I first came upon Brothers of Light’s winsome, witty aesthetic on the streets of Jerusalem several years ago. I was an instant fan. Currently on view at 30 Yefet Street — a stately, atmospheric building in Jaffa — is From Dirt, a delightfully intriguing exhibition featuring dozens of artworks fashioned this past year from metals found outside the brothers’ studio space. Featured above is Crossing the Bridge — fabricated with industrial paint on salvaged metal. Several more images I captured while visiting the exhibition earlier this week follow:

“Everything Is Temporary,” Industrial paint on found metal

“No Pain No Gain” and “Cuchara” to its left, Industrial paint on found metal kitchen utensils

“What Do You Eat?” Industrial paint on found metal kitchen utensil

“Time Sinking,” Industrial paint on found metal

“Suddenly,” Industrial paint on found metal

“Throwback,” Industrial paint on found metal

Segment of exhibition largely featuring small works–

Produced by Brothers of Light — real-life siblings, Elna and Gab — and curated by Hadas Glazer, From Dirt is at once  environmentally conscious and aesthetically engaging. It continues through Saturday evening with a closing party beginning at 6pm. A short film by Amalia Zilbershatz-Banay and Dan Deutsch accompanies the exhibition.

Photos of artworks: Lois Stavsky


Adjacent to Old Jaffa’s bustling flea market and a short walk from its famed Clock Tower is its Greek Market, whose restaurant and shop doors serve as open-air canvases to an eclectic range of artists. The image featured above is the work of Tel Aviv-based fashion designer Athalia Lewartowski.  Several more images — captured on my recent far too brief visit to Tel Aviv — follow:

Also by Athalia Lewartowski


The masterly visual artist Elad Green

Tel Aviv born and based illustrator and graphic designer Tal Shetach

The ever-intriguing Soskee

Photos: Lois Stavsky

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While wandering the streets of Tel Aviv and Jaffa, I’ve come upon dozens of portraits of females in a wide range of styles and media. The artwork pictured above was fashioned by the city’s celebrated veteran muralist Rami Meiri. More images of girls on walls, including several that surfaced within the past few months, follow:

Tel Aviv-based muralist and graffiti writer Arad Levy

Tel Aviv-based muralist and tattoo artist MUHA ack

Tel Aviv-based muralist and graffiti writer Dales One

Mosaic of over 50,000 beer bottle caps — collected throughout Europe — fashioned by Rinat Look Elhik

Tel Aviv-based crochet artist and yarn bomber Liza Mamali

Tel Aviv-based designer and street artist Imaginary Duck

Photos by Lois Stavsky

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Nick Kuszyk‘s impeccably-crafted robots are among NYC’s most seductive images.  With their bold colors and expressive movements, they brilliantly enhance our urban landscape.  I had the opportunity to speak to their creator, R. Nicholas Kuszyk aka RRobots, shortly before he left for his one-month residency in Jaffa, a seaport town on the outskirts of Tel Aviv.


When and where did you first get up?

It was back in 1993 in the suburbs of DC.

Had you any preferred surface or spot back then?

I hit whatever walls and trains I could.

Who or what inspired you at the time?

Cycle and Cool Disco Dan were among my main inspirations.


Do any early memories stand out?

My friend’s older brother had a black book and a copy of Videograf.  It seemed monumental. I was 12 years old when I discovered another reality.

How did your family feel about what you were doing?

My parents didn’t know what I was doing. But my family has always been supportive of my art. My mom is an interior decorator and my sister does cool drawings.

Were you ever arrested?

No. I never got caught.


Most of us here identify you with your signature robot. Can you tell us something about it? When was it born?

It was born in 2000, and my first legal robot wall surfaced in 2002 in Richmond.  Since then, it has traveled to over a dozen cities in the US and abroad to Berlin, London, Prague and now to Tel Aviv.

Why a robot? What does this robot represent?

I like its simplicity, its universality. It’s up to you to decide what it represents.

How do you feel about the movement of street art and graffiti into galleries?

It’s fine.


Is there anyone with whom would you like to collaborate?


Are there any particular cultures that have influenced your aesthetics?

The skateboarding culture and graffiti.

Do you work with a sketch in hand or do you just let it flow?

I always have a general idea of what I will be painting. But I don’t prepare sketches.

Are you generally satisfied with your work?

It depends.


Do you have a formal arts education? Was it worthwhile?

Yes.  I studied art at the Virginia Commonwealth University School of the Arts. It was definitely worthwhile, as it widened my perspective.

How has your work evolved in the past few years?

It has become more geometric, and the robots are becoming less central to my pieces and more integrated into them.

How do you see the role of the artist in society?

The artist is here to educate and to entertain. And the street artist has a distinct role – to increase property values.

Note: Nick’s exhibit, consisting of artwork created during his one-month residency, opens tomorrow, Thursday, June 5 at SAGA, a new space for art in Jaffa.

This interview was conducted by Lois Stavsky; photo 1 in Williamsburg, Brooklyn by Lois Stavsky; photo 2, courtesy SAGA; photo 3 at Welling Court in Astoria, Queens by Tara Murray; and photo 4, courtesy SAGA