Exhibits

Currently on view at Brooklyn Art Haus, a new home for innovative arts in Williamsburg, Brooklyn, is “ON THE EDGE,” a group exhibition featuring a delightfully diverse selection of urban art, graffiti, photography and fine art in a range of media by both emerging and established artists.

On a recent visit to the wonderfully welcoming space, I had the opportunity to pose a few questions to its curators, Koz, founder of SilverTuna Studios, and Laura “Lulu” Reich.

This is your third exhibit here at Brooklyn Art Haus. In what ways does it differ from your previous ones held at this space?

There’s a bit of more emphasis on photography, as we are highlighting works by the amazing urban photographer Victor Thomas, known on Instagram as Vic Invades. We are also thrilled to be presenting for the first time four artworks by the legendary Shepard Fairey.

Yes, I love these Obey screen prints, and I love the way he takes a political stance on the critical issues of our time. How did you connect to Shepard Fairey?

I (Koz) was filming Shepard Fairey while he was at work on his Bad Brains mural for the LISA Project. I developed — at the time — a close relationship with his assistant, Rob Zagula aka Eastweed. And then we all met up at midnight and were out on the streets until dawn!

You, two, obviously have a great working relationship. How did you meet? And how do you manage to work so well together?

We are both friends with Easy, and he introduced us to each other. We are both passionate about what we do, and we complement each other in terms of our personal and professional skills. We also tend to share the same friends, who are largely artists and collectors.

In addition to sharing the artworks on exhibit with collectors and the general public, do the two of you have any other mission?

Yes, we want very much to educate those who view the works about the artists behind them. That is why we have included biographical information, alongside each artist’s work.

What’s ahead?

We are planning ahead for a mural festival to take place in Chicago next June. We are currently in the process of curating an exhibition of new work by Al Diaz scheduled to open next month at Brooklyn Made in Industry City. We are also looking forward to exhibiting artworks at the Tribeca Synagogue and again at City Point BKLYN. And Koz will be releasing a film featuring Cape Cod-based pro-skateboarder and artist Zered Bassett — introduced by skater and artist Eli Reed.

You are certainly productive! Good luck with it all! How can folks see your current exhibit here at Brooklyn Art Haus?

The exhibition can be viewed daily from 10am – 10pm through Sunday, September 3rd.  Private viewings are by appointment via lulu@collectwithlulu.com. Brooklyn Art Haus is located at 24-1 Marcy Avenue in Williamsburg, Brooklyn

Images featured in this post:

1 .Shepard Fairey, “Putin’s Ashes (Pussy Riot),” 2023, Screen print on thick cream speckletone paper, 24″ x 18″

2. Cope2, “Cotton Candy Star, ” Mixed media on canvas, 16″ x 20″

3 Tkid, “Do Not Cross,” Mixed media on subway sign, 18″ x 16″

4. Jessica Kaplan, “Roar,” Mixed media & collage on canvas, 12″ x 12″

5. Chris RWK, “TIL The End.” Mixed media on canvas, 36″ x 24″

6 SNAPKRACKER x RAMBO RAME, “Hip Hop Legends,” Paint marker and aerosol on street sign, 29″ x 29″

7. Curators: Koz and Lulu, — with Koz sporting a Chris RWK hat and SNAPKRACKER sweatshirt

Note: Also on view are tantalizing works by Eastweed, FLASH, Eric Orr and Vic Invades

Interview conducted and edited by Lois Stavsky; Photo credits:  1, 6 & 7 courtesy of the curators;  2-5, Lois Stavsky

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On view through August 5 at Theatre for the New City is “Solo With Friends.” Curated by Marcus Glitteris, it showcases a delightfully diverse range of artworks by over 60 artists, along with new and recent paintings by Marcus. When visiting the space last week, I had the opportunity to pose a few questions to Marcus.

Could you tell us something about the concept behind this exhibition?

I was interested in showcasing  a mix of established artists along with younger emerging ones. And, as always, I wanted to do a show that reflects and includes our community, the Lower East Side and the East Village.

And what inspired you to see your vision through?

I’m chasing my dream. And that is something that I share with so many other artists. We are all chasing our dreams together.

Dozens of artists are represented here. How did you manage to communicate and coordinate with so many?

With passion and with drive, there is no stopping! I was already connected with many of the artists, and I communicate with them regularly. And nothing here could happen without Crystal Field, the co-founder and Artistic Director of Theatre for the New City.

What would you say was your greatest challenge in curating an exhibit featuring so many artists?

To tell the story of 60+ artists on a salon-style wall.

This space is ideal and its location is perfect. How did you connect with it?

Years ago, I had shown my art there, and then in 2015, I became its “resident curator.” I now curate two shows a year here.

How did the opening reception go?

It was great! There was great energy, and it was well-attended.

What’s ahead for you?

I want to continue to keep hope alive — particularly among us LES and East Village natives.

Note: Located at 155 First Avenue between 9th and 10th Streets, Theatre for the New City is open 10 a.m. – 10 p.m.

Artists featured in this post

  1. Al Diaz and Jilly Ballistic
  2. Marcus Glitteris in front of the huge, salon-style wall that he curated
  3. Ron Burman
  4. SacSix
  5. AURAxDR
  6. Clown Soldier
  7. Homesick
  8. Y. Rockafella
  9. Marcus Glitteris

Interview conducted and edited by Lois Stavsky

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Proclaimed by his former partner Keith Haring as the “Graffiti King of the Lower East Side,” Angel Ortiz aka LA2 is increasingly gaining the admiration and acclaim that he deserves. A self-taught artist, he has fashioned a distinct aesthetic that has evolved into a stylishly striking synthesis of graffiti, pop art and fine art.

Ranging in tones from black, white and gray to bright, bold hues, Angel’s new works on exhibit in “Ode 2 NYC” at Chase Contemporary vary from the seemingly simple to the remarkably intricate. Exuding a magical energy, together they are a glowing testament to LA2’s singular intuitive skills, as well as the perfect pean to NYC.

Featured below are several more images captured from the exhibit:

“Shazbot,” 2023, Acrylic and marker on canvas

“Rainbow Swirl,” 2023, Acrylic and marker on canvas

“Tiffany,” 2023, Acrylic and marker on canvas

“Subway,” 2023, Acrylic and marker on canvas

“DJ LES, 2023, Acrylic and marker on canvas

Exhibition curator and gallery co-owner and director Christopher Pusey with “Silver on Blue,” 2022, Acrylic and silver marker on canvas

“Ode 2 NYC” can be viewed through June 18 at Chase Contemporary, 413 West Broadway in Soho: Monday and Tuesday, 10 AM–6 PM; Wednesday and Thursday, 10 AM–7 PM; Friday and Saturday, 10 AM–8 PM and  Sunday, 11 AM–7 PM.

Photos and post by Lois Stavsky and City-as-School intern Antonio Gomez

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Currently on view at ACA Galleries in Chelsea, “PHASE 2: Myth Conception…” traces the development of the late visionary stylemaster’s distinct aesthetic from 1972 through 2019. Among the artist’s wide-ranging works included in this hugely comprehensive survey are: PHASE 2‘s hip-hop flyers, IGTimes graphics, varied works on paper, embossed aluminum plates and tantalizing sculptures — in addition to his works on canvas and plywood.

A first generation writer and hip-hop pioneer, PHASE 2 evolved into an astonishingly innovative contemporary artist, blurring the lines between style writing, urban art and fine art. Intricate and immensely intriguing, the works that he created in the last decade of his life exude a distinctly esoteric beauty.

“Don 101,” the image pictured above, was rendered back in 2008 with with ink marker on IGTimes, vol.4. What follows are several of PHASE 2‘s later works on canvas and plywood — all elegantly displayed at ACA Galleries.

“Interplanetary Deity 2,” ca. 2016, Paint marker, spray paint and acrylic on canvas

“Untitled,” Paint marker, spray paint and acrylic on plywood

“Implosion 2.” 2015, Paint marker, spray paint and acrylic on canvas

“Chromatic Implosion,” ca. 2016,  Paint marker and spray paint on canvas

“Untitled 3,”  2010, Mixed media on plywood

“Another Time and Space,” ca 2013, Paint marker, spray paint and acrylic on canvas

T.O.N.Y Oy/Not/Vehme/Yeldi, 2016, spray paint and acrylic on canvas

T.O.N.Y Oy/Not/Vehme/Yeldi, 2016, spray paint and acrylic on canvas, detail

Curated by ACA Galleries curator Mikaela Sardo Lamarche and IGTimes founder David Schmidlapp, “PHASE 2: Myth Conception…” can be viewed Tuesday – Saturday, 11:00am – 6:00pm at ACA Galleries, 529 West 20th Street,

Note:

Thursday May 11th @ 7pm
“Funky Nous Deco” and Beyond
Special presentation of PHASE 2 graphic works from his seminal hip hop fliers, IGTimes and album covers to his digital installations and backdrops with Pete Nice, Co-Curator, Universal Hip Hop Museum and David Schmidlapp, founder of the IGTimes and special guests.

Photos of artworks by with City-As-School intern Antonio Gomez and Lois Stavsky 

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Bronx-based artists John Ahearn and Rigoberto Torres have been fashioning exquisite life-like portraits of their neighbors for over 40 years. At once poignant and majestic, their sculptural portraits are a a visual ode to their community — its resilient spirit and its rich culture.  Continuing through this month at The Bronx Museum is their solo exhibition  “Swagger and Tenderness…,” featuring 65 sculptural portraits created both individually and collaboratively. What follows is a brief sampling:

John Ahearn with Rigoberto Torres, “Janelle and Audrey,” 1983, Acrylic on plaster

John Ahearn, “Joe Conzo at 17,” 2020, Acryic on plaster

Rigoberto Torres, “Daze,” 1998, Acrylic on plaster

John Ahearn with Rigoberto Torres, “Mario and Norma,” 1979, Acrylic on plaster

John Ahearn, “Juanita in Stripes Hugging Carlos,” 2020, Acrylic on plaster

Rigoberto Torres, “Melissa Maycock,” 1997, Acrylic on plaster

John Ahearn with Rigoberto Torres, “Bintou and Anwar,” 1998, Acrylic on plaster

Co-curated by Amy Rosenblum-Martín and literary activist Ron Kavanaugh, “Swagger and Tenderness…” remains on view at The Bronx Museum until the end of this month. Located at 1040 Grand Concourse, the museum is open Wednesday – Sunday from 1 – 6PM. Admission is free.

Photo credits: Rachel Alban, 1, 4, 6 & 7; Lois Stavsky, 2, 3, 5 & 8

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The following post is by student/intern Samantha Sabatino

On view now at Vanderplas Gallery on Manhattan’s Lower East Side is “Messenger.” Featuring an eclectic selection of works by artists who have been active on the streets of NYC and beyond, the exhibition continues through February 26th. Featured above is an untitled mixed-media work by self-taught artist Will Power. A small sampling of artworks by artists showcased in “Messenger” follows:

The NYC-born graffiti artist and SAMO© collaborator Al Diaz, “In the Future All Art Will Be Fake,” 2023, Mized media on canvas, 23″ x 20″

NYC/Buenos Aires/Miami — itinerant artist Magda Love, “Galaxy Inside 1,” 2023, Painting with Embroidered Frame, 24″ x 19″

Veteran Bronx graffiti artist Cope2, 8th Street R W Lines Subway Sign with blue Cope2 bubble, 2023, Mixed media on original metal subway sign, 27″ x 55″

NYC-based Argentine artist Sonni, “Starman,” 2022, Acrylic on canvas, 60″ x 48″

Located at  156 Orchard Street, the gallery is open Wed-Sat: 11am-6pm and Sunday: 11am-5pm.

Photos of artworks by Samantha Sabatino

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With its fusion of graffiti, comic and fine art aesthetics, ChrisRWK‘s artworks — both on and off the streets — have long captivated us. His beloved robot character has made its way onto just about every surface — from stickers to canvasses to huge vehicles to massive walls. Opening this Saturday evening at Harman Projects is his solo exhibition, “Promise Made. Promise Kept,” showcasing a range of new artworks, including a 3D rendition of his iconic robot.

Featured above is ChrisRWK‘s mixed media painting “Tale Be Told,” one of his 12 x 12 inch artworks on exhibit. Several more images of artworks from “Promise Made. Promise Kept” follow:

True to the Blue, 12 x 12 in.

Lost Amongst Ghosts and Shadows, 12 x 12 in.

Beat the Odds, 6 x 6 in.

At the Top of My Lungs, 12 x 12 in.

For Giving, Bronze Sculpture

A reception for “Promise Made. Promise Kept” will be held this Saturday evening, February 11, at Harman Projects from 6-8pm.  Located at 210 Rivington Street on the Lower East Side, the gallery is open Tuesday – Saturday from 10am – 6pm. “Promise Made. Promise Kept” remains on view until Saturday, March 4th

And be sure to check here to read Gallery Director Raul Barquet‘s illuminating interview with ChrisRWK, published this past week in Juxtapoz.

All photos courtesy Harman Projects

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Tomorrow evening, Saturday, February 4, Sister’s Uptown Bookstore & Cultural Center and James Top Productions will host a book signing of James Top‘s autobiography, My Life, along with an opening reception to “Life Is Sweet on Sugar Hill,” a solo exhibition of his artwork. If you don’t already own a copy of James Top‘s memoir, this is the ideal setting to pick up a personally autographed one.

James Top, My Life not only celebrates the life of one particularly passionate graffiti artist, curator, educator and activist, but it illuminates elements of the hip-hop culture that NYC birthed.

Growing up in the projects in East New York, a neighborhood plagued by poverty and violence, it was all too easy to succumb to the fiercely brutal life of the streets. But James Top was determined from early on to somehow escape the “war zone” that was his everyday reality and “make it to the top.”

One of the last of his friends to pick up a marker, James — then JEE 2, the writer — went, within a relatively short span of time, from tagging the walls of his building to hitting trains non-stop. In 1974, along with several other writers, he founded TOP, The Odd Partners, a graffiti crew “with a mission to take over every train line and give Central Brooklyn an all-city graffiti presence.”  And that TOP, The Odd Partners did, as its members — principally IN 1, MICKEY729, HURST and JEE 2 — perfected the art of the throw-up as they gained recognition as Kings.

As life evolved, so did the TOP Crew. Members died or were imprisoned; DONDI and NOC 167 were among those inducted; and whole train cars began to roll by. JEE 2 was soon JAMESTOP, and he began actively tagging the streets. “As JAMESTOP, I was a combination of a Central Brooklyn gangster and a Harlem Shaft,” he writes in My Life.

While James Top had found himself enmeshed in a range of personal struggles in the late 80’s, he effectively triumphed over them by the late 90’s after leaving Brooklyn for Harlem. Several hugely impressive accomplishments followed: he curated his first exhibition ever — a DONDI Memorial Show; he launched Graffiti NYC, a TV show centering on NYC’s graffiti art culture; he converted a wall of an abandoned school property into “The People’s Wall” — an open-air gallery,  and he began to lecture on graffiti in various venues, including City College, CUNY.

In 2008, James Top had his first one-man show, “AFROLOGY,”  showcasing adult versions of his signature AFRO character.  And in the late 2010’s, he became actively involved in the Graffiti Hall of Fame, both as a co-director and artist.

You can meet the legendary James Top, view his artwork, and purchase an autographed copy of his memoir tomorrow evening, February 4, from 5-9pm, at Sister’s Uptown Bookstore & Cultural Center, 1942 Amsterdam Avenue @ 156 Street.

Images: 1. Cover photo  Jamel Shabazz; 2-5 ©James Top, My Life

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Born in 1986 in São Paulo, the hugely beloved Brazilian artist Enivo began getting up on his native city’s streets at age 12. His artwork has, since, surfaced on walls, in festivals and in galleries worldwide.  It has been presented, too, in such prestigious institutions as Museu de Arte Sacra de São Paulo and National Museum of Brasilia.

As an art educator, Enivo has inspired and trained hundreds of young people from “underprivileged neighborhoods.” And, together with a group of other artists, he founded the A7MA Gallery in Vila Madalena, where he has curated over 70 exhibitions, providing artists with opportunities to showcase and sell their art.

During his recent NYC residency, Enivo created a body of new work, Eyes of the Street. “In the art studio, I combine my street and academic knowledge, mixing graffiti materials with oil paint,” he explains.

Featured above is the artist posed next to his recent oil painting, Jacaré — fashioned with oil, spray paint and pastel on canvas. What follows are several more images captured at the reception following Enivo‘s talk with “Eyes of the Street” curator Simon Watson.

Self Portrait (Arrive in NYC), Oil, spray and pastel on canvas,

Sleeping! Oil, spray and pastel on canvas

Tudo Joia, Oil, spray and pastel on canvas

“O Circo Novo” Jonato, Oil, spray and pastel on canvas

Queen Bee, Oil, spray and pastel on canvas

Self Portrait / Julião Máscaras, Oil, spray and pastel on canvas

Enivo’s canvases will remain on display at the Brazilian Consulate, located at 225 East 41st Street, until the end of February.

Photos: Lois Stavsky

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Curated by Kate Storch, “Landmark” is both aesthetically stirring and culturally enriching. Featuring artworks in a range of media by Joe Conzo, Charlie Doves, Bluster One, Peter Paid, Jeff Henriquez and Danny Cortes, the exhibition continues through this Sunday, January 29 at One Art Space in Tribeca. While visiting yesterday afternoon, I had the opportunity to pose a few questions to Kate.

This exhibition is a wonderful homage to hip-hop and to its iconic locations. What spurred you to curate it?

I’d been wanting to curate an exhibition on this theme for awhile. And the beginning of 2023, the year that celebrates the 50th anniversary of hip-hop, seemed like the ideal time to make it happen.

How did you decide which artists to feature?

I chose artists whom I admire as professionals and as people. They are all different, yet all are related to the culture in their own distinct ways. Joe Conzo photographed hip-hop from its early days in the South Bronx. His contributions to the culture are invaluable. I’ve been a huge fan of Charlie Doves for years. He is a master of the craft. I love Bluster One‘s signature style. Music runs through it. Peter Paid brilliantly captures the aesthetics of graffiti in his signage. I had a wonderful experience working with Jeff Henriquez several years ago at the Summer Classics Block Party For National Hip Hop Day at First Street Park. And Danny Cortes‘s expertise, energy, patience and humility increasingly impress me.

What were some of the challenges that curating this exhibit presented?

There are always challenges when curating, but in this case, they were limited. Everything has gone remarkably smoothly. All of the artists are great people — and easy to work with!

The exhibition is so beautifully installed. Can you tell us something about that?

The installation is entirely my vision. I had given the placement of the art considerable thought, and I had the artistic freedom here at One Art Space to make it happen. I wanted it all to come to life! I wanted it to be an experience.

How can folks see the exhibit?

One Art Space is located at 23 Warren Street in Tribeca. The exhibit continues through Sunday from 1:00 PM – 6: 00 PM daily. Easily reached by just about every subway line, the gallery can be contacted at 646-559-0535.

Congratulations, Kate!

Featured images:

1 Peter Paid

2 Bluster One

3 Charlie Doves

4 Jeff Henriquez

5 Joe Conzo

6 Danny Cortes

7 Kate Storch, curator; typography by Peter Paid to the right of miniature art by Danny Cortes

Interview conducted and edited by Lois Stavsky; photos 1-4, 6 & 7 Lois Stavsky; photo 5, courtesy One Art Space

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