Walls

This is the 14th in an occasional series of posts featuring images of girls — and women — who grace our public spaces:

Dasic in Bushwick

dasic street art NYC Girls on Walls, Part XIV: Dasic, Ben Angotti, Fusca & Kazy, Swoon, Ree2 & Teck1 and Alice Mizrachi

Ben Angotti in Bushwick

ben angotti bk Girls on Walls, Part XIV: Dasic, Ben Angotti, Fusca & Kazy, Swoon, Ree2 & Teck1 and Alice Mizrachi

Mexican artist Fusca and French artist Kazy in Bedford-Stuyvesant

Fusca Kazy mural art Brooklyn copy 2 Girls on Walls, Part XIV: Dasic, Ben Angotti, Fusca & Kazy, Swoon, Ree2 & Teck1 and Alice Mizrachi

Swoon in Red Hook

swooninredhook Girls on Walls, Part XIV: Dasic, Ben Angotti, Fusca & Kazy, Swoon, Ree2 & Teck1 and Alice Mizrachi

Ree2 and Teck1 in Washington Heights

Ree2 and Teck1 Inwood Girls on Walls, Part XIV: Dasic, Ben Angotti, Fusca & Kazy, Swoon, Ree2 & Teck1 and Alice Mizrachi

Alice Mizrachi in the Rockaways

alice mizrachi street art rockaways Girls on Walls, Part XIV: Dasic, Ben Angotti, Fusca & Kazy, Swoon, Ree2 & Teck1 and Alice Mizrachi

Photos: 1, 2 & 4 by Dani Reyes Mozeson; 3 & 5 by Lois Stavsky and 6 by Tara Murray

Note: StreetArtNYC will be on vacation through December 1. Follow what’s happening here in NYC on our Facebook page.

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cycle street art graffiti NYC A Visit to 106 Bayard with: Cycle, Part One, Dr. Revolt, Wolf 1 AOK, Futura, Lady Pink, Team, Whisper, Pure TFP and more

Straddling the border between Williamsburg and Greenpoint, the building at 106 Bayard Street was transformed this past spring into a 3,000-square foot outdoor canvas.  The 70′s and 80′s NYC subway and graffiti movement was the theme of the inaugural 106 Bayard mural project, curated by Gee Dajani and Keene Carse.  Here are a few more images from both the exterior and interior of 106 Bayard captured when we recently revisited the spot.

Part One, Dr. Revolt, Wolf 1 AOK and Futura

Part Revolt Wolf Futura street art and graffiti NYC A Visit to 106 Bayard with: Cycle, Part One, Dr. Revolt, Wolf 1 AOK, Futura, Lady Pink, Team, Whisper, Pure TFP and more

Lady Pink

lady pink street art mural nyc. A Visit to 106 Bayard with: Cycle, Part One, Dr. Revolt, Wolf 1 AOK, Futura, Lady Pink, Team, Whisper, Pure TFP and more

A wide view from across the street with Part OneDr. Revolt, Wolf 1 AOK, Futura and Team

Part wolf futura team 106 bayard graffti street art nyc A Visit to 106 Bayard with: Cycle, Part One, Dr. Revolt, Wolf 1 AOK, Futura, Lady Pink, Team, Whisper, Pure TFP and more

And inside – Whisper and Pure TFP, segment of huge mural

whisper graffiti nyc A Visit to 106 Bayard with: Cycle, Part One, Dr. Revolt, Wolf 1 AOK, Futura, Lady Pink, Team, Whisper, Pure TFP and more

Created and sponsored by Cirkers Fine Art Storage & Logistics, 106 Bayard will be transformed once again this coming spring.

Note: First photo features the legendary Cycle with Jackson and artwork by Williamsburg Charter High School students.

Photo credits: 1, 4 & 5 by Dani Reyes Mozeson; 2 & 3 by Lois Stavsky

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Hi Arts alice Mizrachi JR street art  Hi ARTS Presents JRs Inside Out Mi Gente / Oyáte kiŋ Photo Art Project    opening this evening in East Harlem

Opening this evening from 6-9pm at the Hi-Arts Gallery on 304 East 100th Street is JR’s Inside Out Mi Gente/ Oyáte kiŋ Art Project — focusing on and uniting two communities: NYC’s East Harlem and South Dakota’s Pine Ridge Reservation. Here are a few images captured yesterday while visiting the exhibit, curated by Carlos Mare:

JR Inside Out Mi Gente Oyate Kin  Hi ARTS Presents JRs Inside Out Mi Gente / Oyáte kiŋ Photo Art Project    opening this evening in East Harlem

Closer-up

JR east harlem hi arts  Hi ARTS Presents JRs Inside Out Mi Gente / Oyáte kiŋ Photo Art Project    opening this evening in East Harlem

And more

Inside Out hi arts jr photos east harlem  Hi ARTS Presents JRs Inside Out Mi Gente / Oyáte kiŋ Photo Art Project    opening this evening in East Harlem

And outside with murals by Alice Mizrachi and Part One

hi arts  Hi ARTS Presents JRs Inside Out Mi Gente / Oyáte kiŋ Photo Art Project    opening this evening in East Harlem

 Photos by Dani Reyes Mozeson

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An innovative line of hoodies with interchangeable, collectible art-inspired hoods provides a new canvas for artists, including some of NYC’s street artists. Curious about it all, we posed some questions to Amisha Patel, the founder and CEO of Le Collektor.

What inspired you to bring the art that we see on our city’s streets and galleries to hoodies?

The outcry and public debate around the whitewashing of 5Pointz reminded me of what street art is all about. It’s such a pure form of self-expression — truly democratic in nature. At its root is a desire to be seen and heard. And while I think it’s great for artists that street art has been recognized by traditional art collectors and galleries, we wanted to find a way to bring its democratic spirit to its original fans – people on the streets. The hoodie – a streetwear classic – seemed a great way to do it.

sonni street art bushwick Le Collektor Fashions Moveable Art Galleries with Hoodies Designed by Sonni, Chris Uphues, Joseph Meloy and more

Sonni street art nyc  Le Collektor Fashions Moveable Art Galleries with Hoodies Designed by Sonni, Chris Uphues, Joseph Meloy and more

Sonni art hoodie copy Le Collektor Fashions Moveable Art Galleries with Hoodies Designed by Sonni, Chris Uphues, Joseph Meloy and more

How did you select the particular artists who are participating in this venture?

We approached it as if we were curating a group show that artists would want to attend. We wanted to showcase distinct styles that could be seen in cities around the world. We also wanted to work with artists who were  on board with what we’re trying to do. Our inaugural artists – Nick Gazin, Chris Uphues, Sonni, Dru Brennan, EWOK, David R. Head, Jr. and Joseph Meloy – have been amazingly supportive, and we very much appreciate that they trust a new brand with their work.

How have the artists responded to your mission? 

The artists love the idea. It gives them a direct way to connect to fans — especially those who aren’t in cities that have street art scenes. Everyone also really loves the way the hoodies turned out.

Which artists – based here in NYC – are you featuring?

Joseph Meloy, Nick Gazin, SonniChris Uphues and David R. Head, Jr

Chris Uphues street art williamsburg NYC Le Collektor Fashions Moveable Art Galleries with Hoodies Designed by Sonni, Chris Uphues, Joseph Meloy and more

Chris Uphues street art Bushwick jpg Le Collektor Fashions Moveable Art Galleries with Hoodies Designed by Sonni, Chris Uphues, Joseph Meloy and more

uphues art hoodie  Le Collektor Fashions Moveable Art Galleries with Hoodies Designed by Sonni, Chris Uphues, Joseph Meloy and more

How can artists join this project?

We’d love to grow our list of collaborators! Artists can email me directly at amisha@lecollektor.com

Can you tell us something about the hoodie itself? Who will be manufacturing it?

We wanted our hoodie to be the go-to so we made sure that it was worthy of the art on its hoods. It’s being made by a factory in Los Angeles that we found through our friends at Bleick Studio who work with some of the best streetwear brands out there:

  • Super soft 13 oz. brushed Sherpa fleece locally knitted in Los Angeles
  • Flat-locked seams for extra durability
  • Ribbed side panels for a close fit and extra warmth
  • Pre-washed and shrunk to fit
  • Classic ribbed bomber collar to wear jacket without a hood
  • Rope drawcords with custom metal tips
  • Hidden phone pocket with headphone port

Joseph Meloy street art Le Collektor Fashions Moveable Art Galleries with Hoodies Designed by Sonni, Chris Uphues, Joseph Meloy and more

Joseph Meloy artwork on NYC container Le Collektor Fashions Moveable Art Galleries with Hoodies Designed by Sonni, Chris Uphues, Joseph Meloy and more

meloy art hoodie  Le Collektor Fashions Moveable Art Galleries with Hoodies Designed by Sonni, Chris Uphues, Joseph Meloy and more

Why did you launch a Kickstarter? Can you tell us something about it?   

Big brands use artists’ work all the time, but we want to build our brand around the artwork in a way that it will provide artists with meaningful income directly from their fans.  Kickstarter seemed the perfect platform to engage directly with artists’ fans and with the creatively-minded community we want to build around Le Collektor. It’s about bringing big ideas to life, and — really more than any other company out there — it has created a new class of everyday patrons of the arts – which is in line with our company’s mission. So far, it’s been very exciting to see all of the support and love for what we’re doing. We’re a Kickstarter staff pick, and artists have written in from all over saying they’d love to be part of the movement.

Note: You can check out and support Le Collektor’s Kickstarter here.

Photo credits: 1. Sonni on Bushwick rooftop, Lois Stavsky; 2. Sonni in the East Village, Tara Murray; 3. Sonni hood, courtesy of Le Collecktor; 4. and 5. Chris Uphues in Williamsburg, Lois Stavsky; 6. Chris Uphues hood, courtesy of Le Collecktor; 7. Joseph Meloy at Welling Court, Dani Reyes Mozeson; 8. Joseph Meloy for the Centre-fuge Public Art Project, Tara Murray; 9. Joseph Meloy hood, courtesy of Le Collecktor

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The x spot East Harlem graffiti The X Spot Arrives in East Harlem with Custom Graffiti Art and more by Topaz, Jerms, Treat Street...

Topaz – one of the most active members of the hip-hop and 5Pointz communities – began customizing T-shirts when he was in junior high school. His most recent venture is the X-Spot, a unique space at 2 East 116th Street in East Harlem. We recently visited him and had the opportunity to speak to both Topaz and Jay, the manager of Production X.

topaz graffiti The X Spot Arrives in East Harlem with Custom Graffiti Art and more by Topaz, Jerms, Treat Street...

How did you guys come up with the idea to open such a space?

We grew up together in Rego Park, Queens, and we’ve been working together for years. We’ve actually had two stores before – one in Paterson, New Jersey and the other in South Carolina. We wanted to do something different from what we’d done in the past.

Jerms graffiti map The X Spot Arrives in East Harlem with Custom Graffiti Art and more by Topaz, Jerms, Treat Street...

In what ways is this venture different?

Our emphasis here is on providing services and maintaining a gallery.  It is production-based. Although we sell graffiti art on canvases, select magazines — like the latest issue of Flashbacks — and CD’s, our space here is not primarily a store or shop.

Jerms Topaz and Blone graffiti on canvas The X Spot Arrives in East Harlem with Custom Graffiti Art and more by Topaz, Jerms, Treat Street...

What are some of the services that you provide?

We provide clients with all forms of graphic design — customized murals, logos, portraits, canvases, T-shirts and more.

Jay ProductionX with street treat graffiti The X Spot Arrives in East Harlem with Custom Graffiti Art and more by Topaz, Jerms, Treat Street...

It sounds – and looks – great! Whom do you see as your principal clientele?

At this point, it is largely the hip-hop community – rappers and entertainers. But, ideally, the general public, especially as graffiti continues to gain respect and recognition as an art form.

Treat Street graffiti on canvas The X Spot Arrives in East Harlem with Custom Graffiti Art and more by Topaz, Jerms, Treat Street...

This is such a great location! It’s right off 5th Avenue in East Harlem and down the block from the 2 and 5 subway lines. How did you guys come up with such a great locale?

A lucky set of circumstances – as Jay’s cousin had previously worked at this location.

Poet Pace Jerms Sav Ice graffiti on canvas gallery The X Spot Arrives in East Harlem with Custom Graffiti Art and more by Topaz, Jerms, Treat Street...

The artwork on display here is primarily by you, TopazJerms and Treat Street NY. Are you open to other artists participating in your projects?

Absolutely.  Talented and committed artists can stop by our space or drop us an email at ProductionX@aol.com or LordRoccolypse@aol.com.

Photo credits: 1. and 2. Topaz by City-as-School intern Tyler Dean Flores; 3. Jerms by Lois Stavsky; 4. Jerms, Topaz & Blone by Lois Stavsky; 5. Treat Street with Jay (X-Productions) by Lois Stavsky; 6. Treat Street, as commissioned by Derek Jeter’s nephew, by Lois Stavsky and 7. PoetPaceJermsSav, Ice and more by Dani Reyes Mozeson

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meres and seetf graffiti street art nyc In Prospect Heights, Brooklyn: Meres, See TF, NME & Danielle Mastrion

Gracing Prospect Heights — a short walk from the Brooklyn Museum — is a wondrous wall fashioned last month by Meres One, See TF, Danielle Mastrion and NME. Here are a few more images:

NME and Meres

nmeoner meres street art nyc In Prospect Heights, Brooklyn: Meres, See TF, NME & Danielle Mastrion

 See TF

seetf street art Brooklyn NYC In Prospect Heights, Brooklyn: Meres, See TF, NME & Danielle Mastrion

Danielle Mastrion

danielle mastrion mural art NYC In Prospect Heights, Brooklyn: Meres, See TF, NME & Danielle Mastrion

Photos by Dani Reyes Mozeson; the first photo features Meres One and See TF

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Matthew denton burrows art Speaking with Matthew Denton Burrows

A wonderfully talented fine artist and illustrator, Matthew Denton Burrows began sharing his distinct vision with us on public spaces in January 2013. We recently had the opportunity to interview Matthew whose first solo exhibit opens tomorrow at 8pm at Greenpoint Gallery.

We first discovered you over at East First Street when you were painting for the Centre-fuge Public Art Project. Can you tell us something about that? How did it come about?

When I was in grad school at SVA, I was the only one in my program who was into street art. I loved the concept of sharing one’s art in a public space. And one of my professors who knew about Centre-fuge suggested I contact the folks running it. And so I applied, and in February 2013, I painted my first public piece on a huge trailer off First Street.

What was that experience like?

It was nerve-wracking! I generally work with pen and ink and colored pencils on paper in my studio. It was a new experience, and strangers were observing me at work over the course of five days. But I was instantly hooked!  The interaction with the community was addictive!

Matthew Denton Burrows art for Centre fuge in NYC Speaking with Matthew Denton Burrows

We’ve since seen your artwork elsewhere.

Yes, I’ve painted in Bushwick, at the Northside Festival in Williamsburg and in Miami.

Your artworks on paper are quite different from what we’ve seen on the streets. They’re intricately detailed and extraordinarily complex, both visually and conceptually. When did you first begin drawing?

I’ve always been drawing!  When I was in elementary school, I used to get into trouble for drawing so many people with guns!

You work just about full-time as an artist these days. At what point did you decide that you wanted art as a profession? And are you happy with that decision?

At the end of my sophomore year at Lehigh University, I decided to major in art.  And, yes, I’m definitely happy with that decision. I love what I do, and I’ve sold a substantial amount of work.

Matthew denton burrows paints street art miami1 Speaking with Matthew Denton Burrows

You’ve had a formal art education. Can you tell us something about it? And was it worthwhile?

I received a BFA from Lehigh University, where I had the school’s first-ever solo art show just a year into my degree. Back in New York City, I earned an MFA in Illustration at the School of Visual Arts.  My formal education is worthwhile only because I was first self-taught.

How do your parents feel about what you are doing these days?

They’re very supportive. My mom is an artist and she loves street art!

What percentage of your time is devoted to art?

All of it! When I’m not creating my own art, I work as project manager and assistant curator of the Centre-fuge Public Art Project. And I am also the CEO and co-founder of the recently launched company, Dripped on Productions.

matthew denton burrows art Speaking with Matthew Denton Burrows

Has your aesthetic been influenced by any particular cultures?

A multitude of cultures, particularly marginal ones.

What inspires you these days – both in the studio and on the streets?

I’m always inspired by the energy of my native city, NYC! But current events, my experiences, my travels, and alternative cultures also fuel my creativity. And I’m an avid reader. When I read that Rio had won the bid for the Olympics, and the World Cup, for example, I did extensive research that evolved into a body of artwork.

What are some of the particular issues that concern you?

I’m especially interested in matters related to the environment, social inequality and the impact of technology.

Matthew denton burrows street art Bushwick Speaking with Matthew Denton Burrows

How, then, do you feel about the increased link between art, particularly street art, and corporate or for-profit enterprises?

I think the link, which seems to be growing stronger, is a positive thing. I think it will help enhance the movement in terms of fans, but there is always a danger when a pure artistic expression — such as street art — binds with the corporate world. The corporate world has the ability to suck the creative purity out of things. But artists need to be paid like anyone else, and if an artist can find a link where they still feel integrity and creative freedom, I would support it.

How has your work evolved in the past few years?

I feel that I’m influenced more and more by street art.

Have you ever collaborated with another artist?

No! But I’d really like to.

matthew burrows with camera Speaking with Matthew Denton Burrows

Do you work with a sketch in hand?

No. I have a general idea of what I want to do and my work evolves organically.

What do you see as the role of the artist in society?

To expose others to a more interesting world. To remind people that something exists beyond their everyday lives.

What’s ahead?

My first solo exhibit, Are You Aware of The Ongoing Experiment will be held tomorrow, Friday, November 7, at Greenpoint Gallery from 8 -12 pm. I am headed to Art Basel next month. And in January I am participating in a group show in Aspen, Colorado.

Interview by Lois Stavsky with City As School intern Tyler Dean Flores; photos: 1 and 4, courtesy of the artist; 2, Tara Murray; 3, 5, and 6, Lois Stavsky

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Joel Bergner children Syrian Refugee Camp  Joel Bergner on Art and Life in the Za’atari Syrian Refugee Camp

We first met Joel Bergner aka Joel Artista two years ago when he was painting in Bushwick. We fell in love at once with his intensely vibrant images, reflecting a distinct global aesthetic. Since then, Joel — who refers to himself as a “nomadic artist, educator and advocate for social change” — has led community projects across the globe, including in the Za’atari Syrian refugee camp in Jordan. We recently had the chance to speak to him about his experience there.

Since we last saw you in NYC, you’ve worked with youth throughout the globe, including in a Syrian refugee camp in Jordan. What took you to this particular setting?

I like to work where I can do the most good.  I’m interested in using public art projects to engage young people in marginalized communities in exploring issues that are important to their lives — and in sharing their messages and visions with others. I had partnered with the organizations aptART and ACTED. And when a program funded by UNICEF offered me the opportunity to work with youngsters in the Za’atari refugee camp, I took it.

Joel Bergner Syrian refugee camp close up reema  Joel Bergner on Art and Life in the Za’atari Syrian Refugee Camp

Can you tell us something about the circumstances of the folks in this refugee camp?

The 100,000 Syrians in Za’atari were among the millions escaping the government forces of Assad’s regime. When they fled their homes in Syria, they left everything behind. When they arrived in Jordan, the Jordanian government allowed them to take refuge. But it also put many in sprawling camps in remote, harsh deserts where their lives have been on hold ever since. While they are legally prohibited from working or doing business, the informal market is booming. It’s inspiring to witness just how resilient the people are.

Joel Bergner and children syrian refugee camp  Joel Bergner on Art and Life in the Za’atari Syrian Refugee Camp

What is daily life like inside the camp? 

It is a tense atmosphere. Many of the folks have been traumatized — both emotionally and physically. Almost all have witnessed or experienced violence and the death of loved ones. One 11-year-old boy, for example, rolled back his long sleeve to show us his severely disfigured arm. He told us that government agents had electrocuted him because his father had been a soldier who had switched allegiances to the Free Syrian Army. In Za’atari, people are kept separate from Jordanian society. People are frustrated due to restrictions on their water, food and movement, and there are protests and violent incidents fairly often.

Joel Bergner and children river zaatari mural  Joel Bergner on Art and Life in the Za’atari Syrian Refugee Camp

How did the youngsters respond to your workshops?

The kids loved it.  They loved mixing colors, learning artistic techniques, painting and simply creating. They painted public murals, their wheelbarrows and they made kites. They also learned about hygiene, water conservation, and conflict resolution, which are important issues in the camp. My co-workers were Syrian refugee educators and artists who led the workshops with me. The goals of this project are: to give voice to refugee children through the arts; to connect them to positive role models, and to engage them in educational and creative activities so that they can play a role in rebuilding their communities. The art features positive messages and uplifting imagery intended to liven up their environment. Also, the project provides opportunities to local artists and educators, as some of them have been hired for similar projects after this one ended.

water conservation  Joel Bergner on Art and Life in the Za’atari Syrian Refugee Camp

What — would you say — was the greatest challenge facing you?

Maintaining order. The kids, most of whom went to school in Syria, now roam the refugee camp with few rules or structured activities. They are very rough and frequently get into fights.  Yet, at the same time, they are also really sweet and friendly. So while working with them is challenging, it is also very enjoyable!

What were some of the highlights of your residency in Za’atari?

There were many. Among them: forming relationships with the Syrian refugee adult workers; getting to know the kids; learning basic Arabic and bringing color to a place so desperately in need of it.

Interview by Lois Stavsky with Dani Reyes Mozeson

All photos courtesy of Joel.

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Earlier this week, FIT students and alumni took to sharing their skills with the public outside FIT’s buildings on Seventh Avenue between 27 and 28 Streets. Here’s a sampling of what went down:

Angel Garcia with Darien Merriett at work to his left

Darien Merriett Angel Garcia Chalk Art FIT NYC FIT Students and Alumni Take to the Street with Chalk

Jhowee Chiang — work in progress — to the right of unidentified artist at work

FIT action jhowee chiang FIT Students and Alumni Take to the Street with Chalk

Victor Saint-Hilaire, close-up

Victor A. Saint Hilaire FIT Chalk Art Character FIT Students and Alumni Take to the Street with Chalk

Daisy Ruiz

Daisy Ruiz chalk art FIT FIT Students and Alumni Take to the Street with Chalk

Anita Stevens Rundles

Anita Stevrun chalk art FIT NYC FIT Students and Alumni Take to the Street with Chalk

Chase Michaelis — segment — to the left of artists to be identified

Chase Michaelis Danny Scanno fit chalk art FIT Students and Alumni Take to the Street with Chalk

Meagan Meli to the left of artists at work

Megan Meli Chalk Art FIT NYC FIT Students and Alumni Take to the Street with Chalk

Photos by FIT alumnus Dani Reyes Mozeson

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Banksy I love NY Banksy in New York: Writer and Photographer Ray Mock Chronicles Banksys New York Residency

The following guest post is by Houda Lazrak, a graduate student in Museum Studies at New York University.

Last October, the British stencil artist Banksy paid an unexpected visit to New York City. And fervently chronicling the elusive artist’s daily workings — during his month-long residency —  was writer and photographer Ray Mock. The founder of Carnage NYC, Mock presents — in Banksy in New York – a comprehensive and insightful account of the month that captivated us street art aficionados, along with so many other New Yorkers.

Banksy in New York Banksy in New York: Writer and Photographer Ray Mock Chronicles Banksys New York Residency

For each of Banksy’s pieces, Mock offers a short narrative, providing insights into the various sites and neighborhoods, as well as into the artworks and the reactions they elicited. Each account is complemented with a range of photographs — from selected close-ups to shots of strangers’ poses with the pieces.

Banksy with hammer Banksy in New York: Writer and Photographer Ray Mock Chronicles Banksys New York Residency

In addition to chronicling the pieces that surface throughout the month, Mock shares first-hand insider anecdotes.  We follow him on his adventurous rides to the designated locations and we meet some of the others out there  – who, too, are obsessed with locating and photographing every Banksy piece that appears. Mock also offers us intriguing background information. He recounts, for example, how a half-joke by a local resident to charge for photographs of the East New York beaver stencil resulted in a price tag of $20 for each photograph shot that day.

Banksy East NY Banksy in New York: Writer and Photographer Ray Mock Chronicles Banksys New York Residency

As Banksy’s pieces — particularly those that are politically-motivated — are contingent on location, the local viewers’ reactions and interpretations are part of the process. Banksy’s piece, Ghetto 4 Life, in the Melrose section of the Bronx, for example, did not go over well with Bronx Borough President Ruben Diaz, who had loved Banksy’s previous Ronald McDonald installation.

Banksy Ghetto 4 life Banksy in New York: Writer and Photographer Ray Mock Chronicles Banksys New York Residency

Despite all the attention Banksy’s residency received in the media, Mock provides us with something that was lacking — an overarching personal account of Banksy’s legacy on this city’s urban and social landscape. We speculate, along with Mock, on Banksy’s possible intentions and we embrace the artist’s uncensored creative expression.

Banksy Graffiti is a crime Banksy in New York: Writer and Photographer Ray Mock Chronicles Banksys New York Residency

In addition to the limited edition of the book — with a screen printed cover —  which can now be purchased via Ray’s site, a new hardcover edition will be available for pre-order on his site starting on November 3. It will also be in bookstores by Thanksgiving.

All photos by Ray Mock

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