For the past month Brooklyn-based Sara Erenthal has set up base in Tel Aviv. What follows is a brief interview with the intensely committed multi-disciplinary artist:

What brought you to this region? 

It is where I was born, where I had left my religious upbringing and where, six years ago, I had my first art exhibition. And for the past several years, I’d wanted to return to share my art with the ex-Orthodox community and participate in the vibrant, expressive street art culture here.

Can you tell us a bit about the difference between “getting up” here and back home in Brooklyn?

There is more  freedom of expression on the streets here, and because I’m here for a limited amount of time, the experience has been far more intense.

What have been some of the highlights of this trip?

Visiting and painting in Bethlehem, my first time on the “other side,” and having the opportunity to exhibit my artwork here at the Red House Shapira in South Tel Aviv. And the amazing feature article in Haaretz by Tamar Rotem was, also, a highlight.

Can you tell us a bit your exhibit “Re-Cover” here at the Red House Shapira.  How did it happen? 

Shortly after I arrived in Tel Aviv, I visited the Red House Shapira, a unique space — housed in a historic building — known for its commitment to promoting diversity in the arts. There I met Oren Fischer who invited me to showcase an installation of new works created from found materials in the neighborhood.  My intent was to mirror the diversity of the neighborhood in a unified fashion, while giving new life to discarded matter.

What were some of the challenges you faced in making this happen?

The major challenge was the short period of time I had in pulling it all together. Both Tamar Rotem and Max Streetwalker offered me assistance in the logistics of collecting the varied materials and bringing them over to the studio. I am so grateful to them for their help. And, of course, I could not have accomplished this without the studio space that the Red House Shapira provided.

Congratulations! I look forward to seeing your work in similar installations in other cities, including, perhaps, NYC!

Note: “Re-Cover” can still be seen tomorrow, Sunday, from 11:00 to 17:00; Monday 12:00 to 19:00 and Tuesday 10:00 to 19:00 at the Red House Shapira, Israel MiSalant 39 in Shapira, Tel Aviv.

Interview conducted by Lois Stavsky

Photo credits: 1 & 2 Lois Stavsky; 3 Yonatan Ruttenberg and 4-6 Sara Erenthal



A self-taught, multi-disciplinary artist, Sara Erenthal has a strong presence on the streets of Park Slope, Brooklyn. We recently spoke.

You’ve established quite a presence here on the streets of Park Slope. What keeps you coming back?

There is a lack of public art in Park Slope, and there seems to be a hunger for it. Folks here have been so receptive to what I am doing. They seem excited to have something interesting and different to look at.  Park Slope is where I am living these days, and so it’s easy for me to get around either by foot or by bike.


With the exceptions of the walls you are commissioned to paint, your canvas is almost always some type of discarded object. Why is that?

Since folks take many of my works home with them, I feel that I am saving trash from ending up in landfills. Also – what I am doing is not illegal. I cannot take the legal risks of doing unsanctioned artworks that could land me with a fine, time in jail or both.


You almost always seem to be drawing faces. Can you tell us something about them?

They are variations of myself – subconscious portraits. Growing up in a cloistered ultra-Orthodox world, I was limited to just one hairstyle. The changes in the hairstyles represent the changes in myself.


I’ve noticed folks stop and often photograph you while you are drawing.  Do any particular interactions with passersby stand out?

Yes! Recently a woman ran after me as I was rushing out of my house — in my pajamas — to the local health food store to buy some ginger. I was sick at the time. She asked me if she could bring her father – a huge fan since he had seen my work on a mattress — to meet me. He showed up almost instantly for his daughter to snap a photo of the two of us  — with me decked in my pajamas!


In addition to your work on found objects, you’ve also painted on a range of sanctioned surfaces this past year. Any particular challenges? Any favorites?

Painting on a shuttered gate was definitely a challenge as I generally paint on flat surfaces. Among my favorites is the artwork that I painted at D’Vine Taste.


Yes! I love the stark simplicity of the white on black. It’s beautiful! And what about the piano? How did that become your canvas?

A local pre-school threw it out last spring with a sign “Free piano.” Six months later it was still there. I asked then for permission to paint it. And I love that it is still there! I feel as though I gave it a new life.


You did! What’s ahead? 

I am now preparing for a solo show to open at FiveMyles Gallery at 558 St Johns Place on March 9 from 6-9pm. And later in the spring, I will be exhibiting my work at Google’s New York site in Chelsea. An outdoor mural in Gowanus is also on the horizon.

I’m looking forward to it all! Good luck!

Photo credits: 1-5 & 7 Lois Stavsky; 6 Tara Murray; interview conducted and edited by Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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While exploring the streets of Mexico City earlier this month, I meandered into Huerto Roma Verde, a huge urban community garden — largely constructed with salvaged materials — in the South Roma colony. Committed to ecological awareness and sustainable consumption, it features a range of workshops and activities for folks of all ages.  It is also rich and varied not only in its offerings and produce, but in its public art, as well. Here is a small sampling:


One of many art pieces on its grounds


And this one capturing its spirit–


As seen from the outside


Photos by Lois Stavsky



NYC’s prolific RAE BK will join forces with the legendary DJ Kool Herc at 99 Bowery on New Year’s Eve for an unprecented event. A brief interview with RAE BK about his new exhibit  and its New Years Eve launch follows:

This sure seems like a fun way to spend New Years Eve! What spurred you to do this? 

After everything that has gone on with this Presidential Election in the US, I decided the best way to bring in a 2017 is with a bang.  I hope it’s a way to at least turn the page for an evening for those who attend. The name of the exhibition is All Systems Go and it centers around the comparison of discarded objects and human beings.

What kinds of works can we expect to see? On the streets we’ve spotted everything from your stickers to your huge installations?

There will be about 40 pieces ranging from ‘found object’ sculptures to large scale canvases to paintings on paper.  These are works I have made over the course of eight months.  And what better way to say goodbye to 2016 than to have a living legend, the Father of Hip-Hop, DJ Kool Herc, to bring some bass and get people moving later on?


Can you tell us something about the found objects that you have been working with? Where did you find them?

A lot of the parts I have collected and used to make the work have come from an area in Willets Point. Queens, NYC.   It’s about a 10- block section full of “chop shops,” huge pot holes and some really weathered people. The feeling is third-world for sure. For someone looking at it from the outside — like me — it’s like the land of the forgotten.  Mechanics look like they’ve put in a week’s straight worth of doing car repairs. Others are selling drugs and looking to turn tricks. The work I have created is as much a reflection of the materials as it is of the environment.  A lot of rusted metals, worn fabrics and scraps of plastics… Think “pop-artifacts.”

What was it like to work with these objects?

While working in my studio, I kept seeing the worn and weary faces of the people I encountered in the weathered parts. I adopted the philosphy of making the best of the materials you are given.  And these materials came from the people of Willets Point. People there do what they have to do to make a living. Whatever it takes. The interesting thing is that for all the rusted, decayed, crushed pieces I found, I also found stuff that had a nice gold or silver shine or burst of color that created a cool high-end, low-end quality to the finished pieces.


How can one attend All Systems Go on New Years Eve?

Opening night will be a ticketed event with open bar and music spun on vinyl by DJ Kool Herc.  I will be giving away a small original piece of work just before midnight too. You can get tickets here.

And if we can’t make it to the New Years Eve opening, will we still be able to see your show?

Yes! The show will run for at least another week after that. Check my Instagram for updates.

Interview by Lois Stavsky; photos 2 & 4 from NYC streets, Tara Murray

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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