Marcelo Ment

Marcelo Ment: From Rio de Janeiro, Brazil to JMZ Walls on Myrtle and Broadway in Brooklyn, NYC

August 31, 2019

Earlier this month, Brazilian artist Marcelo Ment returned briefly to NYC, gracing a huge corner at JMZ Walls on Myrtle and Broadway in Bushwick. For three days, he worked approximately eights hours each day, interacting with local folks from the neighborhood and walking away with a strong sense of the place and the people who call it home. He described the time he spent there as “one of the most intense experiences of this life.” Featured above is one segment of the mural. Following are several more photos we captured on Marcelo Ment‘s final day of painting:

The artist in action

The Light: One Love, Respect and Loyalty

And the mural continues with a tribute to Biggie and Brooklyn

Biggie Smalls, closer up

Photo credits: 1, 4 & 6 Lois Stavsky; 2, 3 & 5 Ana Candelaria

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Speaking with Rio de Janeiro-Based Artist Marcelo Ment

June 20, 2017

Brazilian artist Marcelo Ment recently brought his infectious, spirited aesthetic back to NYC, where he painted in Bushwick for JMZ Walls, on the Lower East Side for the New Allen and at First Street Green Park for International Hip Hop Day. While he was here, I had the opportunity to interview him.

When and where did you first get up?

It was in 1992 in Rio. I was 15 at the time.

What inspired you back then?

I always loved graffiti. My friends used to bring back graffiti magazines from the States, and I loved what I saw. I wanted to do it too. And from the time I was a young child, my older sister had always encouraged me to draw.

How did it feel at the time – the first time you got up?

It was great! I was so excited, I had butterflies in my stomach. It was love at first touch.

How did your family feel about what you were doing back then?

My mom didn’t understand it. She said, “You have talent. So why are you doing this?” But now my entire family is proud of me. They respect that I can make a living from what I love doing.

Yes, that’s the best! What is the principal source of your income?

Commissions, graphic design and canvasses.

What was the riskiest thing you’ve done?

Painting in high places that were not safe.

So then why did you?

I told myself that I have to.

What about these days? Do you prefer to work in legal spots or in unsanctioned ones?

These days I tend to do more legal work. I’m 40. I’m not a kid anymore, and I have serious responsibilities. But I respect illegal art and I miss the adrenalin rush.

Have you any thoughts about the graffiti/street art divide?

I don’t feel it in Rio. There’s a sense of mutual respect.

Are there any particular cultures that have influenced your style?

My initial and principal influence was classic NYC graffiti. I love letters.

Do you have a formal art education?

No! I’m self-taught.

What percentage of your time is devoted to art?

Almost 100%.

Have you any other interests? Passions?

Music is very important to me. I especially love reggae – all kinds of it.

Have you shown your work in galleries?

Yes, I’ve exhibited in Rio and in Amsterdam.

Do you prefer working alone or collaborating with others?

I love collaborating with friends.

Are there any artists you would particularly like to collaborate with? Artists who have inspired you?

Among them are: Marko 93 from Paris, Germany’s Can2 and the Brazilian artist, Tarm.

What is your ideal working environment?

Anywhere I have access to paint!

Do you work with a sketch in hand or do you let it flow?

It varies. I prefer to freestyle.

Are you generally satisfied with your finished work?

I don’t think I am. We are all so far from our best.

How has your work evolved through the years?

It’s evolved from painting letters to painting women. Painting women has been particularly challenging. And as I continue to grow as an artist, I tend to fuse my various styles and skills.

How do you feel about the role of social media in all of this?

It’s good and bad. Some are too eager to share what’s not worth sharing.

What do you see as the role of the artist in society?

To share knowledge and awareness.

Photos: Lois Stavsky; interview conducted and edited by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Celebrating International Hip-Hop Day at First Street Green Park: T-Kid, Jerms, Doves, Lady K Fever, Andres Correa, Kool Kito, Marcelo Ment, La Femme Cheri, Ree, Resa Piece and more

April 17, 2017

Last Tuesday, First Street Green Park — on the corner of Houston Street and 2nd Avenue — was home to a buoyant celebration of International Hip-Hop Day. Hosted by PeepThis and organized by Anthony Bowman and Kate Storch, the event featured legendary graffiti artists, along with hip-hop and DJing pioneers. The mural pictured above was painted by T-Kid. Here are several more images we captured:

Jerms

Doves

Lady K Fever at work

Andres Correa at work, to the left of Kool Kito

Marcelo Ment — in from Brazil

La Femme Cheri, Ree and Theresa Kim aka Resa Piece

The crew

Other featured New York graffiti and street art legends included: Will Power, Flint 707, Nic 707, Keo, Omni and Frank Wore Croce. The hip-hop music — featuring DJ Grand Wizard Theodore and DJJS1 — was broadcast live on Damatrix Studios.

Photo credits: 1-4 & 7 Lois Stavsky 5 & 6 Tara Murray & 8 Karin du Maire

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Speaking with JMZ Walls Founder and Curator Alberto Mejia

February 14, 2017

“Helping to make the JMZ lines more colorful one wall, one gate, one space at a time,” JMZ Walls continues to bring a diverse range of first-rate street art and graffiti — by both local and global artists — to South Bushwick. I recently had the opportunity to speak to its founder, Alberto Mejia.

When was JMZ Walls first launched?

In the fall of 2014.

What spurred you to initiate it?

I’d been living in Bushwick – off the JMZ lines – for 20 years. In the past several years, I saw positive changes in in other parts of Bushwick that I didn’t see happening here.

And many of these changes are directly related to the art that had begun surfacing on the streets.

Yes! My vision was to bring street artists, graffiti writers and muralists to my end of Bushwick. And I didn’t think that these genres should be kept separate from one another. Why shouldn’t graffiti writers share space with street artists and muralists?

I agree! And the visual impact of JMZ Walls has been great. How did you go about getting walls for artists?

I know many of the building owners. At first I started asking for gates, and soon the owners were offering walls to me.

Who were some of the first artists to paint for JMZ Walls?

The first piece was by a German graffiti writer, Byond. He was followed by Queen Andrea, Claw Money and Dasic Fernandez. I was inspired by Queen Andrea, in fact, to dedicate an entire block — Lawton Street — to female artists!

How do you decide which artists to include?

I’m interested in giving opportunities to local graffiti artists who haven’t had all that many occasions to paint in legal spots. And I love hosting talented artists from abroad who are seeking a space to paint. I also like giving opportunities to artists who don’t generally paint in public spaces.

Yes! I was introduced to several artists – including BK Foxx – through JMZ Walls. How has the local community responded to JMZ Walls?

Families have been very appreciative, and the kids love the art. I often hear them saying, “That’s cool!” when they pass by.

Yup! You have certainly enlivened this end of Bushwick! It’s worth a ride on the J, M or Z line out here just to see these walls you’ve curated! I’ve done it often! What – would you say – has been your greatest challenge?

My greatest challenge has been financing it. Supplies and paints are expensive, and artists’ budgets are often limited. You can find out here how you can help support us through our recently launched GoFundMe Campaign.

Thank you for all that you’ve done for the community and for all of us street art and graffiti aficionados. We look forward to what’s ahead for JMZ Walls. And good luck with your GoFundMe Campaign.

Images

1. BK Foxx

2. Brazilian artists Thiago Valdi & l7m

3. Rio de Janeiro-based Marcelo Ment

4. Kesta

5. Montreal-based Philippe Mastrocola aka Spraycam

Photo credits: 1 & 2 Tara Murray; 3-5 Lois Stavsky; interview conducted and edited by Lois Stavsky

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Outdoor Gallery NYC Author Yoav Litvin on the Streets of South America with: Inti, Gonzalo Sánchez Painters, Stinkfish & the APC Crew, Entes & Pésimo, Decertor, Marcelo Ment, Tarm1, Nove and Apitatan

May 26, 2015

Outdoor Gallery NYC author Yoav Litvin recently returned from a five-month trip abroad, where he explored the street art in several key South American cities and towns. I had a chance to catch up with him last week:

Those of us following you on Instagram got a mere glimpse into your incredible adventures on the streets of South America. You visited Colombia, Ecuador, Bolivia, Peru, Chile and Brazil. What spurred your interest in that region?

I was curious. I had seen amazing works from South America online, and while I exploring the streets of NYC, I had met a number of South American artists.

In what ways did your findings meet your expectations?

I expected to be blown away and inspired. And I was — beyond any expectations.

What were some of the highlights of your trip?

There were so many! Among them were: walking around the streets of Lima with Entes; coming unexpectedly upon an art festival in La Paz, Bolivia and being in São Paulo during its 3rd annual Graffiti Fine Art Biennial.

Do any particular impressions stand out?

The juxtaposition between Peru’s rich culture and history and its current street art particularly struck me. And navigating Bogota was what NYC was like for me in the early 80’s. I always had to keep my eyes open!

What about some of the challenges along the way?

The biggest challenge — I would say — was the language. And living in the Vidigal favela in the South Zone of Rio de Janeiro certainly was an experience.

Where do you think the street art scene in South America is going? Do you think it will continue to remain so authentic?

It is difficult to generalize as each city and town is unique. But I suspect that it will continue to thrive.

What’s next for you?

This Wednesday evening, May 27, I will be speaking about my personal style as a street art and graffiti documentarian, along with the role — as I see it — of the street art photographer. After sharing some of my experiences in photographing NYC street art and graffiti and publishing Outdoor Gallery NYC, I will speak about my recent trip abroad and present many images of street art that I photographed in Colombia, Ecuador, Bolivia, Peru, Chile and Brazil. The event will take place 7:00 – 9:00pm at Nowhere Studios, 582 Atlantic Ave. in Brooklyn.