Exhibits

"BR1"

FROM STREET TO ART, featuring a range of artwork by 10 contemporary Italian artists who’ve achieved recognition for their street art, continues through August 20. Curated by Simone Pallotta, the exhibit is housed in the elegant Italian Cultural Insititue on Manhattan’s Upper East Side and is open to the public Monday through Friday from 10 – 4pm. Here is a sampling of the artwork that ranges from the imaginatively provocative to the wistfully lyrical:

BR1, Holy Land Delights, close-up

BR1-Holy Land-Delights-close-up

Sten&Lex, Untitled

"Lex and Sten"

Agostino Iacurci, Mimicry

"Agostino Iacurci"

2501, Rising of the Phoenix

2501

Dem, close-up

Dem

UFO5,  Untitled

UFO5

Photos of BR1, Sten Lex, Augustino Iacurci and UFO5 by Dani Reyes Mozeson; of BR1 close-up, 2501 and Dem by Lois Stavsky

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Speaking with Yes One

July 9, 2014

Bronx native Yes One has been gracing walls, canvases and more with his energetic aesthetic — in NYC and beyond — for almost 30 years. StreetArtNYC is delighted to feature an interview with him.

"Yes One"

How did you first get into graffiti? What inspired you?

I was introduced to graffiti by Smiley 149 of the Ebony Dukes when I was 10 years old. He used to chill outside my favorite candy shop where I played Asteroids on the arcades. He sat on a crate right outside, and we would vibe watching the trains go by on the Tremont El. This was about 1979.

When you began writing, what kind of surfaces did you hit?

Illegal ones — because of the rush. I can’t explain it, but it’s like robbing a bank.

How did your family feel about what you were doing back then?

My mom and dad hated it. They saw it as a crime. My mother was scared. She used to say, “Te voy a botar esas latas!” (I’m going to throw your cans out!)  She actually kept some of those cans, and I have some collectables today.

"Yes One"

Have you painted with any crews?

Yes! I’ve painted with BT, 4Burners, GAK, and FX — among others.

Do you prefer working alone or would you rather collaborate with other artists?

I often work alone, but I’m open to collaborating with anyone.

Who are some of the artists with whom you’ve painted?

Dero, Pase, PerOne, Logek, Beasto, Tone MST, Ribs GAK and Shiro  —  to name a few.

"Yes One"

Any thoughts on the graffiti/ street art divide?

I see them as two different things. Graffiti is letters, forms and styles. Street art doesn’t pay homage to graffiti, but I can admire it.

How do you feel about the movement of graffiti and street art into galleries?

I think it’s great! I had works featured in a number of exhibits including Cause and Effect and Board of Art and at the Bronx Museum of the Arts.

What about the role of the Internet in this scene? Do you follow any sites?

I follow 12ozProphet and FreshPaint. The Internet is a great networking and marketing tool. It is how I’m able to sell canvases overseas.

And the photographers in this scene? How do you feel about them?

They don’t bother me. They have learned the etiquette.

"Yes One"

Do you have a formal arts education?

I never went to art school.

What’s the riskiest thing you’ve done?  And why were you willing to take that risk?

Painting in the 2 and 5 train yards in the Bronx with Clark in the late 80s. I was young, and you do foolish things when you’re young.

How would you describe your ideal working environment?

My ideal working environment is the Ya Tu Sabe studio space.

What inspires you these days?

Seeing people checking out my walls, taking pictures and smiling. When I see people appreciating my work, I feel I did my job.

"Yes One"

Are there any particular cultures you feel influenced your aesthetic?

I influence myself.

Do you work with a sketch in your hand or do you let it flow?

I work with a sketch in my hand, but what goes on the wall is not always a hundred percent what was on the paper.

Are you generally satisfied with your work?

I’m never satisfied. I may “finish” a wall this week and go back the next saying to myself, “I could have added this or that.”

How do you feel when you look back at the work you did two years ago?

I take it as a good reference point for picking up new techniques and elevating my style. I feel that my work has gotten stronger. And I feel a hunger to produce more and further my talents.

Shiro-Yes-One-Part-One-graffiti=5Pointz-Long-island-City-NYC

What percentage of your day is devoted to your art? I know you have a “day job.”

I’d say about 75 percent. It’s work – then, art. I wake up at 5 in the morning and don’t go to sleep until 2 a.m.

What are some of your other interests?

I love baseball and collecting rare items. I also love BMX bikes.

What do you see as the role of the artist in society?

The role of the artist is a big one. The artist is there to affect a person’s mind by introducing new ideas and concepts.

Interview conducted by Lenny Collado and edited by Lois Stavsky; photos 1, 2, 4 & 5  Lois Stavsky; 3 & 6 Dani Reyes Mozeson; photo 5 is from Yes One’s black book; photos 2 & 4 (close-up) are from works currently on exhibit at the Pop Bar in Astoria, Queens; photo 6 is a collab with Shiro, Part and Meres at 5Pointz 

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BG183

The transformation of SoHo-based gallery nine5’s walls from “a private space into a public sphere” has begun with expressive murals — from the playful to the political —  by TATS CRU, Ket and Bisco Smith.  Here’s a sampling of what’s been happening:

TATS CRU‘s BG183 at work to the right of Bio and Nicer

BG183

BG183

"Tats Cru"

Ket installs dozens of newspaper articles illustrating human sufferings, largely the result of wars

Ket

And paints over them 

Ket

With quote from historian and social activist Howard Zinn

Ket

And Bisco Smith — in from the West Coast — graces the wall with his distinct aesthetic 

"Bisco Smith"

"Bisco Smith"

The public is invited to observe, explore and join the conversation as Vor138, Shiro and Rubin415 contribute to the further transitory makeover of gallery nine5. Keep posted to StreetArtNYC for updates and, if you are in town, be sure to check out the opening reception on July 17, 6-8pm. gallery nine5 is located at 24 Spring Street in SoHo.

Action photos by Dani Reyes Mozeson; others by Lois Stavsky

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Marka27

Both on the streets and in their studios, Marka27, Don Rimx & Ian Kuali`i fashion extraordinarily rich tantalizing images. An intriguing selection of their largely character-driven mixed-media paintings, prints and more were presented by M27 Designs in the remarkable one-night pop-up exhibit TR3SPASS at the Dumbo Spot this past Friday evening. Here’s a small sampling:

Victor “Marka27” Quiñonez

Marka27-character

Marka27

Ian Kuali`i

Ian Kuali`i

Ian

David “Don Rimx” Sepulveda

Don-Rimx-character-art-Trespass

"Don Rimx"

Photos of artwork by Sara C. Mozeson and Lois Stavsky

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"Boy Kong"

Orlando, Florida-based artist Boy Kong recently left his mark in NYC. His delightfully fanciful aesthetic has made its way to the exterior of rag & bone on Elizabeth Street in Manhattan and to the shutter at 175 Roebling Street in Williamsburg, Brooklyn. A selection of his distinctly crafted individual pieces can also be seen at Cotton Candy Machine, 235 South 1st Street in Williamsburg, through this week.

On Roebling Street in Williamsburg

"Boy Kong street art"

And a sampling of what’s on view at at Cotton Candy Machine 

Boy-Kong-Cotton-Candy-artwork

Boy-Kong-at-Cotton-Candy

"Boy Kong"

Photos by Dani Reyes Mozeson 

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Opening tomorrow evening, June 20, at the Italian Cultural Institute of New York, 686 Park Avenue, is an exhibit of artwork by 10 of Italy’s best contemporary artists who, also, maintain a huge presence on the streets. Curated by Simone Pallotta, it is the first collective exhibit of work by Italian street artists here in NYC.

Here is a sampling of the art on the streets:

BR1

BR1

Agostino Iacurci

"Agostino Lacurci"

Sten&Lex

Sten&Lex

Dem

Dem

From-street-to-art

Also featured are works by ArisCyop&KafEronHitnesUfo5 and 2501FROM STREET TO ART opens at 6pm tomorrow at 686 Park Avenue on Manhattan’s Upper East Side and continues through August 20, 2014.

All images courtesy Simone Pallotta

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Solus

Based in Dublin, Ireland, Solus returned earlier this month to the the Bushwick Collective to participate in its annual block party and to share his aesthetic vision with us.  We also had the opportunity to find out a bit about him:

When and where did you first get up?

About seven years ago I started doing illegal stencils around Dublin.

What inspired you at the time?

I was working at a job that I hated. I thought that’s what everyone does! But I knew that I needed to make a change in my life. I was on a very self-destructive path. And so I started creating stencil art and never stopped. Street art saved my life!

Were you influenced or inspired by any particular artists?

Maser was, probably, my biggest inspiration, along with Will St Leger. They were very prolific around Dublin at the time.

Solus

Have you any preferred surfaces or spots?

Obviously flat surfaces are better in high-traffic spots.

How do you feel about the graffiti/street art divide?

I don’t think about it. It’s not relevant. I just do what I love.  But I’ve always been a huge fan of the TDA Klann, Ireland’s premier graffiti crew.

Your work has been exhibited in galleries world-wide and your new solo show is about to open in Montreal. Any thoughts about the movement of street art into galleries?

I think it is a good thing that it is being recognized as art and that people want to purchase it. I generally feel a little out of place at gallery shows because most of the time my clothes are covered in paint. I prefer being at the studio or tackling a wall.

Solus

Have you any other source of income these days?

I earn money from prints, canvases and commissions. I put all the money I make back into my artwork.

How do you feel about the increasing linkage between the street art world and the corporate world?

Only time will tell. It has become so mainstream that it may become oversaturated.

Why do you suppose graffiti is held in higher esteem in Europe than it is here in the States?

Probably because here in the U.S., it is associated with vandalism.

What inspires you these days?

The concept of a boy in a man’s world, punching above his weight and being victorious against all odds.

Solus

Are there any particular cultures that have influenced your aesthetics?

After visiting Korea, I did a series of works influenced by what I’d seen and experienced there.

Do you work with a sketch in hand or do you just let it flow?

I work with a sketch or a photo.

Are you generally satisfied with your work?

Increasingly so. But when I look back at what I did even one year ago, I feel I could have done better.

What percentage of your time is devoted to art?

100% of my time; it’s a 24/7 gig!

Solus

Any other interests?

Traveling. I’d love to paint everywhere!

Have you any favorite cities?

New York. There’s something in the air here. And it’s very competitive. I’d love to live here!

What do you see as the role of the artist in society?

It’s the most important role one can have! Art makes people feel good, and it makes people think!

Solus

Note: Solus’s solo exhibit UNDERDOG opens this Thursday, June 19, at the Clark Street Mercantile in Montreal, Canada.

Photo credits: 1, 4 & 6. Lois Stavsky; 2 & 3. Courtesy of the artist; 5. Dani Reyes Mozeson

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A 3000 sq. foot gallery and performance space housed on the 5th floor of 67 West Street in Greenpoint, Brooklyn, Succulent Studios opened earlier this year with an exhibit featuring over 30 artists of diverse backgrounds and cultures. Currently on exhibit —  through June 21 — is PALABRA, an installation-based show featuring works by Rubin, Sek3, Iena Cruz, Beau Stanton, El Sol 25, S. Rose, Katie Balloons and Michael Alan. On a recent visit, I had the opportunity to speak to its owner and founder, Sek3.

Sek3

Could you tell us something about the birth of Succulent Studios? What motivated you to launch this space? It is quite remarkable.

The idea was born in Miami at Art Basel back in December.  Cern, Cekis, Bisc, Stefano Alcantara and I had set up a pop-up show in Wynwood.  It was so successful – with one of my paintings selling the very first day — that I decided I wanted to continue doing shows back in NYC. Cern introduced me to Daniel Weintraub, who soon took on the role of Creative Director. I see street art as the last vestige of originality and this space as the ideal venue for street artists to bring their visions inside.

"S. Rose"

Folks are still talking about your Inaugural Show that opened in early spring.

Yes, it was amazing! More successful that I could have imagined! 33 artists – including legendary writers like Daze and Ket — were represented. A piece by Old School writer FIB was sold raising $800 for dog shelters  —  with an additional $200 donated by Succulent Studios. And despite heavy rains, thunderous storms and issues with public transportation, hundreds of people showed up.

Rubin415

What about your current exhibit? What is the concept behind PALABRA?

It is installation-based with each artist given a particular section to engage in any way he or she pleases.

"Beau Stanton"

How has the response to this exhibit been?

It’s been tremendous with lots of media coverage and great sales.

What would you say has been your greatest challenge?

The sheer amount of work that running this space requires. It’s a 24-hour day job. I need to hire someone just to sleep!

"Iena Cruz"

What’s ahead?

There will be a closing party for PALABRA next Saturday evening — June 21 at 7pm — presenting The Living Installation by Michael Alan.  And then the following week we will be exhibiting a selection of murals created for Governors Ball.  Much more in the months ahead including a show featuring the artwork of fine artists Akira Beard and Jaclyn Alderete and more exhibits with works by street artists. There will also be projects and classes that will directly engage members of the local community.

It sounds great! Good luck!

Interview and photos by Lois Stavsky; photo info: 1. Sek3 2. S. Rose 3. Rubin 4. Beau Stanton 5. Iena Cruz

Opening Friday evening are two concurrent exhibits curated by Icy and Sot. Artworks of 35 NYC street artists will be on exhibit in Tehran, while we New Yorkers will be treated to a gallery show of 10 Iranian artists at 58 South Sixth Street in Brooklyn through Monday. Here is a sampling from this groundbreaking cultural exchange:

El Sol 25 in Tehran

"El Sol 25"

CK1 in NYC

CK1

Alice Mizrachi in Tehran

"Alice Mizrachi"

 

NYC-to-Tehran-Tehran-to-NYC

Mad in NYC

Mad

LNY in Tehran

LNY

FRZ in NYC

"FRZ-2"

Images courtesy of Icy and Sot 

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"Keith Haring"

An exhibition of huge works painted by Keith Haring in the 80’s remains on view through Saturday, June 14 at Gladstone Gallery. While all are characteristic of Haring’s boldly, playful aesthetic, some exude a dark social and political sensibility — referencing such themes as the AIDS crisis (pictured above), greed and economic inequality. Here’s a sampling:

Keith-Haring

"Keith Haring"

"Keith Haring"

"keith haring"

The gallery is located at 515 West 24th Street in Chesea, Manhattan.

Photos of images by Dani Reyes Mozeson

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