolving Freeman’s Alley. Even as the street art scene becomes increasingly corporate and commercial, Freeman’s Alley continues to remain a treasure trove of unsanctioned artwork. While some works can last for months, many are quite ephemeral. Featured above is “No Child Is Illegal” by Lmnopi. The following images were captured during these past two months.

Sara Lynne Leo, “It Wasn’t Supposed to End This Way”

 Dylan Egon, “Saint America,” with Sara Erenthal to his left

The Postman does Robert Smith of the English rock band, The Cure (Be sure to look up for this one!)

UK-based Coloquix

City Kitty and friends

10-year-old Ethan Armen with Thomas Allen

Captain Eyeliner, Who’s Dirk and friends

Photo credits: 1, 2, 4-8 Ana Candelaria; 3 Lois Stavsky

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Allan-Ludwig-photo-by-Julie Dermansky

Still out there each day with camera in hand documenting what has surfaced overnight, photographer Allan Ludwig aka Elisha Cook, Jr recently shared with us some of his thoughts on the changes that he’s witnessed in his downtown Manhattan neighborhood and more:

You’ve lived here in Soho for decades.  At what point did the changes in your neighborhood become most apparent?

Around 2003, I noticed that the new stores in my neighborhood were — for the most part — only selling expensive items.  I no longer recognized my neighbors’ faces on the streets. Tourists and shoppers were everywhere. I knew then that I must turn my lens onto the graffiti and street art here before it all disappeared.

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And what are some of the changes that you have observed in the street art that surfaces here these days?

It has largely lost its edginess.  Much of the street art here has  gotten exceedingly commercial.  It’s often difficult to tell the difference between what is sanctioned and what is done without permission. Street art and ads have become increasingly interchangeable. And too many “street artists” these days seem to use public space primarily to promote their gallery shows.

Dee-Dee-was here- photo-Allan Ludwig

Dasic-Fernandez-photo-by-Allan-Ludwig

What do you suppose has caused these changes?

The monetization of it all.  And I feel that the street art festivals have not only legitimized an underground movement, but have created an elite — not all that different from the mainstream art world.

 We’ve noticed that you tend to focus your camera on illegal works, particularly tags and bombs. Why is that?

Because they are real and raw. I love their poetic spontaneity. I can feel the artist’s pure passion and love for it.

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graffiti-bombs-photo-allan-ludwig

Not everyone would agree with you! Any thoughts about Mayor de Blasio’s proposed efforts to keep the city graffiti-free?

I don’t see any point to it. It’s a misdirected use of funds. The money should be used, instead, to help the homeless.

We noticed that you were daily documenting the impromptu David Bowie memorial in front of his home. Did you know Bowie personally?

I live just down the block from him, so I’d see him from time to time around the neighborhood. But, no, I didn’t know him personally. I would simply nod in acknowledgement and respect when I saw him. I sensed that he was my kind of person. But I did not want to invade his privacy.

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And what about the memorial? What spurred you to photograph it daily and in such detail?

I loved it! I loved that it was spontaneous and inclusive. There was no hidden agenda!

Interview conducted by Lois Stavsky with Tara Murray

All photos by Allan Ludwig aka Elisha Cook, Jr, except for the first one — featuring Allan alongside Buff Monster — which was photographed by Julie Dermansky; photo 3 features Dylan Egon; photo 4 features Dee Dee  and photo 5, Dasic Fernandez

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Dylan Egon

Charmed by Dylan Egon’s paste-ups that surface on the streets of Manhattan’s and Brooklyn’s trendier neighborhoods, we loved viewing this Jersey City-based designer’s works currently on exhibit and for sale at reGeneration. Here is a sampling:

Dylan Egon

Dylan Egon

Table stools

Dylan Egon

She’s Found Religion (mod Victorian vanity totem)

Dylan Egon

And the iconic Petey

Dylan Egon

Presented in cooperation with the Jonathan LeVine Gallery and ABC Home Store, Dylan Egon’s splendid pieces can be seen at 38 Renwick Street, between Prince and Canal.

Photos by Lois Stavsky

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