Opening this evening, Friday, January 13 and running through February 5 at City Point in Downtown Brooklyn is POSITIVE VIBRATIONS. Curated by Collect with Lulu and Silvertuna Studios, it is an exhilarating exhibition featuring an eclectic scope of works by a range of contemporary artists from legendary graffiti writers to pro skaters.

The image featured above was fashioned by the wonderfully talented Bronx-based Zimad, who also painted a huge, brightly-hued mural at City Point’s Flatbush Atrium as a tribute to the approaching Chinese New Year, the Year of the Rabbit. A limited-edition of Year of the Rabbit coloring book calendar will be also available for purchase at the gallery.

A small selection of images of additional artworks on exhibit in POSITIVE VIBRATIONS follow:

Bronx-based Eric Orr

American Pro skater Christian Hosoi

NYC-based Australian artist Damien Mitchell

Bronx-based legends Cope 2 (top) and T-KID 170

Greek artist Andreas Rousounelis

Chicago-based Rubén Aguirre

The gallery is welcoming to children, as well. Among the exhibition’s highlights are classes scheduled for children by the legendary Al Diaz on “How to Create Your Own Graffiti Alphabet.”

Located at 445 Albee Square West, the gallery is open Monday – Wednesday by appointment and Thursday – Sunday 12-7pm. Gallery contacts are lulu@collectwithlulu.com and silvertunastudios@gmail.com

Photos of images: Lois Stavsky

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Rigorously researched and handsomely presented, City of Kings celebrates the rich graffiti culture that began on the mean streets of  NYC in the late 60’s and has since evolved into a worldwide phenomenon. Curated by first generation graffiti artist and SAMO© partner Al Diaz, along with graffiti archivist and artist Eric ‘DEAL CIA’ Felisbret and graphic designer and arts educator Mariah Fox, City of Kings appeals not only to us graffiti aficionados, but to anyone curious about the history of an illicit art form that has not only become legitimized in the “art world,” but has impacted just about every aspect of our culture — from advertising to fashion design to education.

Spanning over six decades, a comprehensive illustrated timeline traces the history of NYC graffiti beginning in 1967 with JULIO 204, whose tag and street number captured the attention of his peers in Washington Heights/Inwood. Four years later, when fellow Washington Heights tagger TAKI 183 was profiled in The New York Times, graffiti went on to gain the attention of a wide, diverse audience.

By the mid-70’s, graffiti had evolved into a “firmly established cultural movement with clear principles.”  Whole-car train pieces began to roll by and the publication of Norman Mailer’s The Faith of Graffiti lent validation to the art form.  But by the early 80’s, Mayor Koch waged outright war against graffiti writers, accusing them of “destroying our lifestyle and and making it difficult to enjoy life.”

Yet despite the war against graffiti, key talented and passionate photographers, documentarians, filmmakers and curators increasingly began to celebrate the culture which continues to make its way not only onto public space but into galleries and museums worldwide.

In addition to the exhibition’s graffiti timeline,  there is also a timeline of “Key Current Events,” such as the assassination of Martin Luther King in 1968, the election of NYC Mayor David Dinkins in 1989 and the outbreak of COVID-19. – all lending socio-political context to the graffiti movement. And homage is given to the many “Fallen but not Forgotten Players in the Game.”  Included among those many writers are such noted ones as: A-One,  Don 1, Dondi, Iz the Wiz, Sane 182, and Stay High 140.  On view too are black books, graffiti paraphernalia and varied tools of the trade, along with videos, documentaries, recordings and first-person accounts.

Accompanying Part I of the exhibition is an invaluable catalog — published by Howl Arts — that includes: both the graffiti and the current events timelines; key essays by Al Diaz, Eric Felisbret, Mariah Fox and Chris Pape; a glossary of graffiti terms by Eric Felisbret, and learning tools and resources for educators by Mariah Fox.  The catalog can be purchased at the gallery or by emailing books@al-diaz.com.

On view in Part II of the exhibition at the nearby Howl! Arts/Howl! Archive are original artworks of largely of graffiti tags by such pioneers as Coco 144, Lava 1 & 2, Noc 167, Snake 1 and Futura, along with photographs by several noted documentarians of the culture including Martha Cooper, Henry Chalfant, Charlie Ahearn, David Gonzalez and Flint Gennari.

Among those on exhibit by the legendary photojournalist Martha Cooper is her 1982 Bronx capture, DUSTER/LIZZIE: 2 top to bottom whole cars in straight letters and wild style.

While Part I — located at 6 East 1st Street — closes this coming Sunday, the 15th, Part II of the exhibition continues through January 29 at 250 Bowery. Both spaces are open Wednesday-Sunday, 11am-6pm.

Photo credits:  1 & 2 Lois Stavsky; 3 & 4 Rachel  Fawn Alban, 5 © Howl Arts Inc & 6 © Martha Cooper

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Since 2014, The Raw Project has been bringing intrigue and inspiration to schools in Miami and beyond at a time when American schools continue to see their arts education programs defunded. First rate artists from across the globe transform blank school walls into alluring open-air canvases inspired by the students, school and community. Under the curatorial direction of Robert Skran and Audrey Sykes, magic once again came to Miami during the week of Art Basel, 2022. And travel and street photographer Karin du Maire aka Street Art Nomad was there to capture it.

The image pictured above was painted by Montreal-based Kevin Ledo, Titled “Fabian,” it portrays a first-grader at the West Little River K-8 Center. What follows is a sampling of several more murals that surfaced last month on the walls of the West Little River school.

Los Angeles-based Eric Skotnes, “Nolite Timere” (“Don’t Be Afraid”)

Miel Krutzmann of the Dutch duo Telmo Miel, “Minds Unfolded”

Telmo Pieper of the Dutch duo Telmo Miel, “Throwing Sticks and Chasing Stains’ 

London-based Dale Grimshaw at work on “Linky” — titled by a student

Oslo-based Hama Woods 

  Dutch artist Mr June at work on his magical mural

Photos: Karin du Maire aka Street Art Nomad 

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In this seventh post in our new series, PUSHING IT FORWARD — featuring ILLicit creatives claiming space on NYC streets — we return to Brooklyn. Featured above is Jarp  beneath the subway platform alongside the tracks

Snuze

Fame, Dest, RS, Ajes and Pure

Des and Nilo, All City Crew

Dip

Keazy

Stack, ZigZag and varied tags

Unidentified fragment spotted in Bed-Stuy

Post by the Pushing It Forward Collective

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Despite the many changes in Philly’s West Kensington neighborhood, the walls along North 5th & Cecil B Moore continue to host a huge range of  striking, first-rate graffiti murals. The image pictured above is the work of the gifted Philly-based Colombian artist Busta. Three more adjacent murals — all on the theme of the greek myth “Jason and the Argonauts” — follow:

Veteran graffiti writer Sew

Philly-based Spanish artist Saoka

Philly-based Spanish artist Imse

And a newly-fashioned nearby wall by Philly graffiti stylist Esteme

Photos: Lois Stavsky

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Since 2015, the annual SHINE Mural Festival has been transforming St. Petersburg, Florida’s coastal “Sunshine City,” into an intriguing open-air museum featuring local, national and international artists. Travel and street photographer Karin du Maire aka Street Art Nomad was there to capture this year’s festival which had taken place in mid-October.

The distinctly dramatic image pictured above was painted by Berlin-based James Bullough, who is posed in front of his mural. The artist explains his choice of colors as “a subtle shoutout” to Amsterdam-based Joram Roukes whose artwork was previously on this wall. Several more images from this year’s SHINE Mural Festival follow:

LA-based, French duo 123KLAN in front of their mural

Tampa-based Sydney Prusso

German native MadC and Montreal-based Haks 180 at work

 Florida-based Tasko in front of his mural

Toronto-based Ben Johnston

Local artist Dreamweaver in front of her mural in progress

All photos by Karin du Maire aka Street Art Nomad 

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After a hiatus of several weeks, we are back with our documentation of ILLicit creatives claiming space on the streets of NYC. Pictured above is MFK, the Metal Fingers Krew; what follows are several more graffiti bombs and throwies captured as we revisited Queens.

Angr

Boni and Sykoe

Unidentified

Mono

Someone

Sie and Mer

Post by the Pushing It Forward Collective

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Two long walls along a parking lot on Těšnov Street in Prague’s New Town – the largest of Prague’s four historic districts — have long served as a legal open-air graffiti gallery. The crisply executed piece pictured above was painted by the prolific Every Tag Counts for the Montana Grafficon jam held earlier this fall. Several more images that I captured along the wall — while visiting Prague last week — follow:

To be identified

Spord UFO — painted for the Montana Grafficon jam 

To be identified

Turbo

To be identified

To be identified

Photos: Lois Stavsky

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Adding sixteen new murals to Downtown Cincinnati, BLINK, the nation’s largest light and art festival, took place last month for the first time since 2019. The cleverly captivating artwork featured above was painted by Atlanta-based Greg Mike. Several more murals — all captured by by travel and street photographer Karin du Maire aka Street Art Nomad — follow:

Chicago-based Max Sansing portrays two figures “in meditation with their thoughts while looking up to the sky symbolizing the future and limitless possibilities.”

Valencia-born duo PichiAvo at work

PichiAvo, completed mural — inspired by the marble sculpture Laocoön and His Sons

Amsterdam-based  Mr. June presents “an alternative experience of the environment, which has been optically manipulated by form, colors and perspectives.”

Athens native Insane 51 portrays Euthenia, the ancient Greek female spirit of prosperity

Denver-based duo Lindz and Lamb at work on “Who Dey!” referencing the chant that breaks out after the Bengals score touchdowns at Cincinnati’s Paul Brown Stadium

Photos by Karin du Maire aka Street Art Nomad

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I first came upon Brothers of Light’s winsome, witty aesthetic on the streets of Jerusalem several years ago. I was an instant fan. Currently on view at 30 Yefet Street — a stately, atmospheric building in Jaffa — is From Dirt, a delightfully intriguing exhibition featuring dozens of artworks fashioned this past year from metals found outside the brothers’ studio space. Featured above is Crossing the Bridge — fabricated with industrial paint on salvaged metal. Several more images I captured while visiting the exhibition earlier this week follow:

“Everything Is Temporary,” Industrial paint on found metal

“No Pain No Gain” and “Cuchara” to its left, Industrial paint on found metal kitchen utensils

“What Do You Eat?” Industrial paint on found metal kitchen utensil

“Time Sinking,” Industrial paint on found metal

“Suddenly,” Industrial paint on found metal

“Throwback,” Industrial paint on found metal

Segment of exhibition largely featuring small works–

Produced by Brothers of Light — real-life siblings, Elna and Gab — and curated by Hadas Glazer, From Dirt is at once  environmentally conscious and aesthetically engaging. It continues through Saturday evening with a closing party beginning at 6pm. A short film by Amalia Zilbershatz-Banay and Dan Deutsch accompanies the exhibition.

Photos of artworks: Lois Stavsky

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