solo exhibition

Back in 2015, the American-born, Amsterdan-based artist Mando Marie aka Amanda Marie charmed us New Yorkers with her delightfully playful images that surfaced at the Welling Court Mural Project, the Quin Hotel and the 12C Outdoor Gallery. This Thursday, she will be sharing her newest works in Checked Out, a solo exhibition at Montreal’s Station 16 Gallery. A small sampling follows:

The iconic Reading Girl engrossed in Mad Magazine

A Collage of Book Covers

The exhibition opens — with the artist in attendance — this Thursday, November 29, from 6:00 PM to 9:00 PM at Station 16 Gallery, 3523 Boul. St-Laurent, and continues through December 22.

Images courtesy Station 16 Gallery

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Self-described as a “NYC-based visually impaired Street-Pop artist with a vintage flair,” the lovely OG Millie primarily fashions infectious portraits of iconic international figures. Ranging from the Buddha to Biggie, they are customarily painted with brilliant hues onto vintage decorative mirrors, exuding a distinctly enchanting aura.

A wonderfully diverse sampling of the artist’s portraits were exhibited this past Wednesday at a reception held at Long Island City’s magical Paper Factory Hotel, celebrating the Queens launch of LG USA Mobile‘s impressive, new five-camera LGV40 ThinQ. Pictured above is OG Millie‘s rendition of the Buddha. Several more images follow:

The famed Brooklyn-based rapper Biggie Smalls

The legendary American rock guitarist Jimi Hendrix

The German-born brilliant physicist Albert Einstein

And all eyes upon her  — or the phone capturing her! –as she intently begins to paint live

Note: You can see the final piece painted live by OG Millie here.

Photos by Lois Stavsky

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If you missed Shepard Fairey’s massive, hugely significant, exhibition Damaged in late 2017, it is still possible to experience it. West Coast-based VRt Ventures – in its mission to make provocative exhibitions accessible to all – has created the experience for us in virtual reality with a mobile app that enables us to move around the entire gallery, tap on all artworks and listen to two hours of outstanding narration by the artist.

Experiencing Damaged now couldn’t be more timely, as Shepard Fairey focuses on those Americans most affected by current policies and social issues in our increasingly troubling political climate. Among the issues tacked are: xenophobia, racial bias, Wall Street corruption, economic inequality and sexism.

“I definitely think that art can be part of the solution because it can inspire people to look at an issue they might otherwise ignore or reject,” commented the artist.  Damaged is an honest diagnosis, but diagnosis is the first step to recognizing and solving problems.

Officially launched earlier this week in collaboration with Juxtapoz, the app that will make it possible for you to experience Damaged can be downloaded for $4.99 via the iOS App Store and the Google Play store for Android, and on Oculus, HTC and Steam. You can also check it out at the Damaged pop-up open to the public through Sunday, October 21, at 136 Bowery.

Images: 1 & 4 Lois Stavsky; 2 & 3 courtesy VRt Ventures 

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Continuing through this weekend at Red Bull Arts New York is RAMMΣLLZΣΣ: Racing for Thunder, the historic solo exhibition focusing on the extraordinary, idiosyncratic talents of the late multi-media artist, graff writer, hip-hop pioneer and Gothic Futurist theoretician RAMMΣLLZΣΣ. A diverse selection of the artist’s visual works, music and writings, along with rare archival documentation and ephemera, presents an intimate portrait of the visionary New York cult icon. The mixed-media image above features one of the artist’s wildly imaginative Garbage Gods.  Several more images from the remarkable  RAMMΣLLZΣΣ: Racing for Thunder follow:

Letter Races, Mixed media

Monster models, Mixed media

Letter M Explosion, Mixed media

Luxturnomere Hammer Bar Hammerclef Force Field One, Spray paint on cardboard

Jams, Spray paint and acrylic on canvas

The man, himself

The exhibit continues through Sunday at 220 West 18th Street in Chelsea, Manhattan. Red Bull Arts New York is open from 12-7pm.

Photo credits: 1, 4-7 Lois Stavsky; 2-3 Karin du Maire

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Opening this Wednesday evening. July 25, from 6-9pm at GR Gallery at 250 Bowery is “Super Matter,” a solo exhibition featuring new works fashioned collaboratively by Simon Grendene and Victor Anselmi, known to us street art aficionados as ASVP.  Segments of recognizable icons, reimagined as shapes of expressive energy, mesmerize the viewer with their dynamic strokes and bold contours. The tantalizing image featured above was fashioned on wood.  A small sampling of additional works from the upcoming exhibit follow:

On canvas

On wood panel

And on a similar vein to their mural art that surfaced a few months back on the Lower East Side

Images courtesy GR Gallery

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Brimming with exuberant energy and stylishly striking images, HIGH & TIGHT, LA2‘s solo exhibition, is a cause for celebration.  Proclaimed by Keith Haring — with whom he had collaborated in the 80’s — as the “Graffiti King of the Lower East Side,” LA2 is tighter than ever. Pictured above is LA2 standing next to the exhibit’s curator and gallerist, Jonathan Satin. Several more images captured while I visited the space at 198 Allen Street on Manhattan’s Lower East Side follow:

Installation of several canvases, sneakers, skateboard deck and more 

 

Several more artworks and memorabilia reminiscent of LA2’s collaborations with Keith Haring

Canvases, repurposed traffic sign, skateboard deck, guitar and collaboration with London-based Stik

 

You can join LA2 tonight — from 8-11pm — at 198 Allen Street. He promises “live painting and dancing” in celebration of Independence Day. And through Sunday’s 5pm closing, the space is open every day from 12-8pm

Photos: Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Opening Saturday evening at WallWorks New York is “Tough Love,”  Irish artist Solus‘s first solo exhibition in NYC. Featuring 15 new paintings and prints, along with resin sculptures, “Tough Love” is a testament to the artist’s universal appeal as he continues his works’ theme of “overcoming life’s obstacles, being victorious against all odds, “hope” and not going down without a fight.”

The following images were captured at Solus’s studio back in Ireland, as he was readying for the exhibit:

Untitled

A glimpse of the artist’s studio

Tough Love

And his now iconic “Dream Big”

Opening this coming Saturday evening 5-8pm at 39 Bruckner Blvd in the Bronx, the exhibition continues through May 16.

And to coincide with the opening of “Tough Love,” Solus will be creating a mural courtesy of The L.I.S.A Project in downtown New York City. Sponsorship for this exhibition is in collaboration with The L.I.S.A Project and Culture Ireland.

All photographs courtesy of the artist

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Featuring a captivating range of paintings, drawings and pastels, Daze’s solo exhibition, Daily Commute, is a stirring ode to NYC – its diversity, its energy and its legendary graffiti culture. Handsomely curated, it continues through March 17 at P.P.O.W at 535 W 22nd Street in Chelsea. Pictured above is Midtown, rendered with oil, acrylic, spray paint and pumice on canvas. Several more images follow:

Rush Hour Reflection, oil, spray paint, acrylic and pumice on canvas

Eastern Parkway, oil, acrylic, spray paint and pumice on canvas

Masquerade W.H. in Times Square, oil, acrylic and spray paint on canvas

Stolen Moments, oil, acrylic and spray paint on canvas

Generations, oil, acrylic and spray paint on canvas

P.P.O.W is open Tuesday through Saturday from 10am to 6pm.

Photo credits: 1, 3, 5 & 6 Lois Stavsky; 2 & 4 Tara Murray

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We first came upon Alexis Duque‘s tantalizing aesthetic several years ago, when we discovered a meticulously detailed wheatpaste of his on Manhattan’s Lower East Side. We’ve been huge fans ever since. His rich and inventive sensibility is now on view in Paradise Lost— a solo exhibition opening tonight, March 7, and continuing through March 31 — at Paul Calendrillo New York.  Pictured above is Calaveras X, rendered with acrylic on canvas against a background inspired by post-colonial floor tiles of traditional Latin American homes — as seen by the artist on his many visits to his native country, Colombia. Several more masterfully crafted images, all suggestive of a world in which Paradise is lost, follow:

Truck, Acrylic on canvas, 2017, 16″ x 12″

Diana, Acrylic on canvas, 2017, 24″ x 16″

Slum, Acrylic on canvas, 2013, 31.5 x 23.5

And one of several sculptures on exhibit —

Dwelling, Cardboard, modeling paste, ink and acrylic, 2018, 20″ H x 10″ W x 10″ D

Paul Calendrillo New York is located at 547 West 27th St, Suite 600, in Chelsea and is open 11:00am to 6:00pm Tuesday – Saturday with extended hours on Thursdays that offer an opportunity to meet the artist. Tonight’s opening reception takes place from 6:00 to 8:00pm.

Photos of images: 1-4, Lois Stavsky & 5 Tara Murray

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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For the past month Brooklyn-based Sara Erenthal has set up base in Tel Aviv. What follows is a brief interview with the intensely committed multi-disciplinary artist:

What brought you to this region? 

It is where I was born, where I had left my religious upbringing and where, six years ago, I had my first art exhibition. And for the past several years, I’d wanted to return to share my art with the ex-Orthodox community and participate in the vibrant, expressive street art culture here.

Can you tell us a bit about the difference between “getting up” here and back home in Brooklyn?

There is more  freedom of expression on the streets here, and because I’m here for a limited amount of time, the experience has been far more intense.

What have been some of the highlights of this trip?

Visiting and painting in Bethlehem, my first time on the “other side,” and having the opportunity to exhibit my artwork here at the Red House Shapira in South Tel Aviv. And the amazing feature article in Haaretz by Tamar Rotem was, also, a highlight.

Can you tell us a bit your exhibit “Re-Cover” here at the Red House Shapira.  How did it happen? 

Shortly after I arrived in Tel Aviv, I visited the Red House Shapira, a unique space — housed in a historic building — known for its commitment to promoting diversity in the arts. There I met Oren Fischer who invited me to showcase an installation of new works created from found materials in the neighborhood.  My intent was to mirror the diversity of the neighborhood in a unified fashion, while giving new life to discarded matter.

What were some of the challenges you faced in making this happen?

The major challenge was the short period of time I had in pulling it all together. Both Tamar Rotem and Max Streetwalker offered me assistance in the logistics of collecting the varied materials and bringing them over to the studio. I am so grateful to them for their help. And, of course, I could not have accomplished this without the studio space that the Red House Shapira provided.

Congratulations! I look forward to seeing your work in similar installations in other cities, including, perhaps, NYC!

Note: “Re-Cover” can still be seen tomorrow, Sunday, from 11:00 to 17:00; Monday 12:00 to 19:00 and Tuesday 10:00 to 19:00 at the Red House Shapira, Israel MiSalant 39 in Shapira, Tel Aviv.

Interview conducted by Lois Stavsky

Photo credits: 1 & 2 Lois Stavsky; 3 Yonatan Ruttenberg and 4-6 Sara Erenthal

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