Walls

Teeming with intrigue, the streets of Athen, Greece showcase a range of gritty, authentic artworks. Few surfaces remain untouched! The image pictured above was painted by the prolific Athens-based Achilles. Several more images of faces encountered last week follow:

Also by Achilles

Athens-based Atek

Spanish artist Borondo

Maz

Note: This is the first of several post on Athens street and graffiti.  Special thanks to Vassia of Alternative Athens and to my StreetArtNYC Instagram followers for introducing me to this city’s vibrant street art scene and identifying the many artists whose works grace these streets.

Photos by Lois Stavsky

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Whereas street art makes its way onto a range of public surfaces in Tel Aviv, it is far less prevalent in Jerusalem.  But hidden alleyways and spaces off the main roads, along with Mahane Yehuda — Jerusalem’s marketplace — host a range of intriguing pieces. The image pictured above was fashioned by Haifa native Maayan Fogel. Several more images I recently encountered while wandering the streets of West Jerusalem follow:

The itinerant Jerusalem-based Elna of Brothers of Light   

Brazilian artist Manoel Quiterio

The prolific British-Israeli muralist Solomon Souza

Solomon Souza‘s rendition of  Amar’e Stoudemire — as seen at the Mahane Yehuda Marketplace, as it was closing

Random installation in the art-friendly Nachlaot neighborhood

Photos by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Rarely bare, Tel Aviv store shutters largely host a motley range of characters. The shutter featured above was fashioned by Kristopher Kotcher aka Frenemy, a freelance illustrator and street artist from Austin, Texas currently based in Tel Aviv. Several more TA shutters, showcasing a variety of images, follow:

Haifa-based visual artist and graphic designer Erezoo

Tel Aviv-based visual artist Roee Shachar Jakubinsky aka B.T.W Binksy

Be’er Sheva-native, Tel Aviv-based visual artist Wonky Monky

Tel Aviv-born and based illustrator and street artist Dora Suger Minks

Tel Aviv-based illustrator and street artist MitzGZR

Photos by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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For the past month Brooklyn-based Sara Erenthal has set up base in Tel Aviv. What follows is a brief interview with the intensely committed multi-disciplinary artist:

What brought you to this region? 

It is where I was born, where I had left my religious upbringing and where, six years ago, I had my first art exhibition. And for the past several years, I’d wanted to return to share my art with the ex-Orthodox community and participate in the vibrant, expressive street art culture here.

Can you tell us a bit about the difference between “getting up” here and back home in Brooklyn?

There is more  freedom of expression on the streets here, and because I’m here for a limited amount of time, the experience has been far more intense.

What have been some of the highlights of this trip?

Visiting and painting in Bethlehem, my first time on the “other side,” and having the opportunity to exhibit my artwork here at the Red House Shapira in South Tel Aviv. And the amazing feature article in Haaretz by Tamar Rotem was, also, a highlight.

Can you tell us a bit your exhibit “Re-Cover” here at the Red House Shapira.  How did it happen? 

Shortly after I arrived in Tel Aviv, I visited the Red House Shapira, a unique space — housed in a historic building — known for its commitment to promoting diversity in the arts. There I met Oren Fischer who invited me to showcase an installation of new works created from found materials in the neighborhood.  My intent was to mirror the diversity of the neighborhood in a unified fashion, while giving new life to discarded matter.

What were some of the challenges you faced in making this happen?

The major challenge was the short period of time I had in pulling it all together. Both Tamar Rotem and Max Streetwalker offered me assistance in the logistics of collecting the varied materials and bringing them over to the studio. I am so grateful to them for their help. And, of course, I could not have accomplished this without the studio space that the Red House Shapira provided.

Congratulations! I look forward to seeing your work in similar installations in other cities, including, perhaps, NYC!

Note: “Re-Cover” can still be seen tomorrow, Sunday, from 11:00 to 17:00; Monday 12:00 to 19:00 and Tuesday 10:00 to 19:00 at the Red House Shapira, Israel MiSalant 39 in Shapira, Tel Aviv.

Interview conducted by Lois Stavsky

Photo credits: 1 & 2 Lois Stavsky; 3 Yonatan Ruttenberg and 4-6 Sara Erenthal

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This is the second in a series of occasional posts showcasing the range of faces that surface in Tel Aviv public spaces.  The image pictured above was painted by Tel Aviv based artist Daniel Liss aka Monkey Rmg. Several more that I’ve recently spotted follow:

Shahaf Ram aka Jack TML

Yarin Didi

 Tel Aviv-based Itamar Paloge aka Faluja at the Tel Aviv Central Bus Station 

Tel Aviv-based Ana Kogen at the Tel Aviv Central Bus Station 

Photos by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Located just steps away from Israel’s controversial “Separation Wall,”  Banksy‘s Walled Off Hotel claims to offer the “worst view of any hotel in the world.”  That may well be, as the mammoth wall, even when covered with art, remains ugly and a sore reminder of the imbalance of power in the region.  But the hotel’s interior is a visual delight. Splendidly curated, it is also a fascinating foray into the roots of this 100-year, seemingly endless, conflict.

What follows  are several images captured from the hotel’s meticulously maintained lobby — or piano bar :

A variation of Banksy‘s iconic flower thrower

Banksy‘s take on the Biblical verse, “The lion shall lie down with the lamb”

A statue warding off tear gas

The following documentation of the struggle is among the exhibits on view off the lobby

And alongside the hotel, a friendly Wall-Mart, where graffiti supplies, stencils and a motley array of items can be purchased:

Curious as to what local residents think about it all, I spoke to 30-year old Naji, who grew up in a nearby refugee camp. He had the following to say: When Banksy first came here over ten years ago, I welcomed him  Some people here didn’t. They felt any attempt to “beautify” the wall trivializes its impact on our lives. Tourists come and go, but we have to look at it forever. But I, myself, feel grateful to Banksy, because he has brought attention to our cause. When people visit the wall to photograph it, they see how high it is, and they can get a sense of what our lives are like living under martial law. And my advice to the artists who come to paint here is: Get to know us first. You need to connect to us, as we feel disconnected from you. As far as The Walled Off Hotel, I’m of two minds. On one hand, it doesn’t represent my culture. But I like that it attracts visitors from all over the world and and that Banksy continues to employ many Palestinians.

The museum and art gallery are open to non-residents every day from 11am – 7:30pm.

Note: The second floor of The Walled Off Hotel is home to a gorgeous exhibit, curated by Dr.Housni Alkhateeb Shehada. of works in a range of media and styles fashioned by contemporary  Palestinian artists.

Photos by Lois Stavsky

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A huge range of curious characters  — fashioned by both local and international artists — have made their way onto Tel Aviv’s public spaces. The image pictured above was painted by Tel Aviv native Dioz in collaboration with Lior Bentov aka PESH. Several more follow:

Paris-based Swedish artist André Saraiva aka Mr Andre

Roman Kozhokin aka Kot Art

UK native Ame 72

The prolific Tel Aviv-based Adi Sened

Tel Aviv – based Damian Tab

Photos by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Representing a huge spectrum of styles, faces seem to surface everywhere on Tel Aviv’s public spaces. The image pictured above is the work of Tel Aviv-based Boaz Sides aka UNTAY. Several more I came upon these past few days follow:

Montreal-based Adida Fallen Angel

The increasingly present Yarin Didi

Daniel Liss aka Monkey Rmg

Tel Aviv-based MUHA Ack

Tel Aviv-based Dioz, close-up from block-long wall

 Israel-based UK native Solomon Souza

Photos by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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The faces featured above were fashioned byMadrid-based Okuda. Here are several more recently captured in Madrid:

Barcelona-based Uri Martinez aka Uriginal

NYC-based Puerto Rican artist Sen2

Argentine artist Barbara Siebenlist

Madrid-based Keru de Kolorz

Photo credits: 1, 3-5 Lois Stavsky; 2 Sara C Mozeson

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Maya Gelfman & Roie Avidan have been working in public spaces, museums and galleries for more than a decade. Maya’s works have been featured in international art books in Germany and France, and in 2015 Paper Magazine named Maya among the top ten street artists in Israel. Roie has produced documentaries and music videos and published photographs in dozens of newspapers and magazines, print and online. Their collaborative worldwide public-art project Mind the Heart! is entering its tenth year. This past fall, their project brought them to New York City, where I had a chance to meet up with the inspiring, talented couple.

Can you tell us a bit about your backgrounds?

Maya: I’ve always been doing art. I graduated from the Shenkar College of Engineering and Design in 2006. My main mediums are installation, painting and street art.

Roie: I am self-taught. I’ve been engaged with visual art for the past 14 years, and nine years ago, I began doing art on the streets. Our work is collaborative, as I generally choose the materials, the concept and the location.

What about your current project Mind the Heart!? What is its mission?

Its principal aim is to promote mindfulness – to ourselves, to our surroundings and to the moment. Many of us – especially those of us who live in the same place for a long time — no longer see the beauty and tend to ignore the ugliness. Too often we become disconnected from one another and miss out on the present.

A little red heart has been surfacing in cities you’ve visited. What does it represent?

This tangled red heart – crooked and messy with dripping ends — is the core of our project. We began by using it on the streets of Tel Aviv to mark the beauty in decay and neglect, the order in chaos, the magic in the ordinary, the soul in things. We’ve since handed out thousands of red yarn hearts along with a simple mission: to go and put it out there, to mark your own spots of significance and share them with the world.

Why did you both choose to use the streets as your principal gallery?

We had both shown in galleries, and we wanted to exhibit in a different way. In 2009, we printed hundreds of posters and placed them on the streets. Within 12 hours, everything was gone. We immediately fell in love with the connection we made with those who viewed our art. We love that street art is completely free.

You are now visiting cities throughout the US. Which cities have you previously visited to share your artwork and to engage people in your project?

We’ve visited various cities throughout Israel. Among the 40 cities we’ve collaborated in are: Florence, London, Paris, Brussels, Amsterdam and Bangkok. We were also invited to orphanages in Kenya and Uganda.

What is the riskiest thing you’ve ever done in the course of executing your project? And why were you willing to take that risk?

Standing on a wobbly 15 foot ladder at a hotel in Florence. The ladder could have fallen at any moment. There was no sense of security. Why did we do it? We just didn’t think about it. It was something that we had to do…something that we needed to do at this time and place.

Are there any particular cultures that have influenced your aesthetic, particularly this project?

The culture of the American Beat Generation; the notion of “the open road,” and its sense of freedom; Japanese motifs; texts inspired by Taoism; major Russian literature; rock & roll; Kurt Cobain and Leonard Cohen.

What inspires you these days?

Anything and everything!

Have you ever been arrested for your public work?

When we are caught in the act, it becomes a conversation.

What is the attitude of your families and friends towards what you are doing?

They are supportive.

What percentage of your time is devoted to art?

100%

In addition to your tangled red heart, what other media do you use in Mind the Heart!

We use yarn, shoe-box lids, duct-tape and foam.

Are you generally satisfied with your finished product?

The vast majority of the time.

What do you see as the role of the artist in society?

To evoke an emotion…to make someone feel something…to invite people to reflect…to make them mindful.

And how can folks become involved in your project?

They can contact us with ideas for places, people, collaborations, events, murals, and any creative or serendipitous idea they may have.

Locations of  featured images:

1 Bushwick, Brooklyn

2 East Village, Manhattan

3 & 4 Decatur, Georgia

5 Tel Aviv, Israel

6 Jekyll Island, Georgia

7 Easton, Pennsylvania 

Interview conducted and edited by Lois Stavsky.

Photo credits: 1 Lois Stavsky; 2-7 courtesy Maya Gelfman & Roie Avidan.

Note: You can follow the Mind the Heart! project here and on its Instagram account here; you can, also, support the project here.

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