urban art

On March 26, 2020 the #ArtClinicNYC opened its front window on Manhattan’s Lower East Side. Eager to find out more about this essential art resource, I posed several questions to SacSix, the artist who had conceived and launched it.

What is the mission of the Art Clinic? What motivated you to launch it?

At the beginning of the global quarantine — as businesses, schools and restaurants were required to shut down — I began to think about what makes something “essential.” Liquor stores, gun shops, marijuana dispensaries and even golf courses in some states are deemed “essential.” But what about art resources for kids? Art is essential to life. We need art to survive. And the Art Clinic’s mission is to provide necessary materials to kids to create art. The Art Clinic provides FREE coloring packs and crayons to each family member.

How were you able to access the storefront? 

The storefront is actually my studio. I gained access to it in mid-January.

It’s great that you had the space. And what about some of the challenges in seeing this project through?

The initial challenge was finding a place to print 1000 pages. All of the local print shops were closed. Through a connection at the Cheese Grille, I found a printer in Queens that was still open.

How did you source the materials — from crayons to coloring pages?

Over 75 global artists contributed to the project. I first started reaching out to my NYC street artist friends for the coloring page designs. Then I began expanding my network to artists throughout the country. After seeing my posts on Instagram in reference to this project, many more artists reached out, eager to be part of it.

And what about the crayons?

I personally funded the 500 packs of crayons and the cost of printing. Six-page packs are taped to the front window of the #ArtClinicNYC. Instructions prompt passersby to just pull the items off the window.

How has the response been to your venture?

The response has been great. I see it in people’s smiles — people of every age, sex and race. That’s why I do it. I try to snag photos of people, from the inside, as they pull off the coloring packs and crayons. Their smiles and excitement are so genuine.

Congratulations on this venture! It is wonderful!

Featured pages:

Image 2: Fumero, JPO, Con$umr, Pure Genius, Chris RWK, BK Foxx, Savior ElmundoSacSix, Crash, Al Diaz and Sandra Chevrier

Image 3: RX Skulls

Image 4: Danielle Mastrion

Image 5: Dirt Cobain

Image 6: Dr Scott

Photo credits: 1, 3, 5, 7 & 8 Ana Candelaria; 2, 4 & 6 courtesy SacSix 

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COVID-19, the global pandemic that has impacted so many of our lives, has prompted responses from visual artists — both on the streets and in their personal spaces. The image pictured above was painted by the Italian artist, Alessio-B. Several more images — stirred by the current crisis — follow:

Toulouse-based sculptor James Colomina in Switzerland

Multi-disciplinary artist Sara Erenthal — from her Brooklyn apartment

Tag Street Art in Tel Aviv

Philadelphia-based Sean Lugo

Switzerland-based duo Bane and Pest on canvas

Argentina-based Nazza Stencil Art, Portrait of  “the fight against Coronavirus,”  based on photo by Milan-based photographer Flavio Lo Scalzo

All images courtesy of the artists

Keep posted to Street Art NYC  for Part IV of COVID-19-related images — including several by local artists and news of some of the ventures they have launched.

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Whether working in their studios or on the streets, NYC artists — like so many artists throughout the globe — continue to respond to the COVID-19 pandemic. The image featured above was fashioned by the superbly talented New York City/Bangkok-based artist Gongkan. Several more images created by NYC-based artists in response to the COVID-19 pandemic follow:

Sara Erenthal, Masked Feelings, Unmasked

Michael Alan, Uplifting the World

Adrian Wilson, A virtual urban intervention

Early Riser, Strong but Scared — with Jason Naylor on upper right

Ed Heck, Keeping Safe…Apart

Photo credits:  1-4 courtesy of the artists; 5-7 Ana Candelaria

Note: Be sure to check out WashYourHands.art, a fabulous Online Exclusive Group Exhibition — presented by Woodward Gallery — in response to the COVID-19 crisis.

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Organized by Ayana Ayo and coordinated by Kathleena Howie aka Lady K-Fever, Uptown Counts: Art as Activism is an exhibition of artworks by over 20 artists who lent their works to a range of uptown spaces to draw attention to the importance of the 2020 Census, particularly in East Harlem.

The number of East Harlem residents who respond to the 2020 Census will determine how much of the $675 billion in federal dollars the community will receive over the next 10 years — funding essential to schools, housing, healthcare, infrastructure and food assistance.  Yet, only 40 percent of East Harlem residents are predicted to respond to the 2020 Census.

Among the artists featured in the exhibit are several who also use the streets as their canvas.  The image above, “Mother and Child,” painted by East Harlem-resident Marthalicia Matarrita, has found a temporary home at the legendary Sylvia’s Restaurant. A small sampling of  images —  featured in Uptown Counts: Art as Activism —  by artists whose works also surface in public spaces follows:

 Danielle Mastrion, Offering — at Harlem Yoga Studio 

 Lady K-Fever, Justice at Last — at Sisters Caribbean Cuisine 

Royal KingBee, BEE Cautious

MED, Resist

Al Diaz, Flowers Will No Longer Grow…

Because of the pandemic, the spaces hosting the artwork are largely inaccessible for the next several weeks. But you can check out the entire exhibit — sponsored by the nonprofit organization Uptown Grand Central — online here.

And — now — be sure to take the 2020 Census!  It is a political and social justice issue. You can do it online, by phone (844-330-2020) or by mail.

Images and info for this post courtesy exhibition coordinator, Kathleena Howie aka Lady K-Fever

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The following post is by Street Art NYC contributor Ana Candelaria

An artist, curator, dancer and filmmaker, NYC native Savior Elmundo has long been a huge force in the urban art scene. Recently, I had the opportunity to find out a bit more about him.

When and where did you start tagging?

I was fifteen years old when I started. I grew up on the Upper West Side. My tag was REIN. It stands for Ruler – Equality – I – Now. My partner and I tagged and bombed everywhere — Harlem, the Heights, Queens and Brooklyn.

Were you down with any crews?

Yes. My mother moved us to Woodside, Queens. She thought a change of environment would be good for me. But it actually made things worse. I joined a graffiti crew in Queens, and I’d sneak down the fire escape at three o’clock in the morning just to go bombing. Everyone at that time was pretty much down with a click or a group, and there were lots of them.

And then what happened? Did you stay in Queens?

No. I couldn’t take Queens for long. I traveled to Manhattan and hit the club scene. Downtown — Soho and the Village — became my new home as I began working as a professional dancer. Hip Hop was — and still is — a big part of my life. I wouldn’t have become a street artist or filmmaker if it wasn’t for dancing.

What led you into filmmaking?

I wanted to tap into something else. I didn’t want to be a dancer for the rest of my life. A friend convinced me to do a short film based on a story I had shared with him. Reflection was my first short film. It was accepted into several festivals including the NY Film Festival. I directed and produced five short films in total. Life was going great until one day, in the midst of preparing for my first feature film documentary, I received word that a family member had passed away. I picked up the brush and began to paint as a form of therapy. That’s when art took over my life.

When did you first come up with your particular logo “MAKE ART?”

Ten years ago — when I first stepped into the art scene. I wanted to get a message out there that would make people think. “MAKE ART” incorporates art, film, and dance. It also serves as a reminder for people to make art. It’s simple, and I write it in a distinct way so people know that it’s me. I sign all of my pieces with my name Savior Elmundo, “MAKE ART,”  and the year.

Did any particular artists influenced you?

Icons such as Andy Warhol, Dali, Picasso, Frida and Matisse. Studying their work has helped me come up with my own style and ideas. For example, in one of my designs Dali and Picasso face each other wearing boxing gloves with my tag “MAKE ART” in the middle. Another one of my creations was inspired by an image of the boxer Muhammed Ali holding a draft notice from the army. I inserted a graphic design image of my tag “MAKE ART” on the document.

I consider myself a mixed-media artist. I like working with different things and I love texture. I do a lot of message work, but, lately, I find myself gravitating more towards my 3D art work. I’m also working on a couple of other styles that I will be releasing some time in the near future.

Are you generally satisfied with your work when you’re finished? 

I’ve destroyed so many pieces, but I’ve learned not to do that anymore. One day, I painted a canvas and uploaded a picture of it onto my website. Two days later, a client contacted me to buy it, but I didn’t have it anymore. I had gone over it and created a different painting. That’s when I learned that my work is not for me; it’s for them.

Your work has been showcased in dozens of exhibitions in a range of spaces. Do any particular ones stand out?

The 21st Precinct, curated by Robert Aloia, was one memorable show! Each artist was given one room in the 21st Precinct building on East 22nd Street to showcase their work. The building,  had three floors with about sixty rooms. I used an image from Rene Magritte’s, Son of Man, one of my favorite paintings, and turned it into one of my own images. I designed a man with a Goya can — instead of an apple — on his face standing in front of a stack of Goya cans. I covered the entire wall with a black and white wheatpaste of this design. As a Latino, Goya is a big part of my culture.

Another particularly memorable exhibit was at the World Trace Center. For that I  did an installation using a door that I had found on the curb side as a tribute for 9/11  The door read “Always In Our Hearts 9/11” in 3D letters.

And my first solo show was in 2019. All of my work was displayed in 3D. The show was a reflection of the past thirty years of my life. The words displayed were key elements of my past. Since 2010, I’ve been in a total of 70 group shows.  So many that are memorable!

How did you come up with the concept for Collage NYC, the hugely popular weekly live art event at The Delancey?  

As soon as I started to make some money from selling art. I wanted to do something to give back.  I wanted to build a home where artists could come together to create freely and inspire each other. I imagined a place where people could have a good time after a long, stressful day. I also wanted to bring back the paint parties that Basquait and Keith Haring used to participate in back in the 80s. The vibes are super chill! You can watch the artists paint; you can dance, or you can just lounge at the bar and have a drink. This year marked our 10th anniversary.

Have you words of wisdom that you’d like to share with up-and-coming artists?

Pay your dues and know the rules. Learn the process and put in the work. Don’t be late! Get your name out there. Learn how to talk about your art and how to sell yourself. Get out to every gallery in Soho and Chelsea on a Thursday night and just introduce yourself!  You have to hustle to get what you want. Also, it’s very important to understand the history of art and respect it. Don’t be afraid to take things to the next level. That’s how I got my start as a curator.

What’s ahead?

A two-man show with my brother A.J. LaVilla. I’m really excited about it. I’m also working on a project with a corporate company that people will hear about. There are more solo shows in the pipeline and other creative ideas are brewing.

Good luck!

Interview conducted by Ana Candelaria and edited for conciseness by Lois Stavsky

Photo credits: 1 Ana Candelaria; 2 & 3 Courtesy of the artist; 4 Dani Reyes Mozeson; 5 Tara Murray & 6 Lois Stavsky

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The following post is by Street Art NYC contributor Ana Candelaria

This past Friday, I had the honor of interviewing the legendary Ron English at the release party of Big Poppa classic colorway, a designer toy created by Ron English in partnership with Beacon-based Clutter. Limited to just 75 pieces worldwide, this historic drop featured a limited edition run of 10 Crystal Big Poppa classic sweater designer toys, hand embellished with 4,130 Swarovski crystals. Fans had the opportunity to meet Ron English, view and purchase Big Poppa, and pick up an exclusive collectible can from Kings County Brewers Collective.

Can you tell us something about the birth of Big Poppa?

Here’s a little secret! My character MC Supersized was a bit based of him! Biggie was still around at the time. It was in the late 80’s.

How long did it take to create Big Poppa? 

It took about two years from starting to sculpt to this final product. And that’s good for these things!

What inspired you to create Big Poppa?

Awhile back during a screening of my movie POPaganda, one guy in the audience got up and said, “We watch this movie and we know everything you hate. What do you like?” And I thought I should shout out a few things that I actually like — like puppies and Big Poppa!

What does your new character represent?

For me, he just represents inner joy and happiness. Being at ease with yourself, enough so that you can create without even trying, or at least seeming that you are not even trying. That effortless kind of thing!

How much of your art, would you say, is political? 

Probably — in some way or another — all of it; and — in other ways — really none of it. Most political things kind of come and go very quickly, or they become irrelevant. I actually try to create things that will have a relevance in a thousand years. If anyone will want to know what it actually felt like to live right now, I’m your guy!

Do you want your viewers to walk away with a message of any kind? 

I really want to create a feeling or a vibe that will infect your spirit and hopefully you go away a bit happier. You know…being able to enjoy life a little bit more.

What’s next? 

We just left a recording studio, where we were finishing up our new record called, We Are The New They.

Awesome! What kind of music is it?

The vibe is very modern.  I’m influenced by The Beatles and early rap, so I just put it all in there.  I’m working with some of the most talented people out there. And the great thing is because they’re all playing different characters, they embody all different styles!

Do you, yourself, listen to music when you’re creating? Does it inspire you?

Actually, no! When I create, I’m in a very deep state of concentration. Music could be playing, and somebody could be shooting a puppy, and I would be totally unaware!

Interview withRon English conducted by Ana Candelaria and edited for brevity by Lois Stavsky

Photo credits: 1, 2, 4-6 Ana Candelaria; 3 courtesy Clutter

Note: Photo two features UK-based toy designer and street artist Czee 13 to the right of Ron English

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We were delighted to recently meet up with the nomadic Ecuadorian artist Lasak, view her artwork — on and off the streets — and find out a bit about her.

When and where did you first paint in a public space?

It was back in 2010 in my hometown, Guayaquil, on the Ecuadorian coastline. I was 21 at the time.

Have you any early graffiti-related memories?

No. I didn’t grow up with graffiti. My hometown, at the time, was very conservative. No one would dare leave a mark on private or public property. There were police everywhere. And when I first started, I’d often get into trouble. Now Guayaquil is much more open, and there is street art everywhere.

Who/what, then, inspired you to get up?

Damián Vásquez aka Disaikner, a friend of mine who’s an amazing designer, illustrator and tattoo artist.

Have you any favorite surface?

I like everything, but I especially like metal doors.

Do you prefer to paint on the streets “with permission?” Or do you prefer doing it illegally?

I like both. I like the thrill of painting illegally, but I also like to be able to take my time, which I can only do on legal walls.

What was the riskiest thing you ever did on the streets?

While I was up on a ladder painting, I saw a man trying to rob a lady. I stopped what I was doing to get down to help her. And the next thing I noticed was a gun pointed at me!

Do you prefer painting alone or with others?

I like both. When I paint with other artists, I get to learn from them and we get to share our knowledge.

Have you exhibited your work?

Yes, throughout Ecuador, and in many other places including Necoche, Iguazu, Sao Paulo , Berlin, Barcelona, Berlin, Indonesia, Hawaii and NYC. But the streets are my main canvas.

How does your family feel about what you are doing?

It took them awhile to understand my lifestyle. My mother was upset, at first, that I didn’t finish university, where I’d been studying architecture.

What percentage of your time is devoted to art?

I spend about 6-7 hours a day on art. I’d love to devote the entire day to art, but I also work at assorted jobs to earn necessary income.

What are some of your other interests?

I’m interested in working with community-based projects and helping people. That’s my primary interest and mission. My first experience teaching art was to adult cancer patients in Ecuador. It was super amazing! When I help others, I’m also helping myself, because I don’t get depressed. I’m, also, interested in music, especially electronic music. And I love to dive. When I do, I feel like I’m in another world.

Who are some of your favorite artists?

Apitatán, Inti, and Lauren YS aka Squid Licker immediately come to mind!

What about cultural influences? What are your principal ones?

My main cultural influences are indigenous and Hindu.

Have you a formal art education?

None. My friends – including all those I’ve met in my travels — have been my teachers.

What are some of the countries you’ve traveled to and painted in?

Argentina, Brazil, Mexico, Germany, Switzerland, Spain, Indonesia, Korea and the US.

Do you work with a sketch-in-hand or just let it flow?

I only work with a sketch when I’m commissioned to paint a piece. Otherwise I just let it flow.

Are you generally satisfied with your finished piece?

I’m happy, but I also feel confused. How does one judge artwork?

What inspires you?

Nature…the ocean…my travels around the world…learning about other cultures and sharing my knowledge with others.

How has your work evolved through the years?

My composition has improved. My work is more balanced and more interesting.

How do you feel about the role of social media in this scene?

It helps me get my work out there to people who otherwise wouldn’t see it , but it takes up too much time.

What do you see as the artist’s role in society?

To offer people an entry to another world.

What’s ahead?

I’d like to move to Hawaii and study art there in a formal setting. I’d, also, like to teach scuba diving, and so I need to earn a certificate that allows me to do that. I’m interested, too, in working with organizations engaged with saving sharks. And, of course, creating more art that engages the community.

Interview conducted by Lois Stavsky with  City-as-School interns Basil Lyons and Alyssa Torres and edited by Lois Stavsky

Photo credits: 1-3, 5, 6 & 8 courtesy of the artist; 4 & 7 Lois Stavsky

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A non-profit organization based in France, Learn and Skate is dedicated to bringing culture, education and skateboarding to places with insufficient economic resources. Proceeds from the works on Learn and Skate‘s current Paddle 8 auction will be used to build a skatepark and pay teachers to give free English, Japanese and art classes to children in Ulaanbaatar, Mongolia. Close to 50 celebrated urban artists and photographers are participating in this auction. Pictured above is “Tag Head,” fashioned with acrylic and marker on enhanced serigraphy by the ingenious Valencia-based artist Germán Bel aka Fasim.

Several more images of artworks from Learn and Skate‘s current Paddle 8 auction follow:

Hamburg-based 1010, Soft Yellow, 2019, Spray paint on wood

  Montreal-based Sandra Chevrier, La cage, respirer, 2018, Giclee print on Moab paper

The legendary NYC-based photographer Martha Cooper, Skateboard, 2019

French artist L’Atlas, Red Code, 2017, Lithograph

 Madrid-based French artist Remed, Roots Africa, 2012, Screenprint

The current Learn and Skate Urban Art Paddle 8 Auction ends on February 19 at 5PM EST. Check here to join Paddle 8 to bid.

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Famed world-wide for its exciting night life, Downtown Las Vegas is also home to a rich array of murals fashioned by celebrated national and international artists. The image featured above was painted by the hugely talented Puerto Rican artist Alexis Diaz in 2013, the year that the annual Life Is Beautiful festival was born as part of “the major transformation of Downtown Las Vegas as a cultural hub.” What follows are several more images from the streets of Vegas captured on a recent visit by travel and street photographer Karin du Maire aka Street Art Nomad.

LA-native Tristan Eaton for Life Is Beautiful, curated by Just Kids, an award-winning, women-led art platform, 2016

 UK-based D*Face on the side of the Plaza Hotel & Casino for Life Is Beautiful, curated by Just Kids, 2017

Portuguese “trash” artist Bordalo II, for Life Is Beautiful, curated by Just Kids, 2018

Swedish artist Joakim Ojanen for Life Is Beautiful, curated by Just Kids, 2018

Chicago-based Kate Lewis, for Life Is Beautiful, curated by Just Kids, 2019

Photos by Karin du Maire aka Street Art Nomad 

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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On view from February 7 through February 29 at the The Catholic Institute of Toulouse is Next Wave, an exhibition featuring new works by the NYC-based graffiti legend Chris Ellis aka Daze. What follows are several images of artworks from the upcoming show produced in collaboration with the art agency City Of Talents, founded by Geraud Jean Claude:

Taxi Ride, 2019, Aerosol, acrylic, oil on canvas

Undersea Dream, 2018, Acrylic on canvas

Brooklyn Sunset, 2019, Aerosol, acrylic, oil on canvas

Don’t go that way, go this way, 2019, Acrylic and aerosol on canvas

The exhibition opens on February 6 at 6:30 pm with the artist in presence and remains on view Wednesdays to Fridays from 3:30 to 8:30 PM and Saturdays from 3 to 8 PM at 31 Rue de la Fonderie in Toulouse through February 29.  To request  a digital copy of the exhibition catalog, contact Geraud Jean Claude at cityoftalents@hotmail.com,

Photos courtesy Geraud Jean Claude

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