street art

Under the curatorial direction of Jonathan NevilleFirst Street Green Art Park continues to be home to a wondrously diverse array of local, national and international artists. The delightfully intriguing image pictured above was painted by the Amsterdam-based artist Ottograph. What follows is a  close-up from Ottograph‘s mural and several more photos of artworks currently on view at First Street Green Art Park.

Detail from Ottograph mural

Queens-based Turtle Caps and UK native Klonism

Colombian artist Yurica Uno and Queens-based Chris Cortes

Brooklyn-based Lexi Bella does Volodymyr Zelensky

Bronx-based El Souls and NYC/VA artist Humble Makes Art

NYC-based Colombian artist Osk

Bay Area-based artist Steel MSK

Photo credits: 1, 3-5, 7 & 8 Lois Stavsky; 2 & 6 Tara Murray

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On my recent visit to Newark, arts educator and photographer Rachel Fawn Alban introduced me to The Golden Life, a joyous, brilliantly crafted mural project adjacent to the city’s Broad Street Station. Eager to find out more about this transformative venture, I  posed a few questions to Rachel, who created this richly radiant mural project in collaboration with Newark-based artist Armisey Smith.

This mural project is such a rich addition to Newark’s visual landscape. Whose concept was it?

The Golden Life is a collaboration between Armisey Smith and me. Armisey is a talented artist and close friend who believed in me long before I believed in myself. She encouraged me to partner with her, and together we set out to create something special and meaningful for Newark.

We chose to honor real community members—not famous or historical figures—which made the project deeply personal. The mural features large-scale portraits of 14 women and girls who live or work near the intersection, celebrating the diversity and creativity of Newark women and girls. The portraits are connected by vibrant lines and color, symbolizing community, connection, and sisterhood.

Can you tell us something about its process?

Creating this mural was both challenging and rewarding. In April 2023, Armisey and I hosted a free art workshop at the Newark Public Library for women and girls of all ages. We presented the project, took portraits, and led participants through creative exercises including a selfie station, collage-making, and haiku writing—all centered around the theme of The Golden Life.

One of my favorite aspects of the project is the audio component. While we couldn’t feature everyone’s portrait on the wall, we were able to present all of their poems—so even more voices were included. The recordings are accessible via the Bloomberg Connects app, along with a beautiful introduction by Newark artist Kween Moore. It’s a way for people to experience The Golden Life beyond the visual—listening while walking around the site adds another layer of engagement and accessibility.

What were some of the particular challenges involved in seeing this project through?

There were quite a few! It took about six months of planning before the workshop, then about a year from the time of the workshop to the ribbon cutting. Scheduling was a challenge since we are all educators and artists juggling multiple projects. And, since the project spanned multiple seasons, weather impacted our fabrication and installation timeline.

This was a complicated project with many stakeholders and technical processes. In fact, just before we were set to begin, two of our original walls became unavailable. This required a complete redesign and budget revision, which pushed us back several months. Thankfully, our amazing project manager, Rebecca Jampol, and our partners helped us stay on track. In the end, it all came together beautifully.

How has the community responded to it?

The response has been overwhelmingly positive. People have shared how they love seeing it every day and how meaningful it is to see their stories reflected in public art. In a diverse, majority-Black city like Newark, it’s especially powerful to create space for women and girls of color—who are often underrepresented in public art and media — to be honored and celebrated. The project also beautified a neglected and dilapidated intersection at Broad Street Station—used by hundreds of residents and commuters every day—transforming it into a welcoming and inspiring space. It’s a powerful reminder of how art can profoundly alter one’s environment and strengthen community.

What’s ahead for you?

I’m excited to continue creating art that celebrates diversity and brings people together. As a Jewish woman in Newark, I’ve been reflecting on the Black-Jewish alliance in America—a historic and ongoing partnership rooted in shared struggles and a commitment to justice. I’m eager to work on future projects that explore and honor these intersections, amplifying stories that haven’t always been told.

I’m also thrilled to keep collaborating with Armisey. Working together on this mural was incredibly rewarding, and we’re already brainstorming future projects. I’m confident that whatever we do next will be just as meaningful.

And before we wrap up, I want to thank the key supporters who made this project possible: Project for Empty Space for organizing and managing the initiative; the City of Newark’s Department of Arts and Culture; and Bloomberg Philanthropies for their incredible support. I’m also deeply grateful to our team of local artists who helped facilitate the workshop, fabricate, and install the mural—and of course, to all the participants who brought their creativity, stories, and spirit to the work. Golden Life for Life!

Interview and photos 1-5 by Lois Stavsky

Featuring Newark community members:

  1. Reine Campbell and Quincy Campbell
  2. Antoinette Ellis Williams, Rachel Fawn Alban & Tamia Thomas
  3. Denise Toney
  4. Klymora Smith
  5. Adele Rae Hayes Harris

Photo 6  © Charles David, featuring Armisey Smith, Rachel Fawn Alban and members of the Newark community

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The striking image featured above was fashioned by the noted duo Faile — multimedia artists Patrick McNeil and Patrick Miller. It has been part of Long Island City’s visual landscape since fall, 2022. Several more images of girls currently gracing NYC walls follow:

Bronx-born and bred Andre Trenier does the esteemed late African American writer Zora Neale Hurston 

The legendary Lady Pink with community artists in Astoria, Queens, close-up from huge mural

California-based Mexican artist Cova at the Bushwick Collective

The wonderfully talented BK Foxx, in Bushwick

Pittsburgh-based Ashley Hodder does artist Wavy Wednesday at the Bushwick Collective

Multidisciplinary Spanish artist Tirso Paz aka Bublegum at the Bushwick Collective

Photos: Lois Stavsky

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Located at 701 Washington Avenue and Clark Place in Prospect Heights, Brooklyn, Washington Walls continues to host a wondrously diverse array of murals. We recently visited its current iteration, strikingly curated by community resident and leader Jeff Beler. The ingeniously fashioned mural/installation featured above is the work of Brooklyn-based Humble, who had earlier been immersed in the Richmond, Virgina art scene. What follows are several more images of murals that we captured last week:

Brooklyn-based multidisciplinary artist Vince Ballentine

The passionate painter Natural Eyes and multidisciplinary artist Lisart

Brooklyn-based, Rio de Janeiro-born Barbtropolis

Painter and photographer Luci

Dumbo-based Craig Anthony Miller and veteran writer BC NBA

Classic graffiti artist Rebs

Photo credits: 1 & 7 Tara Murray; 2-6 Lois Stavsky

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The shutter featured above was painted by the veteran Parisian stylemaster Seb Gorey in Ridgewood, Queens. What follows are several more images of gates as we resume this occasional series of NYC street art shutters.

Artist and educator Katie Reidy at the BedStuy Walls Mural Festival in Brooklyn

Staten Island-based graphic designer Sharpy

NYC-based Key Detail in Ridgewood

The iconic “Wild Style” logo — originally designed by the late Tracy 168 — at the Bushwick Collective

Veteran writer BC at Boone Avenue Walls in the Bronx

  Sebs in Ridgewood, Queens

Photos: Lois Stavsky

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The face featured above — a segment of a larger mural — was painted by New Jersey-based veteran writer Raul Rubio aka Sue Works in collaboration with style master Aesop One this past summer at Boone Avenue Walls in the Bronx. Several more images of faces recently captured on NYC public spaces follow:

Queens-native Zimer does Alicia Keys outside the Ridge Hotel on Manhattan’s Lower East Side

NYC-based contemporary artist Cody James at BedStuy Walls Mural Festival in Bed-Stuy, Brooklyn

Queens-based Mexican writer, muralist and tattooist El Onel at Welling Court Mural Project in Astoria, Queens

Japan-born, NYC-based self-taught graphic artist Kosuke James at Welling Court Mural Project in Astoria, Queens

Pittsburgh-based artist Ashley Hodder does artist Wavy Wednesday at Welling Court Mural Project in Astoria, Queens

Brooklyn-based multidisciplinary artist Huetek. in Ridgewood, Queens

Photo credits: 1 Tara Murray 2-7 Lois Stavsky

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In 2024, the award-winning creative agency Street Theory‘s multi-year initiative, A Canvas of Culture — under the Mayor’s Office of Arts and Culture — brought several vibrant, breathtaking murals to various school locations in Boston. The luscious mural featured above “Together, We Rise” — located at the Joyce Kilmer K-8 Lower School in West Roxbury — was painted by Denver-based artist Thomas Evans aka as Detour. Several more images of  A Canvas of Culture murals currently gracing Boston Public Schools — all completed this past summer — follow:

Orlando-based Don Rimx, “Garden of Beginnings” and “Roots of Empowerment,” located at the Lee Academy Pilot School in Dorchester

Mexican muralist Israel “Spaik” Guerra Romero, “In Lak’ech Hala Ken – Yo soy tu – tu eres otro yo,”  located at Curtis Guild Elementary School in East Boston

Colombian artist Felipe Ortiz, “Umana Rising,” located at Mario Umana Academy in East Boston

Dominican-American artist Silvia Lopez Chavez, Brilla,” located at Rafael Hernandez K-8 Dual Language School in Roxbury

A Canvas of Culture is currently commissioning several new, original, long-term murals and 2D public art installations at Boston Public School sites across the city. Each project budget will range from $20,000 – $175,000. Specific details and applications are available here and here.  The deadline for submissions is February 26, 2025 at 5 p.m. ET.

Photos of 2024 A Canvas of Culture murals by OLP Creative

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Under the curatorial direction of Jonathan Neville, First Street Green Art Park continues to host a wondrously diverse array of local, national and global artists. The elegant image featured above was painted by the Germany-based, Ukrainian artist Shev Lunatic. Several more images captured on recent visits to First Street Green Art Park follow:

Veteran graffiti writer Curve 

  Parisian artist Seb Gorey with multidisciplinary artist Exacto

Cram and Ratchi

Veteran graffiti artist Slash, FTR

Noted Detroit artist Sintex

NYC-based muralist Lexi Bella and graffiti artist Grimace NYC

First Street Green Art Park is located between Houston and First Street off the F train’s Second Avenue stop — just where Manhattan’s Lower East Side meets the East Village

Photos: Lois Stavsky

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Stickers are having their day! Just about any walk through any of NYC’s five boroughs is certain to delight the sticker aficionados among us. Featured above is the ubiquitous Cheer Up. Several more stickers seen on my meanderings around the streets of the Big Apple follow:

Chris RWK (bottom) collabo w/anonymous artist and another artist to be identified

Doaz and Zero Productivity collabo

Stikman

Eye Sticker goes blue in Brooklyn!

Alex Itin

Hektic 718 and Angr

Roycer and Matt Siren

0H10 M1ke and Hiss

Photos: Lois Stavsky

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Colombian American artist Felix Morelo is increasingly engaging and provoking passersby with his intriguing ephemeral chalk spots that surface in some of New York City’s most trafficked sites. We were delighted to recently have the opportunity to pose a few questions to the artist.

When and where did you first hit NYC streets with your spirited chalk spots?

I began in the summer of 2009 with a “Good Luck Spot” in Union Square.

What spurred you to do so?

I was originally painting thousands of faces – mostly of children — on the city’s sidewalks. I thought of these faces as a community of spiritual seeds. An artist friend suggested that I take my concept further. I then came up with the idea of chalk spots that would directly engage the community.

And why did you continue working with this concept?

I felt that what I was doing was unique. I loved that people began interacting with my public art and with each other. And I liked the recognition I was getting!

Were there any responses to your street art that particularly stand out?

For the most part, people embraced and enjoyed the “Good Luck Spots.” I began experiencing negative feedback after I started drawing “Bad Luck Spots.” What stood out were the threatening email messages that I received from people who wanted to harm me.

Yes. We are curious about both your “Bad Luck Spots” and your “Suicide Spots.” What prompted you to create your first “Bad Luck Spot?”

At the time I was drawing “Good Luck Spots,” I myself was having a lot of bad luck. I was dealing with homelessness, joblessness and the loss of a partner. Creating “Bad Luck Spots” was cathartic for me, as it helped me get these bad feelings out of my system. Drawing both “Good Luck Spots” and “Bad Luck” ones reflect life itself – its yin and yang.

What about your “Suicide Spots?” They seem to have spurred quite a bit of controversy.

It’s a matter of free speech. Chalk isn’t permanent. I like the way these controversial spots stir debate and reflection. People’s reactions to them give me insight into human psychology.

Have you ever felt unsafe while drawing your spots on the streets?

I sometimes feel unsafe when I’m looking down. The worst thing that happened, though, was when someone threw water on me and then got in my face.

Besides the wide variety of spots you presently create, do you do anything differently now from when you first started using the street as a canvas?

When I began, I worked only with skinny white chalk. Three years ago, I tried drawing with thick colored chalk, and I liked the results. The colors spice up the message and more readily capture people’s attention.

How do you choose the sites for your spots?

I look for places where I can attract the most people and a certain type of people — those who are eager to engage and are open to new experiences.

Where else – besides New York City – have you drawn your spots?

I’ve drawn these spots in many places. Among them Colombia, Ecuador, Miami, Indianapolis. Cincinnati and Kentucky. I’d like to bring them to London.

What’s ahead?

I’ve participated in dozens of group exhibitions in a wide range of spaces, but I’m ready now for a solo exhibition in a gallery setting. I’m also in the process of collaborating with 10 different artists, and I would like to see those pieces exhibited together. And, of course, I’ll still be active on the streets conjuring new “spots,” to be drawn alongside the original “Good Luck Spots.”

Good luck with it all! We are looking forward to seeing your artwork both on the streets and in galleries. We love viewing it here on East 23 Street — both inside and outside Epiphany Library NYPL.

Interview conducted by Lois Stavsky and Tara Murray

Photo credits: 1-3, 5 & 6 Lois Stavsky and 4 Tara Murray

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