Graffiti

This is the fourth in an occasional series featuring images of New York City’s doors that sport everything from tags and stickers to sophisticated images.

Ewok in Williamsburg, Brooklyn

Ewok

Mor in Downtown Manhattan

Mor

Long-running David Shillinglaw in Williamsburg, Brooklyn

"David Shillinglaw"

Stikki Peaches in Williamsburg, Brooklyn

"stikki peaches"

Jordan Betten in Chelsea

"Jordan Betten"

Alice Mizrachi aka AM in abandoned East Village building

"Alice Mizrachi"

Jerkface in Little Italy

Jerkface

LMNOP in Bushwick, Brooklyn

LMNOP

Ludo in Little Italy

Ludo

Photos of  Mor, Jordan Betten, Alice Mizrachi, Jerkface and Ludo by Dani Reyes Mozeson; of Stikki Peaches by Emily Robertson; of Ewok, David Shillinglaw and LMNOP by Lois Stavsky

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This is the fourth in a series of occasional posts showcasing sticker art that surfaces on an array of NYC public surfaces:

Screwtape’s homage to Army of One

Screwtape

Skullphone goes small

Skullphone

One of Kosby‘s many musings

Kosby

Fling’s curious creature

Fling

RAE’s lovable, zany character

RAE

Faust‘s calligraphic handstyle

Faust

Milwaukee-based RealAbstract‘s magnetic sticker

"Real Abstract"

CB 23’s now-iconic character in the rain

"CB 23"

Zato’s much-loved fellow

Zato

And for those stickerheads who’d like to participate in the upcoming Sticker Nerds 3, organized by the inimitable Skam Sticker, the deadline to get your slaps in is this Friday, March, 14th.  Send them to Sticker Nerds 3, Post Office Box 13492, Portland, Oregon 97213.

sticker-nerds-3

Photos of NYC sticker art by Lenny Collado, Dani Reyes Mozeson and Lois Stavsky

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Born in Canada, Lady K-Fever is a NYC-based interdisciplinary artist, art educator and curator. A recipient of numerous grants, she currently works with the Bronx Museum of the Arts, the Studio Museum in Harlem, the Bronx River Arts Center and the Laundromat Project.

"Lady K Fever"

When and where did you start getting up?

I started bombing in Vancouver, Canada in the early 90’s. I got up all over the city. No block was safe.

What inspired you back then?

In 1992, I found The Faith of Graffiti at a thrift shop and bought a bootleg copy of Wild Style. I immediately fell in love with graffiti.  I was also into skateboarding at the time, and I was a member of the Riot Grrlzs: The Vancouver Chapter.  We were invited to create an installation for an exhibition “Artropolis 1993.” We collaborated to create a graffiti-inspired tag wall about human rights.

What spurred your interest and engagement in social issues?

I was inspired by activism of the Black Panthers and counter culture of the 1960’s & 70’s.

What about graffiti crews? Did you belong to any?

My first crew was the one I created with some of my friends in Vancouver, the ILC crew: The Independent Ladies Crew. I have since put down with lots of other crews: CAC, TLV (the Latin Vandals), IBM, and WOTS.  Right now I am down with KD-TDS-INDS.

"Lady-K-Fever"

Any early graffiti memories?

I’ll always remember the first three-color piece/bomb I did on my own.  It was all about timing.  It was in 1996 in downtown Vancouver, and I had hidden behind a car. I started to paint in the shadow of the car and hide when traffic was coming by. It was a thrill, and I wanted to do more.

When did you first get up in NYC?

My first time painting here was in 2001 at The Phun Phactory before it became 5Pointz. While there, I met so many people and artists who have helped me along my path. I am so grateful that there was a place like that – a place for the global graffiti movement to connect and blossom in New York City.

Have you ever been arrested?

Pleading the 5th and the 4th. 

Have you exhibited your works?

I began exhibiting my work in galleries in 1993 in Vancouver.  In NYC, I have exhibited at  the Bronx Museum of the Arts, El Museo del Barrio, Longwood Art Gallery, The Corridor Gallery, Andrew Freedman Home and MoMA.

"Lady K Fever"

What percentage of your time is devoted to your artwork?

100 percent. All day. Every day. It’s my life. Life is my art. My art is the facilitation of my experiences as a creative human on this planet. I am inspired and find inspiration all day long.

Have you made money from your work?

I sell pieces, do commissions, apply for grants and residencies, teach and consult with museums and arts organizations, speak at schools and conduct workshops. Hustle is hustle.

Any thoughts about the so-called graffiti/street art divide?

The boundaries continue to blur.  I thought we all fought hard for graffiti to be considered “art”. A writer is a writer; an artist is an artist. Both are valid and beautiful and all artists have the right to decide how they want to be identified. What I do not like is the dogma and the prejudices that arise. If graffiti and street art are ultimately forms of freedom of expression, then what really is going on?

Do you prefer working alone or working with others?

Both. I like working alone, and I like the interaction that happens when artists work together. I go through phases.

"Lady Fever"

Do you have a formal arts education?

Yes and no. I studied fine art in high school and in college, but I formally went on to major in Theatre.  I worked as a studio assistant with a Canadian pottery artist and as a scenic painter on film/TV sets to gain art trade skills.

What is the riskiest thing you’ve done?

I have done a lot of risky things. On my last day in Toronto, I did a bridge piece along a highway in downtown Toronto.  I wrote the name Lady K Fever in huge letters on the whole bridge.  As I was finishing, I saw a set of police lights flash across the highway. I ran and hid all the way home. That was my exit from Toronto.

Are there any particular cultures that have influenced your aesthetic?

I’m influenced by all cultures. I go through inspirational phases. I love texture and color. I like to work with Indian, African and Mexican fabrics and designs.  Music is also an influence – its sounds, beats and lyrics.

Are you generally satisfied with a finished piece?

Yes and no.  Sometimes, I just have to walk away and move on to the next.

Fever-graffiti-NYC

How has your work evolved throughout the years?

I continue to refine my style and explore concepts.

How would you describe the role of the artist in society?

The artist’s role is to tell stories through personal and collective reflections and responses and to raise questions. The artist is a messenger of universal truth who challenges others to see and acknowledge what they might not want to

Interview with Lady K-Fever conducted by Lenny Collado and edited by Lois Stavsky; photo credits 1. Lenny Collado; 2. Tara Murray; 3 – 5. courtesy of the artist

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Early last month, on some of this year’s coldest days, a group of dedicated artists — once again — transformed the exterior of East 1st Street’s once-neglected trailer into an intriguing outdoor canvas. Here are a few of the images that will continue to greet passersby through April 10:

Michael DeNicola’s tribute to the late actor Philip Seymour Hoffman

Centre-fuge-public-art-project-NYC

BK

BK

Col Wallnuts

"Col Wallnuts"

Vernon O’Meally, Edapt, Foxxface and Numb DSI

"Centre-fuge-Public-Art-Project"

Vernon O’Meally

"Centre-fugePublic Art Project"

Edapt and Foxxface

"Centre-fuge Public Art Project"

Numb DSI

"Centre-fuge Public Art Project"

Photos by Dani Reyes Mozeson and Lois Stavsky

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"Bio, Tats Cru"

Tats Cru members — Bio, Nicer and BG183 — express their distinct creative visions in Blood, Sweat and Tears, a playful exhibit on view through Friday at TT Underground, 191 2nd Avenue in the East Village. Here is a sampling of the recent artworks on display by the legendary Bronx-based Mural Kings:

Another painting by Bio with his iconic heart

Bio

Close-ups from Nicer’s superheroes

"Nicer, Tats Cru"

"Nicer, Superhero"

A huge canvas by BG 183

"BG 183" "Tats Cru"

And one of BG183’s smaller ones

"BG183, Tats Cru"

And just a few blocks away — on Second Street off Avenue A:

Bio

"Bio Tats Cru"

Nicer

Nicer

BG183

BG183

Photos of Bio’s paintings and mural by Lois Stavsky; photos of Nicer’s and BG183’s by Dani Reyes Mozeson 

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"Wallplay"

Curated by the brand WAT­AAH!, Taking Back the Streets is a dazzling celebration of street art in honor of Drink Up, an initiative of the Partnership for a Healthier America (PHA).  On exhibit at Wallplay, 118 Orchard Street, through today — Tuesday, March 4 –  is a range of enticing artworks inspired by the Drink Up water drop logo. Here’s a small sampling of what can be seen at Wallplay, before the exhibit travels to Washington D.C., Philadelphia, Los Angeles and Miami:

Kenny Scharf

"Kenny Scharf"

Maya Hayuk

"Maya Hayak"

Damien Mitchell

"Damien Mitchell"

Lichiban

Lichiban

Swoon

Swoon

And on the streets — on Jersey and Lafayette — Metro Zu

"Metro zu"

All photos of images by Dani Reyes Mozeson; Metro Zu in SoHo by Lois Stavsky

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Speaking with 0H10M1ke

February 27, 2014

You may have seen 0H10M1ke on the streets of NYC or at a public event where he creates instant matchbook portraits of strangers he meets. We discovered him at work on his serially numbered one-minute portraits at the opening of LA2’s solo exhibit at the Leila Heller Gallery this past December.  We recently had the opportunity to find out more about him.

OHIOMIKE

When did you begin drawing? Is this something recent?

I never had a formal art education, but I’ve been drawing all my life. I started way back as a kid in Ohio. I can’t remember a time when I wasn’t doodling or sketching on some surface.

When did you first come to NYC? And what was your initial experience like?

I moved here in 2002, and I became involved with a cult. I gave two years of my life to it, and by the time I left it, I couldn’t even draw a circle. I knew then that I had to reinvent myself.

How did you go about doing that?

The year of my 30th birthday – in 2006 – I did 1,000 drawings.  I started my matchbox series of portraits, and my work was featured in a show in Williamsburg. I completed portrait 10,000 on June, 2011 at Governor’s Island.

OHIOMIKE

Have you continued to exhibit your work?

Yes, I’ve exhibited in a range of places from Berlin, Germany to Governor’s Island here in New York City.

What inspired you to create your artwork in public settings – where you interact almost entirely with strangers?

My inspiration came from seeing UFO’s work on NYC streets.  I love the way his iconic character surfaces unexpectedly.

These days, about what percentage of your time is devoted to art?

About 50%. I am a social worker by profession.

OHIOMIKE

 

How has your work evolved in the past few years?

I began with one-line drawings and I have moved to color, digital and live drawings that I incorporate into performances.

How does your family feel about what you are doing?

My family loves me, but I don’t think they get it.

Any other interests?

Music. All kinds of music. I draw to music. It’s all about art and music. I create live drawings to the music of Comadante Zero, a Brooklyn-based electro funk music/art collective.

OHIOMIKE

How do you feel about the role of the Internet in all this?

I’m over it. We’ve been oversaturated.

What do you see as the role of the artist in society?

I learned from Robert Henri how important it is to be a creator. According to Henri, the artist “enlightens and opens ways for better understanding.”

What about you? What’s ahead for you?

My goal is to create 100,000 matchbox portraits and tour with my band as its resident artist.

OHIOMIKE

Editor’s note: 0H10M1ke will be drawing live with Comandante Zero at The Rubin Museum April 4 at 7 PM.

Photo 1 and 2: 0H10M1ke at the Leila Heller by Dani Reyes Mozeson; photo 3: 0H10M1ke sketch, courtesy of the artist; photos 4 and 5: PhotosL1ght Graff1t1 projected onto Brooklyn rooftop by Oz Skinner

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"Nic 707"

If you happen to be riding the NYC subways anywhere between the Brooklyn Bridge and Pelham Bay Parkway, you could be in for a treat – an impromptu art exhibit curated by veteran graffiti writer Nic 707Michael Cuomo, a multi-media artist based in Yonkers, accompanied Nic 707 on a recent ride to share some of his new paintings. Here’s a sampling from the InstaFame Phantom Art Project:

These women who exited the train on the Upper East Side were delighted by Nic 707’s InstaFame Phantom Art Project!

Nic 707

Michael Cuomo, Wizard’s Well

"Michael Cuomo"

Michael Cuomo, Amazon Jungle

"Michael Cuomo"

Nic 707,  Kilroy Goes Wild

"Nic 707"

Michael Cuomo, Astro-nuts

"Michael Cuomo"

Nic 707, Apocalypse Aftermath

"Nic 707"

Nic 707, The Whole World in His Hands

"Nic 707"

 Michael Cuomo, Bubblegum Ecstasy

"Michael Cuomo"

Photo of Kilroy Goes Wild by Eddie DiBono; all others by Lois Stavsky

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Old School New York City writer George Colon aka AIM SSB credits graffiti with having saved his life in the early 70’s. Decades later, he is back in the game — this time with a message beyond his name.

"George Colon at 5Pointz"

When and where did you first get up?

I was living in Williamsburg, on South 3rd Street off Bedford. It was in 1970. I was 10 years old. I remember looking at a clean wall in my hallway building and thinking. “My name would look good there!” I started off using shoe polish.

What other surfaces did you hit up back then?

Other hallways, mailboxes and telephone booths. The city became my playground. Soon I was hitting trains and station walls.

What inspired you to keep tagging?

I saw how much it was embraced at Art and Design, the high school I attended at the time. And it gave me something to do.

Have you any early graffiti-related memories that stand out?

Seeing phenomenal handstyles — such as those of Super Strut, Stay High and Super Kool 223.

"George Colon aka AIM SSB"

Did you generally go out alone or did you get up with crews back then?

Two of my classmates at Art and Design took me up to the yards up at Baychester and Parkchester. Once I discovered them, I was on my own! But then in 1972, I went on to form SSB, one of the largest crews in NYC. We SSB members saved each other’s lives. And graffiti saved us all, by giving us a voice and offering us an alternative to the drugs, gangs and violence that were everywhere around us.

How were you known at the time?

I gained popularity as AIM-SSB, but I was also known as OH-222 SSB to confuse the cops.

What did AIM stand for? How about SSB?

AIM was an acronym for Artist in Motion and SSB for Soul Stoned Brothers.

Who were some of the other SSB members?

There were many: Lee QuinonesShadow, CAM, Do, Rise, Bang 2, Taxi, Fear, Toke, Bomb-One, Jazz, Jazz 2, Pace, Don1, Dime 139 and more.

"AIM graffiti"

What is the riskiest thing you did? And why did you do it?

Laying on top of a train while it was running from the Bowery to Essex Street.  I was with Chino 13 at the time, and we did it to escape the TA rats.

How did your family feel about what you were doing?

When I first started drawing, my mother encouraged me. She would buy crayons and pastels for me. But when I got into graffiti, my mom was concerned. She’d say things like, “Why are you getting paint on your sneakers?” But they didn’t pay all that much attention to what I was doing.

Have you ever been arrested?

About a dozen times. Mostly for tagging and stealing. I would run fast, but not fast enough.

These days, about what percentage of your time is devoted to art?

Not enough. I do about two pieces a week, but my day job as a recovery coach and a motivational speaker takes up much of my time.

"AIM on canvas"

When you do work, do you sketch first or do you just let it flow?

Both. About 70% of the time I work with a sketch.

Are you generally satisfied with your finished piece?

Absolutely!

Do you have a formal art education?

Just the year and a half I spent at the High School of Art & Design. I’m largely self-taught.

Are there any particular cultures that have influenced your aesthetic?

There are Greek and Italian influences. My father is Italian, and I’m inspired by Greek graffiti.

What inspires you these days to engage with the graffiti culture?

The eagerness of young people to learn about it. I love their innocence and ability to explore. My organizations, Imagine Ink and United We Paint, promote graffiti and urban arts events for folks across the generations.

AIM-SSB-graffiti-on-paper

Do you prefer working with others? Or would you rather paint alone?

When I was younger, I preferred to work alone. But I’ve recently enjoyed collaborating with Orlando Rine Torres and Sexer.

Any thoughts about the graffiti/street art divide?

I really can’t answer that. I’d like to learn more.

Why do you suppose the “art world” has been so reluctant to embrace graffiti?

Graffiti was originally seen as a threat. The defacing and destruction of property was perceived as an “uprising.”

How has your work evolved in the past few years?

I’ve diversified my styles and am more open, in general.

"George-Colon and Jean Paul O'grodnik"

How do you feel about the role of the Internet in all this?

It’s an asset to the movement; it gets our work out there.

Have you any feelings about the photographers/bloggers in the scene?

I feel positive about them. They give us exposure.

What do you see as the role of the artist in society?

To awaken awareness within others.

What do you see as the future of graffiti?

My hope is that it can be taught on many levels and used in a positive way.

What about you? What’s ahead for you?

Continuing to create art and educating others about graffiti.

Interview conducted and edited by Lois Stavsky; all images courtesy of George Colon; the final image is a collaboration between George Colon and John Paul O’Grodnick

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Blurring the lines among abstract graffiti, pop art and fine art, Dorian Grey’s current exhibit, Flow, features the works of the legendary Bronx-based artist John Matos aka Crash and UK’s Remi Rough. Some of the works were painted individually; others were fashioned collaboratively. All are distinctly stylish. Here’s a sampling:

Remi Rough and Crash, Make her blue eyes blue

"Remi Rough and Crash"

Remi Rough, Never yours completely

"Remi Rough"

Crash, Fantastic

Crash

Remi Rough and Crash, Letter R reconstructed

"Remi Rough and Crash"

Remi Rough and Crash, Eye 03

"Remi Rough and Crash"

Remi Rough and Crash, Letter C reconstructed

"Remi Rough and Crash"

Flow continues through February 23, 2014 at Dorian Grey, 437 East 9th Street and Avenue A.

Flow-Remi-Rough-and-Crash-at-Dorian-Grey

Photo of Make her blue eyes blue by Lois Stavsky; all others photos of artworks by Dani Reyes Mozeson 

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