flint tags centrefuge Old School Flavor Comes to Centre fuge East Village Trailer: Balu, Flint, Nic 707, Rocky 184, Kool Kito, Snake 1, Coco 144 and more

Among the intriguing images that recently surfaced on the once-abandoned East Village trailer, curated by the Centre-fuge Public Art Project, is Balu‘s rendition of Ex-Vandal Flint Gennari’s photo of old school writer, Flip One. This past Sunday several legendary writers graced the trailer with their tags.

Balu captured at work earlier this month

Balu stencil art action nyc Old School Flavor Comes to Centre fuge East Village Trailer: Balu, Flint, Nic 707, Rocky 184, Kool Kito, Snake 1, Coco 144 and more

Nic 707 – to the right of Al Diaz aka Bomb 1 tag

Nic at Centrefige NYC Old School Flavor Comes to Centre fuge East Village Trailer: Balu, Flint, Nic 707, Rocky 184, Kool Kito, Snake 1, Coco 144 and more

Rocky 184

rocky184 centre fuge Old School Flavor Comes to Centre fuge East Village Trailer: Balu, Flint, Nic 707, Rocky 184, Kool Kito, Snake 1, Coco 144 and more

Kool Kito

kool kito Old School Flavor Comes to Centre fuge East Village Trailer: Balu, Flint, Nic 707, Rocky 184, Kool Kito, Snake 1, Coco 144 and more

Snake 1

snake paints canvas Old School Flavor Comes to Centre fuge East Village Trailer: Balu, Flint, Nic 707, Rocky 184, Kool Kito, Snake 1, Coco 144 and more

Coco 144

coco tags East Village1 Old School Flavor Comes to Centre fuge East Village Trailer: Balu, Flint, Nic 707, Rocky 184, Kool Kito, Snake 1, Coco 144 and more

Nic 707, Snake 1, Coco 144, Rocky 184 and Flint

Old School graffiti writers Old School Flavor Comes to Centre fuge East Village Trailer: Balu, Flint, Nic 707, Rocky 184, Kool Kito, Snake 1, Coco 144 and more

All photos by bytegirl

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Back in 2012, Chicago-native Shawn Bullen brought his wonderful talents to Bushwick. This past weekend, I had the opportunity to meet up with the gifted artist who has just returned to NYC after spending several years in San Francisco.

Shawn Bullen mural art Speaking with Chicago Native Shawn Bullen in NYC

When and where did you first get up in a public space?

When I was 17, I got hold of some Mean Streak markers and started tagging the mailboxes in my Chicago neighborhood.

What inspired you to get up?

My friends were doing it, and it seemed like a fun thing to do. I didn’t really think about what I was doing, and I certainly didn’t take it seriously. I also wasn’t very good at it!

Do you remember when you first became aware of graffiti?

There was a graffiti wall in New Hyde Park that I used to pass almost every day. But I didn’t quite get it! I thought, “Why would anyone write something that nobody else could read or understand?”

Shawn Bullen Miami Mural art Speaking with Chicago Native Shawn Bullen in NYC

Once you began getting up, did you ever get arrested?

I was arrested twice. The first time, I had climbed on top of a nearby fruit and vegetable stand to write my name. I was caught on camera, and I ended up having to turn myself in. Ironically it led to my first paid gig as the owner of the space offered me $200 to paint his truck.

What was the riskiest thing you ever did back then?

My friend and I would crawl across train tracks lined with live wires through dangerous neighborhoods.

Why did you do that?

To get to rooftop walls that we liked along the Green line.

Shawn Bullen mural Bushwick NYC Speaking with Chicago Native Shawn Bullen in NYC

How did your family react to all this?

My mom was hot happy that I was breaking the law, but she was always confident that what I was doing would lead to something.

Do you have a formal art education?

I can’t remember a time when I wasn’t drawing! But, yes, I studied Photography throughout high school. And then I studied Photography and Drawing at Columbia College in Chicago before transferring to NSCAD, the Nova Scotia College of Art and Design. But I didn’t graduate. I left after two years.

Why was that?

I noticed that most of the graduates were working in coffee shops. Few had jobs related to art. I had also felt that I had learned enough.

Shawn Bullen mural art SF Speaking with Chicago Native Shawn Bullen in NYC

How you feel about the role of the Internet and social media in this scene?

I think the Internet is a beautiful tool that allows us to share our work with others. It is difficult, though, to keep up with social media, and I know that I need to focus more on my Instagram account. I can get lazy!

Are there any particular cultures that have influenced your aesthetic?

Growing up on the South Side of Chicago, I was exposed early on to the hip-hop culture. Undoubtedly, it has influenced my aesthetic. And when I paint, I almost always listen to hip-hop – Kenye West, Jay Z, Drake…

Have you any favorite artists?

So many! To name a few…Kehinde Wiley, Chuck Close, Basquiat, Aryz, the Etam Crew, and – of course – Michelangelo hasn’t been topped yet!

Shawn bullen SF I still have a dream Speaking with Chicago Native Shawn Bullen in NYC

That’s quite a diverse group! Do you prefer working alone or would you rather collaborate with others?

From ages 17-22, 90% of what I painted was with my crew, the IDC Art House, but these days I feel more and more that I like making my own decisions.

Do you generally work with a sketch-in-hand or do you just let it flow?

It depends. I love to freestyle. It is so much fun. But for commissions I often have to present a sketch first.

Are you generally satisfied with your finished piece?

It’s never as good as I’d imagined it to be, but since I can’t spend years on it, I’m generally proud of myself.

shawn bullen paints Speaking with Chicago Native Shawn Bullen in NYC

Have you exhibited in galleries? Any thoughts about street artists and graffiti writers showing in gallery settings?

Yes, I’ve exhibited in several shows, both solo and group. I don’t have a problem with street artists exhibiting in galleries. All artists need as much exposure and financial support as they can get. And I have only respect for artists who have moved onto the fine art world.

What about the corporate world? Any thoughts about that?

I have mixed feelings about it. Clearly not all corporations are evil. And, yes, I’ve worked with corporations. Corporate gigs, in fact, make it possible for me to survive as an artist. And why shouldn’t corporations support artists?

And do you work full-time as an artist?

Yes! From age 18 on, I was either teaching art or doing art.

Shawn Bullen mural Speaking with Chicago Native Shawn Bullen in NYC

What inspires you these days?

I’m interested in exploring people’s ideas as to how we can save the world. I’m intent on uncovering solutions to problems that affect us all.

How has your artwork evolved in the past few years?

I think much more about concepts, and I continue to paint on a larger and larger scale.

What do you see as the role of the artist in society?

It’s up to each artist to decide his or her role. I see my role as making life better. I want use my art to make people feel better.  I would love to change someone’s life with my painting!

Shawn Bullen Boom+Boom Speaking with Chicago Native Shawn Bullen in NYC

What’s ahead?

I want to paint! I’d like to create at least one piece of public art in every country in the world. And I’d love NYC to be my home base!

Interview conducted and edited by Lois Stavsky; photos courtesy of Shawn Bullen, SHAWNBULLEN1@GMAIL.COM

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

en play badge 2 Speaking with Chicago Native Shawn Bullen in NYC

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Splendidly curated by Laura James and Eileen WalshBronx Now showcases a wide range of artworks in different media by some of the best artists working in the Bronx. Among these are several whose works also enhance public spaces. While visiting the exhibit on Sunday, I had the opportunity to speak to both curators and pose a few questions to Laura James, the founder of BX200.

John Ahearn Eileen Walsh Laura James Bronx Now  BX200 Exhibit <em>BRONX NOW</em> Brings the Best of the Bronx to Brooklyn: John Ahearn, Tats Cru, Eric Orr, Crash, Andre Trenier, Mrs and More

Just what is BX200? And when was it launched?

BX200 is a directory of 200 artists, all of whom live or work in the Bronx. It was officially launched at the Bronx Museum of the Arts in March 2015.

bio tats cru art bronx now BX200 Exhibit <em>BRONX NOW</em> Brings the Best of the Bronx to Brooklyn: John Ahearn, Tats Cru, Eric Orr, Crash, Andre Trenier, Mrs and More

 What is its mission? And what spurred you to launch it?

Its mission is connect our borough’s best artists to as wide an audience as possible from curators to collectors to other artists. My initial incentive in launching it was to get to know other artists living and working in the Bronx.

eric orr Bronx Now BX200 Exhibit <em>BRONX NOW</em> Brings the Best of the Bronx to Brooklyn: John Ahearn, Tats Cru, Eric Orr, Crash, Andre Trenier, Mrs and More

You and  Eileen Walsh have, obviously, accomplished so much working together. The directory looks great, and this exhibit is wonderful. How did you two initially meet?

Awhile back, Eileen had invited me to participate in an exhibit she was curating elsewhere. Then when she read about BX200, she was eager to partner with me.

John Crash Matos  BX200 Exhibit <em>BRONX NOW</em> Brings the Best of the Bronx to Brooklyn: John Ahearn, Tats Cru, Eric Orr, Crash, Andre Trenier, Mrs and More

The art here is spread across two rooms, and it all looks amazing. How did this great space come your way?

Eileen introduced me to it, and I thought it would be an ideal setting to introduce a selection of Bronx artists to folks who frequent Brooklyn spaces, particularly in Bushwick where so much is happening.

Nicer tats cru hip hop BX200 Exhibit <em>BRONX NOW</em> Brings the Best of the Bronx to Brooklyn: John Ahearn, Tats Cru, Eric Orr, Crash, Andre Trenier, Mrs and More

How did you decide which artists to include in Bronx Now?  Some of the artists are quite young and relatively unknown, and others have established reputations and have exhibited in renowned museums.

We were interested in presenting a snapshot of the Bronx featuring works that we love — in a variety of styles and media — from a wide range of artists.

andre Trenier Bronx Now Prince Portrait BX200 Exhibit <em>BRONX NOW</em> Brings the Best of the Bronx to Brooklyn: John Ahearn, Tats Cru, Eric Orr, Crash, Andre Trenier, Mrs and More

The exhibit opened with a reception Saturday evening How did the opening go?

It was fantastic! About 300 people came and we had Andre Trenier painting live

Mrs art Bronx Now BX200 Exhibit <em>BRONX NOW</em> Brings the Best of the Bronx to Brooklyn: John Ahearn, Tats Cru, Eric Orr, Crash, Andre Trenier, Mrs and More

What are some of the other events we can look forward to this week? 

This Thursday, May 5, there will be a Bronx Now Artist Talk from 6-8pm. Participants will include Tats CruJohn Ahearn, Rebecca Allan, Danny Peralta and Alicia Grullon. And this Saturday there will be a closing reception from 5-8pm with a performance by Paco Cao. From Wednesday through Saturday’s closing, the gallery — located at 119 Ingraham Street — opens at noon. Enter through Terra Firma.

Congratulations on BX200 and this wonderful exhibit! I’m looking forward to more.

Images

1. John Ahearn with curators Laura James and Eileen Walsh

2. Bio, Tats Crew

3. Eric Orr

4. Crash

5. Nicer, Tats Cru

6. Andre Trenier, close-up

7. MRS

Photo credit: 1, 2, 4-7 Lois Stavsky; 3 courtesy Laura James; interview conducted and edited by Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

en play badge 2 BX200 Exhibit <em>BRONX NOW</em> Brings the Best of the Bronx to Brooklyn: John Ahearn, Tats Cru, Eric Orr, Crash, Andre Trenier, Mrs and More

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sold magazine cover URNewYork <em>SOLD Magazine</em> Issue #2 Launches with Exhibit at Studio Kraut with: BD White, Raphael Gonzalez, City Kitty, CB23, JCorp, JPO, Joseph Meloy, Ramiro Davaro, Choice Royce and more

The second issue of SOLD Magazine – the magazine by artists for artistswas formally launched last night with an Affordable Art Show at Chelsea’s Studio Kraut.  After checking out the art — that had already been installed when I came by — and perusing the magazine, I spoke to SOLD Magazine‘s publishing editor BD White.

Back in January, you, John Paul O’Grodnick and Greg Frederick first launched SOLD Magazine. How has the response to it been? What kind of feedback have you gotten?

The response has been overwhelmingly positive. People were eager to become involved with it. We had a steady stream of encouraging emails, text messages, phone calls and comments. It was the incredibly enthusiastic response to SOLD Magazines first issue that has kept us going!

BD White stencil art <em>SOLD Magazine</em> Issue #2 Launches with Exhibit at Studio Kraut with: BD White, Raphael Gonzalez, City Kitty, CB23, JCorp, JPO, Joseph Meloy, Ramiro Davaro, Choice Royce and more

How did you go about distributing the premiere issue of your magazine?

We distributed over 3,000 copies — 20 at a time — by getting them anywhere and everywhere! We hit art stores, alternative spaces, cafes, bagel and muffin shops…just about any place that was open to receiving our magazine.

This second issue looks fantastic! There are revealing interviews with UR NEW YORK, City Kitty and Appleton, along with a range of intriguing feature articles. You even have a recipe for wheat paste, this issue’s theme! How was the experience of getting SOLD Magazine out different this time around?

It was easier! Most of the kinks had already been worked out. The actual layout took far less time. And because of the buzz that the first issue generated, artists approached us, as they were eager to be featured.

sold magazine installation pg <em>SOLD Magazine</em> Issue #2 Launches with Exhibit at Studio Kraut with: BD White, Raphael Gonzalez, City Kitty, CB23, JCorp, JPO, Joseph Meloy, Ramiro Davaro, Choice Royce and more

Did any unanticipated challenges come your way?

Because everyone who worked with us was so cooperative and accommodating, we were able to easily overcome any potential obstacles.

I like this venue. Even the setting for the artwork is perfect. How did Studio Kraut come your way?

Yes, it is great! The backdrop had already been painted and designed by Dripped On Productions, and Kwue Molly introduced us to this space.

ramiro davaro sold magazine <em>SOLD Magazine</em> Issue #2 Launches with Exhibit at Studio Kraut with: BD White, Raphael Gonzalez, City Kitty, CB23, JCorp, JPO, Joseph Meloy, Ramiro Davaro, Choice Royce and more

What’s ahead for SOLD Magazine?

The next issue will focus on muralists. You are in for a surprise! And keep posted for news of our upcoming podcast In the Spray Room.

How can folks get hold of the magazine if it is not easily accessible to them?

They can subscribe. That is the one way they will be sure not to miss an issue!

choice royce art <em>SOLD Magazine</em> Issue #2 Launches with Exhibit at Studio Kraut with: BD White, Raphael Gonzalez, City Kitty, CB23, JCorp, JPO, Joseph Meloy, Ramiro Davaro, Choice Royce and more

Congratulations! I’m already looking forward to the next issue! I’m heading out now to read this one cover-to-cover!

Pictured above are:

1. Cover of SOLD Magazine  Issue #2 featuring UR NEW YORK, Mike Baca aka 2esae and Ski; photo by John Paul O’Grodnick

2. BD White,

3. Raphael Gonzalez, City Kitty, CB23, JCorp, JPO, BD White and Joseph Meloy

4, Ramiro Davaro

5, Choice Royce

Photos of artworks and interview by Lois Stavsky

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Nepo at Wix Lounge with art Nepo on <em>Fantasia Tropico</em> at Chelseas Wix Lounge, His Recent Projects in Brazil and Dubai and more

With their luscious colors and seductive styles, Nepo‘s murals has been enhancing the streets of NYC since the talented artist arrived here from Puerto Rico over two years ago. Earlier this week, I had the opportunity to catch up with him after he had finished installing his current exhibit, Fantasia Tropico, at Chelsea’s Wix Lounge.

This space is wonderful, and your work looks perfect here! How did this opportunity come your way?

I’ve known Kamilla Sun, the founder of the creative agency ST.ART, for over a year now.  When she told me about Wix Lounge, a really special co-working, event and exhibit space in Chelsea, I loved the idea of exhibiting my recent series of works, Fantasia Tropico, there.

Nepo artwork Nepo on <em>Fantasia Tropico</em> at Chelseas Wix Lounge, His Recent Projects in Brazil and Dubai and more

Can you tell us something about this specific series? 

It references all that I love and miss most from my island, especially my nostalgia for the holidays. This body of works continues to evolve from an exhibit that I was invited to present earlier this year at the University of Wisconsin’s Aylward Gallery. The exhibit here at Wix Lounge, curated by Kamilla Sun, presents several new pieces.

How have the folks here at Wix Lounge responded to your installation?

The reaction has been so positive. People are interested in what I’m doing, and everyone’s been so helpful.

Nepo street art Lower East Side Nepo on <em>Fantasia Tropico</em> at Chelseas Wix Lounge, His Recent Projects in Brazil and Dubai and more

Have you collaborated with ST.ART on any other projects?

Yes! I was commissioned to paint a mural on the Lower East Side last year.

You’ve been doing quite a bit of traveling. What has that been like?

It’s been great! I recently returned from Brazil where I participated in the Street of Styles Festival. It was an amazing experience, and introduced me to some of the best graffiti I’d seen anywhere. I also had the opportunity to paint a huge mural with Son and Spear Torres.

Nepo collab mural brazil Nepo on <em>Fantasia Tropico</em> at Chelseas Wix Lounge, His Recent Projects in Brazil and Dubai and more

And you’ve also been to Dubai. What brought you there? And what was it like?

I was invited to participate in an exhibit during Art Dubai. It was my first time in that part of the world, and I loved experiencing Arab culture and discovering artists from the Middle East.  I, also, got to return home with several commissions! It was a great feeling!

 What’s ahead?

Painting a few murals! And in a few weeks, I will be assisting Rimx with a huge mural that he was commissioned to paint in Newark, New Jersey. I’m planning to visit L.A. in June.  And in the fall, I’m hoping to visit Lebanon and Jordan and further explore Middle Eastern art. I especially love Arabic calligraphy.

That sounds great! Good luck with it all!

nepo at wix lounge Nepo on <em>Fantasia Tropico</em> at Chelseas Wix Lounge, His Recent Projects in Brazil and Dubai and more

There will be an opening reception for Nepo‘s exhibit tonight, Friday, 6:30 – 9:30 PM at at Chelsea’s Wix Lounge, 235 West 23rd Street. The exhibit remains on view through May.

Photo credits: 1 Lois Stavsky 2 & 4 courtesy of Nepo and 3 Tara Murray; interview conducted and edited by Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

en play badge 2 Nepo on <em>Fantasia Tropico</em> at Chelseas Wix Lounge, His Recent Projects in Brazil and Dubai and more

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art the throne Angel Orensanz Foundation Hosts <em>Art the Throne</em> with: Pop Chart Lab, Jeff Nishinaka, CYRCLE, Marcos Chin and Tristan Eaton

In celebration of the captivating series Game of Thrones, HBO launched Art the Throne earlier this month with the release of visual dairies of CYRCLE, Tristan Eaton, Jeff Nishinaka, Marcos Chin and Pop Chart Lab reinterpreting key moments from the series. And last Wednesday evening the physical installations were displayed at New York City’s historical Angel Orensanz Foundation on Manhattan’s Lower East Side. Here are a few more mages we captured at the event, along with the artists’ visual diaries:

Jeff Nishinaka, The Night’s King

Jeff Nishinaka Angel Orensanz Foundation Hosts <em>Art the Throne</em> with: Pop Chart Lab, Jeff Nishinaka, CYRCLE, Marcos Chin and Tristan Eaton

Jeff Nishinaka‘s visual diary

CYRCLE, Overthrone Crown

cyrcle Angel Orensanz Foundation Hosts <em>Art the Throne</em> with: Pop Chart Lab, Jeff Nishinaka, CYRCLE, Marcos Chin and Tristan Eaton

CYRCLE‘s visual diary

Pop Chart Lab‘s The Red Wedding

pop chart lab Angel Orensanz Foundation Hosts <em>Art the Throne</em> with: Pop Chart Lab, Jeff Nishinaka, CYRCLE, Marcos Chin and Tristan Eaton

Pop Chart Lab‘s visual diary

Marcos Chin, Brienne of Tarth

Marcos Chin Angel Orensanz Foundation Hosts <em>Art the Throne</em> with: Pop Chart Lab, Jeff Nishinaka, CYRCLE, Marcos Chin and Tristan Eaton

Marcos Chin‘s Visual Diary

Tristan Eaton, Portraits of Daenerys Targaryen, four in a series of six

Tristan Eaton .portraitsjpg Angel Orensanz Foundation Hosts <em>Art the Throne</em> with: Pop Chart Lab, Jeff Nishinaka, CYRCLE, Marcos Chin and Tristan Eaton

 Tristan Eaton‘s visual diary

Photo credits: 1, 2, 5 & 6 Houda Lazrak; 3 & 4 Sara C Mozeson

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

en play badge 2 Angel Orensanz Foundation Hosts <em>Art the Throne</em> with: Pop Chart Lab, Jeff Nishinaka, CYRCLE, Marcos Chin and Tristan Eaton

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:Joe Iurato art station16 Stencil Art Masters Joe Iurato, Logan Hicks, Lady Aiko, Icy and Sot and Snik in <em>STENCILED</em> at Montreals Station 16 Gallery

Featuring stencil art by some of our favorite artists, STENCILED opens this Thursday evening, April 28, at Montreal’s Station 16 Gallery. Here is a small sampling of what will be on exhibit through May 21:

Also by Joe Iurato

joe iurato stencil station 16 Stencil Art Masters Joe Iurato, Logan Hicks, Lady Aiko, Icy and Sot and Snik in <em>STENCILED</em> at Montreals Station 16 Gallery

Logan Hicks

Logan Hicks Skybridge 2016 Stencil Art Masters Joe Iurato, Logan Hicks, Lady Aiko, Icy and Sot and Snik in <em>STENCILED</em> at Montreals Station 16 Gallery

Lady Aiko

lady aiko stencil art kimona Stencil Art Masters Joe Iurato, Logan Hicks, Lady Aiko, Icy and Sot and Snik in <em>STENCILED</em> at Montreals Station 16 Gallery

Icy and Sot

Icy and So Desolate stencil Stencil Art Masters Joe Iurato, Logan Hicks, Lady Aiko, Icy and Sot and Snik in <em>STENCILED</em> at Montreals Station 16 Gallery

Also featured in STENCILED is UK-based Snik

stenciled Stencil Art Masters Joe Iurato, Logan Hicks, Lady Aiko, Icy and Sot and Snik in <em>STENCILED</em> at Montreals Station 16 Gallery

 All photos courtesy Station 16

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

en play badge 2 Stencil Art Masters Joe Iurato, Logan Hicks, Lady Aiko, Icy and Sot and Snik in <em>STENCILED</em> at Montreals Station 16 Gallery

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Michael Alan 9 Lives Michael Alan on <em>Nine Lives</em> at Tanja Grunert Gallery

Michael Alan‘s wonderfully inventive new works remain on view through Saturday at Chelsea’s Tanja Grunert Gallery, 524 W 19th Street. After visiting his riveting exhibit, Nine Lives, we posed a few questions to the prolific artist.

Can you tell us something about the title of your current exhibit? What is the significance of Nine Lives to you?

The title, Nine Lives, is a play on my health issues and my determination to not focus on them, but to take what I’ve I learned and help others through my art. The works in this exhibit expand beyond my human life.

Michael Alan art work Michael Alan on <em>Nine Lives</em> at Tanja Grunert Gallery

How have recent life events impacted this body of work? 

Everything that happens to me impacts my work. I represent the tradition of creating work based on my life. My work is my life’s visual journal.

Michael alan close up Michael Alan on <em>Nine Lives</em> at Tanja Grunert Gallery

We love your characters. Who or what inspired them? Are they based on people you know? Or are they simply figments of your imagination?

I see them as part of my visual language — from ghosts of my past to art history references, to my friends and my models and now everyone! Draw the world, and do everything you can do! Life is short. Don’t stay limited or become a brand.

Michael Alan vertical Michael Alan on <em>Nine Lives</em> at Tanja Grunert Gallery

There’s quite a mix of styles and media on exhibit in Nine Lives. Have you any favorite piece or pieces? Any favorite medium?

I wish I could choose a favorite. My mind would be more simple — in a sense — if I could. But I’m a complex multitasker, and I love all things equally! I try as hard as I can to edit and make each work better or at least equal to the last. I think every piece should all hold up on its own.

Michael alan new art work Michael Alan on <em>Nine Lives</em> at Tanja Grunert Gallery

How did the opening at Tanja Grunert Gallery go? It is such a lovely space.

The opening attracted over 500 people. Paul Jacobson had a solo show in the bottom-level gallery, and I loved showing with him. We didn’t have much time to promote our exhibits, but so many people came! Thanks to all! Thank you!

Michael alan outside tanja grunet Michael Alan on <em>Nine Lives</em> at Tanja Grunert Gallery

 What’s next?

I couldn’t say what’s to come, because if I did, I wouldn’t have to do it. It would be done! Every day is a gift, even a bad day! So I just count everything as a blessing…even if it’s a negative.

Photo credits: 1 courtesy Michael Alan; 2-5 Tara Murray and 6 Jennifer Lopez, courtesy Michael Alan

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meres otm graffiti bushwick NYC At <em>Brooklyn Reclaimed</em>: An Oasis of Color and Style with Meres, Demer, Topaz, Jerms, Zimad  and Bishop 203

With its vibrantly seductive murals, the exterior of Brooklyn Reclaimed – curated by Meres One – has become an oasis of color and style.  Here are a few more graffiti murals that have recently surfaced — all by artists who’d frequented the former 5Pointz:

Demer

demer graffiti brooklyn reclaimed At <em>Brooklyn Reclaimed</em>: An Oasis of Color and Style with Meres, Demer, Topaz, Jerms, Zimad  and Bishop 203

Topaz and Jerms

topaz Jerms graffiti brooklyn At <em>Brooklyn Reclaimed</em>: An Oasis of Color and Style with Meres, Demer, Topaz, Jerms, Zimad  and Bishop 203

Zimad

zimad graffiti brooklyn reclaimed At <em>Brooklyn Reclaimed</em>: An Oasis of Color and Style with Meres, Demer, Topaz, Jerms, Zimad  and Bishop 203

Bishop 203 aka Jats

Jats graffiti Bushwick At <em>Brooklyn Reclaimed</em>: An Oasis of Color and Style with Meres, Demer, Topaz, Jerms, Zimad  and Bishop 203

Photos by City-as-School intern Sol Raxlen

Keep posted to our Facebook page and Instagram for more graffiti and street art on the grounds of Brooklyn Reclaimed.

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available here for Android devices.

en play badge 2 At <em>Brooklyn Reclaimed</em>: An Oasis of Color and Style with Meres, Demer, Topaz, Jerms, Zimad  and Bishop 203

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A huge fan of zines and independent publications of all kinds, I was delighted to discover Never Blue, featuring artworks by some of my favorite artists — who make their mark both on and off the streets. Curious about it all, I posed some questions to its curator, Mr. Green aka A Color Green.

Never Blue Zine <em>A Color Green</em> on Mr. Green, Zine Curation, <em>Never Blue</em>, an Imminent Film Release and More

Just who/what is A Color Green? And when was it born?

At the easiest level, A Color Green aka ACG, Mr. Green or Coloure Greene is an independent, NYC-based artist and curator. Mr. Green was born roughly six years ago, about the same time I began to concoct a haphazard entrance into the film industry. And playing off its founder’s last name,  A Color Green was conceived as a film production company title. Today, A Color Green is both an individual artist and his alter ego, as well as a tight-knit production and publishing team – (though always looking to expand into something new!)

Can you tell us something about its logo?

As I began to search for what would be a company “logo,” an immediate connection with the cartoonish face you’ve become familiar with on NYC streets in sticker or tag form was born. Upon realizing the breadth of possibilities or absurdities in this face, ACG expanded into an alter-ego reminiscent of some of my favorite artists or musicians — graffiti legends like Snake 1, contemporaries like Chris RWK and Frank Ape and pop-culture icons like MF Doom, Quasimoto or Big L, Stanley Kubrick, Quentin Dupieux, Roger Ebert and more.

Mr Green Mirror Image <em>A Color Green</em> on Mr. Green, Zine Curation, <em>Never Blue</em>, an Imminent Film Release and More

What spurred you to take Green to the streets?

When I moved back to NYC a few years ago, I didn’t have the resources to pursue my own filmmaking. And inspired by those contemporary artists, I decided to try taking Green to the street, tying in film references. A big inspiration was my intent to develop a curatorial channel to feature these very artists.  And as that “channel” continues to grow, so do the partnerships and connections that have allowed me to branch back into some of my original inspirations in filmmaking and publishing which, of course, leads right back to this interview, Never Blue and some upcoming projects.

Chris RWK keeping theblues away <em>A Color Green</em> on Mr. Green, Zine Curation, <em>Never Blue</em>, an Imminent Film Release and More

Never Blue is Volume 2 of the zines produced by A Color Green. Can you tell us something about Volume 1? Is it still available? What spurred you to produce Never Blue?  What is the concept behind it?

A Color Green Zine was conceived as a trilogy, each installment correlating to a different side of my character, inspiration, aesthetic and — I suppose — humor. As an artist, I’ve always identified with those masterful creators like Picasso or Kubrick who understood the importance of change and redefining one’s self throughout a career. This trilogy is a direct nod to something like Picasso’s Blue Period or Kubrick’s ability to produce Barry Lyndon directly after A Clockwork Orange. The styles are so radically different, but through the change you still catch a similar glimpse of what drew you there in the first piece — whether a feeling, face or something else entirely. 

Our first edition, Black and White was also a limited edition risograph print co-published by Endless Editions  – as the entire trilogy will be — and featured roughly thirty artists, a number of whom are also featured in Never BlueWhile Black and White was meant to adhere to that gritty, DIY style — which I’d strictly adhered to for two years – Never Blue, was meant to be a sad or celebratory, soulful or seductive step away from the simple shades of B&W. If you missed out on the sold-out first edition, you can download a free copy of the A Color Green Zine Vol. 1 Black & White now on BitTorrent.

Ceez <em>A Color Green</em> on Mr. Green, Zine Curation, <em>Never Blue</em>, an Imminent Film Release and More

Works by dozens of artists representing a wide range of styles, sensibilities and cultures are featured in Never Blue? That’s quite impressive. How did you decide which artists to include? How did you reach out to them?

While Never Blue is the second official zine I’ve created with A Color Green, it’s actually our third publication following a small print we released over the summer called the Green Carpet Zine. Like I said, we had always intended to make A Color Green Zine an official trilogy, and receiving the proper submissions took some time — so much so that we took a break and created the entirely random Green Carpet Zine.

What differentiates the Green Carpet Zine from the official ACG trilogy is an emphasis on street art and representing that style in an illustrative or photographic form on the page. There were a number of artists I knew who had to be in it – starting with several highly talented friends including: HausRiot, Kristy Elena, Seth Laupus, Zero Productivity, Leaf8k and JCorp TM who were in the first edition. Next, I needed to reach out to some of my favorite contemporaries like Brolga, CEEZ, Chris RWK, City Kitty, Murrz, Abe Lincoln Jr. and Frank Ape who’d inspired me to get back into street art. And as I often find with that community, everyone was wonderfully supportive. I also opened up submissions to artists via the Con Artist Collective where I received dozens of illustrations that were incredibly difficult to choose from. The remaining slots were announced via social media where another couple of dozen artists responded.

Unfortunately, not all of the artwork could make it in, and that’s where we needed to put on the curatorial hat and figure out which submissions not only fit the theme, but worked together in a layout as well. Emphasizing the different styles is very important to us, and when you flip through the zine, you’ll find we pair similar styles together and contrast different looks. The result is a blend of hand-style, graphic design, illustration, wheat-paste and whatever else.

Abe Lincoln Jr <em>A Color Green</em> on Mr. Green, Zine Curation, <em>Never Blue</em>, an Imminent Film Release and More

What was your greatest challenge in getting this zine out? How did you promote it once it was published?

Time is always the greatest challenge. The balancing act of juggling work, life and responsibility. Every artist who submitted to the zine — whether anonymous or not — has a life outside of their alter-ego, and so do I. We couldn’t dictate a strict delivery for some submissions, because we desperately wanted some artists to partake, and I would have pushed the printing back for some people if need be.  But after receiving over fifty submissions, we knew we had to cut it off and set a release date. That release date, after two years gave ACG and Endless Editions the much needed fire under our asses, and within two months we had two hundred fresh risograph copies and an opening set at Con Artist NYC where another 25 artists donated work to hang on the walls.

Promoting after such a long build up was the easy part and it took place mostly via social media — across 30 somewhat artist pages on different platforms — in addition to a couple of NYC art listings and press releases. Con Artist also has been a major champion of our work and promoted it heavily across their channels.

MURRZ Never Blue <em>A Color Green</em> on Mr. Green, Zine Curation, <em>Never Blue</em>, an Imminent Film Release and More

What’s ahead for A Color Green?

Up next for ACG is a long-awaited rest from zine curation and my official directorial debut in MUTE which will have its hometown world premiere with the BK Horror Club and Brooklyn Horror Fest tomorrow, April 21. The short film features Danish star Albert Bendix as a tongue-chopping madman and is followed in double-feature form by a screening of the modern-classic You’re Next, sponsored by Throne Watches and Narragansett Beer. Tickets can be purchased here. And If you’re yet to check out Never Blue, you can buy a copy at Con Artist while supplies last or head over to Printed Matter, Inc where the zine will go on sale later this month. More on www.acolorgreen.com.

Interview by Lois Stavsky; all images courtesy Mr. Green

Images: 

1. Mr. Green with Never Blue

2. Mr. Green

3. Chris RWK

4. Ceez

5. Abe Lincoln Jr.

6. Murrz

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