Street Artists

Since September 26, 57 Great Jones Street — the former home and studio of Al Diaz collaborator, Jean-Michel Basquiat — has been the site of Same Old Gallery, a multimedia exhibit showcasing Al Diaz ‘s masterful wordplay and inventive aesthetic. Curated by Adrian Wilson and Brian Shevlin, it features a diverse array of new work by Al Diaz, in addition to historic photos and memorabilia from back in the day when the SAMO© tag that he and Jean-Michel Basquiat had conceived was the talk of the town. Several photos I captured while visiting the space follow:

Mixed media with stencil art

Another contemplation on the brevity of it all

Mixed media musings

With a message for these times

The 1978 Village Voice article that reveals SAMO©’s identity

And this weekend marks the launch of Al Diaz‘s book with a signing and talk

Photos 1-6: Lois Stavsky

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Two brilliantly conceived and beautifully executed murals – one by Sonny Sundancer and the other by ASVP – surfaced last month on the exterior walls of IS 318 in East Williamsburg, Brooklyn. Sonny’s mural– at the corner of Lorimer Street and Throop Avenue – depicts a Yawanawa girl from Acre, Brazil, along with a jaguar, representative of a species that is sacred to the indigenous peoples and at risk of extinction. ASVP‘s black and white tower mural — painted on the opposite wall — features an elephant, bear, tiger and more, all interdependent and threatened or endangered in some capacity.

While visiting the school last week for the murals’ dedication and ribbon cutting, I had the opportunity to pose a few questions to Greenpoint Innovations founder Stephen Donofrio, who had organized the The Point NYC project.

These hugely impressive murals are one component of The Point NYC initiative. Just what is The Point NY?

It is a collaborative venture — among Comics Uniting Nations, Greenpoint Innovations, Hypokrit Theatre Company, Rattlestick Playwrights Theater and UNICEF — that brings together artists, producers, educators and local environmentalists for a series of artistic productions and events. Among these are: a comic book, public murals, a theatrical experience, open dialogue and an educational toolkit.

What is its ultimate mission?

Its mission is to respond to the human impact of climate change and to exercise the power we all have, particularly the youth, to take action for a better future.

And what inspired the direction that this project has taken?

It was inspired by a comic book story —Tre, by Sathviga ‘Sona’ Sridhar — about a climate change superhero. Sona had become passionate about climate change when her town in Chennai, India was flooded and when she heard about the Climate Comic Contest by UNICEF and Comics Uniting Nations, she decided to submit her art.

How did you connect with Sonny Sundancer and ASVP? Their murals are perfect for this project, as they are exquisite and brilliantly reflect environmental issues.

Karin du Maire introduced me to Sonny, and I met ASVP at the Moniker Art Fair in Greenpoint this past spring. Both Sonny and ASVP were ideal to work with, as they are not only wonderful artists, but caring people.

Were you presented with any particular challenges in seeing the project through?

Coordinating with the Department of Education was somewhat of a task. And then discovering that a segment of the wall that Sonny had completed had been coated to protect it from any lasting paint was another challenge. But – with considerable effort — we overcame them both!

How have the members of the local community responded to these two murals?

The response has been overwhelmingly positive. They love them.

And thank you for initiating this project!

Photo credits: 1 & 2 Lois Stavsky; 3 Karin du Maire aka Street Art Nomad; interview conducted and edited by Lois Stavsky; 

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The latest, soon-to-be-released edition of the street art coloring book series by Aimful Books, created by Diego Orlandini, features images of murals from the streets of Brooklyn, NYC’s Mecca of urban art.  Intent on contributing to educating children across the globe, Aimful Books matches every coloring book purchased with a free textbook to a school-age child. Its ultimate goal is to provide a million free textbooks to children by selling one million street art coloring books.

Deftly curated, The Brooklyn Coloring Book features the talents of over 40 artists who have shared their visions with us on the streets of Brooklyn. Among them are: Shiro, Chris RWK, Icy and Sot, Beau Stanton, Lady PinkAlice Mizrachi, Esteban del Valle and Denton Burrows.

And you can win a free copy of the $25.00 Brooklyn Coloring Book before it’s released to the public!

  • 76 premium pages
  • Perforated pages easy to detach to frame or gift your masterpieces
  • Spiral-bound for easy folding
  • 7.87 in x 7.87 in
  • Artworks of 48 world-class street artists
  • Full-color directory
  • Buy One Give One Initiative

For a chance to win a free copy, go to www.aimfulbooks.com/giveaway to participate in 10 seconds or less.

Images

  1. Shiro
  2. School children in Peru
  3. Chris RWK at work
  4. Shiro (L.) and Icy and Sot (R.)
  5. Coloring book cover

All images courtesy of the street art-loving, socially conscious Aimful Books

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An exuberant celebration of “invention, creativity, curiosity and hands-on learning,” the 9th Annual World Maker Faire New York took place this past weekend on the grounds of the New York Hall of Science in Flushing, Queens. Among this year’s exhibitors was Ad Hoc Art, presenting live truck painting, along with live T-shirt screen printing. While there, I had the opportunity to pose a few questions to Ad Hoc Art owner and co-founder Garrison Buxton (pictured below with Maker Faire director Sabrina Merlo).

What an extraordinary event this is! So much is going on here — from inventive exhibits to immersive workshops to interactive hands-on learning. Can you tell us something about Maker Faire? Its mission?

Among its missions is to celebrate creativity, while inspiring inquisitive dreamers to realize and share their dreams in any number of fields — be they art, science, technology…

How did you become engaged with Maker Faire? What spurred you to participate in this year’s festival?

Geoff Taylor — whose brother I had previously worked with — approached me about participating in this year’s World Maker Faire New York. And since I love its approach to the concepts of both community-engagement and collaborative art-making, we’re here!

These trucks look great, and the kids who come by are fascinated by them. Why did you choose to use trucks as the canvas for this live art-making project? 

I love their mobility, as so many people will have the opportunity to see them. And the art is likely to last.

How did you select which artists to include?

I wanted a balance of men and women, and they are all artists I’ve worked with in previous projects through Ad Hoc Art, including the Welling Court Mural Project.

How have folks responded to what you have brought to World Maker Faire New York?

The response has been overwhelmingly enthusiastic! And we’ve been awarded two blue ribbons from the festival’s organizers!

That’s great! I’m so looking forward to next year’s World Maker Faire New York!

Images:

  1. Gera Luz (standing) in collaboration with Werc
  2. Garrison Buxton with Sabrina Merlo
  3. Outer Source at work
  4. Jenna Morello
  5. Cern posing in front of huge segment of his truck mural
  6. Screen-printing by Peter J. McGouran

Interview conducted and edited by Lois Stavsky; photos by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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A member of Avant, the first artist group in NYC to use the street as an exhibition space for works that were created in the studio on paper, Christopher Hart Chambers, along with David Fried, will be exhibiting a selection of his artworks for ten days beginning this Friday at 17 Frost Gallery

StreetArtNYC contributor Lenny Collado aka BK Lenny recently had the opportunity to interview the legendary artist.

When did you first start drawing?

From the moment I could hold a crayon in my hand. I was about one or two.

What are some of your earliest art memories?

I remember when I was in the 4th grade, we were asked to draw a figure of a tree. I drew the tree. We were told not to color it. I colored it anyway – only to be told that I’d ruined it. I could never follow assignments; I always did my own thing. I also have memories of copying from baseball cards, making pencil sketches of baseball players. I remember, too, going to a museum and seeing all these grey wooden boxes with soda cans and wrappers. I had a piece of garbage with me, and I threw it in. Suddenly, all the guards raced at me. I didn’t get it. I was 11 at the time.

What about cultural influences? Any particular ones?

Jimi Hendrix — his music and visual projections. I give him major props because Hendrix rode a wave, divorcing himself from being a creator. When he was on, he was not really there. When the magic happens, the ego isn’t really there. The art takes on a life of its own.

What did your family think about what you were doing? Were they supportive?

My mother used to ask me, “Have you considered having a career?” I‘d say, “I have a career!” She never understood, and she never hung any one of my pieces. She didn’t like my stuff. My father, however, had pieces hanging from the floor to the ceiling.

How important is the viewer’s response to your work?

I like people. But I don’t think their opinion would actively make me change a piece. While creating, I really don’t want to hear what others think. Afterwards, I’ll listen.

Are you generally satisfied with your art work?

I never ditch a piece; I put it aside and keep at it. When they’re good, it’s like, I didn’t do it. I’m a conduit. I’m like, “Wow, where did that come from?”

Have you a favorite medium?

Automotive paints.

How long do you generally spend on a piece?

Impossible to answer. Several years. I don’t think I’ve ever effectively finished something in less than thirty seconds. My posters take about four days and I do 20 at a time.

What percentage of your time is dedicated to your art?

All of it! Even if I’m watching TV or sipping iced tea, it’s all part of it.

Do you have a favorite place to work?

I’ve always liked my studio. I’ve always lived in my studio.

How has your art evolved throughout the years?

It was simplistic at first. I’ve gotten better. When graffiti first hit, I guess I was still holding back. But then I started to feel like a fool. So, I said, “Just go for what you want now. Just do it!” That was about ’77. And since, I’ve explored several different mediums.

You were one of the earliest folks to impact the street art scene. Can you tell us something about that?

We were all about going on a campaign and using the street as an alternative space. We were in revolt against the galleries and the commodification of art. That was Avant. There was a strategy to the whole thing. When the street kids were going to the galleries, we were bringing the studio to the street. We were like a rock band, hitting as many venues as we could. We used paste-ups and paint to put up art on the street. The late painter and poet Rene Ricard called us “the enemy,” because of what we represented. We were on a mission.

Who were Avant’s inspirations back them?

We were largely inspired by Al Diaz and Jean-Michel Basquiat. SAMO© was a phenomenon, as it captured people throughout the city.

What is your main source of income these days?

Selling art, selling stories, and writing about other artists.

What do you see as the role of the artist in society?

He’s a priest or a cobbler with a compulsion, feathering the nest.

You’ve exhibited in dozens of venues from alternative sites to museums.

Yes! Among them were 51X Gallery, MoMA PS1, A.S.A.G.E. Gallery, Nassau County Museum of Art and Causey Contemporary. And my next exhibit opens this Friday, September 21 at 17 Frost Gallery, where I will be showing along with David Fried. in an exhibit presented by d.w. krsna.

Good luck! We are looking forward to that!

Interview by Lenny Collado; all photos, courtesy of the artist, selected by Tara Murray; and special thanks to 17 Frost Creative Director Javier Hernandez-Miyares

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Gracing the 21-floor staircase of the new citizenM New York Bowery is MoSA (the Museum of Street Art), a rich range of images and words fashioned by 21 5 Pointz Creates artists under the curatorial direction of Marie Cecile Flageul. After visiting the soon-to-open hotel, I had the opportunity to speak to Marie who, along with 5 Pointz founder Meres One, has been directing the project since its inception:

This project is quite remarkable! Can you tell us a bit about its background? 

In Fall 2016, we held our first meeting with citizenM‘s chief marketing officer, Robin Chadha, a huge art lover who is intent on integrating art into his projects. He had been following the entire 5 Pointz story from Amsterdam, where he is based. He approached us because he was interested in bringing back a bit of 5 Pointz to NYC. The result is MoSA,

What about the staircase installation, A Vertical Love Letter to the Bowery? What is the concept behind it?

citizenM tries to understand and embrace the communities they move into. And this particular Lower Manhattan neighborhood has an incredibly rich history, which we attempted to capture with images of significant faces, places, moments and words.

How did you decide which artists to include?

Every artist included had contributed to 5 Pointz. Once I came up with the story line and quotations, it was easy for me to select artists. I had learned from Meres how to look at aerosol art and understand its visual voice.

What were some of the challenges that came your way in the course of managing and curating this project?

A major challenge was giving up control and trusting the artists once they understood the concept and direction of the project. There were also several logistic issues. There was no air conditioning early on, and the lack of elevators became a joke. But it all evolved into a kind of musical chaos, as all of the workers and staff here have been incredibly enthusiastic and supportive.

As it is nearing completion, what are your thoughts regarding the final outcome of this project?

I am humbled by the amount of love, hard work and dedication every artist has put into this project. Their attention to detail has inspired me. I am hopeful that thousands will see it — 5000 square feet that anyone can enjoy and a priceless gift to Downtown Manhattan.

How can folks who are not hotel guests gain access to the exhibit?

As early as October 1, anyone can come into the lobby — between 10am and 5pm — with ID and walk through the exhibition. I will be giving a personal tour to the first 500 folks who register. Groups of 10 or more people can email me at marie@5ptz.com 

Congratulations! And what a great way for visitors and students to learn about the history of this historic neighborhood! I look forward to revisiting it soon.

Note: All of the artists who participated in this project are identified here, and brief interviews with them with videography by Rae Maxwell, along with original soundtrack by Say Word Entertainment artists Rabbi Darkside and The Grand Affair, can be viewed here. In addition to A Vertical Love Letter to the Bowery, a court installation is underway by Rubin 415, Esteban del ValleDon Rimx, Lady Pink and Meres One. And gracing the plaza outside the hotel’s entrance is a captivating mural by Meres One, blurring the line between graffiti and fine art.

citizenM New York Bowery is located at 189 Bowery off Delancey Street.

Images:

1. Meres One

2. Marie and Meres on roof top of citizenM New York Bowery

3. Nicholai Khan

4. See TF

5. Zimad

6. Vince Ballentine

7. Kenji Takabayashi  aka Python

8. Elle

9. Noir

Interview conducted and edited by Lois Stavsky; photos by Lois Stavsky

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I stopped by HG Contemporary‘s impressive new gallery space in Williamsburg, Brooklyn yesterday as several artists were busy at work preparing for tonight’s official launch.

After checking it out, I had the opportunity to speak with Sean Sullivan who, along with Harris Lobel, has curated the gallery’s opening exhibit:

This space is ideal, and the artwork looks wonderful! How did the opportunity come your way to curate this exhibit for HG Contemporary‘s grand opening here in Williamsburg?

Last month, Philippe Hoerle-Guggenheim, the founder of HG Contemporary in Chelsea, approached me and asked me if I would be interested in curating an exhibit along the lines of First City, the one I’d curated awhile back in Long Island.  I saw it as a great opportunity to give artists I admire a chance to exhibit alongside the fine artists who generally show at HG Contemporary.

How did you decide which artists to include?

That was difficult, as I would have liked to include many more. I chose artists with whom I’ve successfully worked with in the past, along with five others whose artwork I’ve admired, but with whom I’ve never worked. The final selection was a joint decision between me and Harris Lobel, who was involved in curating, along with me, the First City project. We were interested in showcasing the works of artists whom we believe deserve wide exposure.

I’m familiar with several of the artists — especially those whose work I’ve seen on the streets. Several, though, are new to me. Who are the artists that you both agreed to include in this grand opening?

Our final selection included: Albertus JosephZimer, Gumshoe, Jenna Krypell, Jason AckermanFridge, Jenna Morello, OG Millie and Reso 914.

There’s quite a diverse range of styles here. Had you a specific theme in mind?

We were interested in representing the various elements associated with street art and graffiti.  And so we sought a mix of images, words, letter technique, characters, color and flow.

What were some of the challenges you faced in seeing this through?

As an artist who doesn’t like taking directions, I wasn’t all that comfortable giving directions to others. But it was something that I had to do. And it was difficult asking artists to put a halt to all that they were doing for two to three day, so that they could devote themselves for hours on end to this project.

I’m certain that many artists who worked with you in the past were disappointed that they weren’t included in such a significant exhibit.

Definitely! I was getting too many nasty direct messages. Dealing with that was another huge challenge. Of course, I would have loved to include more artists, and I do hope to include many others in future exhibits that I look forward to curating in this space.

In addition to the works painted directly onto the walls here, what else can visitors to the gallery expect to see?

All of the artists who are partipating will also exhibit works on canvas that are for sale. And in addition to the artists that Harris and I have brought in, HG Contemporary will be presenting a special installation by Franz Klainsek and works by Tim Bengel and Carl McCrow.

And how can folks who can’t make it to the official grand opening see the exhibit?

The gallery is conveniently located at 66 North 3rd Street off Wythe Avenue in Williamsburg, Brooklyn .All are invited to visit the gallery during its regular opening hours.

Images

  1. Albertus Joseph
  2. Layer Cake
  3. Zimer
  4. Gumshoe
  5. Jenna Krypell
  6. Jason Ackerman & Fridge
  7. Jenna Morello
  8. OG Milli
  9. Reso 914

Interview and photos by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Featured above is a mural fashioned by the renowned Italian artist Pixel Pancho.  Several more images — all captured by travel and street photographer Karin du Maire aka Street Art Nomad — that surfaced at last month’s hugely popular Wide Open Walls Festival in Sacramento, California follow:

Hera of the German duo Herakut

Berlin-based, Argentine artist Guido Palmadessa

 Mexican native, LA-based Ilse Valfré

Brazilian artist Mateus Bailon , close-up

NYC-based Tom Bob

Organized by David Sobon and Branded Arts, the annual Wide Open Walls is the largest open air art festival in the USA. You can download a printiable mural map with exact locations here.

Photos by Karin du Maire

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Dedicated to promoting and celebrating public art, Wide Open Walls held its annual festival from August 9 – 19 in Sacramento, California. Local, national and international artists converged once again to transform the city into a tantalizing open air museum, featuring a wide range of diverse artworks. Organized by David Sobon and Branded Arts, it is the largest open air art festival in the USA. The mural pictured above — depicting Johnny Cash at Folsom Prison is the work of Shepard Fairey aka Obey — his largest mural ever in California. What follows are several more images — all captured by NYC-based travel and street photographer Karin du Maire aka Street Art Nomad.

LA-based Shepard Fairey aka Obey mural in progress

Shenyang, China native Lin Fei Fei

Local artist Michele Murtaugh at work

San Francisco-based Monty Guy at work

Portuguese artist Bordalo II

NYC-based Fench artist Hugo Kriegel 

Photos by Karin du Maire aka Street Art Nomad

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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When the students return tomorrow to PS9 — a public elementary school in Prospect Heights, Brooklyn — they will be greeted not only by their friends and their teachers, but, also, by a delightful array of murals fashioned by a wonderfully eclectic mix of artists. Curated by Jeff Beler, the STEAM Mural Project is a model of community arts engagement. While visiting the school, I had the opportunity to speak to Jeff.

Can you tell us a bit about the background of this project? What initially prompted you to organize the STEAM Mural Project?

Last October while I was installing the nearby Underhill Walls, a local neighbor stopped by and told me about the recent death of Clara Ely, a six-year old girl who had been a student at PS 9. I thought it would be a great idea to create some kind of outdoor memorial as a tribute to her. When I approached the principal of the school, Sandra D’Avilar, with my concept, she enthusiastically approved. And then this past spring a group of artists came together and created a series of murals celebrating Clara’s life. That was the beginning!

How did it the mural project expand from “Clara’s Garden” into something as extensive as what is happening now?

At the end of May, I was approached by PS 9 parent, Mike Tilley. He, along with other members of the local community, loved what we had done and encouraged us to continue what had been started.

And so when did the STEAM Mural Project officially begin?

It kicked off in June with 5th graders — under the supervision of  PS 9’s Visual Arts teacher — painting alongside Chris RWK and Zimad.

You’ve been working pretty much non-stop since the project began. What is it about the STEAM Mural Project that so engages you? 

I love kids, and I love art. I love how art communicates.  I’ve lived in this community for 13 years and curating this project gives me an opportunity to give back to a neighborhood that has given me so much.

You involved 75 artists in the STEAM Mural Project. How did you connect with so many?

Some are friends; others were suggested by friends, and several connected with me through Instagram. They saw what was happening, and they wanted to be a part of it.

What have been some of the challenges you’ve faced in seeing this project through?

Because the community has been so supportive, the challenges have been minimal. Among them was making sure that all of the supplies — especially the ladders that were needed — were at hand.  Coordinating schedules was, also, a challenge, as was dealing with the unpredictable, sometime stormy, weather.

The local community seems to have been wonderful in terms of its enthusiasim and support!

Yes! It’s been 100% fantastic. People are forever saying, “Thank you!”

What’s ahead for the STEAM Mural Project?

Plans are now underway for a carnival that will take place on the grounds of PS 9 on Saturday, September 22. There will be DJ’s and live music and a chance for the entire community to meet and greet the artists. And a special reception will be held at 2:00 for the official unveiling of Zimer‘s portrait of Sierra Leone native and war survivor and Dutch National Ballet soloist Michaela DePrince with her sister in attendance.

And what about you? What’s ahead for you?

I’m involved with the upcoming Chile Pepper Festival that will take place at the Brooklyn Botanic Garden on September 29th. I’m curating the next edition of Underhill Walls that will be installed in mid-October. I’m also organizing a mural project for PS 316 on Classon Avenue and Park Place.

It sounds wonderful! Good luck with it all!

Images:

  1. Vince Ballentine
  2.  Adam Fu
  3. Charrow and Sean Slaney
  4. Justin Winslow and Peter McMath
  5. PS 9 5th graders at work
  6. Chris RWK
  7. Zimer
  8. Miss Zukie
  9. Myztico Campo
  10. Jappy Agoncillo
  11. Jeff Henriquez
  12. Subway Doodle with a fragment of Fluidtoons on left

Photo credits: 1-4, 8-11 Lois Stavsky; 5 & 7 Jeff Beler, and 6 & 12 Rachel Fawn Alban

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