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A member of Avant, the first artist group in NYC to use the street as an exhibition space for works that were created in the studio on paper, Christopher Hart Chambers, along with David Fried, will be exhibiting a selection of his artworks for ten days beginning this Friday at 17 Frost Gallery

StreetArtNYC contributor Lenny Collado aka BK Lenny recently had the opportunity to interview the legendary artist.

When did you first start drawing?

From the moment I could hold a crayon in my hand. I was about one or two.

What are some of your earliest art memories?

I remember when I was in the 4th grade, we were asked to draw a figure of a tree. I drew the tree. We were told not to color it. I colored it anyway – only to be told that I’d ruined it. I could never follow assignments; I always did my own thing. I also have memories of copying from baseball cards, making pencil sketches of baseball players. I remember, too, going to a museum and seeing all these grey wooden boxes with soda cans and wrappers. I had a piece of garbage with me, and I threw it in. Suddenly, all the guards raced at me. I didn’t get it. I was 11 at the time.

What about cultural influences? Any particular ones?

Jimi Hendrix — his music and visual projections. I give him major props because Hendrix rode a wave, divorcing himself from being a creator. When he was on, he was not really there. When the magic happens, the ego isn’t really there. The art takes on a life of its own.

What did your family think about what you were doing? Were they supportive?

My mother used to ask me, “Have you considered having a career?” I‘d say, “I have a career!” She never understood, and she never hung any one of my pieces. She didn’t like my stuff. My father, however, had pieces hanging from the floor to the ceiling.

How important is the viewer’s response to your work?

I like people. But I don’t think their opinion would actively make me change a piece. While creating, I really don’t want to hear what others think. Afterwards, I’ll listen.

Are you generally satisfied with your art work?

I never ditch a piece; I put it aside and keep at it. When they’re good, it’s like, I didn’t do it. I’m a conduit. I’m like, “Wow, where did that come from?”

Have you a favorite medium?

Automotive paints.

How long do you generally spend on a piece?

Impossible to answer. Several years. I don’t think I’ve ever effectively finished something in less than thirty seconds. My posters take about four days and I do 20 at a time.

What percentage of your time is dedicated to your art?

All of it! Even if I’m watching TV or sipping iced tea, it’s all part of it.

Do you have a favorite place to work?

I’ve always liked my studio. I’ve always lived in my studio.

How has your art evolved throughout the years?

It was simplistic at first. I’ve gotten better. When graffiti first hit, I guess I was still holding back. But then I started to feel like a fool. So, I said, “Just go for what you want now. Just do it!” That was about ’77. And since, I’ve explored several different mediums.

You were one of the earliest folks to impact the street art scene. Can you tell us something about that?

We were all about going on a campaign and using the street as an alternative space. We were in revolt against the galleries and the commodification of art. That was Avant. There was a strategy to the whole thing. When the street kids were going to the galleries, we were bringing the studio to the street. We were like a rock band, hitting as many venues as we could. We used paste-ups and paint to put up art on the street. The late painter and poet Rene Ricard called us “the enemy,” because of what we represented. We were on a mission.

Who were Avant’s inspirations back them?

We were largely inspired by Al Diaz and Jean-Michel Basquiat. SAMO© was a phenomenon, as it captured people throughout the city.

What is your main source of income these days?

Selling art, selling stories, and writing about other artists.

What do you see as the role of the artist in society?

He’s a priest or a cobbler with a compulsion, feathering the nest.

You’ve exhibited in dozens of venues from alternative sites to museums.

Yes! Among them were 51X Gallery, MoMA PS1, A.S.A.G.E. Gallery, Nassau County Museum of Art and Causey Contemporary. And my next exhibit opens this Friday, September 21 at 17 Frost Gallery, where I will be showing along with David Fried. in an exhibit presented by d.w. krsna.

Good luck! We are looking forward to that!

Interview by Lenny Collado; all photos, courtesy of the artist, selected by Tara Murray; and special thanks to 17 Frost Creative Director Javier Hernandez-Miyares

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Gracing the 21-floor staircase of the new citizenM New York Bowery is MoSA (the Museum of Street Art), a rich range of images and words fashioned by 21 5 Pointz Creates artists under the curatorial direction of Marie Cecile Flageul. After visiting the soon-to-open hotel, I had the opportunity to speak to Marie who, along with 5 Pointz founder Meres One, has been directing the project since its inception:

This project is quite remarkable! Can you tell us a bit about its background? 

In Fall 2016, we held our first meeting with citizenM‘s chief marketing officer, Robin Chadha, a huge art lover who is intent on integrating art into his projects. He had been following the entire 5 Pointz story from Amsterdam, where he is based. He approached us because he was interested in bringing back a bit of 5 Pointz to NYC. The result is MoSA,

What about the staircase installation, A Vertical Love Letter to the Bowery? What is the concept behind it?

citizenM tries to understand and embrace the communities they move into. And this particular Lower Manhattan neighborhood has an incredibly rich history, which we attempted to capture with images of significant faces, places, moments and words.

How did you decide which artists to include?

Every artist included had contributed to 5 Pointz. Once I came up with the story line and quotations, it was easy for me to select artists. I had learned from Meres how to look at aerosol art and understand its visual voice.

What were some of the challenges that came your way in the course of managing and curating this project?

A major challenge was giving up control and trusting the artists once they understood the concept and direction of the project. There were also several logistic issues. There was no air conditioning early on, and the lack of elevators became a joke. But it all evolved into a kind of musical chaos, as all of the workers and staff here have been incredibly enthusiastic and supportive.

As it is nearing completion, what are your thoughts regarding the final outcome of this project?

I am humbled by the amount of love, hard work and dedication every artist has put into this project. Their attention to detail has inspired me. I am hopeful that thousands will see it — 5000 square feet that anyone can enjoy and a priceless gift to Downtown Manhattan.

How can folks who are not hotel guests gain access to the exhibit?

As early as October 1, anyone can come into the lobby — between 10am and 5pm — with ID and walk through the exhibition. I will be giving a personal tour to the first 500 folks who register. Groups of 10 or more people can email me at marie@5ptz.com 

Congratulations! And what a great way for visitors and students to learn about the history of this historic neighborhood! I look forward to revisiting it soon.

Note: All of the artists who participated in this project are identified here, and brief interviews with them with videography by Rae Maxwell, along with original soundtrack by Say Word Entertainment artists Rabbi Darkside and The Grand Affair, can be viewed here. In addition to A Vertical Love Letter to the Bowery, a court installation is underway by Rubin 415, Esteban del ValleDon Rimx, Lady Pink and Meres One. And gracing the plaza outside the hotel’s entrance is a captivating mural by Meres One, blurring the line between graffiti and fine art.

citizenM New York Bowery is located at 189 Bowery off Delancey Street.

Images:

1. Meres One

2. Marie and Meres on roof top of citizenM New York Bowery

3. Nicholai Khan

4. See TF

5. Zimad

6. Vince Ballentine

7. Kenji Takabayashi  aka Python

8. Elle

9. Noir

Interview conducted and edited by Lois Stavsky; photos by Lois Stavsky

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I stopped by HG Contemporary‘s impressive new gallery space in Williamsburg, Brooklyn yesterday as several artists were busy at work preparing for tonight’s official launch.

After checking it out, I had the opportunity to speak with Sean Sullivan who, along with Harris Lobel, has curated the gallery’s opening exhibit:

This space is ideal, and the artwork looks wonderful! How did the opportunity come your way to curate this exhibit for HG Contemporary‘s grand opening here in Williamsburg?

Last month, Philippe Hoerle-Guggenheim, the founder of HG Contemporary in Chelsea, approached me and asked me if I would be interested in curating an exhibit along the lines of First City, the one I’d curated awhile back in Long Island.  I saw it as a great opportunity to give artists I admire a chance to exhibit alongside the fine artists who generally show at HG Contemporary.

How did you decide which artists to include?

That was difficult, as I would have liked to include many more. I chose artists with whom I’ve successfully worked with in the past, along with five others whose artwork I’ve admired, but with whom I’ve never worked. The final selection was a joint decision between me and Harris Lobel, who was involved in curating, along with me, the First City project. We were interested in showcasing the works of artists whom we believe deserve wide exposure.

I’m familiar with several of the artists — especially those whose work I’ve seen on the streets. Several, though, are new to me. Who are the artists that you both agreed to include in this grand opening?

Our final selection included: Albertus JosephZimer, Gumshoe, Jenna Krypell, Jason AckermanFridge, Jenna Morello, OG Millie and Reso 914.

There’s quite a diverse range of styles here. Had you a specific theme in mind?

We were interested in representing the various elements associated with street art and graffiti.  And so we sought a mix of images, words, letter technique, characters, color and flow.

What were some of the challenges you faced in seeing this through?

As an artist who doesn’t like taking directions, I wasn’t all that comfortable giving directions to others. But it was something that I had to do. And it was difficult asking artists to put a halt to all that they were doing for two to three day, so that they could devote themselves for hours on end to this project.

I’m certain that many artists who worked with you in the past were disappointed that they weren’t included in such a significant exhibit.

Definitely! I was getting too many nasty direct messages. Dealing with that was another huge challenge. Of course, I would have loved to include more artists, and I do hope to include many others in future exhibits that I look forward to curating in this space.

In addition to the works painted directly onto the walls here, what else can visitors to the gallery expect to see?

All of the artists who are partipating will also exhibit works on canvas that are for sale. And in addition to the artists that Harris and I have brought in, HG Contemporary will be presenting a special installation by Franz Klainsek and works by Tim Bengel and Carl McCrow.

And how can folks who can’t make it to the official grand opening see the exhibit?

The gallery is conveniently located at 66 North 3rd Street off Wythe Avenue in Williamsburg, Brooklyn .All are invited to visit the gallery during its regular opening hours.

Images

  1. Albertus Joseph
  2. Layer Cake
  3. Zimer
  4. Gumshoe
  5. Jenna Krypell
  6. Jason Ackerman & Fridge
  7. Jenna Morello
  8. OG Milli
  9. Reso 914

Interview and photos by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Featured above is a mural fashioned by the renowned Italian artist Pixel Pancho.  Several more images — all captured by travel and street photographer Karin du Maire aka Street Art Nomad — that surfaced at last month’s hugely popular Wide Open Walls Festival in Sacramento, California follow:

Hera of the German duo Herakut

Berlin-based, Argentine artist Guido Palmadessa

 Mexican native, LA-based Ilse Valfré

Brazilian artist Mateus Bailon , close-up

NYC-based Tom Bob

Organized by David Sobon and Branded Arts, the annual Wide Open Walls is the largest open air art festival in the USA. You can download a printiable mural map with exact locations here.

Photos by Karin du Maire

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Dedicated to promoting and celebrating public art, Wide Open Walls held its annual festival from August 9 – 19 in Sacramento, California. Local, national and international artists converged once again to transform the city into a tantalizing open air museum, featuring a wide range of diverse artworks. Organized by David Sobon and Branded Arts, it is the largest open air art festival in the USA. The mural pictured above — depicting Johnny Cash at Folsom Prison is the work of Shepard Fairey aka Obey — his largest mural ever in California. What follows are several more images — all captured by NYC-based travel and street photographer Karin du Maire aka Street Art Nomad.

LA-based Shepard Fairey aka Obey mural in progress

Shenyang, China native Lin Fei Fei

Local artist Michele Murtaugh at work

San Francisco-based Monty Guy at work

Portuguese artist Bordalo II

NYC-based Fench artist Hugo Kriegel 

Photos by Karin du Maire aka Street Art Nomad

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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When the students return tomorrow to PS9 — a public elementary school in Prospect Heights, Brooklyn — they will be greeted not only by their friends and their teachers, but, also, by a delightful array of murals fashioned by a wonderfully eclectic mix of artists. Curated by Jeff Beler, the STEAM Mural Project is a model of community arts engagement. While visiting the school, I had the opportunity to speak to Jeff.

Can you tell us a bit about the background of this project? What initially prompted you to organize the STEAM Mural Project?

Last October while I was installing the nearby Underhill Walls, a local neighbor stopped by and told me about the recent death of Clara Ely, a six-year old girl who had been a student at PS 9. I thought it would be a great idea to create some kind of outdoor memorial as a tribute to her. When I approached the principal of the school, Sandra D’Avilar, with my concept, she enthusiastically approved. And then this past spring a group of artists came together and created a series of murals celebrating Clara’s life. That was the beginning!

How did it the mural project expand from “Clara’s Garden” into something as extensive as what is happening now?

At the end of May, I was approached by PS 9 parent, Mike Tilley. He, along with other members of the local community, loved what we had done and encouraged us to continue what had been started.

And so when did the STEAM Mural Project officially begin?

It kicked off in June with 5th graders — under the supervision of  PS 9’s Visual Arts teacher — painting alongside Chris RWK and Zimad.

You’ve been working pretty much non-stop since the project began. What is it about the STEAM Mural Project that so engages you? 

I love kids, and I love art. I love how art communicates.  I’ve lived in this community for 13 years and curating this project gives me an opportunity to give back to a neighborhood that has given me so much.

You involved 75 artists in the STEAM Mural Project. How did you connect with so many?

Some are friends; others were suggested by friends, and several connected with me through Instagram. They saw what was happening, and they wanted to be a part of it.

What have been some of the challenges you’ve faced in seeing this project through?

Because the community has been so supportive, the challenges have been minimal. Among them was making sure that all of the supplies — especially the ladders that were needed — were at hand.  Coordinating schedules was, also, a challenge, as was dealing with the unpredictable, sometime stormy, weather.

The local community seems to have been wonderful in terms of its enthusiasim and support!

Yes! It’s been 100% fantastic. People are forever saying, “Thank you!”

What’s ahead for the STEAM Mural Project?

Plans are now underway for a carnival that will take place on the grounds of PS 9 on Saturday, September 22. There will be DJ’s and live music and a chance for the entire community to meet and greet the artists. And a special reception will be held at 2:00 for the official unveiling of Zimer‘s portrait of Sierra Leone native and war survivor and Dutch National Ballet soloist Michaela DePrince with her sister in attendance.

And what about you? What’s ahead for you?

I’m involved with the upcoming Chile Pepper Festival that will take place at the Brooklyn Botanic Garden on September 29th. I’m curating the next edition of Underhill Walls that will be installed in mid-October. I’m also organizing a mural project for PS 316 on Classon Avenue and Park Place.

It sounds wonderful! Good luck with it all!

Images:

  1. Vince Ballentine
  2.  Adam Fu
  3. Charrow and Sean Slaney
  4. Justin Winslow and Peter McMath
  5. PS 9 5th graders at work
  6. Chris RWK
  7. Zimer
  8. Miss Zukie
  9. Myztico Campo
  10. Jappy Agoncillo
  11. Jeff Henriquez
  12. Subway Doodle with a fragment of Fluidtoons on left

Photo credits: 1-4, 8-11 Lois Stavsky; 5 & 7 Jeff Beler, and 6 & 12 Rachel Fawn Alban

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Celebrating the launch of the Ngozy Art collective, along with the Point’s 25 years of community service and outreach in the Hunts Point section of the South Bronx, 20 legendary Bronx writers painted live this past Saturday on the Point Campus for the Arts and Environment. Produced by the Ngozy Art collective and curated by Sade TCM, the event, A Cultural Happening in Da’ Bronx, was an ode to the borough that forged a culture that has since impacted the entire world. Beginning next week, the masterfully crafted works — brimming with infectious energy, dazzling colors and expressive creativity — can be viewed on the website of the Ngozy Art collective that will offer local artists a platform to share and sell their artwork.

The image featured above was painted by BIO Tats Cru.  Several more paintings that surfaced last Saturday follow:

John “Crash” Matos

Stash

Chris “Daze” Ellis

Totem TC5

Sienide

Pase BT

Nicer Tats Cru

Saturday’s event also featured a gallery-style exhibition designed by the Point artist-in-residence Eric Orr.  And the legendary hip hop DJ and producer Jazzy Jay, presented by Christie Z, added the musical element to the day.

Photos of artworks by Lois Stavsky

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Conceived and curated by Nic 707, the ingenious InstaFame Phantom Art continues to bring old school writers, along with a diverse range of younger artists, from NYC and beyond onto New York City subway trains.  Pictured above is Nic 707; several more images I captured while riding the 1 train last week follow:

South Carolina native Thomas Crouch

The legendary KingBee — with background by Nic 707

Veteran graffiti writer Spar One

Yonkers-based Fabian “Skaer” Verdejo

Brooklyn-based mixed-media artist Bianca Romero

Japanese artist Minori

Photos by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Hosted by James Top, Joey TDS and Poke IBM, the 38th Annual Graffiti Hall of Fame took place this past weekend in East Harlem. Pictured above is the work of Vase One and KingBee  (standing to the left of  Shiro on the ladder). Several more photos of images captured yesterday follow:

Shiro tags subway map

Skeme

Terrible T-Kid

Cope 2

Break Uno

Delta 2 at work

And you can find more images from the historical two-day event on the StreetArtNYC Instagram.

Photos by Lois Stavsky

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Continuing through this weekend at Red Bull Arts New York is RAMMΣLLZΣΣ: Racing for Thunder, the historic solo exhibition focusing on the extraordinary, idiosyncratic talents of the late multi-media artist, graff writer, hip-hop pioneer and Gothic Futurist theoretician RAMMΣLLZΣΣ. A diverse selection of the artist’s visual works, music and writings, along with rare archival documentation and ephemera, presents an intimate portrait of the visionary New York cult icon. The mixed-media image above features one of the artist’s wildly imaginative Garbage Gods.  Several more images from the remarkable  RAMMΣLLZΣΣ: Racing for Thunder follow:

Letter Races, Mixed media

Monster models, Mixed media

Letter M Explosion, Mixed media

Luxturnomere Hammer Bar Hammerclef Force Field One, Spray paint on cardboard

Jams, Spray paint and acrylic on canvas

The man, himself

The exhibit continues through Sunday at 220 West 18th Street in Chelsea, Manhattan. Red Bull Arts New York is open from 12-7pm.

Photo credits: 1, 4-7 Lois Stavsky; 2-3 Karin du Maire

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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