public art

Under the curatorial direction of Jonathan NevilleFirst Street Green Art Park continues to be home to a wondrously diverse array of local, national and international artists. The delightfully intriguing image pictured above was painted by the Amsterdam-based artist Ottograph. What follows is a  close-up from Ottograph‘s mural and several more photos of artworks currently on view at First Street Green Art Park.

Detail from Ottograph mural

Queens-based Turtle Caps and UK native Klonism

Colombian artist Yurica Uno and Queens-based Chris Cortes

Brooklyn-based Lexi Bella does Volodymyr Zelensky

Bronx-based El Souls and NYC/VA artist Humble Makes Art

NYC-based Colombian artist Osk

Bay Area-based artist Steel MSK

Photo credits: 1, 3-5, 7 & 8 Lois Stavsky; 2 & 6 Tara Murray

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On my recent visit to Newark, arts educator and photographer Rachel Fawn Alban introduced me to The Golden Life, a joyous, brilliantly crafted mural project adjacent to the city’s Broad Street Station. Eager to find out more about this transformative venture, I  posed a few questions to Rachel, who created this richly radiant mural project in collaboration with Newark-based artist Armisey Smith.

This mural project is such a rich addition to Newark’s visual landscape. Whose concept was it?

The Golden Life is a collaboration between Armisey Smith and me. Armisey is a talented artist and close friend who believed in me long before I believed in myself. She encouraged me to partner with her, and together we set out to create something special and meaningful for Newark.

We chose to honor real community members—not famous or historical figures—which made the project deeply personal. The mural features large-scale portraits of 14 women and girls who live or work near the intersection, celebrating the diversity and creativity of Newark women and girls. The portraits are connected by vibrant lines and color, symbolizing community, connection, and sisterhood.

Can you tell us something about its process?

Creating this mural was both challenging and rewarding. In April 2023, Armisey and I hosted a free art workshop at the Newark Public Library for women and girls of all ages. We presented the project, took portraits, and led participants through creative exercises including a selfie station, collage-making, and haiku writing—all centered around the theme of The Golden Life.

One of my favorite aspects of the project is the audio component. While we couldn’t feature everyone’s portrait on the wall, we were able to present all of their poems—so even more voices were included. The recordings are accessible via the Bloomberg Connects app, along with a beautiful introduction by Newark artist Kween Moore. It’s a way for people to experience The Golden Life beyond the visual—listening while walking around the site adds another layer of engagement and accessibility.

What were some of the particular challenges involved in seeing this project through?

There were quite a few! It took about six months of planning before the workshop, then about a year from the time of the workshop to the ribbon cutting. Scheduling was a challenge since we are all educators and artists juggling multiple projects. And, since the project spanned multiple seasons, weather impacted our fabrication and installation timeline.

This was a complicated project with many stakeholders and technical processes. In fact, just before we were set to begin, two of our original walls became unavailable. This required a complete redesign and budget revision, which pushed us back several months. Thankfully, our amazing project manager, Rebecca Jampol, and our partners helped us stay on track. In the end, it all came together beautifully.

How has the community responded to it?

The response has been overwhelmingly positive. People have shared how they love seeing it every day and how meaningful it is to see their stories reflected in public art. In a diverse, majority-Black city like Newark, it’s especially powerful to create space for women and girls of color—who are often underrepresented in public art and media — to be honored and celebrated. The project also beautified a neglected and dilapidated intersection at Broad Street Station—used by hundreds of residents and commuters every day—transforming it into a welcoming and inspiring space. It’s a powerful reminder of how art can profoundly alter one’s environment and strengthen community.

What’s ahead for you?

I’m excited to continue creating art that celebrates diversity and brings people together. As a Jewish woman in Newark, I’ve been reflecting on the Black-Jewish alliance in America—a historic and ongoing partnership rooted in shared struggles and a commitment to justice. I’m eager to work on future projects that explore and honor these intersections, amplifying stories that haven’t always been told.

I’m also thrilled to keep collaborating with Armisey. Working together on this mural was incredibly rewarding, and we’re already brainstorming future projects. I’m confident that whatever we do next will be just as meaningful.

And before we wrap up, I want to thank the key supporters who made this project possible: Project for Empty Space for organizing and managing the initiative; the City of Newark’s Department of Arts and Culture; and Bloomberg Philanthropies for their incredible support. I’m also deeply grateful to our team of local artists who helped facilitate the workshop, fabricate, and install the mural—and of course, to all the participants who brought their creativity, stories, and spirit to the work. Golden Life for Life!

Interview and photos 1-5 by Lois Stavsky

Featuring Newark community members:

  1. Reine Campbell and Quincy Campbell
  2. Antoinette Ellis Williams, Rachel Fawn Alban & Tamia Thomas
  3. Denise Toney
  4. Klymora Smith
  5. Adele Rae Hayes Harris

Photo 6  © Charles David, featuring Armisey Smith, Rachel Fawn Alban and members of the Newark community

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The face featured above — a segment of a larger mural — was painted by New Jersey-based veteran writer Raul Rubio aka Sue Works in collaboration with style master Aesop One this past summer at Boone Avenue Walls in the Bronx. Several more images of faces recently captured on NYC public spaces follow:

Queens-native Zimer does Alicia Keys outside the Ridge Hotel on Manhattan’s Lower East Side

NYC-based contemporary artist Cody James at BedStuy Walls Mural Festival in Bed-Stuy, Brooklyn

Queens-based Mexican writer, muralist and tattooist El Onel at Welling Court Mural Project in Astoria, Queens

Japan-born, NYC-based self-taught graphic artist Kosuke James at Welling Court Mural Project in Astoria, Queens

Pittsburgh-based artist Ashley Hodder does artist Wavy Wednesday at Welling Court Mural Project in Astoria, Queens

Brooklyn-based multidisciplinary artist Huetek. in Ridgewood, Queens

Photo credits: 1 Tara Murray 2-7 Lois Stavsky

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In 2024, the award-winning creative agency Street Theory‘s multi-year initiative, A Canvas of Culture — under the Mayor’s Office of Arts and Culture — brought several vibrant, breathtaking murals to various school locations in Boston. The luscious mural featured above “Together, We Rise” — located at the Joyce Kilmer K-8 Lower School in West Roxbury — was painted by Denver-based artist Thomas Evans aka as Detour. Several more images of  A Canvas of Culture murals currently gracing Boston Public Schools — all completed this past summer — follow:

Orlando-based Don Rimx, “Garden of Beginnings” and “Roots of Empowerment,” located at the Lee Academy Pilot School in Dorchester

Mexican muralist Israel “Spaik” Guerra Romero, “In Lak’ech Hala Ken – Yo soy tu – tu eres otro yo,”  located at Curtis Guild Elementary School in East Boston

Colombian artist Felipe Ortiz, “Umana Rising,” located at Mario Umana Academy in East Boston

Dominican-American artist Silvia Lopez Chavez, Brilla,” located at Rafael Hernandez K-8 Dual Language School in Roxbury

A Canvas of Culture is currently commissioning several new, original, long-term murals and 2D public art installations at Boston Public School sites across the city. Each project budget will range from $20,000 – $175,000. Specific details and applications are available here and here.  The deadline for submissions is February 26, 2025 at 5 p.m. ET.

Photos of 2024 A Canvas of Culture murals by OLP Creative

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Colombian American artist Felix Morelo is increasingly engaging and provoking passersby with his intriguing ephemeral chalk spots that surface in some of New York City’s most trafficked sites. We were delighted to recently have the opportunity to pose a few questions to the artist.

When and where did you first hit NYC streets with your spirited chalk spots?

I began in the summer of 2009 with a “Good Luck Spot” in Union Square.

What spurred you to do so?

I was originally painting thousands of faces – mostly of children — on the city’s sidewalks. I thought of these faces as a community of spiritual seeds. An artist friend suggested that I take my concept further. I then came up with the idea of chalk spots that would directly engage the community.

And why did you continue working with this concept?

I felt that what I was doing was unique. I loved that people began interacting with my public art and with each other. And I liked the recognition I was getting!

Were there any responses to your street art that particularly stand out?

For the most part, people embraced and enjoyed the “Good Luck Spots.” I began experiencing negative feedback after I started drawing “Bad Luck Spots.” What stood out were the threatening email messages that I received from people who wanted to harm me.

Yes. We are curious about both your “Bad Luck Spots” and your “Suicide Spots.” What prompted you to create your first “Bad Luck Spot?”

At the time I was drawing “Good Luck Spots,” I myself was having a lot of bad luck. I was dealing with homelessness, joblessness and the loss of a partner. Creating “Bad Luck Spots” was cathartic for me, as it helped me get these bad feelings out of my system. Drawing both “Good Luck Spots” and “Bad Luck” ones reflect life itself – its yin and yang.

What about your “Suicide Spots?” They seem to have spurred quite a bit of controversy.

It’s a matter of free speech. Chalk isn’t permanent. I like the way these controversial spots stir debate and reflection. People’s reactions to them give me insight into human psychology.

Have you ever felt unsafe while drawing your spots on the streets?

I sometimes feel unsafe when I’m looking down. The worst thing that happened, though, was when someone threw water on me and then got in my face.

Besides the wide variety of spots you presently create, do you do anything differently now from when you first started using the street as a canvas?

When I began, I worked only with skinny white chalk. Three years ago, I tried drawing with thick colored chalk, and I liked the results. The colors spice up the message and more readily capture people’s attention.

How do you choose the sites for your spots?

I look for places where I can attract the most people and a certain type of people — those who are eager to engage and are open to new experiences.

Where else – besides New York City – have you drawn your spots?

I’ve drawn these spots in many places. Among them Colombia, Ecuador, Miami, Indianapolis. Cincinnati and Kentucky. I’d like to bring them to London.

What’s ahead?

I’ve participated in dozens of group exhibitions in a wide range of spaces, but I’m ready now for a solo exhibition in a gallery setting. I’m also in the process of collaborating with 10 different artists, and I would like to see those pieces exhibited together. And, of course, I’ll still be active on the streets conjuring new “spots,” to be drawn alongside the original “Good Luck Spots.”

Good luck with it all! We are looking forward to seeing your artwork both on the streets and in galleries. We love viewing it here on East 23 Street — both inside and outside Epiphany Library NYPL.

Interview conducted by Lois Stavsky and Tara Murray

Photo credits: 1-3, 5 & 6 Lois Stavsky and 4 Tara Murray

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This past May, a wonderfully diverse group of artists brought their skills to South Street Seaport, marking the third year that the You Are Not Alone community-based art project curated a huge 160 ft long wall in honor of Mental Health Awareness Month. These murals’ message of hope is particularly timely this month, September — National Suicide Prevention Month. Featured above is the work of the Washington Heights-based graphic designer and illustrator Yuma York. Several more images from this year’s You Are Not Alone Murals Project 2024 at the Seaport follow:

Detroit-based designer and hand lettering artist Lauren Hom

Local street artist and animator Sara Lynne Leo

 NYC-based multi-disciplinary artist, designer and typographer Juan Carlos Pagan

Sydney, Australia-born, NYC-based multidisciplinary artist Vexta

New Jersey-based hand-lettering artist and muralist Olga Muzician 

 Brooklyn-based muralist, teaching artist and illustrator Peach Tao

British multi-disciplinary artist David Puck

Launched in 2019,You Are Not Alone Murals was founded by multimedia artist and art director Annica Lydenberg aka Dirty Bandits and Samantha Schutz, mental health advocate and the author of the highly acclaimed memoir I Don’t Want to Be Crazy.

And do remember, “You are not alone!” If you or someone you care about is in need of support or information, help is available from the National Alliance on Mental Illness. The NAMI HelpLine can be reached Monday through Friday, 10 a.m.–8 p.m., ET. 1-800-950-NAMI (6264).

Note: Find out here about You Are Not Alone Murals’ first annual t-shirt collaboration and fundraiser!

Photos of artworks, Lois Stavsky

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Dozens of first-rate writers and muralists from NYC and beyond brought their tantalizing talents to East Harlem’s 44th annual Graffiti Hall of Fame this past weekend. Walls and cubes fashioned in a wide range of styles graced the now-lengendary schoolyard on 106th Street and Park Avenue. The dynamic production pictured above was painted by graff masters Delta, Syerok, Taste One, Blaze and Part One,   Several more images of artworks captured this past Sunday afternoon follow:

Graffiti veteran Skeme also known as 3 Yard King

BedStuy Walls co-founder and curator Miki Mu 

The wonderfully talented NJ-based Will Power does the late Nic 707

NYC-based, Japan-born hip-hop culture enthusiast and artist Shiro

East Harlem-based, Sweden-born graffiti writer and graphic designer Scratch

Harlem-based Brazilian American multidisciplinary artist Phes at work

The masterly Queens-based artist Chris Cortes

The prolific Bronx-born graffiti writer Cope 2 in collaboration with French artist Jaek El Diablo

Note: Keep posted to the Street Art NYC Instagram and Threads for more images of artworks that surfaced in this year’s Graffiti Hall of Fame.

Photo credits: 1-6 & 9, Sara C Mozeson; 7 & 8, Ana Candelaria

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On the final weekend of June, the now-legendary Welling Court Mural Project launched its 14th Annual Street Art Festival in Astoria, Queens under the curatorial direction of Alison C. Wallis. Photographer Ana Candelaria was there to capture the action and share it with us. Featured above is the famed graffiti pioneer and graphic designer Stash at work on a wall painted collaboratively as a tribute to the late innovative graffiti writer Col Wallnuts. Several more images — all courtesy of Ana Candelaria — follow:

The prolific veteran writer Wane at work

Graffiti artist and designer Epic Uno at work 

Bronx-based painter and art educator Depoh at work

Brooklyn-based artist and BEDSTUY WALLS founder & co-curator Miki Mu at work with mural by East Harlem-based Scratch to her left

Artist and educator Katie Reidy at work celebrating the “rise of the woman”

The hugely inventive Sweden-based artist Delicious Brains bringing his talents to NYC

More walls will be beautifying Welling Court and its nearby blocks in early fall. Sign up here to stay informed regarding upcoming events and volunteer opportunities.

Photos by Ana Candelaria

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On the weekend of June 15, First Street Green Art Park was home to dozens of legendary artists, first-rate photographers, and graffiti aficionados as they came together to pay tribute to Fun Gallery co-founder Patti Astor, who had passed away in April. The first art gallery in Manhattan’s East Village to feature the works of such noted artists as Futura 2000, Lady Pink, Lee Quinones, Kenny Scharf, Keith Haring, and Jean-Michel Basquiat, Fun Gallery ran out of a small storefront  but had enormous impact.

The mural featured above was painted by 5POINTZ founder and the wonderfully versatile artist Meres One. Several more images captured last week in this event curated by Kate Storch, Jimmy NYC and Crime79 follow:

Lower East Side native and former Keith Haring collaborator Angel Ortiz aka LA2

Veteran writer Dezo, TC5 with Kate Storch on left

The prolific Japanese writer, muralist and designer Shiro One

Uptown-based designer, painter and muralist Al Ruiz

The legendary graffiti pioneer Stash

 Veteran East Harlem-native writer and painter Delta2

NYC-based photographer Matthew A Eller, Segment from larger wall of photos featuring Patti Astor in a range of settings

Photos: Lois Stavsky

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The 13th Annual  Bushwick Collective Block Party brought a wonderfully diverse array of local, national and global artists to Brooklyn’s iconic outdoor gallery. The huge, beguiling dog featured above was painted by Denver-based Patrick Kane McGergor against a deftly-executed cityscape crafted by multidisciplinary artist Chris Haven.

In this Part II of At the Bushwick Collective are several more images of artworks that have surfaced this month at the Bushwick Collective, curated by its founder, Joe Ficalora.

Miami-based Nate Dee, “Brooklyn Trogon”

Austin, Texas-based Taiwanese-American artist Candy Kuo at work on mural in collaboration with Wade Indeed

Completed mural by Austin, Texas-based artists Candy Kuo and Wade Indeed

French artist Enzo Yurrebaso, segment of captivating mural

Los Angeles-based Robert Vargas, segment of huge powerful mural at the intersection of Wycoff and Troutman

Connecticut-based Corey Pane, Portrait of wife, Kailah King, and baby daughter

Photos of artworks: Lois Stavsky

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