EKG

17 Frost Gallery — Brooklyn’s widely impressive hub of “community, camaraderie and collaboration” — is back! And to celebrate its renovation and expansion that began in January 2017, when it closed its doors to the general public, it is hosting WELCOME BACK, ON TRACK this Saturday evening from 7-11pm.

A rebirth of sorts, WELCOME BACK, ON TRACK, features dozens of artists working in a range of media representing contemporary art, street art and graffiti genres.  While 17 Frost Gallery had previously presented monthly solo and group shows, it is now gearing towards exhibiting pop-up shows, with artists encouraged to present new works.

All are invited to celebrate 17 Frost Gallery‘s “rebirth” this Saturday evening. Among the dozens of artists in this premier exhibit — curated by Ellis Gallagher — are such modern legends as Al DiazCope2, Eric Orr, UFO97 and Cost.

With DJ Choice Royce, music and Brooklyn Gin, libations

Featured images

1 EKG

2 Alex Itin

3 Close-up from collaborative work by Cabaio Spirito, rené, Alex Itin and netism

Photos courtesy Ellis Gallagher

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Produced by artist Andrew H. Shirley and featuring  members of the classic Brooklyn-based 907 graffiti crew, the widely-acclaimed 32-minute film Wastedland 2, along with a site-specific installation, will make its NYC premiere tomorrow, September 15th, at the Knockdown Center in Maspeth, Queens.

Set in a post-apocalyptic world inhabited by the spirit animals of graffiti vandals, the film features Wolftits, Avoid, SmellsRambo, Noxer, EKG, UFO and others, as it raises the existential questions: What is this all about? and Why are we here?  Ultimately,Wastedland 2 is a paean to the power of graffiti. Prior to its eagerly-anticipated NYC premiere, Wastedland 2  toured several cities — beginning with Shirley’s native Detroit. What follows are a few photos captured at different sites:

At Recycle Here! in Detroit featuring EKG

At Superchief Gallery in LA — featuring Rambo, UFO and more

At Holland Project’s Serva-Pool space in Reno, Nevada with Wolftits & more

The filmmaker Andrew H. Shirley in Portland

The opening reception of this one-day special event will take place tomorrow, Friday, from 7pm to midnight with screenings at 9pm and 11pm. Music performances will take place throughout the evening.

All photos courtesy Andrew H. Shirley

Photo credits: 1 Phil Conners; 2 William Dunleavy; 3 Tod Seelie; 4 Danny Johnson and  5 Daniel Kruse

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faust-handstyle

On view at the Cantor Fitzgerald Gallery in Havorford Pa. is ALL BIG LETTERS, curated by Vandalog editor RJ Rushmore. In his “attempt to demystify graffiti,” RJ focuses on the tools and strategies of writers – rather merely on their styles. And he succeeds brilliantly. What follows are several images from the exhibit, largely illustrative of the various tools and strategies employed by writers in their quest to attain recognition. Pictured above is a huge wall painted by Faust who initially made his mark on our streets with hundreds of stickers featuring his exquisite handwriting.

Curve, an installation featuring his writing on a range of found materials

Curve-graffiti

Lee Quinones, Howard the Duck

Lee-quinones-graffiti-canvas

Martha Cooper, photography; below — a range of tools of the trade — both homemade and commercial 

martha-cooper-implements

EKG, The Tools of Graffiti 

EKG-tools-of-graffiti

A sampling of stickers from DB Burkeman’s stuckupofficial collection

stickers

And accompanying the exhibit is a catalog with an outstanding selection of images, accompanied by insightful essays by both RJ and Carlo McCormick. Located on the campus of Haverford College, 370 Lancaster Avenue, the Cantor Fitzgerald Gallery is about a 30-minute ride from Philadelphia’s 30th Street Station. ALL BIG LETTERS can be seen through March 3.

Photos by Lois Stavsky

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EKG-closing-party

Since the February 13th opening of EKG♥NYC, NYC-based writer EKG has been busy at work on his installation for the closing reception. We stopped by earlier this week and had the opportunity to ask the artist a few questions:

Your orange pulse has become an integral part of our city’s visual landscape. What does it represent?

It’s chemical communication...an expression of connectedness and collaboration. It’s a sign of energy vibrating on everything everywhere. I see it as the heartbeat of our city.

EKG-Smells-artwork

Why orange?

I like its intensity and the way it integrates into the cityscape.

This installation is astounding! The walls are covered with cryptic orange diagrams. A cloudy haze emanating from a heavy metal concert fog machine fills the air, and your iconic symbol is everywhere — on and amidst milk crates, ladders, spray cans, cages and more. What is going on here?

It’s an abstract sillouette of New York’s cityscape. All of the elements represent the connections among all things. The smoke and the electronic music heighten the intensity of it all.

EKG-Installation

Your official opening was on February 13th, the day before Valentine’s Day. Can you tell us something about that? And how did that go?

It was originally intended as an All Hallows’ Valentine’ Eve celebration of misfit love, mutant science and aesthetic rebellion. The turnout was great and the entire experience was awesome!

EKG-painting

I love your shop here. Your symbol is everywhere from t-shirts and zines to prints and paintings — and everything is so affordable!

Yes. It’s a homage to Keith Haring’s legendary pop shop, but as if it was created by Tim Burton, Marilyn Manson, Walter White and Stephen Hawking!

What can folks expect tonight?

I’ve continued to build up my installation, and the closing ceremony will once again feature the Doomdronecore performance by the avant-garde electronic artist, Jefferson Wells.

musician

Good luck! It is certain to be amazing!

Note: Tonight’s closing event begins at 6 pm at 35-18 37th Street in Long Island City.

Photos: First image features photo by Katherine Lorimer aka Luna Park; 2-5 by Lois Stavsky; image 2 is a collaboration with Smells.

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This is the fifth in an occasional series featuring images of New York City’s doors that sport everything from tags and stickers to sophisticated images.

Beau Stanton on the Bowery, close-up

"Beau Stanton"

EKG in Crown Heights, Brooklyn

EKG

Kenny Scharf in Manhattan

"Kenny Scharf"

Pyramid Oracle on the Lower East Side, close-up

"Pyramid Oracle"

Cost and Enx in Tribeca

"cost and enx"

Michael De Feo on Manhattan’s Lower East Side

"Michael De Feo"

Good and Shiddy in Bushwick, Brooklyn

"good and shoddy"

Photos: 1, 4 & 5, Lois Stavsky; 2, 3, 6 & 7, Dani Reyes Mozeson

Note: This blog will be on vacation through Friday. Follow me in Miami on Facebook and Instagram.

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One of NYC’s most prolific street artists, Royce Bannon aka Choice Royce is also a first-rate curator.  His most recent venture, SPECTRUM, is on view at Gallery Brooklyn through August 31.

Gallery Brooklyn

Your iconic monsters surface throughout the boroughs – both on the streets and in galleries – and you also have curated some of NYC’s most impressive street art shows.  What got you into curating?

Back in 2005, my sister and her husband ran a gallery space in Harlem.  I loved the idea of organizing an exhibit that would showcase my friends’ work.  And since I had access to a space, I did just that.

Who were some of the artists in your first exhibit?

They were mostly members of my crew, the Endless Love Crew. Guys like Abe Lincoln, Jr., Infinity, GoreB, Anera…

EKG and Royce Bannon

I remember seeing Work to Do at 112 Greene Street a few years back in SoHo. It was amazing!  How did it come to be?

In 2009, Steve Loeb and John Robie offered me their 4000 square foot studio space to curate an exhibit.  With help from my friends, we organized an exhibit with 50 — 60 artists. Work was installed just about everywhere in every manner possible. The response was wonderful and it whet my appetite to curate more exhibits.

What about other spaces? Where else have you curated?

I’ve curated shows at 17 Frost and at the Mishka Store in Williamsburg and at the Woodward Gallery on Manhattan’s Lower East Side. My current exhibit, SPECTRUM, is at Gallery Brooklyn here in Red Hook.

Rubin

Tell us a bit about your process of curating? How does it begin?

It begins with a concept. And once I have the concept, I contact the artists I’d like to feature and, then – sometimes — I have to begin searching for a space.

What about SPECTRUM? What is the concept behind SPECTRUM?

The concept for this show was actually See One’s. He suggested that I curate an exhibit featuring abstract graffiti with works by Col, Rubin and Hellbent and him. I added EKG.

See One

It’s certainly a great selection of artists – all five are active on the streets, as well as in their studiosHow did you hook up with Gallery Brooklyn?

I began contacting various spaces and Gallery Brooklyn – that had hosted Geometrics last year — was welcoming and enthusiastic. It was the perfect match.

And the installation is flawless!

Thanks! I couldn’t be more satisfied. I wasn’t sure what to expect, and the results are beyond my expectations! The works all complement one another.

Hellbent

How did the opening go?

It was fantastic. The response was all positive and it sold well.

What’s ahead?

More curating. More art. More writing. And more interviews for the Source.

Col

Have you any new concepts for exhibits?

I’d like to curate an exhibit on the theme of characters.

That sounds great! I am already looking forward to it!

Interview by Lois Stavsky; photos of EKG and Royce collab, See One, Rubin and Hellbent — in that order — by Lois Stavsky; final photo of Col courtesy of Royce.

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