graffiti

Currently on view at Brooklyn Art Haus, a new home for innovative arts in Williamsburg, Brooklyn, is “ON THE EDGE,” a group exhibition featuring a delightfully diverse selection of urban art, graffiti, photography and fine art in a range of media by both emerging and established artists.

On a recent visit to the wonderfully welcoming space, I had the opportunity to pose a few questions to its curators, Koz, founder of SilverTuna Studios, and Laura “Lulu” Reich.

This is your third exhibit here at Brooklyn Art Haus. In what ways does it differ from your previous ones held at this space?

There’s a bit of more emphasis on photography, as we are highlighting works by the amazing urban photographer Victor Thomas, known on Instagram as Vic Invades. We are also thrilled to be presenting for the first time four artworks by the legendary Shepard Fairey.

Yes, I love these Obey screen prints, and I love the way he takes a political stance on the critical issues of our time. How did you connect to Shepard Fairey?

I (Koz) was filming Shepard Fairey while he was at work on his Bad Brains mural for the LISA Project. I developed — at the time — a close relationship with his assistant, Rob Zagula aka Eastweed. And then we all met up at midnight and were out on the streets until dawn!

You, two, obviously have a great working relationship. How did you meet? And how do you manage to work so well together?

We are both friends with Easy, and he introduced us to each other. We are both passionate about what we do, and we complement each other in terms of our personal and professional skills. We also tend to share the same friends, who are largely artists and collectors.

In addition to sharing the artworks on exhibit with collectors and the general public, do the two of you have any other mission?

Yes, we want very much to educate those who view the works about the artists behind them. That is why we have included biographical information, alongside each artist’s work.

What’s ahead?

We are planning ahead for a mural festival to take place in Chicago next June. We are currently in the process of curating an exhibition of new work by Al Diaz scheduled to open next month at Brooklyn Made in Industry City. We are also looking forward to exhibiting artworks at the Tribeca Synagogue and again at City Point BKLYN. And Koz will be releasing a film featuring Cape Cod-based pro-skateboarder and artist Zered Bassett — introduced by skater and artist Eli Reed.

You are certainly productive! Good luck with it all! How can folks see your current exhibit here at Brooklyn Art Haus?

The exhibition can be viewed daily from 10am – 10pm through Sunday, September 3rd.  Private viewings are by appointment via lulu@collectwithlulu.com. Brooklyn Art Haus is located at 24-1 Marcy Avenue in Williamsburg, Brooklyn

Images featured in this post:

1 .Shepard Fairey, “Putin’s Ashes (Pussy Riot),” 2023, Screen print on thick cream speckletone paper, 24″ x 18″

2. Cope2, “Cotton Candy Star, ” Mixed media on canvas, 16″ x 20″

3 Tkid, “Do Not Cross,” Mixed media on subway sign, 18″ x 16″

4. Jessica Kaplan, “Roar,” Mixed media & collage on canvas, 12″ x 12″

5. Chris RWK, “TIL The End.” Mixed media on canvas, 36″ x 24″

6 SNAPKRACKER x RAMBO RAME, “Hip Hop Legends,” Paint marker and aerosol on street sign, 29″ x 29″

7. Curators: Koz and Lulu, — with Koz sporting a Chris RWK hat and SNAPKRACKER sweatshirt

Note: Also on view are tantalizing works by Eastweed, FLASH, Eric Orr and Vic Invades

Interview conducted and edited by Lois Stavsky; Photo credits:  1, 6 & 7 courtesy of the curators;  2-5, Lois Stavsky

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This past Sunday, Welling Court Mural Project director Alison C. Wallis introduced us to the distinctly talented Dutch artist, Ottograph, who had just graced the exterior of a three-story local home with his delightfully playful aesthetic. What follows are excerpts from an interview conducted then at Welling Court with the renowned international artist by Street Art NYC contributor and UP Magazine staff member Ana Candelaria.

When did you begin painting? 

I started about 40 years ago. I was 12.

What inspired you at the time?

My inspiration came from a Chaka Khan music video. I saw a guy who was roller skating and at the same time painting on a wall with a spray can. I said to my mom, “Mom I’ve got to do that!“ I then painted my first piece in a suburb in Amsterdam and was instantly hooked.

What was your tag back then?

I didn’t have any reference to graffiti. I’d never seen it before, so I copied the tag BEAT, the name of the guy painting in the Chaka Khan video.

Have you had you other names?

As we were watching the subway trains go by, we would always say “Oh shit! You saw that one?” And so when I was a teen, I took on my second tag, SHIT. Later I changed my name to ZEY because I liked the letters, and you can almost make it like a COCA COLA logo with the sling from the Y going under the other letters. But then I figured it was too short, so I added an apostrophe and an S, and it became ZEY’S. Then later there was ZEIS and finally ZEISER. That was the last one before my current one.

How did you get your current name OTTOGRAPH

My real name is OTTO. I was listening to a song by N.W.A and one of the artists Eazy-E,  shouted “And all the ladies want my autograph,” and I was thinking Otto? Autograph? Hey, that’s me! Do you know what’s crazy? Over in Europe no one gets it, but in America people instantly start smiling when I tell them my name. I’ve stuck with that name for the past 15 years.

Had you a preferred style back then – when you were bombing?

I really liked doing blockbusters. I made a lot of giant blockbusters on the subways. This was around 1985. It was so scary, and, like, the biggest adrenaline rush ever!

Were you involved with any crews back then? 

When I was like 17 or 18, I created the SHIT HAPPENS posse and for the first three months I was the only member. Now it has over 300 members! I see people putting S.H.P on their pieces and I don’t even know who they are.

What were some of the highlights of your career as an artist?

Painting last week on Sedgwick Avenue at the birthplace of Hip Hop was definitely a highlight. They had an open mic the whole night. It felt like I was playing music in my studio, but then I would look up, and they’re actually rapping in front of me. I felt like I was in a movie. And one special memory I have that stands out is from when I was painting at 5Pointz. I remember standing between seven guys in their 50s or 60s who all had massive pickup trucks. They found a way to link up their sound systems together and played Busta Rhymes songs the whole day. The scene was amazing! The kids were playing soccer, and we were just painting. I will never forget that day. Busta Rhymes, BBQing and painting.  Holy moly!  it’s perfect.

Where else – besides NYC and Amsterdam – have you painted?

Within the states I’ve painted in Hawaii, San Francisco, Denver. I’ve painted in Russia like 15 times, mainly in Saint Petersburg. I’ve also painted in Japan, Berlin, Spain, Italy. I’ve painted in Africa — in Gambia and Zanzibar. The next big project I have coming up is in Nigeria. I’m supposed to go out there in three weeks, but the political situation is a little out of hand at the moment, so I may have to push it to a later date. I can’t wait for it to happen!

Are there any cultures that influence your aesthetic?

Yes, my style is largely influenced by Aboriginal and Native American art. I love their patterns. I tend to put a lot of dots in my work, and that comes from the aboriginals who used to make artwork using only dots. The dots for me are a good way to fill in spaces. I always try to fill out a drawing. I usually start with my character, King Canary; then I work my way around it.

Where do you see yourself five years from now? 

I see myself doing the same thing. Traveling the world, painting as many murals as I can and meeting interesting people.

Interview conducted by Ana Candelaria and edited by Lois Stavsky; photos by Lois Stavsky

Note: Keep posted to UP Magazine for a comprehensive portrait of the artist, also penned by Ana Candelaria

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Celebrating NYC’s iconic Hip Hop landmarks – with live painting, artworks, DJ’s, performers and more — the Landmark Festival make its mark this past weekend in East Harlem. A sequel to the hugely popular Landmark exhibit that debuted in January, it was spearheaded and curated by Kate Storch.

Featured above is Japanese native artist Shiro One at work. Several more images — focusing largely on the artworks — captured when I visited on Sunday afternoon follow:

Queens-based Jerms and Topaz 

Brooklyn-based “Miniature Artist” Danny Cortes recreates “Disco Fever,” a dance club that operated from 1976-1986 in the South Bronx and featured legendary hip-hop artists such as Lovebug Starski, Grandmaster Flash, Kurtis Blow & Run-DMC

Manhattan-based Doves and Bluster, Title mural  and backdrop for MC’s

Bronx-based artist and activist KayLove with black book in hand — in which she has made her mark

The legendary hip-hop rapper, producer and DJ Large Professor to the left of Landmark curator Kate Storch

Photos 1-3, 5 & 6: Lois Stavsky; 4 courtesy Landmark Festival

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I returned to Freeman Alley this past Sunday to discover a wonderfully diverse range of artworks in varied media, along with artists from near and far at work. Pictured above is the lovely Ecuadorian nomadic artist Lasak. Several more findings follow:

 Boston native Mattaya Fitts

Bronx native Abe Bx

Italian artists Rat Rockster and Ikas leaving their mark in the alley as they pass through NYC

Colombian artist Luch pays homage to his hometown Valle de Cocora

The spirit of Indonesia from Komodo

An surprise visit from the prolific mark-maker Qzar

And one of several sticker combos

Photos: Lois Stavsky

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In this twelfth post in our new series, PUSHING IT FORWARD — featuring ILLicit creatives claiming space on NYC streets — we’re back to the Bronx. Pictured above is Avert — hunted down in Hunts Point. Several more images of Bronx markings follow:

The ubiquitous Cope2 

Riot

Dase and NA

Roach

Dzel and Elude, AIDS Crew

Aster — whose tag seems to keep on surfacing!

And a treasure trove of markings on a freight spotted along the tracks in Mott Haven

Post by the Pushing It Forward Collective

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With their intriguing images, graffiti tags and motley messages, street art stickers are increasingly claiming space in just about every NYC neighborhood. Since the onset of the COVID-19 pandemic back in 2020, there seems to be, in fact, a proliferation of them – even in those localities with, otherwise, scant graffiti or street art. Featured above is City Kitty’s beloved adventurous cat, seen a while back on Manhattan’s Lower East Side. Several more stickers captured in varied NYC locations follow:

Brooklyn-based multimedia artist Alex Itin, as seen awhile back on the Lower East Side

The famed Japanese-American artist Katsu, as seen this past weekend in Soho

Bronx-born Inner Demons in collaboration with Staten Island-based Chris RWK, as seen last week on the Lower East Side

The prolific Brooklyn-based multimedia artist RAE BK — his signature face on translucent sticker paper — as seen this past weekend in Soho

The itinerant graffiti writer/bomber Reader with his now-iconic message, as seen last week in Gowanus, Brooklyn

NYC-based graffiti writer/bomber Suckybat, as seen a while back in Chelsea

LNE crew graffiti writer/bomber South,  as seen in Inwood, Manhattan

Note: This post is part of an ongoing series on NYC sticker art — that had been “dormant” for the past several years, and is now being revived!

Photos by Lois Stavsky

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Born and raised in Queens, New York and based now in, Bari Italy, Cear One has left his mark not only in his native city, but in Central America and now in his current hometown in Southern Italy. I recently had the opportunity to interview him:

When did you first “get up?”

I started practicing tags when I was about 13 or 14. But I didn’t actually go outside with spray paint until I was 17. That’s when I did my first throw-ups and fill ins on Queens’ rooftops.

Where were you living at the time?

I was living in Flushing, but I also went around Astoria, Jackson Heights and other parts of Queens.

What inspired you to?

My uncle, the Original KR1, was a writer. He was a big influence. Graffiti magazines and videos also inspired me.

Were there any other artists out there who motivated you to “get up” when you first started?

There were many! Among them are: Zephyr, SP1, Cope2, Ces, Per, Sabe KST, Keep, Nato, Bruz and West Cost writers Saber and Revok.

And why did you continue to “get up?”

I loved the feeling of it. It’s thrilling. It’s kind of a rush – like a natural high. And when I get up, I feel like I’m getting a good workout!

Have you any favorite surfaces or spots?

With markers, I love a smooth surface. And with paint, I like corner spots — like hidden or abandoned areas.  I love concrete, metal, doors, plastic, trucks, gates, old buildings, brick, cinderblock… Trucks are especially great because they move.

How do you choose your spots?

I go for the kinds of spots that are likely to last. Those are ideal.

What’s your earliest graffiti-related memory?

The pieces my uncle made for me as birthday presents.  He’d write my name, and he’d add characters and backgrounds – all in graffiti style.

What is the riskiest thing you’ve ever done?

I guess it would be highway spots. While I’m painting, people are beeping , shouting or cheering me on. It’s very distracting!

What is the average amount of time you spend on a piece?

Doing an illegal piece could take up to 20 minutes or a half hour – depending on its size and details.

How do you feel when someone goes over you? And what do you do about it?

I don’t like it. I go back over them!

Have you had any memorable encounters while you were getting up?

Once when we were walking along the Long Island Railroad tracks in Queens, we didn’t hear the train coming or see the lights blaring — until it was seconds away. We literally dodged this train by maybe a minute, as it quickly zoomed by us.

Have you ever used any implements to defend yourself? If so, what were they? And what were the circumstances?

We once threw a sledge hammer at a conductor to back him off from coming out of the train.

Was there a singular moment when you realized that graffiti is a particular passion of yours?

I can’t say it was a single moment. It was watching graffiti videos and movies, reading Subway Art, going down to Canal Street for ink and supplies, checking out tags, doing them inside trains, going back home and practicing. I was kind of feeling that whole movement back then in 2000. it was an exciting time for me.

If you were offered the opportunity to do a legal mural for pay, would you take it?

Yes. I would, and I have in the past. I don’t frown upon legal pieces.

From your perspective, how welcoming has the graffiti scene been to diverse groups of people?  

It’s always been a diverse crowd. Graffiti brings together people from all nationalities and backgrounds.

Would you rather paint on your own or with other writers?

I love painting alone. I might do a few pieces with another writer and then move on.

You’ve painted in here in NYC and now you’re living and getting up in Bari, Italy. Where else have you painted?

I’ve also painted in Costa Rica and Nicaragua.

What was it like to paint in those countries?

While in Costa Rica, I got interested in abandoned places – so that I could take my time without cops or other people bothering me. In Nicaragua, I painted in central places where everyone was partying and no one was paying attention, so I could sneak in and out of a space, without getting noticed.

And what’s it like in Bari, where you live now?

I like Bari because it’s metropolitan, and my art gets lots of views – many more than it could get in Costa Rica or Nicaragua.

What is your favorite paint? Caps? Colors?

Favorite paints are Rust-Oleum Painter’s Touch, Montana, Loop. As far as caps, Astro fat caps are amazing.  Pink Dot cap , Orange Dot Cap, New York Fatcap. As for colors…I love shades of greens, blues, purples, pinks, oranges and reds. I also like black, white and silver.

What do you see as the future of graffiti, particularly illicit graffiti?

It will continue to grow. There are many new writers out there and they seem very dedicated.

What about your future? Where are you headed?

The passion to go bombing will always be with me. I’m always looking to improve my skills, and I want to be part of this movement’s history.

Interview edited for brevity and clarity by Lois Stavsky; all photos courtesy of the artist

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Back with our documentation of ILLicit Creatives claiming space on the streets of NYC, this post focuses on the markings that have surfaced on open spaces in Brooklyn. Featured above are the legendary 2DX members DEK and ZROC. What follows are several more images captured these past several weeks in Brooklyn.

Angr

Reap

Homesick, Uwont and Carve

Duel RIS

Tears and Regae

South LNE

Scarento

Post by the Pushing It Forward Collective

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An oasis of motley murals, graffiti art, paste-ups, stickers, tags and bombs. Freeman Alley has it all! The image pictured above was painted by Brooklyn-based artist and curator Miki Mu. Several more images captured on a recent visit follow:

SacSix, crkshnk, City Kitty, OH!, Drecks and more

Bronx-based artist and educator Lola Lovenotes

Brooklyn-based Ecuadorian artist Lasak

Mixed-media artist Drecks

Stealth Art and more

The enigmatic Crash 42170

Bronx-based graffiti and textile artist Mrs

17-year-old Soup 64

Freeman Alley is located at 12 Rivington Street, off the Bowery.

Photos: 1-8 Lois Stavsky; 9 Amelia Cleary

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On our recent visit to DC, we came upon several tantalizing new murals that had surfaced within the past few months at the DC Walls Festival in the ever-evolving NoMa (North of Massachusetts Avenue) neighborhood. The  mural pictured above — featuring a jazz musicians trio and a portrait inspired by AP*ART — was painted by DC-based artist and activist Luther Wright. Several more images captured while exploring NoMa follow:

Seattle-based Chinese-American illustrator and muralist Stevie Shao

Masterful graffiti writer and photorealistic painter Grace

The itinerant Canadian-born muralist Emmanuel Jarus

DC area muralist Nicole Bourgea

LA-based artist Tommi Lin, now on a 2023 International Mural Tour

Photos by Lois Stavsky

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