Caleb Neelon

Pictured above is Ecuadorian artist Toofly, captured at work this past Saturday, the official launch of the 9th Welling Court Mural Project. What follows are several more images captured by travel and street photographer Karin du Maire aka Street Art Nomad this past Friday and Saturday at this model community-driven mural project conceived and curated by Ad Hoc Art.

Brooklyn-based See One at work

The legendary Daze, standing in front of his mural, produced with Crash

Swedish artist Carolina Falkholt at work      

The nomadic Never Satisfied at work

Multi-disciplinary artist Ryan Seslow, huge segment of completed mural

Cambridge, MA-based Caleb Neelon with Boston-based Lena McCarthy, close-up

The murals are on view 24/7 on and around Welling Court in Astoria, Queens.

Photos:Karin du Maire aka Street Art Nomad

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Engaging a wide range of artists and art lovers of all ages, along with members of the local community, the Welling Court Mural Project celebrated its 7th anniversary with a huge block party on Saturday. Pictured above is the legendary Lady Pink at work. Here are several more images captured from the Welling Court Mural Project‘s annual event organized by Garrison & Alison Buxton.

Caleb Neelon at work on collaborative mural with Katie Yamasaki

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Fumero at work on tribute mural to Muhammed Ali

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Mike Makatron and Caroline Caldwell aka Dirt Workship at work on a collaborative mural

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Cre8tive YouTH*ink, close-up of huge mural painted by youth under the direction of  Jerry Otero aka Mista Oh

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Erasmo

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Chris Cardinale at work

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Joel Artista at work on collaborative mural with Chris Soria and Marc Evan

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Pyramid Guy

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Joseph Meloy, Ellis G and Abe Lincoln, Jr

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Photos by Tara Murray

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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This is Part II in an ongoing series of posts featuring politically and socially conscious works that have surfaced on NYC streets:

Caleb Neelon and Katie Yamasaki collaborate on a memorial wall for Kalief Browder at Welling Court in Astoria, Queens

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East Harlem wheatpastes

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Shepard Fairey in Coney Island

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Kesley Montague leaves a message in Nolita

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Icy and Sot at Welling Court in Astoria, Queens

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Chris Stain and Josh MacPhee in the East Village, fragment from mural in First Street Green Park

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David Shillinglaw and Lily Mixe for Earth Day in Williamsburg, Brooklyn

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Photos: 1 & 2 Dani Reyes Mozeson; 3, 4, 6 & 7 Lois Stavsky and 5 Tara Murray

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Delusional: the Story of the Jonathan LeVine Gallery

Just how likely is it for a punk kid from a Trenton, NJ working-class background to emerge as a preeminent art dealer in Manhattan’s hottest gallery district?  When Jonathan LeVine spoke of establishing a gallery that would support artists who had been shunned by the mainstream art world, his friend and renowned critic, Carlo McCormick, deemed him “delusional.” But with passion and perseverance, Jonathan LeVine has triumphed, and among the many first-rate artists his gallery features are some of  street art’s finest including Shepard Fairey, Doze Green, Invader, Blek le Rat, WK and Blu. Caleb Neelon’s excellent book, Delusional: The Story of the Jonathan LeVine Gallery, offers an intimate look into the man behind the vision. Interviews with LeVine, along with observations from a range of folks, reveal a deeply humane individual with a fervent mission.

Adrift as a youngster, Jonathan LeVine was reborn in 1985, when, at age 16, he discovered the punk rock scene. The “misfits” this scene attracted were nothing like his high school peers who tormented him for being “different.” Soon LeVine began producing  fanzines and booking and promoting shows — the beginning of a life-long calling of nurturing artists he loved and sharing their work with others.

After graduating from Montclair State College with a BA in art, LeVine spent time on both the West and East coasts, where he met fellow artists and art enthusiasts who now count among his closest friends.  As early as 1996, he organized a solo exhibition of Ron English’s work at Maxwell’s in Hoboken, NJ, before moving on to curating CBGB’s gallery. The following year, he reached out to Shepard Fairey, offering him his first solo show in NYC.

In 2001, LeVine opened his own gallery Tin Pan Alley in New Hope, PA and a year later moved it to Philadelphia’s Northern Liberties neighborhood. But the art market started booming and NYC was calling, so in 2005, LeVine made the move to NYC’s Chelsea, his current home.

Featured in Delusional are dozens of splendid images culled from exhibits that have graced the walls of the Jonathan LeVine Gallery. Interspersed, too, are comments – often insightful and revelatory — from a range of artists who have found a home with Jonathan in Chelsea.

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Available at most bookstores and online book sellers, Delusional: The Story of the Jonathan LeVine Gallery is currently on the display table at St. Mark’s Bookshop at 31 Third Avenue between 8th and 9th Streets in Manhattan.  You can also pick up an autographed copy at the Jonathan LeVine Gallery at 529 West 20th Street. Enjoy!

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