gallery exhibit

Presented by RexRomae Gallery and curated by Street Art News founder Rom Levy, Martin Whatson‘s solo exhibit Revive opened last Friday, September 29th, in Santa Monica. Featured in Revive are paintings, prints and sculptures representative of the Norwegian artist’s vibrant graphic imagery fashioned in juxtaposition to his greyscaled stenciled art and staid backgrounds. Pictured above is Whatson‘s recreation of  Salvador Dali’s Figure at the Window — forged with acrylic, spray paint and marker — that originally surfaced on the streets of Norway in 2015 during the Nuart Street Art Festival.  What follows are several more images of artworks on exhibit in Revive:

“Behind the Curtain” — which made an appearance in Miami in 2015 as a large scale mural

“Framed” — originally conceived in 2013  for the Sand, Sea and Spray Festival in Blackpool, UK. 

The artist’s famed butterfly as sculpture

Martin Whatson‘s iconic astronauts — with butterflies fluttering on their fingertips

The celebrated Martin Whatson with his brightly graffitied rhino

The exhibit continues through this weekend at 328 Santa Monica Blvd. in Los Angeles.

Contents for this post provided by Luna George; photos by Angela Izzo

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Opening tonight at More Points Bx in the Hunts Point section of the Bronx is Fight 4 Your Write: The CAMO Show, an exhibit of intriguing art in a range of media and styles suggestive of the notion of camouflage. While previewing the exhibit yesterday, I spoke briefly to More Points Bx directors and curators, Sienide and Eric Orr.

What inspired you to curate this exhibit?

We wanted to bring our friends together, while sharing different styles and techniques of art — all beautiful and unconventional and on a common theme.

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What are some of the techniques represented here?

There are so many. Among them are: stencil art, aerosol art, mixed media, painting, printing, sketching, drawing with markers…More Points Bx even has its first oil painting featured here.

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Can you tell us a bit about the exhibit’s theme? 

It’s our theme — the concept of camouflage. As graffiti writers, there is much we hide. And much of what we write is only for us to decipher.

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How did you decide which artists to feature?

We got the word out among our friends, and we reached out to others on social media.

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There’s quite a range of artists here — from several younger emerging ones to many established legends. How many artists are featured in the exhibit?

There are 36. Dozens of people reached out to us.

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After the exhibit officially opens, how much longer will it remain on view?

It will stay up for a bit over a month — 36 days to be exact!

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How can folks arrange to see it if they miss the opening or if they wish to view it a second time? There’s so much to see!

One of us is here at 527 Faile Street just about all afternoons and evenings. We can also be reached by email at mrmorepoints@gmail.com.

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What can folks who attend the exhibit’s opening expect — besides the great art and great company?

Music for the evening will be powered by DJ JAZZY JAY with special guests, and drinks will be provided by Port Morris Distillery. Come out and help us kick off the new season!

Images

1  BG 183, Tats Cru

2  Sienide, Rhonda Rae and Al Diaz

3  Al Diaz

4  Bio Tats Cru, Steve Cogle and Nicer Tats Cru

5  Yes One

6  Eric Orr

7  Serve

Photos and interview by Lois Stavsky

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charlie-ahearn-in-scratch-ecstasy-PPOW

Scratch Ecstasy, an exhibition of  work in a range of media by visual artist and legendary filmmaker Charlie Ahearn, continues through June 24 at P.P.O.W in Chelsea. A chronicler of the rise of hip-hop and street art culture, Ahearn has documented the movement since the 80’s through photography, film and slide shows.  The following is adapted from an interview conducted by travel and street photographer Karin du Maire with Charlie at the gallery:

Can you tell us something about the title of your current show, Scratch Ecstasy? To what does it refer? 

Yes! The word “scratch” actually has a double meaning. It refers to scratching on a surface, but it also refers to a technique pioneered by Grand Wizzard Theodore of a needle going back and forth on a record — which creates a very jazzy, electronic effect.

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And what about the word “Ecstasy” in the title? What is its reference?

It’s a reference to a real place in a real time — the Ecstasy Garage, where I was listening to not only Grand Wizzard Theodore scratch his music, but also to Chief Rocker Busy Bee on the microphone or Grand Master Cass, along with many other artists who were performing there. I spent a lot of time at  the Ecstasy Garage doing a slide show and watching different hip-hop performances, largely to an audience of high school kids. It was a very out-of-the-way place.

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What was your mission back then? 

It is similar to the mission of this show — to create a record of what was going on so that people today can pinpoint certain people and places that should get recognition and be remembered.

What about your own paintings that are on exhibit here? Can you tell us something about the process?

It started with me doing the painting on canvas with the forms that would be in it. The colors I chose reflect the bright fluorescent colors that were prominent in inexpensive flyers that the kids would hand out to get others to show up.

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And what about the slide show that is going on? 

It is the slide show that I gave at the Ecstasy Garage with Grand Wizzard Theodore as the DJ. As presented here with the music, it is a reflection of what was going on back there at the time. I gave it at the Ecstasy Garage as a kind of way of working on Wild Style — the slides in a particular order to tell a story, and it all ended up in the movie, one way or another.

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Thank you for preserving and sharing so much history with us.

Note:  P.P.O.W will be screening Charlie’s 1979 kung fu film, The Deadly Art of Survival, tomorrow, Friday evening, at 7pm. The gallery is located at 535 West 22nd St, 3rd Floor, in Chelsea.

Images

1  Charlie Ahearn at P.P.O.W — as interviewed by Karin Du Maire — with Data Rock, silkscreen on canvas

2  Scratch Ecstasy, silkscreen on canvas

3  The World of Hip Hop, silkscreen on canvas

4  Nathan, silkscreen on canvas

5  Howard the Duck, Lee Quinones, LES mural

Photo credits: 1 & 2 Karin Du Maire; 3, 4 & 5 (still from slide show) Lois Stavsky; interview conducted by Karin Du Maire and edited by Lois Stavsky

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Currently on view at La Maison d’Art in Harlem is Styles and Storytellers, the first installment of a series of exhibits and artist talks conceived and curated by artist J.T. Liss. In this intriguingly provocative exhibit, four different artists present four unique stories in four distinct styles. Each of the four artists — J.T. LissMisha TyutyunikMarthalicia Matarrita and Jeff Henriquez — also share their talents with us on our city streets. Pictured above is Face Value by J.T. Liss. Here are several more images from the show:

J.T. Liss, Face Value II, Photographic art on canvas

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Misha Tyutyunik, Mourning, Acrylic on canvas

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Marthalicia Matarrita, Frida Kahlo, En la Lucha, Mixed media

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Jeff Henriquez, Night Moves #5, Photographic art on canvas

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Styles and Storytellers: Volume I continues until June 30th with an artist talk and open-mic poetry/spoken words/music next Friday, June 2, 6-9 pm. To schedule an appointment to visit the exhibit at another time, you can contact gallery owner Stephanie Calla at stephanie@lamaisondartny.com or at 917-533-4605. La Maison d’Art is located at 259 W 132nd Street in Harlem.

Photos of artworks by Lois Stavsky

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Richard-hambleton-woodward-gallery-windows-nyc

A contemporary of Keith Haring and Jean-Michel BasquiatRichard Hambleton, the Godfather of Street Art, began making his mark on the streets of his native Vancouver in the mid-70’s. His Image Mass Murder Art — a recreation of crime sceneshit the streets of 15 major cities throughout Canada and the US from 1976 through 1979. In the 80’s, his iconic Shadowman paintings surfaced across NYC and through Europe, including the Berlin Wall. He has since attained legendary, though infamous, status. To coincide with the highly anticipated World Documentary Premiere of SHADOWMAN by Oscar-nominated director Oren Jacoby, a historical selection of paintings by Artist Richard Hambleton his now on view at Woodward Gallery.

 Woodward Gallery Windows, Shadow Jumper, center with Shadow Head portraits to the right and left

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Dancing Shadowman

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Wide view, as seen through Woodward Gallery windows,  featuring the Marlboro Man to the left of Shadow Man portraits on paper 

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Another variation of the Marlboro Man as seen from the outside

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At the Tribeca Film Festival

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With a rare public appearance by the elusive Richard Hambleton

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Woodward Gallery is located at 132A Eldridge Street off Delancey on Manhattan’s Lower East Side. Visitors are invited to observe Richard Hambleton’s works from the outside and through gallery windows, as Hambleton intended in his vision. Special viewings are available by appointment. The artworks remain on view through May 5th.

Images courtesy Woodward Gallery

Note: Hailed in a range of media from Wide Walls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Lady-pink-painting

Curated by Alice Mizrachi, Fem-is-in is an homage to the female spirit in this time of female-led activism.  Featuring a diverse range of work by female artists who have forged their distinct paths, Fem-is-in engages and entices.  The artwork pictured above is by the legendary Lady Pink. What follows is a small sampling of works that can be seen at Fat Free Art through next Saturday.

Alice Mizrachi

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Queen Andrea

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Jane Dickson

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Swoon, close-up

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Also featured in Fem-is-in are works by: Lady Aiko, Diane McClure, Ann Lewis aka Gilf!, Janette Beckman and Martha Cooper.

Located at 102 Allen Street on Manhattan’s Lower East Side,  Fat Free Art is open Tuesday-Saturday 11AM-7PM and Sunday 12PM-5PM.

Photos of images: 1, 4 & 5 Lois Stavsky; 2 & 3 Tara Murray

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pablo-power-Gay-science-and-joyous-wisdom

Currently on view at Okay Space at 281 North 7th Street in Williamsburg, Brooklyn is Philly VS New York: A Declaration of Co-Independence. Featuring works — fashioned both individually and collaboratively — by legendary Philly rapper Schoolly D and New York-based multi-disciplinary visual artist Pablo Power, this exhibit is a follow-up to their 2013 exhibition, Am I Black Enough?  Presented by Okay Space and Black Swan Projekt, Philly VS New York: A Declaration of Co-Independence continues through April 1. Pictured above is Gay Science and Joyous Wisdom by Pablo Power. What follows are several more images on display:

Schoolly D, Smoke Some Kill, Ink on paper

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 Pablo Power, Crack Another 40, A Birthday on Chrystie, Mixed media

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 Pablo Power, Dekalb Didactic, Mixed media

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Schoolly D,  Cheeba, Cheeba, Mixed media

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Schoolly D and Pablo Power, Philly Vs New York, Giclée Prints, edition of 30. Release and Exhibit Reception Tonight

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And on this coming Wednesday evening, a series of short films will be screened:

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 Photos of images 1-5 by Tara Murray

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Hektad-and-Urbanimal-Repurposed-art-Fat-Free-Art

An extraordinary array of found objects have been transformed into intriguing repurposed art for Fat Free Art‘s first annual Bizarre Bazaar.  Pictured above is Hektad‘s American graffiti flag looming over Urbanimal‘s table. Here are severel more works from this stylishly imaginative exhibit.

Raphael Gonzalez, An Ciana

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Tomaso Albertini, Butterfly Effect, huge segment of framed piece

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What Will You Leave Behind, Worth Nothing

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Icy and Sot, Let Her Be Free

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Bianca Romero, The Muse Says — to the right of  Hektad‘s spray cans — and shoes designed by SacSix on shelf below

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JPO, 3 of a Kind

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Suckadelic, Pussy Grabs Back

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The exhibit continues through March 4 at Fat Free Art, 102 Allen Street on Manhattan’s Lower East Side. It is open Tuesday – Saturday 11AM-7PM & Sunday 12PM-5PM,

Photos by Lois Stavsky

Note: Hailed in a range of media from Wide Walls to the Huffington Post and the New York Times, our Street Art NYC App is now available for Android devices here.

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sticker-collage-fridge-dc

Currently on view at the FridgeDC is DC Street Sticker EXPO 3.0, an extraordinary ode to street art stickers. Curated by iwillnot and hosted and sponsored by the Fridge Gallery, it features over 100,000 striking stickers. They’re all here: handsome handstyles, curious characters, political posits and social statements. While in DC, I had the opportunity to speak to iwillnot.

When did you first become involved in the sticker art culture? And what attracted you to it?

It was about ten years ago. I liked the way I could easily transport stickers in my pockets and get them up quickly on the streets.

And what was it about the streets that appealed to you?

Getting my name and message across in a public space.

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This is the third sticker art exhibit that you’ve curated at the FridgeDC. What inspired you to bring it indoors?

My son was born five years ago. I no longer had the time to hit the streets. Nor could I take the legal risks. DC’s laws are harsh. One can get fined $1,000.00 and be sentenced to 3o days in jail just for getting a slap up.

Gee… And with Trump here, the penalties could get even harsher.  How does this current exhibit differ from the previous two that you curated?

This is the first one that covers the entire gallery. There’s been more involvement, and — with a six-week run — it will be the longest-running sticker expo that I’ve curated.

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What were some of the challenges involved in curating such a huge exhibit?

It’s quite costly. Getting something like this together is expensive. And it demands endless hours of work, including time spent training volunteers.

How were you able to collect so many stickers? There are tens of thousands here!

When I first started posting my stickers online, Skam reached out to me to trade stickers. I’ve been trading with artists all over the world ever since. Every participant in the expo gets a return pack from me. It takes months to get them mailed out… but a trade is a trade.  After years of trading with artists I have hundreds of thousands of stickers.

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And how do you keep track of them?

I document each and every entry. I tag each one and acknowledge receiving it.

That must be some task!

It’s a year-round lifestyle.

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How has the response been to this show? The opening was packed with folks of all ages!

The reaction has been great. People seem to have discovered an untapped passion for this art form. All year round, I’m asked about the “next sticker expo.”

How can folks see the exhibit?

It continues through New Years Eve at the FridgeDC, 516 1/2 8th Street SE, and is open Thursday-Saturday 1–8pm & Sunday 1-5pm.

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Great! I’m already looking forward to next year’s!

Note: Among the many artists featured in the above close-ups are: SkamBeas, Klozr, Jamie XV, Ed Geiniwillnot Hugh BrismanSarah JamisonSladge & Konjak, 2front, Psyco, Nikolay Milushevda_weiss, 702er, P Lust, Zas, Chris RWK, nite owl, Feln One,…(more to come!)

Photo credits: 1 Tara Murray; 2 – 6 Lois Stavsky; interview by Lois Stavsky

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art-as-trash

With his delightfully unorthodox approach to both art and the streets, Francisco de Pájaro aka Art Is Trash recently brought his vision to NYC.  What follows is a glimpse into the man and his whimsically provocative work:

The completed piece pictured above — in his solo exhibit MATURA — as seen at Castle Fitzjohns Gallery 

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With Art Is Trash‘s newly published book to its right

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The artist at work 

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Segments of MATAÚRA

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Castle Fitzjohns Gallery, exterior

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And the artist with noted photographer Donna Feratto

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The exhibit remains on view until November 3oth at Castle Fitzjohns Gallery, 95 Orchard Street, on Manhattan’s Lower East Side.

Photo credits: 1, 4 & 5 Audrey Connolly aka Bytegirl; 2, 6 – 8 Karin du Maire and 9 Lois Stavsky

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