Yes One

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Opening tonight at More Points Bx in the Hunts Point section of the Bronx is Fight 4 Your Write: The CAMO Show, an exhibit of intriguing art in a range of media and styles suggestive of the notion of camouflage. While previewing the exhibit yesterday, I spoke briefly to More Points Bx directors and curators, Sienide and Eric Orr.

What inspired you to curate this exhibit?

We wanted to bring our friends together, while sharing different styles and techniques of art — all beautiful and unconventional and on a common theme.

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What are some of the techniques represented here?

There are so many. Among them are: stencil art, aerosol art, mixed media, painting, printing, sketching, drawing with markers…More Points Bx even has its first oil painting featured here.

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Can you tell us a bit about the exhibit’s theme? 

It’s our theme — the concept of camouflage. As graffiti writers, there is much we hide. And much of what we write is only for us to decipher.

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How did you decide which artists to feature?

We got the word out among our friends, and we reached out to others on social media.

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There’s quite a range of artists here — from several younger emerging ones to many established legends. How many artists are featured in the exhibit?

There are 36. Dozens of people reached out to us.

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After the exhibit officially opens, how much longer will it remain on view?

It will stay up for a bit over a month — 36 days to be exact!

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How can folks arrange to see it if they miss the opening or if they wish to view it a second time? There’s so much to see!

One of us is here at 527 Faile Street just about all afternoons and evenings. We can also be reached by email at mrmorepoints@gmail.com.

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What can folks who attend the exhibit’s opening expect — besides the great art and great company?

Music for the evening will be powered by DJ JAZZY JAY with special guests, and drinks will be provided by Port Morris Distillery. Come out and help us kick off the new season!

Images

1  BG 183, Tats Cru

2  Sienide, Rhonda Rae and Al Diaz

3  Al Diaz

4  Bio Tats Cru, Steve Cogle and Nicer Tats Cru

5  Yes One

6  Eric Orr

7  Serve

Photos and interview by Lois Stavsky

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Yesterday was another busy day at the Bushwick Collective, as a range of local and global artists prepared for today’s block party. Here’s a glimpse of the action, which continues today:

French graffiti artist Mist joins Crash and Tats Cru

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Yes One

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Damien Mitchell

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Li-Hill

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Telleache

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Buff Monster

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And, yes, today’s the big day!

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Note: And for background information about the Bushwick Collective and its founder Joe Ficalora, be sure to check out this this short video, produced for the Tribeca Film Festival, if you haven’t already.

All photos by Tara Murray

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The first day of spring 2015 brought wintry snow to NYC. Here are a few images I captured while in Greenpoint for the day:

 Phetus

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Matthew Denton Burrows

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Cern

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Tone

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 Faring Purth

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ShiroYes One and Tone MST

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To be identified

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 Miro RIS (& Shiro, top right)

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Photos by Lois Stavsky

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The walls in the vicinity of McGuinness Boulevard and Clay Street in Greenpoint continue to showcase a diverse range of vibrant graffiti. Here are a few captured this past week:

Justin Phame and Bella Amaral

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Shiro2ESAE and Yes One

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Noah TFP

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Wolf 1 AOK

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Tone MST

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Photos by Lois Stavsky 

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Nic707

The brainchild of veteran graffiti writer Nic707,  InstaFame Phantom Art continues to bring graffiti back to NYC trains — with artists from across the globe now contributing to this ingenious project. Here are a few images of artworks captured on the 1 and 6 lines:

The legendary Kingbee

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British graffiti pioneer Pulse

Pulse

Bronx native Yes One

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Bogota-based stencil artist Praxis

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Style-master Meres — of 5Pointz fame

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Old School writer Tony164

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And new from Nic707

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Photos by Lois Stavsky 

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Speaking with Yes One

July 9, 2014

Bronx native Yes One has been gracing walls, canvases and more with his energetic aesthetic — in NYC and beyond — for almost 30 years. StreetArtNYC is delighted to feature an interview with him.

"Yes One"

How did you first get into graffiti? What inspired you?

I was introduced to graffiti by Smiley 149 of the Ebony Dukes when I was 10 years old. He used to chill outside my favorite candy shop where I played Asteroids on the arcades. He sat on a crate right outside, and we would vibe watching the trains go by on the Tremont El. This was about 1979.

When you began writing, what kind of surfaces did you hit?

Illegal ones — because of the rush. I can’t explain it, but it’s like robbing a bank.

How did your family feel about what you were doing back then?

My mom and dad hated it. They saw it as a crime. My mother was scared. She used to say, “Te voy a botar esas latas!” (I’m going to throw your cans out!)  She actually kept some of those cans, and I have some collectables today.

"Yes One"

Have you painted with any crews?

Yes! I’ve painted with BT, 4Burners, GAK, and FX — among others.

Do you prefer working alone or would you rather collaborate with other artists?

I often work alone, but I’m open to collaborating with anyone.

Who are some of the artists with whom you’ve painted?

Dero, Pase, PerOne, Logek, Beasto, Tone MST, Ribs GAK and Shiro  —  to name a few.

"Yes One"

Any thoughts on the graffiti/ street art divide?

I see them as two different things. Graffiti is letters, forms and styles. Street art doesn’t pay homage to graffiti, but I can admire it.

How do you feel about the movement of graffiti and street art into galleries?

I think it’s great! I had works featured in a number of exhibits including Cause and Effect and Board of Art and at the Bronx Museum of the Arts.

What about the role of the Internet in this scene? Do you follow any sites?

I follow 12ozProphet and FreshPaint. The Internet is a great networking and marketing tool. It is how I’m able to sell canvases overseas.

And the photographers in this scene? How do you feel about them?

They don’t bother me. They have learned the etiquette.

"Yes One"

Do you have a formal arts education?

I never went to art school.

What’s the riskiest thing you’ve done?  And why were you willing to take that risk?

Painting in the 2 and 5 train yards in the Bronx with Clark in the late 80s. I was young, and you do foolish things when you’re young.

How would you describe your ideal working environment?

My ideal working environment is the Ya Tu Sabe studio space.

What inspires you these days?

Seeing people checking out my walls, taking pictures and smiling. When I see people appreciating my work, I feel I did my job.

"Yes One"

Are there any particular cultures you feel influenced your aesthetic?

I influence myself.

Do you work with a sketch in your hand or do you let it flow?

I work with a sketch in my hand, but what goes on the wall is not always a hundred percent what was on the paper.

Are you generally satisfied with your work?

I’m never satisfied. I may “finish” a wall this week and go back the next saying to myself, “I could have added this or that.”

How do you feel when you look back at the work you did two years ago?

I take it as a good reference point for picking up new techniques and elevating my style. I feel that my work has gotten stronger. And I feel a hunger to produce more and further my talents.

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What percentage of your day is devoted to your art? I know you have a “day job.”

I’d say about 75 percent. It’s work – then, art. I wake up at 5 in the morning and don’t go to sleep until 2 a.m.

What are some of your other interests?

I love baseball and collecting rare items. I also love BMX bikes.

What do you see as the role of the artist in society?

The role of the artist is a big one. The artist is there to affect a person’s mind by introducing new ideas and concepts.

Interview conducted by Lenny Collado and edited by Lois Stavsky; photos 1, 2, 4 & 5  Lois Stavsky; 3 & 6 Dani Reyes Mozeson; photo 5 is from Yes One’s black book; photos 2 & 4 (close-up) are from works currently on exhibit at the Pop Bar in Astoria, Queens; photo 6 is a collab with Shiro, Part and Meres at 5Pointz 

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